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Felix Ivo Leicher

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25: 179: 128:, today on the wall to the right of the main entrance of the parish church is a plaque that hangs in his memory. He was apprenticed to a weaver, and later studied cutlery at school. But his break came in a local painter shop with Francis Andrew Schaffer, where he learned the basics of painting. Painting excited him and it became his entire life. From 1751 he studied at the 301:
SLAVÍČEK, Lubomir. Felix Ivo Leicher, ein Maler ohne Eigenschaften? Versuch einer Stildefinition seines Oeuvres. In Edward Hindelang, Lubomir Nightingale. Franz Anton Maulbertsch und Mitteleuropa: Beiträge zum 30 jährigen Bestehen des Museums Langenargen. Langenargen - Brno: Masaryk University, 2007.
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His composition, the concept of shapes, light handling and other features paintings show a significant effect of the work Maulbertsch, whose work he admired. His approach is quieter, the expression of the character rather lyrical, restrained, narrative tuned. Unlike Maulbertsch, Leicher was not
90: 230:, a professor at the Vienna Academy, whose work was a kind of moderate variant of the former academic uniform style, especially for it suggests a simple, clear compositional solutions and more lyrical, moderate tone of works by both artists. 167:
There is now no doubt that many of his works are still hidden in anonymity in various churches and collections, sometimes surprisingly authorship is revealed even smaller
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Nightingale, Lubomir. Contributions to the knowledge of Felix Ivo Leicher in northern Moravia. In Proceedings of conservation in the North Region. Number 5, 1982.
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paintings and numerous sketches and drawings bear the marks of his hands. In the latter part of the 18th century he devoted himself also to creating smaller
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Schenk, Marie; Olšovský, Jaromír. Baroque painting and sculpture in the western part of Czech Silesia. Opava: Silesian Museum, Francis Maj, 2001. 274 pp.
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Toman, Prokop. New Dictionary of Czechoslovak artists. 3rd 2nd ed Volume Prague: Rudolf Rysavy: Shape 1950s. Password Leicher, Felix Ivo, p 19 to 20
160:, that he painted around 1760. The influence of his teachers could be seen in his work, as is evident in the rich coloristic main altar painting in 136:(today, this image is a preparatory sketch in the German National Museum in Nuremberg), which had secured the support of the future of this school. 357: 342: 250:
Jelonek, Emil. Felix Ivo Leicher. In Das Kuhländchen. 7th volume. Neu-Titschein: L. V. Enders'sch, to 1926. 200 pages. Pages 17–20, 33-37, 49-52.
307: 264: 367: 292: 278: 244: 76: 164:. In several cases, the works were long attributed to just Maulbertsch and only recently found their true authorship as Leicher's. 148:, with whom he worked throughout his life kept friendly relations, working together as the frescoes and paintings for a church in 372: 387: 352: 186: 152:. In many places, Leicher painted altarpieces in churches with frescoes. A typical example of that is the altarpiece of the 337: 37: 153: 129: 47: 41: 33: 58: 227: 203:. He was inspired apparently also by other Venetian painters of 18th century, particularly the compositions of 332: 145: 284:
Schenk, Marie; Olšovský, Jaromír. Baroque painting and sculpture in the eastern part of the Czech Silesia.
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parish church of the Assumption, which are often seen as the most perfect, do not lose connection to the
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A. Petrova-Pleskotová to the work of Felix Ivo Leicher the Slovak Republic. In ARS, Issue 1, 1985.
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Kuchta, Zdeněk. Notable natives and personality Bílovecká. Bílovec: City Bílovec, 2009.
326: 215:. Its development lacks obvious drama or a representative sample of altarpieces in 319:
Vollmer, Hans. Allgemeines Lexikon der Kunst bildenden. 22nd volume. Leipzig, 1928
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Horová, Angel. New Encyclopaedia of Czech art. Prague: Academia, 1995. 546 pages.
211:. It is most evident on two paintings for the church altar of John the Baptist in 200: 89: 161: 125: 105: 168: 132:, and in 1754 in a competition he received the second prize for painting 298:
Nightingale, Lubomir. Felix Ivo Leicher. Dissertation FF UJEP Brno 1972.
149: 121: 104:(18 or 19 May 1727 – 20 February 1812) was a Czech-Austrian painter of 226:
Some critics, however, see more inspiration coming from the works of
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and secular works, which was spread to a wide area throughout the
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Kršek, Ivo. Baroque art in Moravia and Silesia. Academia, 1996.
18: 97:. 7. Band. Neu-Titſchein: L. V. Enders’ſch, 1926. Pg. 17 253:
Kršek, Ivo. History of Czech Fine Arts, Part II / 2nd
287:Opava: Silesian Museum, Francis Maj, 2004. 265 pp. 46:but its sources remain unclear because it lacks 8: 199:affected by the expressive manifestation of 93:Portrait of Felix Ivo Leicher, taken from 267:. Section Leicher Felix Ivo, pages 54–55. 77:Learn how and when to remove this message 7: 223:works of his early creative period. 363:19th-century Austrian male artists 348:18th-century Austrian male artists 16:Czech-Austrian painter (1727–1812) 14: 23: 358:19th-century Austrian painters 343:18th-century Austrian painters 187:Museum of Fine Arts (Budapest) 1: 130:Academy of Fine Arts Vienna 404: 368:Austrian portrait painters 228:Michelangelo Unterberger 32:This article includes a 373:Czech portrait painters 146:Franz Anton Maulbertsch 144:His teacher there was, 134:Anointing Saul the King 61:more precise citations. 353:Austrian male painters 190: 185:by Felix Ivo Leicher, 98: 310:. p 221-243. (German) 207:, and also images of 181: 175:with secular themes. 92: 205:Giambattista Pittoni 388:People from BĂ­lovec 338:Czech male painters 154:Holy Trinity Church 120:He was born in the 191: 99: 34:list of references 308:978-80-210-4394-7 265:978-80-254-6373-4 209:Peter Paul Rubens 173:cabinet paintings 102:Felix Ivo Leicher 87: 86: 79: 395: 82: 75: 71: 68: 62: 57:this article by 48:inline citations 27: 26: 19: 403: 402: 398: 397: 396: 394: 393: 392: 323: 322: 236: 196: 142: 118: 110:Habsburg Empire 95:Das Kuhländchen 83: 72: 66: 63: 52: 38:related reading 28: 24: 17: 12: 11: 5: 401: 399: 391: 390: 385: 380: 375: 370: 365: 360: 355: 350: 345: 340: 335: 333:Czech painters 325: 324: 321: 320: 317: 314: 311: 299: 296: 285: 282: 271: 268: 257: 254: 251: 248: 235: 232: 195: 192: 141: 138: 117: 114: 85: 84: 67:September 2023 42:external links 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 400: 389: 386: 384: 381: 379: 376: 374: 371: 369: 366: 364: 361: 359: 356: 354: 351: 349: 346: 344: 341: 339: 336: 334: 331: 330: 328: 318: 315: 312: 309: 305: 300: 297: 294: 293:80-86224-46-5 290: 286: 283: 280: 279:80-86458-06-7 276: 272: 269: 266: 262: 258: 255: 252: 249: 246: 245:80-200-0521-8 242: 238: 237: 233: 231: 229: 224: 222: 218: 214: 210: 206: 202: 193: 188: 184: 180: 176: 174: 170: 165: 163: 159: 155: 151: 147: 139: 137: 135: 131: 127: 123: 115: 113: 111: 107: 103: 96: 91: 81: 78: 70: 60: 56: 50: 49: 43: 39: 35: 30: 21: 20: 225: 197: 182: 166: 143: 133: 119: 112:and beyond. 101: 100: 94: 73: 64: 53:Please help 45: 383:1812 deaths 378:1727 births 201:Paul Troger 183:The Evening 106:altarpieces 59:introducing 327:Categories 234:References 116:Early life 213:Kroměříž 122:Silesian 189:, 1780s 162:BĂ­lovec 150:Mikulov 126:BĂ­lovec 55:improve 306:  291:  277:  263:  243:  221:Rococo 158:Fulnek 140:Career 217:Opava 194:Style 169:genre 124:town 40:, or 304:ISBN 289:ISBN 275:ISBN 261:ISBN 241:ISBN 156:in 329:: 44:, 36:, 295:. 281:. 247:. 80:) 74:( 69:) 65:( 51:.

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list of references
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altarpieces
Habsburg Empire
Silesian
BĂ­lovec
Academy of Fine Arts Vienna
Franz Anton Maulbertsch
Mikulov
Holy Trinity Church
Fulnek
BĂ­lovec
genre
cabinet paintings

Museum of Fine Arts (Budapest)
Paul Troger
Giambattista Pittoni
Peter Paul Rubens
Kroměříž
Opava
Rococo
Michelangelo Unterberger
ISBN

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