606:, and its Edwardian London setting includes the conventional elements of swirling fog, comic lower orders and sinister doings in the Big House. Although the mood of dark, enclosed terror is unevenly sustained, the film benefits from some stylish decor and photography and is quite efficiently directed. Stewart Granger and Jean Simmons provide very competent, if conventional, portraits of murderer and blackmailer, and the court scene contains a sharp performance by Peter Bull as the prosecuting counsel. The romantic sub-plot is rather tediously developed."
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which he evades. Lily returns home and
Stephen learns of his mistake. Some local bar-goers saw him murder Mrs Burke and Stephen is put on trial, but their claims are dismissed after they are revealed to drink a lot and Lily lies to provide an alibi. The main testimony however is Lily's – who swears he never left the house - she does this as she wants to marry him.
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Lowry's plan backfires – he is dying. He gets Burke the local policeman to run for the doctor. Meanwhile Lily's handwriting is compared to the letter. Lily is told it doesn't match – but it does. A warrant is sworn for the arrest of Lowry. Lily returns to the house and pieces together the situation,
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Lowry feigns illness and sends Lily to fetch the doctor. She says she will return urgently with the doctor within five minutes. He calculates this will be enough time for him to frame her by drinking the poison that he used to kill his own wife and planting it and his wife's jewelry in Lily's room.
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Although Lowry owes Lily his life, his eyes are on another woman, Elizabeth
Travers, the daughter of a wealthy man and object of affection of his lawyer. He tells Lily it is part of a plot to gain money and he will use the money to take Lily and himself to America. He suggests he will marry her but
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maid, Lily
Watkins, who demands promotion. As she steadily takes the place of his dead wife, Lowry attempts to murder her as well. While attempting to murder Lily, by following someone who looked like her through the fog, he mistakenly kills Constable Burke's wife and gets chased by an angry mob,
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Arthur Lubin said he enjoyed making the film. "Mike was a very nice person to work for", he recalled. "I had problems with the leading man, Stewart
Granger, who hated me. He didn't like anything. He would go to Frankovich and say 'Mike, if Lubin doesn't stop annoying me I'm going to be sick
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realising that
Stephen never loved her as he accuses her of poisoning both him and his wife. After the doctor declares it's too late to save him, Lowry admits “I timed it, you said you’d be only five minutes!”. Stephen dies and Lily is asked to go to the police station for questioning.
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magazine called it "an unpretentious, enjoyable little thriller... it doesn’t hit great expressionistic heights but is lots of fun, and it's a shame box office receptions weren’t strong enough to allow him do more work in this line."
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demands she retrieves a letter she sent to her sister telling of Lowry's actions. But
Herbert, her sister's husband rescues the letter from the fire. He goes to Lowry's lawyer and tries to extort ÂŁ500 for the incriminating letter.
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Then in
October Lubin announced the stars would be Stewart Granger and Jean Simmons and the film would be made by Mike Frankovich's company, Film Locations. Later the title would be changed to
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THOMAS M. PRYOR (2 September 1951). "HOLLYWOOD DIGEST: Change in Taft–Hartley Act Sought by Actors Guild--R.K.O. Survey--Addenda
European Canvass Songstress Returns Out of a Rut".
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The production budget was ÂŁ112,118 plus an additional sum of $ 453,000 in fees for
Stewart Granger and Jean Simmons, director Lubin and screenwriters Coffee and Davenport.
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Lily is, however, detained by the police as the "tell-all" letter she has written to her sister, to safeguard herself after the master's failed plot to kill her, surfaces.
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bought the rights to the story in August 1949 for his own company. Several parties were interested in the story. The rights holders liked the job Lubin did on
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In July 1952 Lubin said he was about to sign a deal with James Woolf of
Romulus Films. He visited England in August seeking to raise finance and hoped for
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based on the story of a friend of theirs, Warwick Deeping. Lubin hoped to make the film in October 1949 from a script by Dorothy Reid with
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In 2015 Gene Blottner said the movie is a "good Gothic noir" with both Simmons and Granger "believably playing vile characters."
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Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 359
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Scheuer, Philip K. (27 October 1953). "Lancaster Limping, but Production Plans Spurt; Glynis Will 'Interrupt'".
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Schallert, Edwin (15 December 1951). "Drama: Louis Jourdan Stars in 'Happy Time;' Hugo Haas Will Play Pianist".
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saying he wanted to "remind producers that he can direct people too." In August 1951 he said he said signed
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Schallert, Edwin (21 July 1952). "Drama: Marines Again Will Land in 'Beachhead;' Singing Dog on Program".
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Schallert, Edwin (15 August 1949). "Super Oscar Winners Likely to Join Forces; Latin Gains Star Rating".
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Schallert, Edwin (24 January 1955). "Marmont Future Newly Assured; Two Directors Win Ace Assignments".
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The film was to be the second in a four picture slate from Frankovich's Film Locations. The first was
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Schallert, Edwin (18 June 1954). "Sanders and Maureen O'Hara Thriller Stars; Price Will Coproduce".
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After poisoning and killing his wife, the master of the house, Stephen Lowry, is blackmailed by his
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The film was based on a story "The Interruption", first published in the July 4, 1925, issue of
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in England, said he planned to shoot his still unproduced crime thriller in that country as
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HOWARD THOMPSON (31 August 1952). "RANDOM OBSERVATIONS ON PICTURES AND PEOPLE".
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starring and directed by JoséFerrer. The third and fourth films were not made.
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and became busy doing comedies with animals. He continued to seek finance for
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HEDDA HOPPER (1 April 1952). "'Rogue's March' Will Claim Peter Lawford".
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tomorrow.' But miraculously the picture turned out to be a good one."
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Lubin wanted to follow it with another film for Frankovich,
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Just Making Movies: Company Directors on the Studio System
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Box office information for Stewart Granger films in France
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it was a "money maker" at the British box office in 1955.
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to play the barrister and wanted to make the movie after
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in the female lead. In March 1954 the film was called
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941:(252): 123. 1 January 1955 – via ProQuest.
782:"Drama: Lubin Plans Fifth in 'Francis' Series".
871:. University Press of Mississippi. p. 184.
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615:review called it "humdrum, rarely exciting."
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600:wrote: "The story contains many echoes of
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501:In October 1953 Lubin, who had just made
656:"Footsteps in the Fog – Screenplay Info"
555:directed by Lubin. The fourth was to be
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7:
1640:Films based on works by W. W. Jacobs
994:Vagg, Stephen (14 September 2019).
844:"Arthur Lubin's Credo on Directing"
842:Gilbert, George (2 February 1955).
812:"WARNERS TO CUT 'A STAR IS BORN'".
1705:English-language crime drama films
1381:To the People of the United States
332:as David Macdonald, Lowry's lawyer
246:, with a screenplay co-written by
16:1955 British film by Arthur Lubin
14:
1690:Films shot at Shepperton Studios
1665:Films scored by Benjamin Frankel
440:magazine and later collected in
266:short story "The Interruption".
1141:The House of a Thousand Candles
525:had agreed to finance and that
521:. Then in June 1954 Lubin said
517:and Lubin had sent a script to
383:Barry Keegan as Constable Burke
1645:Films directed by Arthur Lubin
1405:Ali Baba and the Forty Thieves
917:. 15 December 1955. p. 5.
913:"Other Money Makers of 1955".
816:. 23 October 1954. p. 13.
1:
1557:The First Traveling Saleslady
1421:The Spider Woman Strikes Back
1685:1950s English-language films
1660:Films based on short fiction
1625:British crime thriller films
1317:Where Did You Get That Girl?
996:"The Cinema of Arthur Lubin"
786:. 25 March 1954. p. A8.
273:, with sets designed by the
1509:Francis Covers the Big Town
1293:I'm Nobody's Sweetheart Now
461:However Lubin instead made
262:, the film is based on the
219:552,430 admissions (France)
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1485:Francis Goes to West Point
1165:California Straight Ahead!
1655:British crime drama films
1581:The Incredible Mr. Limpet
1469:Francis Goes to the Races
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983:– via Google Books.
973:. McFarland. p. 82.
934:The Monthly Film Bulletin
865:Davis, Roland L. (2005).
597:The Monthly Film Bulletin
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1675:British historical films
898:. 20 July 1955. p.
464:Francis the Talking Mule
392:Norman Macowan as Grimes
1630:Columbia Pictures films
1597:Rain for a Dusty Summer
1549:Lady Godiva of Coventry
1309:The San Francisco Docks
1301:Who Killed Aunt Maggie?
658:. Turner Classic Movies
487:in the female lead and
1680:1950s historical films
1650:Films set in the 1900s
1635:1955 crime drama films
1525:Francis Joins the WACS
1413:Delightfully Dangerous
1051:Complete text of novel
967:Gene Blottner (2015).
929:"Footsteps in the Fog"
578:which was never made.
551:. The third was to be
143:Frankovich Productions
576:Ghosts of Drury Lane,
498:to write the script.
1573:The Thief of Baghdad
1533:Footsteps in the Fog
1397:Phantom of the Opera
1101:A Successful Failure
1039:Footsteps in the Fog
1029:Footsteps in the Fog
1018:Footsteps in the Fog
915:Kinematograph Weekly
589:Kinematograph Weekly
553:Ghosts of Drury Lane
542:Footsteps in the Fog
338:as Elizabeth Travers
227:Footsteps in the Fog
24:Footsteps in the Fog
1695:1950s British films
1670:Films set in London
1541:Francis in the Navy
1157:Mysterious Crossing
1045:Foosteps in the Fog
1000:Diabolique Magazine
645:at Box Office Story
416:as Constable Farrow
350:as Inspector Peters
109:Christopher Challis
1221:Secrets of a Nurse
1181:Idol of the Crowds
1087:Films directed by
1023:TCM Movie Database
892:"British Dialects"
814:The New York Times
491:in the male lead.
356:as Herbert Moresby
278:Wilfred Shingleton
271:Shepperton Studios
254:, and released by
230:is a 1955 British
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1565:Escapade in Japan
1493:It Grows on Trees
1429:Night in Paradise
1197:Midnight Intruder
1133:Frisco Waterfront
1117:Honeymoon Limited
829:Los Angeles Times
799:Los Angeles Times
784:Los Angeles Times
769:Los Angeles Times
739:Los Angeles Times
724:Los Angeles Times
709:Los Angeles Times
679:Los Angeles Times
477:It Grows on Trees
360:Frederick Leister
344:as Alfred Travers
256:Columbia Pictures
252:Dorothy Davenport
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153:Columbia Pictures
56:Dorothy Davenport
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1285:Meet the Wildcat
1277:Gangs of Chicago
1253:Call a Messenger
1205:The Beloved Brat
1173:I Cover the War!
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81:M. J. Frankovich
52:Lenore J. Coffee
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368:as Magistrate
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348:Finlay Currie
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342:Ronald Squire
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119:Alan Osbiston
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1389:White Savage
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1269:Black Friday
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1213:Prison Break
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1089:Arthur Lubin
1053:at Fullreads
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660:. Retrieved
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511:Glynis Johns
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489:Robert Donat
481:Jean Simmons
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468:
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449:
446:Arthur Lubin
442:Sea Whispers
441:
437:
435:
396:Cameron Hall
374:as Mrs. Park
330:Bill Travers
324:Jean Simmons
306:
303:
299:
295:
287:
275:art director
268:
264:W. W. Jacobs
260:Arthur Lubin
244:Jean Simmons
226:
225:
224:
183:Running time
160:Release date
99:Jean Simmons
71:W. W. Jacobs
42:Arthur Lubin
18:
1437:New Orleans
1373:Keeping Fit
1333:In the Navy
1261:The Big Guy
1149:Yellowstone
1125:Two Sinners
451:Two Sinners
432:Development
420:Erik Chitty
398:as Corcoran
336:Belinda Lee
232:Technicolor
77:Produced by
38:Directed by
1620:1955 films
1614:Categories
850:. p.
630:References
623:Diabolique
458:starring.
456:Glenn Ford
427:Production
380:as Brasher
378:Peter Bull
216:Box office
187:90 minutes
136:Production
48:Written by
582:Reception
444:in 1926.
422:as Hedges
238:starring
115:Edited by
1589:Hold On!
621:In 2019
603:Gaslight
563:Shooting
523:Columbia
515:Deadlock
410:as vicar
404:as Jones
200:Language
125:Music by
91:Starring
66:Based on
1477:Rhubarb
1453:Francis
1021:at the
956:Variety
896:Variety
848:Variety
662:18 July
612:Variety
557:Matador
540:before
538:Rebound
438:Liberty
290:Cockney
203:English
192:Country
171:1955-06
169: (
138:company
1600:(1971)
1592:(1966)
1584:(1964)
1576:(1961)
1568:(1957)
1560:(1956)
1552:(1955)
1544:(1955)
1536:(1955)
1528:(1954)
1520:(1954)
1512:(1953)
1504:(1953)
1496:(1952)
1488:(1952)
1480:(1951)
1472:(1951)
1464:(1951)
1456:(1950)
1448:(1949)
1445:Impact
1440:(1947)
1432:(1946)
1424:(1946)
1416:(1945)
1408:(1944)
1400:(1943)
1392:(1943)
1368:(1942)
1360:(1942)
1352:(1941)
1344:(1941)
1336:(1941)
1328:(1941)
1320:(1941)
1312:(1940)
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1264:(1939)
1256:(1939)
1248:(1939)
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1232:(1939)
1224:(1938)
1216:(1938)
1208:(1938)
1200:(1938)
1192:(1937)
1184:(1937)
1176:(1937)
1168:(1937)
1160:(1936)
1152:(1936)
1144:(1936)
1136:(1935)
1128:(1935)
1120:(1935)
1112:(1935)
1104:(1934)
1041:at BFI
977:
208:Budget
902:, 11.
509:with
1034:IMDb
975:ISBN
664:2011
529:and
312:Cast
284:Plot
250:and
242:and
1032:at
954:at
483:or
1616::
998:.
939:22
937:.
931:.
894:.
852:22
846:.
544:.
280:.
1080:e
1073:t
1066:v
1002:.
900:3
854:.
666:.
211:ÂŁ
173:)
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