503:, you might think that he was in touch with everyone who mattered in the 17th century. Hooft was an avid letter writer. This led to the idea in the 19th century that Hooft actually received all of these famous people at the castle. This led to the legend of the Muiderkring or Muider Circle. It was necessary at the time. After the Napoleonic wars, the Netherlands had changed from a republic into a kingdom, but there was a lot of strife. People looked to the past for stories that would bring them together. The Muiderkring was a perfect example: a company of men, women, Catholics, Protestants, who freely exchanged ideas within the castle walls, a perfect example of peaceful coexistence. The story was embellished, because Hooft knew all these people and received them at home but never all at the same time. The ideal of a Muiderkring that gathered at the castle every summer, making music, reciting poetry, and nibbling on the prunes. Well, that’s 19th century romanticism for you…
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This might look like a 17th-century painting at first sight, but you’ll soon notice your mistake if you look carefully. It is actually a 19th century work by the historic painter Jan Adam
Kruseman (1804-1862), showing one of Muiderslot castle’s most enduring myths: that of the
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De
Muiderkring. van links naar rechts: Jacob Cats, Constantijn Huygens, Laurens Reael, Anna Roemers Visscher, Pieter Cornelisz Hooft, Joost van den Vondel, Roemer Visscher, Maria Roemers Visscher, Tesselschade genaamd, Caspar van Baerle en Daniël
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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Catalogus der schilderijen, miniaturen, pastels, omlijste teekeningen, enz. in het Rijks-museum te
Amsterdam (1909)
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If the file has been modified from its original state, some details may not fully reflect the modified file.
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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The following pages on the
English Knowledge (XXG) use this file (pages on other projects are not listed):
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Description des Tableaux
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in its country of origin and other countries and areas where the
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56:(640 × 400 pixels, file size: 38 KB, MIME type:
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1466:Muiderkring
1438:Muiderkring
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823:Netherlands
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668:Established
640:Coordinates
632:Netherlands
591:Native name
497:Muiderkring
490:Description
454:Object type
253:Work period
205:Description
1557:_error
1429:File usage
1406:640 × 400
1382:Dimensions
1349:image/jpeg
1334:media type
907:References
841:Driebergen
817:Driebergen
788:Muiderslot
783:B1943-800
677:after 1895
671:circa 1280
559:Muiderslot
547:Collection
533:Dimensions
501:P.C. Hooft
296:Driebergen
256:1842
58:image/jpeg
27:File usage
1501:Q17813861
1379:Thumbnail
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849:Amsterdam
795:SK-C-168
675:: built
406:124807313
380:500010242
305:(1856-),
293:(-1825),
272:Amsterdam
1544:Metadata
1202:Captions
1005: :
1001: :
901:Heinsius
765:SA 7535
741:WorldCat
709:Q2426916
623:1398 AA
617:Location
477:portrait
459:painting
414:WorldCat
354:50170682
318:Scotland
287:(1822),
37:Metadata
1414:Josette
1408:(38 KB)
1393:current
1388:Comment
1226:depicts
1206:English
1116:in the
948:)
934:, 1390
834:by 1853
686:Website
343:Q576824
313:England
308:Germany
302:Haarlem
278:Utrecht
246:Haarlem
239:Haarlem
106:Summary
54:
982:
965:
866:Muiden
775:
658:
626:Muiden
607:
570:
564:
520:Medium
480:
462:
177:
169:
145:Artist
135:
129:
1154:false
1151:false
1074:false
1071:false
980:38682
963:32820
945:Dutch
898:, as
892:Notes
733:30107
472:Genre
442:Title
290:Paris
1385:User
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1003:Info
999:Home
714:LCCN
512:1852
509:Date
387:LCCN
374:ULAN
361:ISNI
348:VIAF
17:File
1145:PDM
1007:Pic
978::
961::
826:(?)
400:GND
1162:".
1106:.
820:,
729::
716::
707::
402::
389::
376::
363::
350::
341::
315:,
311:,
281:,
275:,
121::
1560:0
1184:↑
942:(
803:)
797:(
791:)
785:(
773:)
767:(
94:.
60:)
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