344:
441:
597:
94:
in 2022. A large column-like sculpture constructed with many overlapping, white pieces of wood ranging in size from a few inches to nearly two feet, joined together with screws that have been painted white. A photograph in a white frame hangs on one side of the work, featuring a television with an
38:
46:
349:
This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per
454:
315:
458:
for each article the image is used in, which must also declare compliance with the other parts of the non-free content criteria, as well as the
275:, Purchased as the gift of Nancy L. Dorman, Baltimore; and Frederick R. Weisman Contemporary Art Acquisitions Endowment, Object number: 2001.350
220:
192:
To support encyclopedic discussion of this work in this article. The illustration is specifically needed to support the following point(s):
539:
470:
360:
it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright.
409:
477:
256:
628:
660:
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
95:
antenna next to a red curtain. The television shows two figures in black and white covering their mouths with their hands.
271:, 2001, Painted wood, chromogenic print, brass handle, and caster wheels, 92 1/2 x 37 x 30 1/2 in. (235 x 94 x 77.5 cm),
70:
619:
215:
Any derivative work based upon the artwork would be a copyright violation, so creation of a free image is not possible.
201:
596:
591:
37:
343:
281:: The author of the image has released the photographic work under a free license, or it is in the public domain:
649:
319:
265:
172:
108:
83:
663:
If the file has been modified from its original state, some details may not fully reflect the modified file.
535:
272:
91:
645:
The following pages on the
English Knowledge (XXG) use this file (pages on other projects are not listed):
415:
237:
195:
Key example of the artist's architectural-inspired sculpture, for critical analysis of the artist's style
251:
The use of a low resolution image of the artwork will not impact the commercial viability of the art.
527:
353:
whoever holds copyright of the original has the exclusive right to authorize derivative works.
124:
244:
225:
208:
185:
164:
129:
615:
288:
180:
357:
350:
607:
301:
116:
291:
425://en.wikipedia.org/File:Sunday_Morning,_2001,_Rachel_Harrison_at_BMA_2022.jpeg
324://en.wikipedia.org/File:Sunday_Morning,_2001,_Rachel_Harrison_at_BMA_2022.jpeg
391:
395:
404:
159:
414:
Any other uses of this image, on
Knowledge (XXG) or elsewhere, might be
564:
Click on a date/time to view the file as it appeared at that time.
435:
338:
394:, hosted on servers in the United States by the non-profit
47:
Sunday_Morning,_2001,_Rachel_Harrison_at_BMA_2022.jpeg
627:
Uploading a depiction of a non-free 3D artwork using
383:artist or the school to which the artist belongs
51:(215 × 462 pixels, file size: 34 KB, MIME type:
377:artistic genre or technique of the work of art
255:
8:
665:
566:
364:It is believed that the use of a picture
318:of copyrighted material in the context of
66:
481:may be helpful for stating the rationale.
469:For example non-free use rationales, see
370:three-dimensional work of art in question
691:
683:
675:
667:
647:
519:
495:as a parameter to the license template.
309:
492:
471:Knowledge (XXG):Use rationale examples
542:from the original on 18 December 2022
7:
658:
410:Copyright law of the United States
351:US Copyright Act of 1976, § 106(2)
60:
44:
493:|image has rationale=yes
485:To patrollers and administrators
439:
392:English-language Knowledge (XXG)
342:
287:This work is licensed under the
21:
637:You cannot overwrite this file.
478:Template:Non-free use rationale
41:No higher resolution available.
14:
26:
1:
232:Single usage, low resolution
31:
712:
434:
310:
236:
219:
200:
181:Purpose of use in article
179:
158:
140:
123:
99:
86:'s mixed media sculpture
78:
16:
650:Rachel Harrison (artist)
491:rationale please append
320:Rachel Harrison (artist)
240:commercial opportunities
173:Rachel Harrison (artist)
626:
592:03:46, 27 November 2022
536:Baltimore Museum of Art
487:: If this image has an
273:Baltimore Museum of Art
92:Baltimore Museum of Art
455:non-free use rationale
452:Please add a detailed
416:copyright infringement
677:Horizontal resolution
464:copyright information
396:Wikimedia Foundation
202:Not replaceable with
141:Date of publication
685:Vertical resolution
75:
629:File Upload Wizard
381:or to discuss the
368:to illustrate the
204:free media because
67:
699:
698:
633:
503:
502:
499:
498:
332:
331:
257:Other information
248:
229:
212:
189:
168:
153:12 November 2022
133:
703:
666:
624:
623:
604:
552:
551:
549:
547:
528:"Sunday Morning"
524:
494:
462:of the work and
443:
442:
436:
430:
426:
423:
346:
339:
328:
325:
322:
313:
289:Creative Commons
242:
241:
223:
222:
206:
205:
183:
182:
162:
161:
127:
126:
102:copyright owner
76:
56:
54:
711:
710:
706:
705:
704:
702:
701:
700:
654:
646:
639:
634:
613:
612:
610:
602:
558:
557:
556:
555:
545:
543:
526:
525:
521:
516:
511:
510:
507:
447:To the uploader
440:
428:
424:
421:
420:
385:
375:to discuss the
361:
354:
337:
326:
323:
314:
311:
296:
292:Attribution 4.0
282:
276:
266:Rachel Harrison
239:
203:
193:
148:
111:
109:Rachel Harrison
101:
84:Rachel Harrison
74:
69:Media data and
65:
58:
52:
50:
43:
42:
12:
11:
5:
709:
707:
697:
696:
694:
690:
689:
686:
682:
681:
678:
674:
673:
670:
657:
653:
652:
644:
643:
642:
635:
632:
631:
625:
608:
605:
599:
594:
589:
585:
584:
581:
578:
575:
572:
569:
562:
561:
554:
553:
518:
517:
515:
512:
508:
505:
504:
501:
500:
497:
496:
490:
483:
482:
474:
467:
444:
432:
431:
400:
399:
387:
386:
379:
373:
347:
336:
333:
330:
329:
308:
307:
306:
305:
297:
269:Sunday Morning
259:
253:
252:
249:
234:
233:
230:
217:
216:
213:
198:
197:
190:
177:
176:
169:
160:Use in article
156:
155:
145:Original work:
142:
138:
137:
134:
121:
120:
106:Original work:
103:
97:
96:
90:(2001) at the
88:Sunday Morning
80:
68:
64:
61:
59:
40:
36:
35:
34:
29:
24:
19:
13:
10:
9:
6:
4:
3:
2:
708:
695:
692:
687:
684:
679:
676:
671:
668:
664:
661:
655:
651:
648:
640:
638:
630:
621:
617:
611:
606:
600:
598:
595:
593:
590:
587:
586:
582:
579:
576:
573:
570:
568:
567:
565:
559:
541:
537:
533:
529:
523:
520:
513:
488:
486:
480:
479:
475:
472:
468:
465:
461:
457:
456:
451:
450:
448:
445:
438:
437:
433:
427:
419:
417:
411:
407:
406:
402:qualifies as
397:
393:
389:
388:
384:
380:
378:
374:
371:
367:
366:
365:
362:
359:
352:
348:
345:
341:
340:
334:
321:
317:
304:
303:
300:Attribution:
298:
295:
293:
290:
285:
284:
283:
280:
274:
270:
267:
263:
262:Original work
260:
258:
254:
250:
246:
235:
231:
227:
218:
214:
210:
199:
196:
191:
187:
178:
175:
174:
170:
166:
157:
154:
152:
146:
143:
139:
135:
131:
122:
119:
118:
115:
110:
107:
104:
98:
93:
89:
85:
81:
77:
72:
62:
57:
48:
39:
33:
30:
28:
25:
23:
20:
18:
15:
662:
659:
636:
563:
560:File history
544:. Retrieved
531:
522:
484:
476:
463:
459:
453:
446:
413:
403:
401:
382:
376:
369:
363:
355:
299:
286:
278:
277:
268:
261:
238:Respect for
194:
171:
150:
149:
144:
113:
112:
105:
87:
79:Description
71:Non-free use
45:
22:File history
669:Orientation
546:18 December
489:appropriate
221:Minimal use
82:Picture of
693:gpsversion
641:File usage
601:215 × 462
577:Dimensions
514:References
408:under the
151:Depiction:
114:Depiction:
53:image/jpeg
27:File usage
574:Thumbnail
571:Date/Time
335:Licensing
279:Depiction
245:WP:NFCC#2
226:WP:NFCC#3
209:WP:NFCC#1
186:WP:NFCC#8
165:WP:NFCC#7
136:Own work
130:WP:NFCC#4
100:Author or
73:rationale
656:Metadata
620:contribs
540:Archived
506:Fair use
422:Fair use
405:fair use
316:Fair use
312:Fair use
294:License.
32:Metadata
603:(34 KB)
588:current
583:Comment
390:on the
63:Summary
49:
688:72 dpi
680:72 dpi
672:Normal
609:19h00s
532:ArtBMA
460:source
302:19h00s
125:Source
117:19h00s
358:§ 107
616:talk
580:User
548:2022
509:true
429:true
356:Per
327:true
147:2001
17:File
618:|
538:.
534:.
530:.
449::
412:.
264::
622:)
614:(
550:.
473:.
466:.
418:.
398:,
372:,
247:)
243:(
228:)
224:(
211:)
207:(
188:)
184:(
167:)
163:(
132:)
128:(
55:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.