370:
230:
for several hours and then breaks out. Vasia disappears; while searching for him, Witting is spotted by the enemy and shot. Before he dies, he rips a piece of paper into five parts which he encapsulates in spent cartridges. He gives a cartridge to each of his five men and orders them to carry it back
400:
in which the communist party opted not to try and take power - was the one who left the group, and subsequently killed. They also noted other communist political influences on the plot, like when José chalks a message for the nationalist soldiers in which he asks them why they are fighting against
234:
After finding Vasia, the volunteers make their way across the Sierra in the hot summer, and run out of water. All the wells in the area are guarded by the
Nationalists. The group's members become desperate with thirst, and their attempts to get water are frustrated. They begin to quarrel among
395:
Paul Cooke and Marc
Silberman viewed the film as a classical anti-Fascist work, noting that it was a political statement rather than a war film. Stefan Deines wrote that it was not surprising that Pierre - whose country, France, was the only one among those represented at
218:
is cut off without water or ammunition. The commander, Major Bolaños, requests his commissar, the German
Heinrich Witting, to select five volunteers who will remain in the trenches and hold off the enemy, while the battalion retreats across the
29:
408:
Seán Allan and John
Sandford characterized the film as an "expressionist drama in which the lonely heroes are set against the inhuman landscape and an invisible enemy" and thus bearing "remarkable similarities" to the westerns of
243:. Pretending to surrender, he approaches the enemy soldiers with a grenade in his hand and dies when it explodes. Afterwards, Pierre leaves his cover to try and drink from a well, only to be shot dead.
223:. Witting chooses the Frenchman Pierre, the German Willi, the Pole Oleg, the Spaniard José and the Bulgarian Dimitri. In addition, the Soviet radio operator Vasia stays behind to handle communications.
791:
246:
The others, almost too dehydrated to move, cross the Ebro and rejoin the battalion. When the cartridges are unsealed, they learn that the message was: "Stay together, so you will survive".
350:
due to it having "three dimensions: a political subject, a thrilling story and a dialog-poor, mostly picturesque narrative." The film was one of the first to employ the technique of a
369:
735:
801:
405:
officer tells his colleague, "If you could tell me how can the communists endure without water while we cannot, you will be promoted to
General."
781:
603:
543:
522:
501:
480:
459:
438:
231:
to the battalion, claiming it contains an important message. It would be decipherable only if all the pieces would reach their destination.
776:
357:
The principal photography took place in
Bulgaria and in DEFA's studios in Berlin. The intro song, "Die Jaramafront", was performed by
786:
796:
660:
570:
692:
515:
Erinnern und Erzählen: Der
Spanische Bürgerkrieg in der deutschen und spanischen Erzählliteratur und in den Bildmedien
771:
684:
596:
215:
727:
589:
410:
389:
227:
766:
652:
358:
304:
273:
235:
themselves. Vasia, mad with thirst, wanders into a village in search of water and is caught by the
195:
291:
668:
385:
354:, enabling Beyer to "plan all the necessary arrangements for a scene before its shooting began".
239:. Before being executed, the others rescue him. Vasia then volunteers to hold off the pursuing
565:
539:
518:
497:
476:
455:
434:
402:
310:
261:
211:
191:
68:
719:
676:
381:
175:
161:
94:
628:
760:
711:
576:
236:
279:
267:
199:
296:
636:
613:
581:
285:
187:
183:
42:
351:
255:
240:
220:
28:
743:
559:
346:
Director Frank Beyer told an interviewer that he was drawn to making
452:
Der
Geteilte Himmel: Höhepunkte des DEFA-Kinos, 1946-1992, Volume 1
368:
109:
585:
373:
Beyer and the other producers receive the
Heinrich Greif prize.
388:
473:
Hollywood behind the Wall: the cinema of East Germany
226:
After the battalion leaves, the group fends off the
703:
620:
157:
149:
139:
116:
100:
90:
82:
74:
64:
56:
48:
38:
21:
401:their working-class brothers. In another scene, a
792:Films whose director won the Heinrich Greif Prize
494:Screening War: Perspectives on German Suffering
380:won Frank Beyer great acclaim. Beyer, composer
597:
8:
604:
590:
582:
513:Bettina Bannasch, Carl Freytag (editors).
337:Hans-Ulrich Lauffer as nationalist officer
27:
18:
431:Spur der Filme: Zeitzeugen über die DEFA
422:
7:
536:DEFA: East German cinema, 1946-1992
331:Hans-Hartmut Krüger as legionnaire
14:
802:Films scored by Joachim Werzlau
450:Helmut Pflügl, Raimund Fritz.
1:
782:Films directed by Frank Beyer
492:Paul Cooke, Marc Silberman.
328:Fritz-Ernst Fechner as Jirka
777:1960s German-language films
534:Seán Allan, John Sandford.
319:Jochen Diestelmann as Jerri
818:
736:Der Hauptmann von Köpenick
125:3 November 1960
26:
787:Spanish Civil War films
334:Fred Ludwig as sergeant
797:Films shot in Bulgaria
374:
322:Harald Jopt as Sanchez
216:International Brigades
179:
16:1960 East Germany film
372:
316:Johannes Maus as Karl
214:, a battalion of the
390:Heinrich Greif Prize
325:Dom de Beern as Otto
78:Günter Marczinkowsky
653:Star-Crossed Lovers
313:as Dimitri Pandorov
305:Ernst-Georg Schwill
274:Armin Mueller-Stahl
264:as Heinrich Witting
196:Armin Mueller-Stahl
180:Fünf Patronenhülsen
22:Fünf Patronenhülsen
669:Carbide and Sorrel
661:Naked Among Wolves
612:Films directed by
471:Daniela Berghahn.
386:Alfred Hirschmeier
375:
772:East German films
754:
753:
693:The Turning Point
544:978-1-57181-753-2
523:978-3-8233-6168-8
502:978-1-57113-437-0
481:978-0-7190-6172-1
460:978-3-901932-09-0
439:978-3-86153-401-3
262:Erwin Geschonneck
212:Spanish Civil War
192:Erwin Geschonneck
186:film directed by
167:
166:
69:Erwin Geschonneck
809:
704:Television films
606:
599:
592:
583:
577:filmportal.de/en
547:
532:
526:
525:. Pages 435-447.
511:
505:
490:
484:
469:
463:
448:
442:
427:
392:on 13 May 1961.
307:as Willi Seifert
301:as José Martinez
300:
282:as Oleg Zalevski
276:as Pierre Gireau
258:as Major Bolaños
132:
130:
31:
19:
817:
816:
812:
811:
810:
808:
807:
806:
757:
756:
755:
750:
720:The Last U-Boat
699:
677:Trace of Stones
645:Five Cartridges
637:Eine alte Liebe
616:
610:
572:Five Cartridges
561:Five Cartridges
556:
551:
550:
533:
529:
512:
508:
491:
487:
470:
466:
449:
445:
428:
424:
419:
398:Five Cartridges
384:, set designer
382:Joachim Werzlau
378:Five Cartridges
367:
348:Five Cartridges
344:
294:
252:
208:
171:Five Cartridges
142:
135:
128:
126:
119:
112:
105:
103:
95:Joachim Werzlau
60:Willi Teichmann
34:
17:
12:
11:
5:
815:
813:
805:
804:
799:
794:
789:
784:
779:
774:
769:
759:
758:
752:
751:
749:
748:
740:
732:
724:
716:
707:
705:
701:
700:
698:
697:
689:
685:Jacob the Liar
681:
673:
665:
657:
649:
641:
633:
624:
622:
618:
617:
611:
609:
608:
601:
594:
586:
580:
579:
568:
555:
554:External links
552:
549:
548:
527:
506:
485:
464:
462:. Pages 74-76.
443:
421:
420:
418:
415:
366:
363:
343:
340:
339:
338:
335:
332:
329:
326:
323:
320:
317:
314:
311:Günter Naumann
308:
302:
289:
283:
277:
271:
265:
259:
251:
248:
207:
204:
165:
164:
159:
155:
154:
151:
147:
146:
143:
140:
137:
136:
134:
133:
122:
120:
117:
114:
113:
108:
106:
101:
98:
97:
92:
88:
87:
84:
80:
79:
76:
75:Cinematography
72:
71:
66:
62:
61:
58:
54:
53:
52:Walter Gorrish
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
814:
803:
800:
798:
795:
793:
790:
788:
785:
783:
780:
778:
775:
773:
770:
768:
765:
764:
762:
746:
745:
741:
738:
737:
733:
730:
729:
728:Nikolaikirche
725:
722:
721:
717:
714:
713:
712:Rottenknechte
709:
708:
706:
702:
695:
694:
690:
687:
686:
682:
679:
678:
674:
671:
670:
666:
663:
662:
658:
655:
654:
650:
647:
646:
642:
639:
638:
634:
631:
630:
626:
625:
623:
621:Feature films
619:
615:
607:
602:
600:
595:
593:
588:
587:
584:
578:
574:
573:
569:
567:
563:
562:
558:
557:
553:
545:
541:
537:
531:
528:
524:
520:
516:
510:
507:
503:
499:
495:
489:
486:
482:
478:
474:
468:
465:
461:
457:
453:
447:
444:
440:
436:
432:
429:Ingrid Poss.
426:
423:
416:
414:
412:
406:
404:
399:
393:
391:
387:
383:
379:
371:
364:
362:
360:
355:
353:
349:
341:
336:
333:
330:
327:
324:
321:
318:
315:
312:
309:
306:
303:
298:
293:
290:
287:
284:
281:
278:
275:
272:
269:
266:
263:
260:
257:
254:
253:
249:
247:
244:
242:
238:
237:Guardia Civil
232:
229:
224:
222:
217:
213:
205:
203:
201:
197:
193:
190:and starring
189:
185:
181:
177:
173:
172:
163:
160:
156:
152:
148:
144:
138:
124:
123:
121:
115:
111:
107:
99:
96:
93:
89:
85:
81:
77:
73:
70:
67:
63:
59:
55:
51:
47:
44:
41:
37:
30:
25:
20:
742:
734:
726:
718:
710:
691:
683:
675:
667:
659:
651:
644:
643:
635:
627:
571:
560:
535:
530:
514:
509:
493:
488:
472:
467:
451:
446:
430:
425:
407:
397:
394:
377:
376:
356:
347:
345:
292:Edwin Marian
280:Manfred Krug
268:Ulrich Thein
245:
233:
228:Nationalists
225:
209:
200:Manfred Krug
182:) is a 1960
170:
169:
168:
153:East Germany
141:Running time
118:Release date
86:Evelyn Carow
629:Zwei Mütter
614:Frank Beyer
504:. Page 103.
483:. Page 153.
441:. Page 154.
359:Ernst Busch
295: [
286:Hans Finohr
210:During the
188:Frank Beyer
184:East German
57:Produced by
43:Frank Beyer
39:Directed by
33:1960 poster
767:1960 films
761:Categories
546:. Page 29.
417:References
352:storyboard
342:Production
256:Fritz Diez
241:Falangists
221:Ebro River
145:84 minutes
129:1960-11-03
102:Production
49:Written by
744:Abgehauen
411:John Ford
365:Reception
83:Edited by
288:as Pedro
270:as Vasia
158:Language
91:Music by
65:Starring
403:Falange
150:Country
127: (
104:company
747:(1998)
739:(1997)
731:(1995)
723:(1992)
715:(1971)
696:(1983)
688:(1975)
680:(1966)
672:(1963)
664:(1963)
656:(1962)
648:(1960)
640:(1959)
632:(1957)
542:
521:
500:
479:
458:
437:
176:German
162:German
299:]
566:IMDb
540:ISBN
519:ISBN
498:ISBN
477:ISBN
456:ISBN
435:ISBN
250:Cast
206:Plot
198:and
110:DEFA
575:at
564:at
763::
538:.
517:.
496:.
475:.
454:.
433:.
413:.
361:.
297:de
202:.
194:,
178::
605:e
598:t
591:v
174:(
131:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
