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84:—all among the most successful of the Dutch Baroque—became identifiable by their "fine" manner, exquisite techniques, and extreme attention to detail resulting in works with smooth surfaces completely lacking
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was used to differentiate between a painter practicing classic techniques and one who, for instance, is a house painter, in the nineteenth century it became a label for artists like
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who, from about 1630 to 1710, strove to create as natural a reproduction of reality as possible in their meticulously executed, often small-scale works.
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brush strokes. The application of paint contrasts with the textures and style of other Dutch painters, such as
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Leidse fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge 1630-1760, Leiden,
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showing everyday life and activities, candle-lit nocturnal subjects, and
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96:. In this way they have more in common with earlier traditions in
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60:Although in the seventeenth century, as in modern
104:. Other artists working in the style include
49:(literally "fine-painters"), also called the
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188:Two men examining a sculpture by candlelight
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123:The fijnschilders are best known for
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27:17th-century Dutch artistic movement
100:, such as the detailed richness of
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223:Art movements in Dutch painting
53:('Leidse Fijnschilders'), were
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202:Stedelijk Museum de Lakenhal
228:Art of the Dutch Golden Age
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218:Dutch Golden Age painters
55:Dutch Golden Age painters
110:Quirijn van Brekelenkam
98:Netherlandish painting
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82:Adriaen van der Werff
78:Frans van Mieris, Sr.
72:and his followers in
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51:Leiden Fijnschilders
133:"niche" paintings.
39:The Dutch Housewife
184:Godfried Schalcken
106:Godfried Schalcken
94:Rembrandt van Rijn
92:and Dou's teacher
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16:(Redirected from
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165:Frans van Mieris
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137:Notable examples
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116:and, at times,
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150:Self portrait
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47:Fijnschilders
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18:Fijnschilders
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148:Gerrit Dou,
130:trompe-l'œil
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125:genre scenes
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102:Jan van Eyck
66:fijnschilder
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64:, the term
212:Categories
195:References
90:Frans Hals
70:Gerrit Dou
35:Gerard Dou
152:, c. 1650
86:painterly
169:The Duet
76:. Dou,
204:, 1988
171:, 1658
74:Leiden
41:, 1650
62:Dutch
80:and
45:The
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