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cut. The neck is one piece maple with a flatter 9.5-inch radius and larger 6105 frets. The headstock has the original design “Custom” logo mentioned before. The neck pickup is a custom wound wide-range humbucker. Alnico 2 magnets were used, which more closely resemble the sound of the CuNiFe magnets used in the original Seth Lover pickup. The bridge pickup is a “hot nocaster”. The overwound pickup has more output, which better matches the output of the neck pickup. These guitars are distinguished from production reissues by a “Custom Shop
Limited Edition” logo on the back of the headstock and also on the neck plate.
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the slugs, while the reissue has a standard non-magnetized set of slugs with an AlNiCo (aluminum, nickel, Cobalt) magnetized bar underneath. This standard humbucker is fitted in the larger casing of the original pickup, using wax to fill the void. The original WRH measured an average of 10.6 kΩ and used a 1 MΩ audio volume pot (P/N 021832) and a 1 MΩ LIN (P/N 010188) tone pot, while the reissue measures a fairly standard 8 kΩ and uses 250 kΩ volume and tone pots. This results in a much darker sounding reissue wide-range pickup.
510:, who had overseen the development of the original Gibson humbucker. When Lover's association with Gibson came to an end, Fender approached him to design a pickup that would enable them to compete with his previous employer. The resulting pick-up first appeared in the Thinline and Deluxe range of Fender Telecasters introduced in 1972. Lover's Fender humbucker is felt by many to be brighter with more bottom end than his Gibson versions, and a better match for the classic, Fender bridge pickup.
578:—the MIM reissues are now the predominant versions in Europe and the United States. It is generally accepted among players that the Japanese version is superior to the Mexican version in construction, though some believe the Japanese ceramic humbucker suffers in comparison with the Mexican model's Alnico humbucker. The higher-end Factory Special Run (FSR) editions of the guitar are made at the Fender Custom Shop (USA).
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Stratocaster style knobs, the “Witch-Hat” volume and tone knobs were replaced with
Stratocaster knobs. Since Fender used denser wood to create this model, it resulted in an instrument that was significantly heavier than the average Telecaster (nine pounds versus seven pounds on average). This results in a much thicker and less sharply defined sound as a result.
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487:). Another reason for replacing the Telecaster neck pickup was that many players felt it lacked a “Rock and Roll vibe”. The original single-coil neck pickup excels in jazz and blues tones, but players felt replacing it with a more powerful humbucker pickup would give the Telecaster a second rock voice to match the Telecaster's popular bridge pickup.
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Criticisms of the reissue Wide Range
Humbucker and the escalating cost of parted-out original pick-ups has led to the establishment of a small but thriving aftermarket sector. Suppliers of boutique WRH replacements can be found in the US and the UK. Some pick-up specialists also offer a re-winding /
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Both the
Mexican and the Japanese versions feature a reissued version of the Fender Wide Range humbucking pickup, each of which differs fundamentally in construction from the original. The original WRH used magnetized CuNiFe (copper, nickel, and iron) pole pieces ("slugs") with copper wiring around
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As with the other guitars in the '72 reissue series, the Custom has enjoyed much of its popularity long after the cessation of its original production run. Fender Japan was the first to release a reissue of the Custom, which benefited from being substantially lighter than the original and thus less
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In particular, the
American Vintage ’72 Telecaster Custom includes a solid ash body with gloss lacquer finish; a C-shaped neck with gloss lacquer finish; maple fingerboard; American Vintage single-coil telecaster bridge pickup, Fender wide range humbucker in the neck, a three-position switch with
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In 2010 the Fender Custom Shop released a limited issue of 30 '72 Telecaster Custom relics. While they used some original '72 design features, such as the three-bolt neck and the classic look, these guitars had many more differences from the originals. The body is made of ash and features a belly
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The re-issues and road-worn copies feature a different bridge to the original
Telecaster Custom, and re-issues are supplied only in a choice of either black or sunburst. The re-issue body differs from the original in having the deeper upper cutaway characteristic of modern standard Telecasters.
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Telecaster Custom was introduced just around the time that Fender began to lose its reputation as a quality instrument company. Blighted with Fender's allegedly unstable 3 bolt adjustable neck joint and the characteristic 1970's style “notchless” upper cutaway, the Custom was also tarnished by
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There was a curly “Custom” logo on the original Custom guitar until early 1973, when it was replaced by a standard italicized block typeface as used on most Fender guitars and basses of the time. It was produced from 1972 to 1981. Until the first half of 1977, when the knobs were changed to
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amplifiers. Many players began to look for a thicker, creamier sound that the standard
Telecaster didn't deliver. To achieve this sound, many players replaced the standard single-coil pickups on their Telecasters and installed aftermarket humbuckers (a good example of this is
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In 2011, Fender released the
American Vintage reissue '72 Telecaster Custom, replicating the original '72 design features such as the three-bolt neck and the classic look, with improved construction and quality.
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The Custom
Telecaster was also more expensive than the standard Telecaster. Despite high hopes, sales never reached the levels that Fender had anticipated.
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During the 1950s and early 1960s, Fender's twangy single-coil sound considerably grew in popularity. This began to wane by the mid-1960s, as new stars like
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Perhaps the most well-known difference is the reissue Wide Range
Humbucker pick-up.
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tonally inert. Following the Japanese re-issue, Fender moved production to its
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market largely dominated by Gibson. Fender's first humbucking design was the
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negative perceptions surrounding the Pre/Post-CBS quality control debate.
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rebuilding service designed to return the reissue pickup to the original
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Few well-known players of the time picked up on the Custom apart from
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and do not remove this message until the contradictions are resolved.
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Classic electrics : a visual history of great guitars
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2011 Fender American Vintage Reissue 72 Telecaster Custom
637:"History of the Telecaster Deluxe | Fender Guitars"
549:) who wielded a natural-finish 'second-version' Custom.
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2010 Fender Custom Shop Q1 Limited 72 Telecaster Custom
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686:: CS1 maint: location missing publisher (
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277:Learn how and when to remove this message
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483:' modified Fender Telecaster nicknamed
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498:models) was an attempt to enter the
99:adding citations to reliable sources
565:The Reissue 1972 Telecaster Custom
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16:Variation of the Fender Telecaster
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45:This article has multiple issues.
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815:List of Telecaster players
110:"Fender Telecaster Custom"
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440:Fender Telecaster Custom
293:Fender Telecaster Custom
25:Squier Telecaster Custom
654:Carter, Walter (2008).
433:Black, 3-Color Sunburst
250:Please discuss at the
506:humbucker created by
95:improve this article
868:Fender Telecasters
763:Nashville B-Bender
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665:978-1-906002-19-0
474:into over-driven
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582:Differences:
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574:facility in
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543:Van Morrison
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460:Eric Clapton
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343:Bolt-on neck
326:Construction
308:Manufacturer
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93:Please help
88:verification
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47:Please help
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539:Bryan Ferry
531:Johnny Kidd
527:The Pirates
418:Single-coil
23:model, see
729:Telecaster
658:. London.
648:References
595:Seth Lover
553:Popularity
535:Goutucucha
523:Mick Green
508:Seth Lover
504:Wide Range
470:-equipped
339:Neck joint
121:newspapers
50:improve it
768:Cabronita
736:Submodels
682:cite book
674:209597061
500:humbucker
468:humbucker
412:Pickup(s)
384:Fretboard
331:Body type
260:July 2024
252:talk page
56:talk page
862:Category
834:Category
803:See also
794:Jim Root
748:Thinline
743:Standard
572:Ensenada
492:Thinline
485:Micawber
476:Marshall
446:made by
398:Hardware
392:Rosewood
151:May 2021
19:For the
846:Commons
810:Esquire
472:Gibsons
454:History
135:scholar
789:John 5
758:Deluxe
753:Custom
726:Fender
672:
662:
576:Mexico
545:, and
496:Deluxe
448:Fender
420:and 1
403:Bridge
318:Period
312:Fender
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21:Squier
623:Notes
406:Fixed
388:Maple
378:Maple
368:Alder
359:Woods
354:25.5"
350:Scale
334:Solid
142:JSTOR
128:books
688:link
670:OCLC
660:ISBN
494:and
462:and
374:Neck
364:Body
114:news
537:),
97:by
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