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After this
Constantino left Europe to return to South America, where he was busy performing in that continent's major opera houses during the first years of the 20th century. He returned to Europe in 1903 and had success on a concert tour of Spain and Germany in 1903–1904. He was a resident artist at
98:
After the closing of the Boston Opera
Company, Constantino moved to Los Angeles where he served as the Artistic Director of the California Grand Opera Company in 1916. In 1917 a disastrous appearance at the Saint Louis Opera led to a highly publicized lawsuit against Constantino. He left the United
59:
Raised primarily in
Argentina, Constantino began his career performing in opera houses in South America from 1892–1897 before traveling to Spain to pursue vocal training with Leopoldo Stiatesi. From 1898–1900 he appeared in leading roles in opera houses in Italy, Spain, Germany, Poland, and Russia
331:. As part of the production, Constantino arrived on horseback for the scene where his character is going to his execution. During this scene the horse slipped and fell and crushed Constantino's leg. Despite the injury he finished the performance before being taken for medical treatment.
780:
694:
The Negro Trail
Blazers of California: A Compilation of Records from the California Archives in the Bancroft Library at the University of California in Berkeley and from the Diaries, Old Papers and Conversations of Old Pioneers in the State of
321:. He continued to perform regularly with the Boston Opera Company until it closed in 1915. In 1911 his leg was injured in a stage accident involving a falling horse while performing the role of Dick Johnson in Puccini's
60:
and then resumed performing in opera houses in South
America during the first years of the 20th century. He returned to Europe for a tour of Spain and Germany in 1903–1904 and then became a resident artist at the
365:
After work in Boston ended, Constantino moved to Los
Angeles, California, where he taught vocal lessons and served as the director at the California Temple of Arts. One of his students was
132:, Spain. He moved with his family to Argentina while a young child. There he began his professional life as a machinist while a teenager and then progressed to working as a
334:
While primarily active in Boston from 1909–1915, Constantino also made appearances at other opera houses as a guest artist during this period. He performed annually at the
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Florencio
Constantino for many years a great grand opera tenor is dead in Mexico City ... Constantino a son of the singer who is at the Mex ican capital now ...
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After his initial career in South
America, Constantino went to Spain to pursue further vocal training with Leopoldo Stiatesi who had trained under
369:. He was also the Artistic Director of the California Grand Opera Company for one season with whom he both directed and starred in productions of
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who had an active international performance career from 1892 through 1917. He was particularly admired for his performances in the operas of
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in New
Orleans in 1906. He returned to that theatre in 1907 to perform the role of Maurizio in the United States premiere of
272:(SCOC). With that company Constantino travelled to the United States, beginning his tour of that nation with the SCOC at the
136:. With the assistance of a Spanish patron he obtained vocal training, and made his professional opera debut in 1889 at the
179:. He embarked on a career singing in European opera houses, achieving his first critical success as the Duke of Mantua in
836:
409:. He died in a hospital for the poor, having been brought to that institution after being found lying ill on the street.
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and clearly "did not know either the words or music". He was subsequently sued by Moore, who sought $ 1,200 in damages.
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States for Mexico City where he suffered a mental breakdown and died at a hospital for the destitute in 1919.
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In 1917, he was fired by the St. Louis Opera after he sang the premiere performance of Homer Moore's opera
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in Buenos Aires from 1909 to 1912; notably portraying Prince
Sinodal in the South American premiere of
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in Buenos Aires later that year. In 1897 he was committed to another opera house in Buenos Aires, the
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in Milan in 1898. That same year he performed the role of Rodolfo in Holland's first staging of
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as Rigoletto. He had a particular triumph at that same opera house later that year as Arturo in
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91:; a company with whom he performed until it closed in 1915. In 1910 he made his debut with the
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580:"Schmedes as Parsifal; To Take Place of Mr. Burgstaller, Who Is Ill – Other Changes"
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550:
John Rosselli (2001). "Russell, Henry (English singing teacher and impressario)".
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79:; a company with whom he toured the United States in 1906–1907. In 1908 he joined
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The London Stage 1900–1909: A Calendar of Productions, Performers, and Personnel
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in Berlin in 1904–1905 where he had critical successes as Manrico in Verdi's
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as Violetta. This was followed by performances as the Duke of Mantua in
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in 1909 and the title role in that theatre's first staging of Verdi's
639:"Tenor Pinned Under Horse; Constantino's Leg Wrenched When Horse in
256:; both productions in which he alternated in those parts with tenor
106:
33:
30:
18:
387:
317:; a performance also marking the beginning of the newly created
736:, Julian Edison Department of Special Collections. WUDL-GML-010
87:
and in 1909 he became the principal tenor of the newly created
698:. Times Mirror Print. and Binding House. pp. 216–217.
154:. At that theatre he also performed the role of Lázaro in
834:
499:"Gayarre presenta: Florencio Constantino (1868–1919)"
307:. In 1909 he performed the role of Enzo Grimaldo in
128:
Florencio Constantino was born on April 9, 1869, in
289:In 1908 Constantino made his New York debut at the
260:. In 1906 he was engaged by the English impresario
29:(April 9, 1869 – November 19, 1919) was a Spanish
730:"Homer Moore Archive – Biographical Information"
669:. Metropolitan Opera Archives. November 24, 1910
362:'s Rigoletto with Vittorio Podesti conducting.
812:Discography of American Historical Recordings
8:
71:in London before joining English impresario
754:"Author Seeks $ 1,200 from Spanish Tenor",
358:as the Duke of Mantua to Melba's Gilda and
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354:in 1911. In 1910 he made his debut at the
44:; with the roles of the Duke of Mantua in
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67:In 1905 Constantino was committed to the
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826:Works by or about Florencio Constantino
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232:In 1905 Constantino made his debut at
56:being signature roles for the tenor.
391:(as Radames) in Los Angeles in 1916.
7:
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203:. In 1900 he made his debuts at the
779:. November 25, 1919. Archived from
164:in 1892; a role he repeated at the
808:"Florencio Constantino recordings"
734:Washington University in St. Louis
691:Beasley, Delilah Leontium (1919).
609:(1992). "Constantino, Florencio".
466:(2012). "Constantino, Florencio".
405:and died on November 19, 1919, in
14:
856:
844:
894:Burials at La Recoleta Cemetery
588:. November 26, 1908. p. 2.
497:Giulia Grisi (March 17, 2013).
817:Works by Florencio Constantino
710:"Florencio Constantino, tenor"
651:. January 28, 1911. p. 1.
379:(as Enzo Grimaldo), Rossini's
1:
313:for the grand opening of the
211:in Saint Petersburg, and the
663:"Met Performance CID:49110,
472:(in German) (4th ed.).
250:and Don Ottavio in Mozart's
293:as the Duke of Mantua with
229:and as the Duke of Mantua.
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904:People from Greater Bilbao
177:Giovanni Battista Lamperti
529:. pp. 235–236, 239.
264:for performance opposite
64:in Berlin in 1904–1905.
914:Columbia Records artists
385:(as Count Almaviva) and
236:in London as Alfredo in
889:Spanish operatic tenors
617:Oxford University Press
615:. Oxford Music Online.
558:Oxford University Press
556:. Oxford Music Online.
503:Il Corriere della Grisi
367:Ella J. Bradley-Hughley
270:San Carlo Opera Company
85:Manhattan Opera Company
77:San Carlo Opera Company
929:Victor Records artists
919:Edison Records artists
519:J. P. Wearing (2013).
125:
111:Constantino, photo by
23:
16:Spanish operatic tenor
924:Pathé Records artists
771:"Constantino is Dead"
382:The Barber of Seville
324:La fanciulla del West
291:Manhattan Opera House
213:Grand Theatre, Warsaw
110:
27:Florencio Constantino
22:
718:: 29. July 20, 1916.
469:Großes Sängerlexikon
329:Boston Opera Company
319:Boston Opera Company
89:Boston Opera Company
760:, February 18, 1917
641:Girl of Golden West
371:Amilcare Ponchielli
221:Theater des Westens
81:Oscar Hammerstein I
62:Theater des Westens
648:The New York Times
612:Grove Music Online
585:The New York Times
553:Grove Music Online
356:Metropolitan Opera
315:Boston Opera House
283:Adriana Lecouvreur
274:French Opera House
126:
93:Metropolitan Opera
24:
821:Project Gutenberg
776:Los Angeles Times
483:978-3-59-844088-5
403:nervous breakdown
234:Royal Opera House
209:Mariinsky Theatre
146:Gaetano Donizetti
69:Royal Opera House
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268:in his touring
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144:as Fernando in
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884:1919 deaths
879:1869 births
407:Mexico City
376:La Gioconda
310:La Gioconda
239:La traviata
205:Teatro Real
151:La favorite
116: [
75:'s touring
873:Categories
787:2010-08-12
740:January 8,
695:California
673:January 8,
474:De Gruyter
413:References
351:Don Carlos
304:I puritani
161:La Dolores
53:I puritani
851:Biography
665:Rigoletto
401:He had a
396:Louis XIV
345:The Demon
327:with the
248:Rigoletto
200:La bohème
186:Rigoletto
47:Rigoletto
130:Ortuella
124:, Bilbao
119:Wikidata
31:operatic
837:Portals
828:at the
189:at the
142:Uruguay
643:Falls"
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863:Opera
242:with
122:]
34:tenor
742:2024
675:2024
531:ISBN
478:ISBN
388:Aida
219:the
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