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412:. At the beginning of the opera, Cortez persuades his mutinous troops not to embark for home. His brother, Alvaro, is a prisoner of the Aztecs and Cortez is also in love with the Aztec princess, Amazily. Amazily's brother, TĂ©lasco, arrives and tells the Spaniards to leave Mexico. Cortez responds by setting fire to his own ships.
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In the temple, the priests prepare to sacrifice Alvaro when
Amazily arrives. An oracle from the god announces that he wants the blood of his enemies. News arrives that the Aztec emperor Montezuma has been captured by the Spaniards. The high priest decides to go ahead with the sacrifice of Amazily.
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The
Spaniards advance on the Aztec temple with TĂ©lasco their prisoner. They succeed in freeing Alvaro. TĂ©lasco accuses his sister Amazily of being a traitor and the Aztecs threaten to behead her if Alvaro is not returned to them. Amazily decides to sacrifice herself and hands herself over to the
173:. The emperor himself is said to have suggested the theme of the opera to Spontini and the premiere was held in his presence. The popularity of the piece declined with the waning of the French army's fortunes in Spain and Portugal.
690:(représentée pour la première fois sur le théâtre de l'Académie royale de musique le 28 novembre 1809 et remise avec des changemens, le 28 mai 1817; nouvelle édition), Paris, Hanry, ca 1817 (accessible for free online at
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Fernand Cortez ou La ConquĂŞte du
Mexique, Tragédie Lyrique en 3 Actes de MM De Jouy et Esmenard; Mise en Musique et Dediée à Sa Majesté La Reine des Deux Siciles par Gasparo Spontini
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and the loudness of the music. The richness of the staging, extensive use of dance and the treatment of an historical subject make
Spontini's work the precursor of French
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Fernand Cortez ou La ConquĂŞte du
Mexique, Opéra en 3 Actes, Représenté pour le première Fois, sur le Théâtre de l'Académie Imperiale de Musique, le 28 novembre 1809
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Spontini substantially revised twice the opera for revivals in Paris on 28 May 1817. Revisions were also made for performances in Berlin in 1824 (recorded by
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Fernand Cortez ou La conquête du Méxique, Tragédie
Lyrique en 3 Actes de MM. De Jouy et Esmenard; Mise en Musique et Dédiée à Son Excellence Monsieur le
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in 1999) and 1832, and later in Paris in 1838, last version of the work. Performances in Paris at Saint-Louis des
Invalides, with the sponsorship of the
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The 1809 premiere was famous for its spectacular effects, including the appearance of 17 live horses on stage. Critics complained about the adventurous
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With Dario
Schmunck, Alexia Voulgaridou, Luca Lombardo, Gianluca Margheri, David Ferri DurĂ , Orchestra and chorus of the
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439:(1817 version) Soloists, Slovak National Philharmonic Choir, Slovak National Philharmonic Orchestra conducted by
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in 1808. Cortez symbolises
Napoleon while the bloodthirsty Aztec priests are meant to represent the
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The
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141:. It was first performed on 28 November 1809 by the Académie Impériale de Musique (
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conducted by Jean-Luc Tingaud. CD: Dynamic Cat:CDS7868. Released 2020.
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Les aventures militaires, littéraires et autres d'Étienne de Jouy
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parts are notated, on the period printed score, either in the
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633:"Spontini: Fernando Cortez (La conquète du Mexique)"
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Aztecs. Cortez orders his men to attack the temple.
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386:This is based on the original version of 1809.
157:The opera was originally intended as political
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114:Fernand Cortez, ou La conquĂŞte du Mexique
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908:Nurmahal, oder Das Rosenfest von Kaschmir
776:International Music Score Library Project
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203:in 2006, all series conducted by Penin.
119:Hernán Cortés, or The Conquest of Mexico
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394:The opera is based on the story of the
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682:Printed score of the 1817 edition:
497:According to the original libretto.
730:, Éditions Seguier, France, 2009.
711:, New York: Penguin Putnam, 2001.
153:Background and performance history
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228:Roles, voice types, premiere cast
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242:Premiere cast, 28 November 1809
569:(a mariner and an officer) and
16:1809 opera by Gaspare Spontini
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358:Ladies companions of Amazily
352:Alexandrine-Caroline Branchu
184:. It was greatly admired by
754:and other libretti such as
709:The New Penguin Opera Guide
1016:
975:Operas by Gaspare Spontini
876:Julie, ou Le pot de fleurs
860:Le metamorfosi di Pasquale
677:Harvard University Library
448:Maggio Musicale Fiorentino
91:28 November 1809
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671:Original printed score:
139:Joseph-Alphonse Esménard
62:Joseph-Alphonse Esménard
836:Li puntigli delle donne
722:Del Teatro (in Italian)
598:Member(s) of the choir.
484:which was used for the
980:French-language operas
916:Agnes von Hohenstaufen
405:, and his invasion of
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220:Theater am Kärntnertor
748:About Étienne de Jouy
318:Two Spanish officers
301:Henri-Étienne Dérivis
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990:Operas set in Mexico
852:La fuga in maschera
688:... par G. Spontini
660:Original libretto:
313:Jean-Honoré Bertin
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216:Johann Michael Vogl
171:Spanish Inquisition
844:Teseo riconosciuto
763:2010-01-14 at the
332:A Mexican officer
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197:Fondation Napoléon
82:Conquest of Mexico
1000:Aztecs in fiction
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736:978-2-84049-556-7
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167:invasion of Spain
125:in three acts by
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486:haute-contre
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399:conquistador
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372:taille/bass
321:taille/bass
292:High priest
283:haute-contre
218:as TĂ©lasco,
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44:The composer
985:1809 operas
182:Grand Opera
143:Paris Opera
969:Categories
884:La vestale
757:La vestale
750:who wrote
478:tenor clef
455:References
434:Recordings
369:Coryphaei
238:Voice type
159:propaganda
95:1809-11-28
50:Librettist
482:alto clef
361:sopranos
327:, Albert
254:baritenor
145:) at the
934:Category
761:Archived
382:Synopsis
343:Amazily
307:Moralèz
287:LaforĂŞt
266:TĂ©lasco
252:taille (
131:libretto
121:) is an
87:Premiere
79:Based on
71:Language
900:Olimpie
707:(ed.),
655:Sources
642:17 June
396:Spanish
347:soprano
338:Martin
335:taille
269:taille
178:harmony
104:, Paris
93: (
995:Operas
945:Portal
919:(1829)
911:(1822)
903:(1819)
895:(1809)
887:(1807)
879:(1805)
871:(1804)
868:Milton
863:(1802)
855:(1800)
847:(1798)
839:(1796)
828:Operas
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571:p. 501
410:Mexico
279:Alvar
222:, 1812
74:French
959:Opera
474:tenor
460:Notes
425:Act 3
416:Act 2
407:Aztec
390:Act 1
310:bass
234:Role
207:Roles
123:opera
28:Opera
732:ISBN
713:ISBN
644:2020
472:The
296:bass
137:and
165:'s
133:by
30:by
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