606:
and layout control between parts and conductor score (including measure numbers and staff system breaks) suggested that this new feature was targeted to media production work, where quick turnaround and accuracy is a crucial factor, rather than publishing, though publishers still may use some aspects of linked parts to improve the part creation process. Finale 2007 introduced linked parts, which allow ensemble parts to remain linked to the master score.
474:
either by clicking and dragging or by entering measurements in a dialog box. A more generalized selection tool is also available to select large measure regions for editing key and time signatures or transposing, among other uses. This tool also provides the ability to reposition several classes of score objects directly, and more recent versions of the software have implemented extensive contextual meaning via this tool.
1366:
132:
1378:
66:
25:
271:
202:
636:
was released in June 2010 with additional
Garritan Sounds, Alpha Notes (notation with note names inside), a new lyric entry window and other lyric enhancements, and a reworking of staff, system, and page layout handling. Introduced the new "Hide Empty Staves" command under the Staff menu, which hides
668:
was released in
November 2013 with new functions. As with all previous releases, a new file format was introduced, which is incompatible with older versions of Finale. However, this time easier file exchange with future versions of Finale was promised. Finale 2014's new functions include a rewritten
622:
was identified as the 20th
Anniversary edition. It offers many fundamental workflow changes not seen since the program's inception, such as the organization of expressions by category. Also notable is the re-designed Page View, which enables the viewing and editing of multiple pages within the same
683:
was released on August 16, 2016. Some new features include: ReWire support, so that Finale can be used simultaneously and in sync with digital audio software. The new "Aria Player" speeds up and simplifies the choosing of
Garritan instruments. Beginning with this version, the user manual is found
605:
was released with a "linked" score and part management system. A properly set-up "full score for extraction" could now contain all the data and formatting necessary to generate a full set of linked ensemble parts, ensconced within a single Finale master document. Limitations on the scope of format
473:
On the screen, Finale provides the ability to color code several elements of the score as a visual aid; on the print-out, all score elements are black (unless color print-out is explicitly chosen). With the corresponding tool selected, fine adjustment of each set of objects in a score is possible
598:
Lite, was also included. Along with Page View and Scroll View, the 2006 release added StudioView, a display mode which is similar to Scroll View with the addition of a sequencer interface. This feature gave users an environment for creation, evaluation, and experimentation with different musical
469:
organized palettes, and the corresponding tool is selected to add or edit any particular class of score element. Voices are available in Finale as well. Several of Finale's tools provide an associated menu just to the left of the Help menu, available only when that particular tool is selected.
616:(32-bit only) support. It also changed the way several editing modes are accessed, by introducing the multi-purpose “selection tool” described above. The 2008 release offers the importation and/or recording of synchronized real-time audio as an additional single track in a document.
623:
document window: these pages may either be arranged in a horizontal line or tiled vertically within a window. Finale 2009 includes
Garritan's new Aria Player Engine, and has new samples for this. The older Kontakt 2 Player is still supported, and the samples load under this also.
481:
and music notation, such as correct beaming, stem direction, vertical alignment of multiple rhythmic values, and established rules for positioning note heads on chords. In other situations, without advance user customization, the program makes what can be described as
637:
all empty staves in systems. If notes are added to the system, the staff reappears automatically. (The capability of intentionally hiding staves containing notes is still available using a Staff Style). Other improvements to this Finale version include easier
690:
was released on
October 10, 2018. This release includes new features such as automatically stacking articulations, automated slur collision avoidance, expedited processes for entering chord symbols and expressions, and additional templates.
629:
was released in June 2009 with improvements to percussion notation and chord symbols. This version also introduced measure number enhancements, auto-ordered rehearsal marks and support for additional graphic formats.
584:, which was released the following August. While the number of new features in Finale '05 were necessarily limited, this was the first release to have both Windows and Mac versions on the same distribution CD.
708:
On August 26, 2024, Greg Dell'Era, president of MakeMusic, announced that the software would no longer be developed or sold, and that support would end one year from the announcement date. A partnership with
950:
576:
was limited at first. More comprehensive support was brought "on-line" through maintenance releases going forward into 2004. Finale 2004 also continued to support PowerPC Macs running
165:
518:
onward, the program included MicNotator, a module able to notate melodic pitches played on a single-pitch acoustic instrument via a microphone connected to the computer.
819:
599:
ideas in a multi-track environment. In StudioView, an additional staff appears above the notation, called TempoTap, allowing for complete control over tempo changes.
684:
entirely online. Band-in-a-Box and a couple of other plug-ins were removed. The ability to import scanned documents was removed. Several other features were added.
954:
514:
Music can be entered using a keyboard or using the software itself. It also includes a function for optically recognising printed music from a scan. From
505:
including new symbols invented by the composer. It has a built-in working guitar tablature system and includes a jazz font similar to that used in the
223:
210:
554:
and then became MakeMusic. After Finale version 3.7, Finale's marketers made the switch to years as identifiers for each new release, starting with
1114:
38:
697:
was released on June 15, 2021. This release includes new features like interactive music sharing functionality, Standard Music Font Layout (
76:
151:
95:
248:
183:
113:
52:
842:
673:
support, a new audio engine, additional
Garritan sounds, and a new user interface. 2014d is the last version. An updated version,
1418:
975:
1042:
811:
1224:
1131:
591:
326:
161:
91:
1381:
1264:
1219:
1107:
746:
215:
147:
142:
44:
890:
843:"MakeMusic, Inc. Releases Finale 2009: Finale's 20th anniversary is celebrated with major workflow improvements"
1244:
1186:
1413:
1299:
1403:
1329:
1159:
741:
546:
1408:
1100:
1043:"MakeMusic ends development and availability of Finale; partners with Steinberg to sell Dorico directly"
638:
1377:
1369:
1206:
736:
551:
443:
415:
987:
1309:
1304:
1139:
541:
487:
398:
287:
662:. Under this agreement, Alfred Music became the sole distributor of Finale and Garritan products.
525:
1234:
450:
371:
864:
87:
1319:
1314:
569:
410:
362:
926:
907:
1002:
785:
1169:
938:
572:. This was considered a late release by MakeMusic, and full support for the features of
1027:
846:
565:
1397:
1254:
912:
613:
502:
659:
537:
283:
1294:
1214:
1144:
1123:
446:
403:
131:
1334:
1324:
1259:
1249:
1191:
595:
594:, an integrated sound library. A limited-functionality music-scanning module,
294:
278:
1289:
1196:
1176:
1067:
714:
507:
466:
647:
was released in
October 2011 with new functions as Finale's ScoreManager™,
201:
1350:
1181:
1149:
951:""Finding the user manual and other help resources (Finale, Version 25)""
702:
577:
669:
file format for forward and backward file compatibility, improved Apple
270:
1284:
1274:
891:"Alfred Music and MakeMusic, Inc. Announce Exclusive Distribution Deal"
648:
498:
478:
1279:
1229:
1154:
710:
564:, released in early 2004, was the first release to run natively on
355:
1164:
698:
670:
573:
454:
391:
Dutch, English, French, German, Italian, Japanese, Polish, Swedish
367:
1269:
491:
1096:
1092:
1085:
426:
652:
511:. Nearly all elements in the score can be adjusted and moved.
195:
125:
59:
18:
726:
Best Book/Video/Software at the 2015 Music & Sound Awards
655:
files, an updated setup Wizard, improved sound management.
717:, was also announced as an alternative for Finale users.
477:
Finale automatically manages many of the basic rules of
157:
83:
494:
keyboard, while respecting the current key signature.
497:
Finale is capable of notating various music such as
94:, and by adding encyclopedic content written from a
1343:
1205:
1130:
580:. This release shortened the development cycle for
421:
409:
397:
377:
361:
351:
325:
303:
293:
277:
767:, ed. Jonathan Feist. Boston: Berklee Press (2007)
457:from 1988 until 2024, when it was discontinued.
146:, potentially preventing the article from being
544:. They wrote the original version software for
788:. www.finalemusic.com/blog/. December 12, 2023
590:(released in the summer of 2005) included the
1108:
8:
658:In 2013, MakeMusic signed an agreement with
612:was the first version to come out with full
263:
786:"Update (12/12/23): Finale v27.4.1 Hot Fix"
465:Finale's tools are organized into multiple
53:Learn how and when to remove these messages
1365:
1115:
1101:
1093:
765:Music Notation: Preparing Scores and Parts
763:Matthew Nicholl & Richard Grudzinski,
262:
166:reliable, independent, third-party sources
896:. Alfred Music – via MakeMusic.com.
889:Braus, Danielle; Spenillo, Carol (2013).
249:Learn how and when to remove this message
184:Learn how and when to remove this message
114:Learn how and when to remove this message
805:
803:
701:) support, an improved instrument list,
536:The first version of Finale was made by
528:for the automation of repetitive tasks.
449:developed and released by MakeMusic for
226:of all important aspects of the article.
160:by replacing them with more appropriate
777:
490:of newly entered data generated from a
143:too closely associated with the subject
222:Please consider expanding the lead to
75:contains content that is written like
7:
1001:Rothman, Philip (October 10, 2018).
990:. The Finale Blog. October 10, 2018.
906:Spenillo, Carol (November 4, 2013).
822:from the original on August 26, 2024
1041:Rothman, Philip (August 26, 2024).
976:"What's new in Finale (Version 25)"
988:"Now Available: Finale Version 26"
810:Dell'Era, Greg (August 26, 2024).
14:
1070:. The Music & Sound Retailer.
1030:. The Finale Blog. June 15, 2021.
332:27.4.1 / 12 December 2023
34:This article has multiple issues.
1376:
1364:
908:"MakeMusic Releases Finale 2014"
269:
200:
141:may rely excessively on sources
130:
64:
23:
1066:Ferrisi, Dan (March 23, 2015).
925:Adler, Mark (August 16, 2016).
845:. MakeMusic.com. Archived from
214:may be too short to adequately
42:or discuss these issues on the
641:chords and a new Aria Player.
224:provide an accessible overview
1:
1225:Deluxe Music Construction Set
705:4.0, and numerous bug fixes.
486:, especially in the area of
841:VanDerBosch, Karen (2009).
592:Garritan Personal Orchestra
524:introduced FinaleScript, a
1435:
1003:"Finale version 26 review"
939:"See What's New In Finale"
747:Comparison of scorewriters
651:text support, creation of
550:, which was later sold to
1359:
927:"The New Finale is Here!"
385:
347:
321:
268:
1068:"And The Award Goes To…"
677:fixes several problems.
865:"MakeMusic Finale 2012"
447:music notation software
16:Music notation software
742:List of music software
334:; 9 months ago
309:; 36 years ago
307:16 September 1988
1419:Discontinued software
1187:Philip's Music Writer
1028:"Finale v27 Is Here!"
96:neutral point of view
1132:Free and open-source
737:List of scorewriters
1305:NoteWorthy Composer
852:on October 4, 2011.
812:"The End of Finale"
547:Coda Music Software
488:enharmonic spelling
265:
88:promotional content
957:on August 20, 2016
758:General references
568:computers running
526:scripting language
279:Original author(s)
90:and inappropriate
1391:
1390:
695:Finale Version 27
688:Finale Version 26
681:Finale Version 25
451:Microsoft Windows
437:
436:
388:List of languages
372:Microsoft Windows
259:
258:
251:
241:
240:
194:
193:
186:
124:
123:
116:
57:
1426:
1380:
1368:
1367:
1315:Power Tab Editor
1117:
1110:
1103:
1094:
1089:
1088:
1086:Official website
1071:
1064:
1058:
1057:
1055:
1053:
1038:
1032:
1031:
1024:
1018:
1017:
1015:
1013:
998:
992:
991:
984:
978:
973:
967:
966:
964:
962:
953:. Archived from
947:
941:
936:
930:
923:
917:
904:
898:
897:
895:
886:
880:
879:
877:
875:
863:Bigwood, Robin.
860:
854:
853:
851:
838:
832:
831:
829:
827:
807:
798:
797:
795:
793:
782:
772:Inline citations
570:Mac OS X Panther
433:
430:
428:
363:Operating system
342:
340:
335:
317:
315:
310:
273:
266:
254:
247:
236:
233:
227:
204:
196:
189:
182:
178:
175:
169:
134:
126:
119:
112:
108:
105:
99:
77:an advertisement
68:
67:
60:
49:
27:
26:
19:
1434:
1433:
1429:
1428:
1427:
1425:
1424:
1423:
1394:
1393:
1392:
1387:
1355:
1339:
1201:
1170:Extension:Score
1126:
1121:
1084:
1083:
1080:
1075:
1074:
1065:
1061:
1051:
1049:
1040:
1039:
1035:
1026:
1025:
1021:
1011:
1009:
1000:
999:
995:
986:
985:
981:
974:
970:
960:
958:
949:
948:
944:
937:
933:
924:
920:
905:
901:
894:(Press release)
893:
888:
887:
883:
873:
871:
862:
861:
857:
850:(Press release)
849:
840:
839:
835:
825:
823:
809:
808:
801:
791:
789:
784:
783:
779:
774:
760:
755:
733:
723:
534:
463:
425:
393:
392:
389:
343:
338:
336:
333:
313:
311:
308:
304:Initial release
299:MakeMusic, Inc.
255:
244:
243:
242:
237:
231:
228:
221:
209:This article's
205:
190:
179:
173:
170:
155:
135:
120:
109:
103:
100:
81:
69:
65:
28:
24:
17:
12:
11:
5:
1432:
1430:
1422:
1421:
1416:
1414:Music software
1411:
1406:
1396:
1395:
1389:
1388:
1386:
1385:
1373:
1360:
1357:
1356:
1354:
1353:
1347:
1345:
1341:
1340:
1338:
1337:
1332:
1327:
1322:
1317:
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1277:
1272:
1267:
1262:
1257:
1252:
1247:
1242:
1237:
1232:
1227:
1222:
1217:
1211:
1209:
1203:
1202:
1200:
1199:
1194:
1189:
1184:
1179:
1174:
1173:
1172:
1167:
1162:
1157:
1147:
1142:
1136:
1134:
1128:
1127:
1122:
1120:
1119:
1112:
1105:
1097:
1091:
1090:
1079:
1078:External links
1076:
1073:
1072:
1059:
1033:
1019:
993:
979:
968:
942:
931:
918:
899:
881:
869:Sound On Sound
855:
833:
799:
776:
775:
773:
770:
769:
768:
759:
756:
754:
751:
750:
749:
744:
739:
732:
729:
728:
727:
722:
719:
533:
530:
503:cut-out scores
467:hierarchically
462:
459:
435:
434:
423:
419:
418:
413:
407:
406:
401:
395:
394:
390:
387:
386:
383:
382:
379:
375:
374:
365:
359:
358:
353:
349:
348:
345:
344:
331:
329:
323:
322:
319:
318:
305:
301:
300:
297:
291:
290:
281:
275:
274:
257:
256:
239:
238:
218:the key points
208:
206:
199:
192:
191:
138:
136:
129:
122:
121:
92:external links
72:
70:
63:
58:
32:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1431:
1420:
1417:
1415:
1412:
1410:
1407:
1405:
1404:1988 software
1402:
1401:
1399:
1384:
1383:
1379:
1374:
1372:
1371:
1362:
1361:
1358:
1352:
1349:
1348:
1346:
1342:
1336:
1333:
1331:
1328:
1326:
1323:
1321:
1318:
1316:
1313:
1311:
1308:
1306:
1303:
1301:
1298:
1296:
1293:
1291:
1288:
1286:
1283:
1281:
1278:
1276:
1273:
1271:
1268:
1266:
1263:
1261:
1258:
1256:
1255:Igor Engraver
1253:
1251:
1248:
1246:
1243:
1241:
1238:
1236:
1233:
1231:
1228:
1226:
1223:
1221:
1218:
1216:
1213:
1212:
1210:
1208:
1204:
1198:
1195:
1193:
1190:
1188:
1185:
1183:
1180:
1178:
1175:
1171:
1168:
1166:
1163:
1161:
1158:
1156:
1153:
1152:
1151:
1148:
1146:
1143:
1141:
1138:
1137:
1135:
1133:
1129:
1125:
1118:
1113:
1111:
1106:
1104:
1099:
1098:
1095:
1087:
1082:
1081:
1077:
1069:
1063:
1060:
1048:
1047:Scoring Notes
1044:
1037:
1034:
1029:
1023:
1020:
1008:
1007:Scoring Notes
1004:
997:
994:
989:
983:
980:
977:
972:
969:
956:
952:
946:
943:
940:
935:
932:
928:
922:
919:
915:
914:
913:Business Wire
909:
903:
900:
892:
885:
882:
874:September 18,
870:
866:
859:
856:
848:
844:
837:
834:
821:
817:
813:
806:
804:
800:
792:September 12,
787:
781:
778:
771:
766:
762:
761:
757:
752:
748:
745:
743:
740:
738:
735:
734:
730:
725:
724:
720:
718:
716:
712:
706:
704:
700:
696:
692:
689:
685:
682:
678:
676:
675:Finale 2014.5
672:
667:
663:
661:
656:
654:
650:
646:
642:
640:
635:
631:
628:
624:
621:
617:
615:
611:
607:
604:
600:
597:
593:
589:
585:
583:
579:
575:
571:
567:
563:
559:
557:
553:
549:
548:
543:
542:John Borowicz
539:
531:
529:
527:
523:
519:
517:
512:
510:
509:
504:
500:
495:
493:
489:
485:
480:
475:
471:
468:
461:Functionality
460:
458:
456:
452:
448:
445:
441:
432:
424:
420:
417:
414:
412:
408:
405:
402:
400:
396:
384:
380:
376:
373:
369:
366:
364:
360:
357:
354:
350:
346:
330:
328:
327:Final release
324:
320:
306:
302:
298:
296:
292:
289:
288:John Borowicz
285:
282:
280:
276:
272:
267:
261:
253:
250:
235:
232:November 2022
225:
219:
217:
212:
207:
203:
198:
197:
188:
185:
177:
167:
163:
159:
153:
149:
145:
144:
139:This article
137:
133:
128:
127:
118:
115:
107:
97:
93:
89:
85:
79:
78:
73:This article
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
1409:Scorewriters
1375:
1363:
1239:
1165:jEdit plugin
1124:Scorewriters
1062:
1050:. Retrieved
1046:
1036:
1022:
1010:. Retrieved
1006:
996:
982:
971:
959:. Retrieved
955:the original
945:
934:
921:
911:
902:
884:
872:. Retrieved
868:
858:
847:the original
836:
824:. Retrieved
815:
790:. Retrieved
780:
764:
707:
694:
693:
687:
686:
680:
679:
674:
665:
664:
660:Alfred Music
657:
644:
643:
633:
632:
626:
625:
619:
618:
609:
608:
602:
601:
587:
586:
581:
561:
560:
555:
545:
538:Phil Farrand
535:
521:
520:
515:
513:
506:
496:
484:a good guess
483:
476:
472:
464:
439:
438:
429:.finalemusic
378:Available in
295:Developer(s)
284:Phil Farrand
260:
245:
229:
213:
211:lead section
180:
171:
156:Please help
140:
110:
101:
86:by removing
82:Please help
74:
50:
43:
37:
36:Please help
33:
1295:Music Write
1215:Aegis Sonix
1207:Proprietary
1160:Frescobaldi
1145:Impro-Visor
961:December 7,
713:developer,
666:Finale 2014
645:Finale 2012
634:Finale 2011
627:Finale 2010
620:Finale 2009
610:Finale 2008
603:Finale 2007
588:Finale 2006
582:Finale 2005
562:Finale 2004
522:Finale 2004
516:Finale 2001
444:proprietary
416:Proprietary
404:Scorewriter
381:8 languages
1398:Categories
1382:Comparison
1335:SmartScore
1325:ScoreCloud
1260:MagicScore
1250:Guitar Pro
1192:Rosegarden
1052:August 26,
826:August 26,
753:References
596:SmartScore
352:Written in
339:2023-12-12
314:1988-09-16
158:improve it
148:verifiable
84:improve it
39:improve it
1290:MusicEase
1197:TuxGuitar
1177:MuseScore
715:Steinberg
566:Macintosh
556:Finale 97
552:Net4Music
508:Real Book
216:summarize
162:citations
45:talk page
1351:NoteEdit
1330:Sibelius
1310:Overture
1182:MusiXTeX
1150:LilyPond
1140:Gregorio
1012:June 10,
820:Archived
731:See also
711:Dorico's
703:MusicXML
578:Mac OS 9
574:Mac OS X
499:chorales
174:May 2021
104:May 2021
1344:Defunct
1285:MusiCAD
1275:MusEdit
1220:Capella
649:Unicode
532:History
479:harmony
422:Website
411:License
337: (
312: (
152:neutral
1300:Notion
1280:Musink
1265:Mozart
1240:Finale
1235:Encore
1230:Dorico
1155:Denemo
816:Finale
721:Awards
440:Finale
286:&
264:Finale
1320:SCORE
1245:Forte
699:SMuFL
614:Vista
455:macOS
442:is a
368:macOS
1370:List
1270:Mus2
1054:2024
1014:2020
963:2018
876:2020
828:2024
794:2024
671:OS X
639:capo
540:and
492:MIDI
453:and
431:.com
399:Type
150:and
653:PDF
501:or
427:www
356:C++
164:to
1400::
1045:.
1005:.
910:.
867:.
818:.
814:.
802:^
558:.
370:,
48:.
1116:e
1109:t
1102:v
1056:.
1016:.
965:.
929:.
916:.
878:.
830:.
796:.
341:)
316:)
252:)
246:(
234:)
230:(
220:.
187:)
181:(
176:)
172:(
168:.
154:.
117:)
111:(
106:)
102:(
98:.
80:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.