129:. Essentially self-taught in his early years, he became the first significant Albanian composer to study exclusively in his home country, entering the newly founded Tirana Conservatory in 1962 and studying there with Daija until 1966. He then taught composition, counterpoint and harmony at the conservatory (1966–73), subsequently serving as vice-director of its parent body, the Superior Institute of Arts (1973–7). His most significant post was as music secretary of the Union of Albanian Writers and Artists (1977–91); he later also served as director of the
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165:). He founded the festival Evenings of New Albanian Music in 1992. In 1994 he founded the artistic society “Pentaton” (now Cultural Foundation “Feim Ibrahimi”), aiming to organize several cultural events and to establish a private conservatory for gifted children. Some his works are published in England by the Emerson Edition.
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For his artistic merits, in 1989, the
Albanian State conferred him the title “People’s Artist”, the highest artistic title in Albania. Whereas in 2000, the town hall of Tirana conferred him the title “The gratitude of Tirana” for his contribution to the Albanian culture, and especially to the culture
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Ibrahimi has won many prizes in national competitions and in “May
Concerts” (the main national festival organized annually since 1967). He has won two Republic prizes – the most important award in the field of creative activity. In 1990, a concert-portrait, which included a lecture on his music, was
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As music secretary during
Albania’s period of cultural isolation, Ibrahimi showed himself a capable administrator, exerting a positive influence on Albania’s musical life. Though obliged by his office to defend socialist realism, during his official travels abroad he tried, as much as was possible,
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Ibrahimi’s music includes nearly all genres: instrumental miniatures, soundtracks, chamber music, concertos for solo instruments and orchestra, symphonies, ballets and vocal works. Dialogo for cello and piano and the romance
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213:) for soprano, cello and piano (both composed in June 1997) are the last works of the composer, who died the 2 August 1997 in
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to keep up with international musical developments, experimenting in secret with atonality (e.g. in the
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as early as 1981, and inviting to
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121:(1935–1997) was an Albanian composer born on 20 October 1935 in
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Kirsten
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