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infobox at the top of the article discussing the work, to show the primary visual image associated with the work, and to help the user quickly identify the work and know they have found what they are looking for. Use for this purpose does not compete with the purposes of the original artwork, namely the artist's providing graphic design services to music concerns and in turn marketing music to the public.
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418:: 1979–1982". The image is used for explication of critical commentary on the cover image and its significance, as well as for identification in the context of critical commentary of the work for which it serves as cover art. The image is iconic, one of the best known in the history of rock music (Source:
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Main infobox. The image is used for identification in the context of critical commentary of the work for which it serves as cover art. It makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone. The image is placed in the
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magazine, although at the time Smith did not want the picture used. She did not feel it was a technically good shot because the photograph is slightly out of focus (as she was backing away from Paul to avoid getting hit). However, Joe
Strummer convinced her to use the shot. The broken remains of
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The copy is of sufficient resolution for commentary and identification but lower resolution than the original cover. Copies made from it will be of inferior quality, unsuitable as artwork on pirate versions or other uses that would compete with the commercial purpose of the original artwork.
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The copy is of sufficient resolution for commentary and identification but lower resolution than the original cover. Copies made from it will be of inferior quality, unsuitable as artwork on pirate versions or other uses that would compete with the commercial purpose of the original artwork.
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In the context of the article. The image is used for identification in the context of critical commentary of the work for which it serves as cover art. It makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone.
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Another purpose is to display the album's cover to accompany relevant information. Use for this purpose does not compete with the purposes of the original artwork, namely the artist's providing graphic design services to music concerns and in turn marketing music to the public.
986:{{album cover fur <!-- REQUIRED --> |Article= |Use=Infobox <!-- HIGHLY RECOMMENDED --> |Source= <!-- ADDITIONAL INFORMATION --> |Name= |Artist= |Label= |Graphic Artist= |Item= |Type= |Website= |Owner= |Commentary= <!-- OVERRIDE FIELDS --> |Descri
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As musical cover art, the image is not replaceable by free content; any other image that shows the packaging of the music would also be copyrighted, and any version that is not true to the original would be inadequate for identification or commentary.
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As musical cover art, the image is not replaceable by free content; any other image that shows the packaging of the music would also be copyrighted, and any version that is not true to the original would be inadequate for identification or commentary.
258:
As musical cover art, the image is not replaceable by free content; any other image that shows the packaging of the music would also be copyrighted, and any version that is not true to the original would be inadequate for identification or commentary.
437:). In the immediate context, the ability to view the image specifically explicates elements of the article, including the fame of the cover and its primary image, a photograph of Paul Simonon performing as a member of The Clash judged by
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487:). The use of the image in this location and context makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone.
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This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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in New York City on 21 September 1979 during the "Clash Take the Fifth" U.S. tour. The picture is surrounded by
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If the file has been modified from its original state, some details may not fully reflect the modified file.
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422:"London Calling: Tracey Emin and friends pay tribute to The Clash's 'official war artist'"
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magazine similarly calls it "the most famous photo in rock" (Source:
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Click on a date/time to view the file as it appeared at that time.
348:. The cover art copyright is believed to belong to Epic Records.
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Any other uses of this image, on
Knowledge or elsewhere, may be
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magazine as "best rock 'n roll photograph of all time" (Source:
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on 20:34, 14 February 2008 (UTC) and deemed likely to meet
813://en.wikipedia.org/File:TheClashLondonCallingalbumcover.jpg
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728://en.wikipedia.org/File:TheClashLondonCallingalbumcover.jpg
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Simonon's bass are in the permanent collection of the
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solely to illustrate the audio recording in question
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