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and the development of the "serpentita" style, that style's structures and rules began to be systematised. A style of form began by which figures showed physical power, passion, tension and semantic perfection. Movements were not without motivation, nor even simply done with a will, but with will
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As Maurer writes, painters are freer than sculptors and less closely tied-down to nature. Thus, they can play around with their figures, reshaping, overstretching, geometricising, dissolving, caricaturing, colouring, or meandering according to the painting's goal and intended effect. With the
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movement and a certain numerical proportion, all three united to form one whole. At the same time, precedence is given to the "moto", that is, to the meandering movement, which should make the pyramid, in exact proportion, into the geometrical form of a cone."
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67:) is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of
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100:(1538ā1600): "The recommended ideal form unites, after Lomazzo, three qualities: the pyramid, the
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also argues that it was invented by
Michelangelo, citing the "Victors" that he produced for
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Manierismus: Figura serpentinata und andere
Figurenideale: Studien, Essays, Berichte
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shown in a pure form. Also their actions arose not out of power, but powerlessness.
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in 1506, and its deep impact on all artists, but on
Michelangelo in particular.
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and perhaps even
Michelangelo, and his work as a whole is marked by
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228:. Art and Architecture series. London: Penguin Books, 1991.
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Mannerism: The
Painting and Style of the Late Renaissance
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The style exerted an influence even into the 1620s, with
246:, New York, 1964, translated by Simon Watson Taylor.
127:style arose as a result of the discovery of the
81:pose. Early examples can be seen in the work of
96:Emil Maurer writes of the painter and theorist
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143:instead as its pioneer. Beccafumi's student
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147:connected Beccafumi's style with those of
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71:. It is similar, but not identical, to
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77:, and features figures often in a
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268:. The Metropolitan Museum of Art
173:loosening of the norms of the
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266:"Donatello (ca. 1386ā1466)"
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314:Composition in visual art
121:Bousquet holds that the
188:The Rape of Proserpina
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16:Italian artistic style
167:Dialogo della Pittura
137:Pope Julius II's tomb
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294:History of sculpture
165:himself says in his
44:Figura serpentinata
35:Figura serpentinata
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98:Gian Paolo Lomazzo
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32:ā an example of a
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272:November 20,
270:. Retrieved
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195:Bibliography
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158:serpentinata
153:Parmigianino
124:serpentinata
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103:serpentinata
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91:Michelangelo
74:contrapposto
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41:
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309:Art history
204:Emil Maurer
201:(in German)
288:Categories
251:References
163:Paolo Pino
145:Marco Pino
60:serpentine
304:Mannerism
226:Mannerism
141:Beccafumi
69:Mannerism
299:Painting
210:, 2001.
161:motifs.
149:Salviati
183:Bernini
87:Raphael
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79:spiral
62:figure
274:2007
230:ISBN
212:ISBN
114:The
89:and
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