294:-- the more remarkable they have come to seem. . . . he chronicle of Manuel the Redeemer was not a book for the Young nor was it a book in the mood of the twenties. The story of the ambitious man of action who is cowardly, malignant and treacherous and who does not even enjoy very much what his crimes and double-dealing have won him, but who is rapidly, after his death, transformed into a great leader, a public benefactor and a saint, has the fatal disadvantage for a novel that the reader finds no inducement to identify himself with its central figure. Yet I am now not sure that this merciless chronicle in which all the values are negative except the naked human will, is not one of the best things of its kind in literature -- on a plane, perhaps, with
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240:. In the "Author's Note" preceding the novel's 1927 reprint, Cabell observed that "Not many other volumes, I believe, have been burlesqued and cried down in the public prints by their own dedicatees" alluding to the fact that both Untermeyer and Mencken had publicly expressed dislike with the novel in comparison with
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noted that while the novel's storyline was "meandering", it included "entertaining diversions on symbolically disguised book reviewers, philistines and their sexual obtusities, and pseudo-mythology." He concluded that "As a totality, repetitive, nagging, and boring, but with excellent moments."
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during the first half of the 13th century. The book follows the earthly career of Dom Manuel the
Redeemer from his origins as a swineherd, through his elevation to the rank of Count of Poictesme, to his death. It forms the second volume of Cabell's gigantic
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fell, like most of his other works, into comparative neglect, but two paperback reissues in 1969 and 1971, with introductions by
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Cabell fixed the period covered by the novel as August 7, 1234 to
September 29, 1239. See James Branch Cabell
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is rather anti-romantic despite its materials, an effect reinforced by Cabell's style."
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The Cream of the Jest, The
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392:(1927 edition), Author's Note.
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431:Bleiler, E. F. (1983).
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291:The Silver Stallion
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