Knowledge (XXG)

Fipple

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the opposite side. This rigid structure affords intrinsically less dynamic and intonational flexibility than does, for example, a transverse flute embouchure. This can be offset by other structural details. In the case of the recorder, their presence or absence often differentiates between mass-produced and artisan-built instruments. In a broader context, the difference between one type of duct flute and another is determined both by gross and finer structural detail.
135: 36: 179: 255: 217:). Subsequent authors have used the term in that sense but differ in the element of the mechanical aggregate illustrated above that they regard specifically as the fipple. That word is used variously to designate the block, the edge, the full block-duct-edge structure, and the entire instrument. This ambiguity is detailed in the article headed 245:
The recorder can be used to illustrate further nuance in the design of duct flutes. By definition, the duct is formed by a channel carved into the body of the instrument, and the block. This passage is alternately termed a windway and ends at an opening referred to as a window, bounded by the edge on
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system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes
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Recorders…were it not for the fipple, that straitneth the air…would yeeld no sound. … Some kinds of winde-instruments, are blowne at a small hole in the side, which straitneth the breath at the first entrance, the rather in respect of their traverse, and stop above the hole, which performeth the
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in 1940, and has been dated to the 14th century. It is largely intact, though not playable. A second more or less intact 14th century recorder was found in a latrine in northern Germany (in Göttingen): other 14th-century examples survive from Esslingen (Germany) and Tartu (Estonia). There is a
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The accompanying illustration of the mouthpiece of a recorder shows a wooden block (A) with a channel carved into the body of the instrument (B), together forming a duct that directs a ribbon of air across an opening toward a sharp edge (C). The edge splits the air in a manner that alternately
377:, the latter usually have an edge slanted toward the inside of the instrument, and a primary air chamber before the constricted air canal or windway, created with a separate mobile piece tied to the instrument's body, an external block, making a roof instead of a floor for the windway. 190:
As is clear from the Hornbostel-Sachs heading, there are several ways in which a duct can be formed. These include the player's lips controlling the stream of air as it is directed to the edge, without mechanical assistance. Common examples of this are the end-blown
242:. Various additional structural details permit the player to alter both these factors. One example of this is the set of finger holes that laterally pierce the body of a recorder and are opened or closed to change the length of the vibrating air column. 187:
directs it into and outside of the tube, setting the contained column of air into periodic vibration. This flow-controlled "air reed" is a definitive characteristic of all flutes, which therefore all have an edge or equivalent air-splitting device.
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A whistle sound is produced by the interaction between the air reed and the air column in the segment of the instrument that projects just beyond the edge. The dimensions of the entire body of the instrument determine its
225:, which concludes, "Since nobody can agree what the term means, to avoid further confusion its use should be abandoned." In the text below, what might otherwise be termed a fipple flute is referred to as a duct flute. 208:
By this description, the fipple is a plug that nearly closes one end of the pipe, open only for the duct that "straightens” the channel of air blown axially into the instrument. The solid "stop” near the mouth hole or
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The Tusculum whistle is a 14-cm whistle with six finger holes, made of brass or bronze, found with pottery dating to the 14th and 15th centuries; it is currently in the collections of the
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on a pipe that is blown transversely is analogous to it. This provides historical justification for using the term "fipple flute" to designate a recorder (cf. the German term
917: 199:. The first attested use of the term fipple is in a comparison between the recorder and the transverse flute by Francis Bacon, published in 1626. 308:
fragment of a possible 14th-15th-century bone recorder in Rhodes (Greece); and there is an intact 15th-century example from Elblag (Poland).
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fipples part, as is seene in flutes and fifes, which will not give a sound by a blast at the end, as recorders &c., doe.
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L.E. McCullough notes that the oldest surviving whistles date from the 12th century, but that, "Players of the
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Several Indigenous American flutes, including the double chamber instrument commonly known as the
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Cross-section of the mouthpiece of a recorder, indicating a block (A), duct (B), and edge (C)
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are also mentioned in the description of the King of Ireland's court found in
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One of the earliest surviving recorders was discovered in a castle moat in
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Reconstructed bone flutes, sound sample and playing instructions.
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McCullough, L.E. (1976). "Historical Notes on the Tinwhistle",
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Raistrick, A.; Spaul, Professor; Todd, Eric (22 January 2024).
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L.E. McCullough (1976). "Historical Notes on the Tinwhistle".
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player and a double pipe player accompany a gymnast in this
421:(aka swanee or swannee whistle, piston flute, jazz flute) 1511: 1456: 1419: 1347: 1184: 1127: 993: 916: 794: 60:. Unsourced material may be challenged and removed. 431:) and modern "chromatic" instruments with 10 holes 270:Duct flutes have a long history: an example of an 201: 481:for additional information on sound production 768: 8: 322:The following flutes have a duct structure: 289:dating from the 7th and 8th centuries A.D." 274:specimen, made from a sheep bone, exists in 1416: 1344: 1124: 913: 775: 761: 753: 120:Learn how and when to remove this message 572:10.1093/gmo/9781561592630.article.42042 491: 7: 727:The Complete Irish Tin Whistle Tutor 634:The Complete Irish Tin Whistle Tutor 58:adding citations to reliable sources 502:. Musical Instrument Museums Online 25: 526:Fundamentals of Musical Acoustics 500:"Flutes with duct or duct flutes" 149:specifies a variety of end-blown 34: 528:. New York: Dover. p. 491. 345:(forerunner of the tin whistle) 45:needs additional citations for 1: 670:National Museums Scotland. 1581: 712:The Recorder and Its Music 697:The Modern Recorder Player 695:Hauwe, Walter van (1984). 598:The Galpin Society Journal 594:"The Malham Iron-Age Pipe" 452:, Ukrainian overtone flute 315: 294:National Museums Scotland 1519:Chinese folk flute music 562:Montagu, Jeremy (2001). 138:Mouthpiece of a Catalan 566:. Oxford Music Online. 539:Francis Bacon (1626). 318:Category:Fipple flutes 267: 206: 183: 142: 1565:Pipe organ components 1264:Native American flute 383:, and among them the 375:Native American Flute 257: 181: 137: 1524:List of compositions 729:, Oak Publications. 710:Hunt, Edgar (1962). 637:. Oak Publications. 399:Pipe (as with tabor) 170:the fipple, itself. 54:improve this article 893:Simple system flute 195:and the side-blown 1503:Shepherd's whistle 458:(or penny whistle) 268: 223:Grove Music Online 184: 153:that includes the 143: 27:Musical instrument 1547: 1546: 1452: 1451: 1415: 1414: 1367:Soprano (descant) 1180: 1179: 989: 988: 976:Double contrabass 672:"Whistle H.LT 40" 522:Benade, Arthur H. 276:Leeds City Museum 130: 129: 122: 104: 16:(Redirected from 1572: 1417: 1345: 1125: 914: 777: 770: 763: 754: 683: 682: 680: 678: 667: 661: 660: 658: 656: 647:. 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Schott, 655:1 February 486:References 394:pipe organ 390:Flue pipes 215:Blockflöte 211:embouchure 80:newspapers 1529:Tone hole 1483:Molinukai 1362:Sopranino 1349:Recorders 1299:SpilĂĄpipa 1284:Sjøfløyte 1224:Flageolet 1204:Dentsivka 1199:Atenteben 981:Hyperbass 836:Kagurabue 604:: 28–38. 506:9 October 440:SpilĂĄpipa 343:Flageolet 301:Dordrecht 155:flageolet 145:The term 1466:Gemshorn 1439:Koncovka 1421:Overtone 1357:Garklein 1294:Souravli 1274:Salamuri 1214:Dvoyanka 1142:Larchemi 1079:Pinkillu 1067:Kalaleng 1030:Hotchiku 1015:Floghera 861:Shinobue 788:whistles 564:"Fipple" 524:(1990). 473:See also 435:Souravli 409:Salamuri 404:Recorder 385:Gemshorn 381:Ocarinas 272:Iron Age 264:Medieval 159:recorder 140:recorder 69:"Fipple" 1493:Tonette 1488:Ocarina 1434:Kalyuka 1339:Zuffolo 1329:Whistle 1304:Stabule 1219:Flabiol 1167:Soinari 1157:Paixiao 1137:Kuvytsi 1114:Washint 1104:Ĺ upelka 1099:Sopilka 941:Concert 936:Soprano 926:Piccolo 918:Concert 866:Yokobue 856:RyĹ«teki 846:Minteki 841:Komabue 811:Daegeum 806:Bansuri 577:11 July 547:11 July 450:Telenka 445:Stabule 425:Sopilka 392:of the 338:Flabiol 250:History 94:scholar 1471:Pifana 1458:Vessel 1429:Fujara 1334:Xirula 1324:Txistu 1234:Fujara 1186:Fipple 1152:Miskal 1109:Svirel 1094:Sodina 1052:KĹŤauau 1020:Frilka 931:Treble 898:Tambin 851:Nohkan 784:Flutes 733:  718:  703:  641:  618:841408 616:  462:Txistu 349:Fujara 303:, the 283:feadan 236:timbre 219:Fipple 165:. 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Index

Fipple flute

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"Fipple"
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recorder
flute
flageolet
recorder
tin whistle
Hornbostel–Sachs

ney
concert flute
embouchure
timbre
pitch

pipe and tabor
Medieval
Iron Age
Leeds City Museum

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