565:"Discussions on Translating Literature" “翻译文学书的讨论”, "Discussions on Europeanization of Literature"、“语体文欧化讨论”、 "Discussions about Creative Works" “创作讨论”，and "Naturalism" “自然主义”、and "Nature of Literature and its Problems" “文学主义问题”。From 1910 to the mid-1930s, the entire written and printed Chinese language was transformed.
171:" circles. The January 10 issue proclaimed its "new editorial direction": to translate and critique important European works; develop literature of realism, and use the new literature to reflect the life of ordinary people, also to provide a platform for inquiry into classical literature in the modern context.
557:
authored many reviews and essays about writing in the journal. Shen
Yanshui, the editor, himself wrote a number of important theoretical essays on the new literature, including "Responsibility and Hard Work for the New Literature" 《新文学研究者的责任与努力》、"The future of Creativity" 《创作的前途》、"Social Background
267:
transform to a serious and elegant literature magazine, it became one of the most outstanding magazines in China when he was the editor. Its sales amount was more than ten thousand every month, it also sold overseas to Japan, British, etc. It was an ideal platform for development of new literature.
250:. It was printed much more closely than other journals, split to upper and lower halves in a regular format, fifteen lines of twenty-one characters on each of it. There are many more characters on one page which make the magazine very small thus it can be easily carried around and read at anywhere.
192:
There is competition of western and traditional literatures in the late 1920s and early 1930s. The competition between
Butterfly writers and May Fourth writers was represented like new versus old or westernized versus traditionalized. "Mandarin Duck and Butterfly School" was one of the most popular
581:
provided a special column called "Movement to organize ancient literature and new literature". Additionally there were numerous treatises about classical literature as well as a two-issue
Special about "Research into Chinese Literature" 中国文学研究, consisting of 60 articles by 35 authors. The topics
561:
The journal from time to time provided special columns for discussion of theoretical issues. Spirited disagreements flourished in these columns as well as in the reviews and essays. The antagonists would respond in alternative issues. These proved to be irresistible to writers and scholars of the
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presented a certain freshness to the reader. The articles were chosen quickly, accurately (to match the reader's taste), and with multiple dimensions. There were entertaining novels and short stories for a general readership, as well as literary reviews for scholars. The editors had an unerring
552:
Fiction
Monthly provided a forum for critical reviews as a means to form the philosophical and technical foundations for the new vernacular literature. Fortunately Lu Xun was not only a gifted writer but also an eloquent critic and reviewer. Both he and his brother
286:
was not satisfying in the first year after the revolution of Mao Dun, it became hard to read for some readers. The revolution is not easy, revolution was always criticized by old writers at that time. Mao Dun wrote article to stand for new literatures. He worked on
159:
literature, published entertaining and recreational articles. The selections included popular love stories and situational novels. Many traditional serial novels were published in the journal. It was an important platform for the traditional scholars.
201:
Because
Chinese literature need revolution, "Mandarin Duck and Butterfly School" became the opposite of new culture. Old national forms were broke to conform to the new forms of the world trend during the May fourth Movement.
197:
very popular among readers. Chinese ducks鸳鸯 and butterflies蝴蝶 are in pairs, which are the symbols of lovers. However, it was critiqued by May Fourth writers because it represents of old feudal thoughts and rules.
441:, and others. All of these writings gave a rich picture of life in China during the early 20th century from a panoramic perspective and a variety of viewpoints. The sense of realism was very strong.
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provided a focus on these changes participating fully in the transition by its creative authors and in establishing the framework for the transition from critical and theoretical points of view.
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published classical novels and poems for the first ten years before 1921. It then changed editorial policy to promote the new literature. It had a unique perspective from which to view
804:
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instinct for what its readers liked. The longer novels were serialized. Even though it did not chase fashionable trends the readers kept on coming back eager for the next issue.
297:: Zheng Zhenduo took charge of the literature research association, thus he has a higher reputation among editors. Mao Dun received help from Zheng during the time he worked on
301:, many important manuscripts of the journal are organized and approved by Zheng Zhenduo. Although Zheng became the main editor from volume 14, he was involved in working on
278:
was published, the issue is an adaptation of literary evolution. Mao Dun not only hired popular writers like Lu Xun, Zhuo Zuoren, but also gave chances to new writers like
221:
joined the
Shanghai Communist Party group, the authorities of the Commercial press decided to adapt to the new trend of the May 4th movement and completely reform the
453:
published some 800 articles about literature from 39 countries including over 300 authors. Translations by Geng Jizhi 耿济之 in 1921 include
Russian realism such as:
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included pre-Qin, Wei, Jin and Six
Dynasties literature, Tang and Song Dynasty poetry, Yuan Dynasty dramas, Ming and Qing Dynasty novels, and folk literature.
829:
814:
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Chen, Yehua (2018). "Xiaoshuo yuebao (1921–1931) as a
Cultural Mediator of Small Literatures in China". In Roig-Sanz, Diana; Meylaerts, Reine (eds.).
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809:
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596:. In its entirety, these articles form an important comprehensive collection of research into old traditional Chinese literature even today.
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365:, Xu Zhi 徐雉, and others. These works show the bitterness of life and expose the dark side of society, sympathetic to the repressed people.
380:《老张的哲学》, and poetry such as Zhu Ziqing's "Destruction" 《毁灭》, Ye Shaojun's "Liuhe battlefield"《浏河战场》 and Zhu Xiang's "Wang Jiao"《王娇》.
458:
181:(叶圣陶) became the main editor instead of Zheng. Zheng came back to be the main editor again since volume 20, issue7 in June 1929.
156:
99:
589:
509:. There were numerous other articles, which taken together comprise a systematic exploration of Russian realism and
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strongly promoted humanist literature, struggled for human freedom, attacked all traditional literatures including
628:"A Neglected Medium: The Literary Journal and the Case of "The Short Story Magazine" (Xiaoshuo yuebao), 1910-1914"
177:(郑振铎) became the main editor since the volume 14, issue 1 in 1923. Due to the 412 Event, Zheng went to Europe and
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521:
168:
409:
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closed its doors in 1932 after the
Japanese invasion of Shanghai with their naval and air bombardment (
274:: Mao Dun studied how to marry the new and old literatures together. When the new reformed version of
210:
130:
118:
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260:
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and Creativity" 《社会背景与创作》、"Naturalism and Contemporary Chinese Fiction" 《自然主义与中国现代小说》 and more.
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Hull, David (2016). "Value in What is Saved and What is Lost: Textology in Mao Dun's Eclipse".
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in Shanghai. First published in July 1910, its original editors were Yun Tieqiao (恽铁樵) and
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make it popular and favourable until 1932, the sales amount became much better than 1921.
312:, such as old literature verses new literatures, history of Chinese and Foreign literature
27:
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style, and plays in the new style. Western fiction and plays were also translated into
788:
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because they were fulfilled with traditional moral rules such as Confucian morality.
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published novels in abundance, followed by poetry, plays and essays. They included "
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It is visually similar to general journals, comprised 80 to 100 pages, shorter than
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popular books in the literary field before the New Culture Movement, which make
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167:(茅盾) changed the editorial direction in 1921. He enticed contributors from the "
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434:
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Feng, L (1996). "Democracy and Elitism: The May Fourth Ideal of Literature".
643:
400:
350:
133:). Altogether there were 22 volumes or 262 issues, including four specials.
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After 1923 other famous writers' works include Wang Tongzhao's "Dusk"《黄昏》,
125:(Shen Yanbing) became its chief editor beginning with Volume 10, Issue 1.
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and wrote an essay on him; and there was a Volume 12 special edition on
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Lost Voices of Modernity: A Chinese Popular Fiction Magazine in Context
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Literary Translation and Cultural Mediators in 'Peripheral' Cultures
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In 1927 there were more early works by authors who became famous,
337:", "Upstairs in a Restaurant", "Social Drama" and other novels by
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But they were going against the new literature tide and
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originally published poems and stories in the classical
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It was the second literary journal to be published by
341:鲁迅. In the early years, there were short stories by
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26:
113:) was a Chinese literary journal published by the
282:, Dai Wangshu. Actually the selling amount of
669:. Palgrave Macmillan, Cham. pp. 113–155.
805:Defunct literary magazines published in China
8:
353:, and others; new literature style poems by
263:: Yun is second editor after Wang Chunnong.
19:
520:special. It introduced French romanticism,
157:Mandarin Duck and Butterfly School"(鸳鸯蝴蝶派)
18:
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751:Frontiers of Literary Studies in China
780:Yahoo Encyclopedia article on Mao-Tun
632:Modern Chinese Literature and Culture
7:
825:Monthly magazines published in China
702:
700:
698:
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694:
562:time. Some important examples were:
775:Encyclopedia.com article on Mao-Tun
528:in literature and plays, including
830:Defunct Chinese-language magazines
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815:Magazines disestablished in 1932
421:《灭亡》; plus works by new writers
820:Magazines published in Shanghai
800:1932 disestablishments in China
103:
1:
810:Magazines established in 1910
711:. University of Hawaii Press.
548:Reviews, critiques and theory
795:1910 establishments in China
590:classical Chinese literature
308:Zheng added new contents to
32:Yun Tieqiao, Wang Chunnong,
763:10.3868/s010-005-016-0015-5
675:10.1007/978-3-319-78114-3_5
846:
109:; Original English title:
16:Chinese literary magazine
155:. It was the domain of "
121:(王莼农). In January 1921,
111:The Short Story Magazine
707:Gimpel, Denise (2001).
626:Gimpel, Denise (1999).
407:《梦珂 and her early work
211:the Journey to the West
516:The 15th volume was a
378:Old Zhang's Philosophy
248:Xiuxiang Xiaoshuo 绣像小说
21:Fiction Monthly (小说月报)
349:, Wang Tongzhao 王统照,
316:literature principles
604:From the beginning,
573:Classical literature
305:from two years ago.
255:Notable contributors
234:The Shape of Journal
577:Beginning in 1923,
410:Miss Sophia's Diary
137:Publication history
131:January 28 Incident
23:
507:Russian Literature
372:'s "Travels"《旅途》,
684:978-3-319-78113-6
518:French Literature
488:Notes of a Hunter
459:Diary of a Madman
437:, Sun Xizhen 孙席珍、
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483:Fathers and Sons
361:, Zhu Xiang 朱湘,
246:and longer than
227:Commercial Press
223:Fiction Monthly.
115:Commercial Press
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52:Commercial Press
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606:Fiction Monthly
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579:Fiction Monthly
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451:Fiction Monthly
447:
403:'s first novel
335:Duanwu Festival
331:Fiction Monthly
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310:Fiction Monthly
303:Fiction Monthly
299:Fiction Monthly
289:Fiction Monthly
284:Fiction Monthly
276:Fiction Monthly
265:Fiction Monthly
256:
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195:Fiction Monthly
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143:Fiction Monthly
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127:Fiction Monthly
107:Xiaoshuo Yuebao
95:Fiction Monthly
28:Editor-in-chief
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345:(Ye Shaojun),
325:Creative works
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169:new literature
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370:Zhang Wentian
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363:Liang Zongdai
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295:Zheng Zhenduo
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291:for 2 years.
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724:Modern China
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445:Translations
439:Zhang Tianyi
427:Shen Congwen
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555:Zhou Zuoren
542:George Sand
511:romanticism
503:Artsybashev
501:translated
431:Dai Wangshu
419:Destruction
389:Disillusion
343:Ye Shengtao
261:Yun Tieqiao
217:Soon after
206:Zhou Zuoren
179:Ye Shengtao
67:Final issue
59:First issue
789:Categories
613:References
534:Maupassant
522:naturalism
435:Shi Zhecun
413:《索菲亚的日记》,
395:《动摇》, and
387:'s novels
355:Zhu Ziqing
186:Background
54:, Shanghai
644:1520-9857
401:Ding Ling
376:'s novel
351:Xu Dishan
62:July 1910
48:Publisher
40:Frequency
652:41490806
600:Features
492:Turgenev
423:Hu Yepin
393:Wavering
359:Xu Yunuo
347:Bing Xin
280:Hu Yepin
83:Language
526:realism
476:Tolstoy
397:Pursuit
385:Mao Dun
374:Lao She
272:Mao Dun
165:Mao Dun
123:Mao Dun
100:Chinese
86:Chinese
75:Country
43:Monthly
34:Mao Dun
736:189342
734:
681:
650:
642:
594:wenyan
530:Balzac
499:Lu Xun
415:Ba Jin
399:《追求》;
391:《幻灭》,
339:Lu Xun
153:wenyan
148:wenyan
102::
732:JSTOR
648:JSTOR
464:Gogol
405:Dream
78:China
679:ISBN
640:ISSN
592:and
524:and
486:and
449:The
141:The
104:小说月报
92:The
70:1932
759:doi
671:doi
490:by
474:by
462:by
417:'s
244:新小说
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