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Description

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1584: 1594: 2316: 96:, edited by Kirk Polking, description is more than the amassing of details; it is bringing something to life by carefully choosing and arranging words and phrases to produce the desired effect. The most appropriate and effective techniques for presenting description are a matter of ongoing discussion among writers and writing coaches. 91:
Description is the fiction-writing mode for transmitting a mental image of the particulars of a story. Together with dialogue, narration, exposition, and summarization, description is one of the most widely recognized of the fiction-writing modes. As stated in
128:) to denote an irrelevant and excessively ornate passage; the sense of irrelevance is normally absent in modern usage, although such passages are usually incongruous. By extension, 110:
A purple patch is an over-written passage in which the writer has strained too hard to achieve an impressive effect, by elaborate figures or other means. The phrase (
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is any type of communication that aims to make vivid a place, object, person, group, or other physical entity. Description is one of four
1972: 2334: 2101: 794: 1623: 713: 2250: 539: 461: 402: 378: 1926: 45: 2392: 2255: 1524: 440: 2330: 2402: 1616: 1218: 698: 84:, and description. Currently, there is no consensus within the writing community regarding the number and composition of 2397: 1693: 1587: 1099: 1021: 738: 532: 20: 1806: 2387: 2281: 799: 693: 2260: 2185: 1967: 1401: 1178: 591: 2158: 1883: 1750: 971: 2242: 1253: 346: 1702: 1663: 1639: 837: 809: 784: 586: 141: 2296: 1480: 1436: 935: 748: 596: 2372: 2215: 2061: 658: 173: 120: 85: 49: 2170: 2153: 2133: 2096: 2045: 2040: 1982: 1919: 1888: 1837: 1707: 1302: 1233: 1011: 842: 824: 788: 708: 663: 653: 555: 223: 203: 69: 2106: 2035: 1992: 1722: 1475: 1193: 1150: 1119: 1109: 1069: 927: 907: 768: 728: 723: 648: 1560: 2382: 2320: 2291: 2286: 2276: 2210: 2138: 2023: 1893: 1821: 1796: 1683: 1312: 1289: 1279: 1213: 1094: 1029: 763: 668: 498: 494: 475: 457: 436: 417: 398: 394: 388: 374: 350: 213: 178: 2377: 2367: 2225: 1951: 1946: 1811: 1801: 1755: 1653: 1365: 1342: 1332: 1155: 1104: 1001: 857: 486: 158: 145: 65: 37: 2071: 2013: 1738: 1668: 1516: 1496: 1470: 1444: 1337: 1327: 1307: 1039: 1006: 897: 882: 733: 718: 638: 617: 198: 193: 2325: 2018: 1997: 1912: 1544: 1426: 1297: 1228: 1223: 1188: 1089: 986: 955: 940: 902: 892: 847: 622: 228: 2361: 2175: 2116: 1791: 1565: 1534: 1529: 1421: 1416: 1396: 1386: 1352: 1322: 1317: 1248: 1243: 1173: 1165: 1142: 1049: 996: 887: 852: 814: 743: 643: 612: 487: 451: 125: 81: 364: 2165: 1987: 1454: 1370: 1238: 1183: 1132: 1079: 1074: 1034: 981: 950: 945: 917: 877: 804: 688: 581: 370: 105: 73: 321: 2200: 2195: 1867: 1539: 1506: 1501: 1449: 1411: 1406: 1391: 1360: 1274: 1084: 1054: 1044: 991: 976: 912: 576: 2143: 2111: 2076: 1862: 1816: 1775: 1743: 1673: 1258: 1127: 1064: 1059: 758: 489:
By Cunning & Craft: Sound Advice and Practical Wisdom for fiction writers
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The science of describing: Natural history in renaissance Europe
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Between the Lines: Master the Subtle Elements of Fiction Writing
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The Complete Idiot's Guide to Grammar and Style, 2nd Edition
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is lavishly figurative, rhythmic, or otherwise overwrought.
1904: 114:: "purpureus pannus") was first used by the Roman poet 2340: 416:. Cincinnati, OH: Writer's Digest Books. p. 127. 16:
Text for clarification; one of four rhetorical modes
2269: 2241: 2234: 2089: 2054: 2006: 1960: 1876: 1830: 1784: 1731: 1692: 1646: 1553: 1515: 1489: 1463: 1435: 1379: 1351: 1288: 1267: 1206: 1164: 1141: 1118: 1020: 964: 926: 870: 823: 777: 681: 631: 605: 569: 562: 393:. Cincinnati, OH: Writer's Digest Books. pp.  493:. Cincinnati, OH: Writer's Digest Books. p.  80:, including action, dialogue, thoughts, summary, 26:"Describe" redirects here. For the musician, see 343:The Concise Oxford Dictionary of Literary Terms 64:Fiction-writing specifically has modes such as 1920: 1624: 540: 8: 435:. Chicago, IL: University of Chicago Press. 2238: 2003: 1927: 1913: 1905: 1631: 1617: 1609: 1138: 923: 820: 566: 547: 533: 525: 512: 456:. Cincinnati, OH: Writer's Digest Books. 308: 296: 272: 241: 284: 326:, Stanford Encyclopedia of Philosophy 260: 248: 144:has been an important question since 7: 2102:Analytic and synthetic propositions 1973:Formal semantics (natural language) 390:The Marshall Plan for Novel Writing 72:, summary, and transition. Author 14: 2314: 1592: 1583: 1582: 795:Analytic–synthetic distinction 412:Morrell, Jessica Page (2006). 1: 21:Description (disambiguation) 1884:Articulation (sociological) 68:, exposition, description, 2421: 694:Causal theory of reference 431:Ogilvie, Brian W. (2006). 369:(2nd ed.), New York: 103: 25: 18: 2309: 2186:Necessity and sufficiency 1942: 1578: 522: 517:Links to related articles 366:The Random House Handbook 363:Crews, Frederick (1977), 60:As a fiction-writing mode 754:Scientific structuralism 470:Rozakis, Laurie (2003). 387:Marshall, Evan (1998). 347:Oxford University Press 341:Baldick, Chris (2004), 810:Reflective equilibrium 485:Selgin, Peter (2007). 450:Polking, Kirk (1990). 320:Ludlow, Peter (2007), 2393:Rhetorical techniques 2321:Philosophy portal 1481:Nicholas Wolterstorff 936:David Malet Armstrong 142:nature of description 86:fiction-writing modes 2403:Fiction-writing mode 1640:Literary composition 174:Grammatical modifier 148:'s classical texts. 19:For other uses, see 2398:Philosophical logic 1983:Philosophy of logic 1889:Composition studies 1838:Creative nonfiction 1703:Linguistic contrast 1696: / devices 1303:Patricia Churchland 1234:Christine Korsgaard 1120:Logical positivists 1012:Ludwig Wittgenstein 789:paradox of analysis 556:Analytic philosophy 224:Species description 204:Referential density 140:In philosophy, the 94:Writing from A to Z 2282:Rules of inference 2251:Mathematical logic 1993:Semantics of logic 1476:William Lane Craig 1194:Friedrich Waismann 1151:Carl Gustav Hempel 1110:Timothy Williamson 1070:Alasdair MacIntyre 928:Australian realism 908:Russ Shafer-Landau 769:Analytical Thomism 724:Logical positivism 214:Rhetorical devices 42:modes of discourse 2388:Literary concepts 2355: 2354: 2349: 2348: 2305: 2304: 2139:Deductive closure 2085: 2084: 2024:Critical thinking 1902: 1901: 1894:Technical writing 1708:Literary contrast 1606: 1605: 1574: 1573: 1290:Pittsburgh School 1280:Peter van Inwagen 1214:Roderick Chisholm 1202: 1201: 1095:Richard Swinburne 1030:G. E. M. Anscombe 866: 865: 764:Analytic theology 739:Ordinary language 677: 676: 504:978-1-58297-491-0 480:978-1-59257-115-4 423:978-1-58297-393-7 356:978-0-19-860883-7 179:Grammatical voice 2410: 2319: 2318: 2317: 2239: 2004: 1968:Computer science 1929: 1922: 1915: 1906: 1812:Rhetorical modes 1802:Grammatical mood 1756:Cut-up technique 1654:Characterization 1633: 1626: 1619: 1610: 1596: 1595: 1586: 1585: 1525:Nancy Cartwright 1366:Nicholas Rescher 1343:Bas van Fraassen 1333:Nicholas Rescher 1156:Hans Reichenbach 1139: 1105:Bernard Williams 1002:Bertrand Russell 924: 858:Rigid designator 821: 567: 563:Related articles 549: 542: 535: 526: 513: 508: 492: 467: 446: 427: 408: 383: 359: 328: 327: 317: 311: 306: 300: 294: 288: 282: 276: 270: 264: 258: 252: 246: 159:Anthropomorphism 146:Bertrand Russell 88:and their uses. 38:rhetorical modes 2420: 2419: 2413: 2412: 2411: 2409: 2408: 2407: 2358: 2357: 2356: 2351: 2350: 2345: 2315: 2313: 2301: 2265: 2256:Boolean algebra 2230: 2081: 2072:Metamathematics 2050: 2002: 1956: 1938: 1933: 1903: 1898: 1877:Beyond the arts 1872: 1826: 1780: 1739:Writing process 1727: 1688: 1669:Fiction writing 1642: 1637: 1607: 1602: 1593: 1570: 1561:Jan Ɓukasiewicz 1549: 1517:Stanford School 1511: 1497:Paul Feyerabend 1485: 1471:Alvin Plantinga 1459: 1445:James F. Conant 1431: 1375: 1347: 1338:Wilfrid Sellars 1328:Alexander Pruss 1308:Paul Churchland 1284: 1263: 1219:Donald Davidson 1198: 1160: 1137: 1114: 1040:Michael Dummett 1016: 1007:Frank P. Ramsey 960: 922: 898:Jaakko Hintikka 883:Keith Donnellan 862: 819: 773: 734:Neurophilosophy 719:Logical atomism 673: 627: 601: 558: 553: 518: 505: 484: 464: 449: 443: 430: 424: 411: 405: 386: 381: 362: 357: 340: 337: 332: 331: 319: 318: 314: 307: 303: 295: 291: 283: 279: 271: 267: 259: 255: 247: 243: 238: 233: 199:Personification 194:Objectification 154: 138: 108: 102: 62: 40:(also known as 31: 24: 17: 12: 11: 5: 2418: 2417: 2414: 2406: 2405: 2400: 2395: 2390: 2385: 2380: 2375: 2370: 2360: 2359: 2353: 2352: 2347: 2346: 2344: 2343: 2338: 2328: 2323: 2310: 2307: 2306: 2303: 2302: 2300: 2299: 2294: 2289: 2284: 2279: 2273: 2271: 2267: 2266: 2264: 2263: 2258: 2253: 2247: 2245: 2236: 2232: 2231: 2229: 2228: 2223: 2218: 2213: 2208: 2203: 2198: 2193: 2188: 2183: 2178: 2173: 2168: 2163: 2162: 2161: 2151: 2146: 2141: 2136: 2131: 2130: 2129: 2124: 2114: 2109: 2104: 2099: 2093: 2091: 2087: 2086: 2083: 2082: 2080: 2079: 2074: 2069: 2064: 2058: 2056: 2052: 2051: 2049: 2048: 2043: 2038: 2033: 2032: 2031: 2026: 2016: 2010: 2008: 2001: 2000: 1995: 1990: 1985: 1980: 1975: 1970: 1964: 1962: 1958: 1957: 1955: 1954: 1949: 1943: 1940: 1939: 1934: 1932: 1931: 1924: 1917: 1909: 1900: 1899: 1897: 1896: 1891: 1886: 1880: 1878: 1874: 1873: 1871: 1870: 1865: 1860: 1855: 1850: 1845: 1840: 1834: 1832: 1828: 1827: 1825: 1824: 1819: 1814: 1809: 1804: 1799: 1797:Writer's voice 1794: 1788: 1786: 1782: 1781: 1779: 1778: 1773: 1768: 1763: 1758: 1753: 1748: 1747: 1746: 1735: 1733: 1729: 1728: 1726: 1725: 1720: 1715: 1710: 1705: 1699: 1697: 1690: 1689: 1687: 1686: 1684:Writer's block 1681: 1676: 1671: 1666: 1661: 1656: 1650: 1648: 1647:General topics 1644: 1643: 1638: 1636: 1635: 1628: 1621: 1613: 1604: 1603: 1601: 1600: 1590: 1579: 1576: 1575: 1572: 1571: 1569: 1568: 1563: 1557: 1555: 1551: 1550: 1548: 1547: 1545:Patrick Suppes 1542: 1537: 1532: 1527: 1521: 1519: 1513: 1512: 1510: 1509: 1504: 1499: 1493: 1491: 1487: 1486: 1484: 1483: 1478: 1473: 1467: 1465: 1461: 1460: 1458: 1457: 1452: 1447: 1441: 1439: 1433: 1432: 1430: 1429: 1427:Michael Walzer 1424: 1419: 1414: 1409: 1404: 1399: 1394: 1389: 1383: 1381: 1377: 1376: 1374: 1373: 1368: 1363: 1357: 1355: 1349: 1348: 1346: 1345: 1340: 1335: 1330: 1325: 1320: 1315: 1313:Adolf GrĂŒnbaum 1310: 1305: 1300: 1298:Robert Brandom 1294: 1292: 1286: 1285: 1283: 1282: 1277: 1271: 1269: 1265: 1264: 1262: 1261: 1256: 1254:W. V. O. Quine 1251: 1246: 1241: 1236: 1231: 1229:Nelson Goodman 1226: 1224:Daniel Dennett 1221: 1216: 1210: 1208: 1204: 1203: 1200: 1199: 1197: 1196: 1191: 1189:Moritz Schlick 1186: 1181: 1176: 1170: 1168: 1162: 1161: 1159: 1158: 1153: 1147: 1145: 1136: 1135: 1130: 1124: 1122: 1116: 1115: 1113: 1112: 1107: 1102: 1100:Charles Taylor 1097: 1092: 1090:P. F. Strawson 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1047: 1042: 1037: 1032: 1026: 1024: 1018: 1017: 1015: 1014: 1009: 1004: 999: 994: 989: 987:Norman Malcolm 984: 979: 974: 968: 966: 962: 961: 959: 958: 956:J. J. C. Smart 953: 948: 943: 941:David Chalmers 938: 932: 930: 921: 920: 915: 910: 905: 903:Giuseppe Peano 900: 895: 893:Edmund Gettier 890: 885: 880: 874: 872: 868: 867: 864: 863: 861: 860: 855: 850: 848:Possible world 845: 840: 835: 829: 827: 818: 817: 812: 807: 802: 800:Counterfactual 797: 792: 781: 779: 775: 774: 772: 771: 766: 761: 756: 751: 746: 741: 736: 731: 726: 721: 716: 711: 706: 701: 696: 691: 685: 683: 679: 678: 675: 674: 672: 671: 666: 661: 659:Paraconsistent 656: 651: 646: 641: 635: 633: 629: 628: 626: 625: 620: 615: 609: 607: 603: 602: 600: 599: 594: 589: 584: 579: 573: 571: 570:Areas of focus 564: 560: 559: 554: 552: 551: 544: 537: 529: 523: 520: 519: 516: 510: 509: 503: 482: 468: 462: 453:Writing A to Z 447: 441: 428: 422: 409: 403: 384: 379: 360: 355: 336: 333: 330: 329: 312: 309:Baldick (2004) 301: 297:Polking (1990) 289: 277: 273:Morrell (2006) 265: 253: 240: 239: 237: 234: 232: 231: 229:Verisimilitude 226: 221: 216: 211: 206: 201: 196: 191: 186: 181: 176: 171: 166: 161: 155: 153: 150: 137: 134: 104:Main article: 101: 98: 61: 58: 44:), along with 15: 13: 10: 9: 6: 4: 3: 2: 2416: 2415: 2404: 2401: 2399: 2396: 2394: 2391: 2389: 2386: 2384: 2381: 2379: 2376: 2374: 2371: 2369: 2366: 2365: 2363: 2342: 2339: 2336: 2332: 2329: 2327: 2324: 2322: 2312: 2311: 2308: 2298: 2297:Logic symbols 2295: 2293: 2290: 2288: 2285: 2283: 2280: 2278: 2275: 2274: 2272: 2268: 2262: 2259: 2257: 2254: 2252: 2249: 2248: 2246: 2244: 2240: 2237: 2233: 2227: 2224: 2222: 2219: 2217: 2214: 2212: 2209: 2207: 2204: 2202: 2199: 2197: 2194: 2192: 2189: 2187: 2184: 2182: 2179: 2177: 2176:Logical truth 2174: 2172: 2169: 2167: 2164: 2160: 2157: 2156: 2155: 2152: 2150: 2147: 2145: 2142: 2140: 2137: 2135: 2132: 2128: 2125: 2123: 2120: 2119: 2118: 2117:Contradiction 2115: 2113: 2110: 2108: 2105: 2103: 2100: 2098: 2095: 2094: 2092: 2088: 2078: 2075: 2073: 2070: 2068: 2065: 2063: 2062:Argumentation 2060: 2059: 2057: 2053: 2047: 2046:Philosophical 2044: 2042: 2041:Non-classical 2039: 2037: 2034: 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1546: 1543: 1541: 1538: 1536: 1535:Peter Galison 1533: 1531: 1528: 1526: 1523: 1522: 1520: 1518: 1514: 1508: 1505: 1503: 1500: 1498: 1495: 1494: 1492: 1488: 1482: 1479: 1477: 1474: 1472: 1469: 1468: 1466: 1462: 1456: 1453: 1451: 1448: 1446: 1443: 1442: 1440: 1438: 1434: 1428: 1425: 1423: 1422:Nathan Salmon 1420: 1418: 1417:Richard Rorty 1415: 1413: 1410: 1408: 1405: 1403: 1400: 1398: 1395: 1393: 1390: 1388: 1387:Alonzo Church 1385: 1384: 1382: 1378: 1372: 1369: 1367: 1364: 1362: 1359: 1358: 1356: 1354: 1350: 1344: 1341: 1339: 1336: 1334: 1331: 1329: 1326: 1324: 1323:Ruth Millikan 1321: 1319: 1318:John McDowell 1316: 1314: 1311: 1309: 1306: 1304: 1301: 1299: 1296: 1295: 1293: 1291: 1287: 1281: 1278: 1276: 1273: 1272: 1270: 1266: 1260: 1257: 1255: 1252: 1250: 1249:Hilary Putnam 1247: 1245: 1244:Robert Nozick 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1211: 1209: 1205: 1195: 1192: 1190: 1187: 1185: 1182: 1180: 1177: 1175: 1174:Rudolf Carnap 1172: 1171: 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730: 727: 725: 722: 720: 717: 715: 714:Functionalism 712: 710: 707: 705: 702: 700: 699:Descriptivism 697: 695: 692: 690: 687: 686: 684: 680: 670: 667: 665: 664:Philosophical 662: 660: 657: 655: 654:Non-classical 652: 650: 647: 645: 642: 640: 637: 636: 634: 630: 624: 621: 619: 616: 614: 611: 610: 608: 604: 598: 595: 593: 590: 588: 585: 583: 580: 578: 575: 574: 572: 568: 565: 561: 557: 550: 545: 543: 538: 536: 531: 530: 527: 521: 514: 506: 500: 496: 491: 490: 483: 481: 477: 473: 469: 465: 463:0-89879-435-8 459: 455: 454: 448: 444: 438: 434: 429: 425: 419: 415: 410: 406: 404:1-58297-062-9 400: 396: 392: 391: 385: 382: 380:0-394-31211-2 376: 372: 368: 367: 361: 358: 352: 348: 344: 339: 338: 334: 325: 324: 316: 313: 310: 305: 302: 299:, p. 106 298: 293: 290: 286: 285:Selgin (2007) 281: 278: 275:, p. 127 274: 269: 266: 263:, p. 13) 262: 257: 254: 251:, p. 13) 250: 245: 242: 235: 230: 227: 225: 222: 220: 217: 215: 212: 210: 207: 205: 202: 200: 197: 195: 192: 190: 187: 185: 182: 180: 177: 175: 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L. Austin 982:Casimir Lewy 951:Peter Singer 946:J. L. Mackie 918:Barry Stroud 878:Noam Chomsky 871:Philosophers 805:Natural kind 689:Anti-realism 649:Mathematical 623:Performative 582:Epistemology 488: 471: 452: 432: 413: 389: 371:Random House 365: 342: 323:Descriptions 322: 315: 304: 292: 287:, p. 38 280: 268: 256: 244: 139: 130:purple prose 129: 119: 109: 106:Purple prose 100:Purple prose 93: 90: 77: 74:Peter Selgin 63: 41: 33: 32: 2373:Narratology 2331:WikiProject 2201:Proposition 2196:Probability 2149:Description 2090:Foundations 1868:Short story 1659:Description 1554:Lwow-Warsaw 1540:Ian Hacking 1507:Karl Popper 1502:Thomas Kuhn 1450:Alice Crary 1412:Saul Kripke 1407:Jaegwon Kim 1402:David Lewis 1392:Jerry Fodor 1361:Susan Haack 1275:Robert Audi 1085:John Searle 1055:Peter Geach 1045:Antony Flew 992:G. E. Moore 913:Ernest Sosa 843:Possibility 592:Mathematics 577:Metaphysics 261:Crews (1977 249:Crews (1977 121:Ars Poetica 34:Description 2362:Categories 2261:Set theory 2159:Linguistic 2154:Entailment 2144:Definition 2112:Consequent 2107:Antecedent 1863:Screenplay 1817:Stylistics 1776:Plagiarism 1751:Assemblage 1744:Prewriting 1694:Techniques 1674:Literature 1664:Exposition 1530:John DuprĂ© 1397:Kurt Gödel 1353:Pragmatism 1268:Notre Dame 1259:John Rawls 1128:A. J. Ayer 1065:R. M. Hare 1060:Paul Grice 972:Arif Ahmed 759:Sense data 744:Pragmatism 618:Linguistic 442:0226620875 345:, Oxford: 335:References 136:Philosophy 76:refers to 46:exposition 2292:Fallacies 2287:Paradoxes 2277:Logicians 2211:Statement 2206:Reference 2171:Induction 2134:Deduction 2097:Abduction 2067:Metalogic 2014:Classical 1978:Inference 1380:Princeton 1179:Hans Hahn 965:Cambridge 838:Necessity 833:Actualism 704:Emotivism 669:Predicate 639:Classical 474:. Alpha. 209:Relevance 184:Metaphors 54:narration 2383:Rhetoric 2326:Category 2226:Validity 2127:Antinomy 2055:Theories 2019:Informal 1807:Register 1785:Features 1771:Pastiche 1761:Diegesis 1588:Category 1464:Reformed 1437:Quietism 825:Modality 785:Analysis 778:Concepts 749:Quietism 709:Feminism 682:Theories 587:Language 152:See also 70:dialogue 28:DeScribe 2378:Writing 2368:Grammar 2341:changes 2333: ( 2191:Premise 2122:Paradox 1952:History 1947:Outline 1766:Mimesis 1732:Methods 1490:Science 1207:Harvard 853:Realism 729:Marxism 644:Deviant 613:Aretaic 597:Science 395:143–165 169:Diction 124:(c. 20 118:in his 78:methods 2243:topics 2029:Reason 2007:Logics 1998:Syntax 1858:Poetry 1713:ClichĂ© 1679:Writer 1022:Oxford 501:  478:  460:  439:  420:  401:  377:  353:  219:Simile 164:ClichĂ© 116:Horace 82:scenes 66:action 52:, and 2270:other 2235:Lists 2221:Truth 1988:Proof 1936:Logic 1853:Novel 1843:Essay 1831:Forms 1723:Trope 1718:Idiom 1598:Index 632:Logic 606:Turns 236:Notes 189:Nouns 112:Latin 2335:talk 2181:Name 2166:Form 1848:Joke 1822:Tone 499:ISBN 476:ISBN 458:ISBN 437:ISBN 418:ISBN 399:ISBN 375:ISBN 351:ISBN 2077:Set 2364:: 497:. 495:38 397:. 373:, 349:, 126:BC 56:. 48:, 2337:) 1928:e 1921:t 1914:v 1632:e 1625:t 1618:v 791:) 787:( 548:e 541:t 534:v 507:. 466:. 445:. 426:. 407:. 30:. 23:.

Index

Description (disambiguation)
DeScribe
rhetorical modes
exposition
argumentation
narration
action
dialogue
Peter Selgin
scenes
fiction-writing modes
Purple prose
Latin
Horace
Ars Poetica
BC
nature of description
Bertrand Russell
Anthropomorphism
Cliché
Diction
Grammatical modifier
Grammatical voice
Metaphors
Nouns
Objectification
Personification
Referential density
Relevance
Rhetorical devices

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