305:
279:
294:
744:, a systems of struts glued to the inside of the back and top. Steel-string guitars use different bracing systems from classical guitars, typically using X-bracing instead of fan bracing. (Another simpler system, called ladder bracing, where the braces are all placed across the width of the instrument, is used on all types of flat-top guitars on the back.) Innovations in bracing design have emerged, notably the A-brace developed by British luthier Roger Bucknall of Fylde Guitars.
268:
1710:
43:
924:. Luthiers have been experimenting with redesigning the acoustic guitar for these players. These flat-top, steel-string guitars are constructed and voiced more for classical-like fingerpicking and less for chordal accompaniment (strumming). Some luthiers have increasingly focused their attention on the needs of fingerstylists and have developed unique guitars for this style of playing.
592:. It is an unusual-looking instrument, distinguished by a fairly large body with squarish bouts, and either a D-shaped or longitudinal oval soundhole. The strings are gathered at the tail like an archtop guitar, but the top is flatter. It also has a wide fingerboard and slotted head like a nylon-string guitar. The loud volume and penetrating tone make it suitable for single-note
214:
147:
823:, which is composed of a thin sandwich of quartz crystal. When compressed, the crystal produces a small electric current, so when placed under the bridge saddle, the vibrations of the strings through the saddle, and of the body of the instrument, are converted to a weak electrical signal. This signal is often sent to a
740:, which is incorporated into the neck to strengthen it and provide adjustable counter-tension to the stress of the strings. Typically, a steel-string acoustic guitar is built with a larger soundbox than a standard classical guitar. A critical structural and tonal component of an acoustic guitar is the
619:
after its most prominent manufacturer, amplifies its sound through one or more metal cone-shaped resonators. It was designed to overcome the problem of conventional acoustic guitars being overwhelmed by horns and percussion instruments in dance orchestras. It became prized for its distinctive sound,
487:
is a large-bodied guitar which incorporates a deeper soundbox, but a smaller and less-pronounced upper bout than most styles. Its size and power gave rise to its name, taken from the most formidable class of warship at the time of its creation in the early 20th century. The style was designed by
473:
is very similar in design to the grand concert, but slightly wider and deeper. Many 000-style guitars also have a convex back to increase the physical volume of the soundbox without making it deeper at the edges, which would affect comfort and playability. The result is a very balanced tone,
449:
body type is the major body style most directly derived from the classical guitar. It has the thinnest soundbox and the smallest overall size, making it very comfortable to play but lacking in volume projection relative to the larger types. Its smaller size makes it suitable for younger or
695:
Due to decreasing availability and rising prices of premium-quality traditional tonewoods, many manufacturers have begun experimenting with alternative species of woods or more commonly available variations on the standard species. For example, some makers have begun producing models with
939:, a few of the luthiers building guitars today inspired by vintage Martins, the pre–World War II models in particular. As prices for vintage Martins continue to rise exponentially, upscale guitar enthusiasts have demanded faithful recreations and luthiers are working to fill that demand.
527:, where a section of the upper bout below the neck is scalloped out. This allows for easier access to the frets located atop the soundbox, at the expense of reduced soundbox volume and altered bracing, which can affect the resonant qualities and resulting tone of the instrument.
766:
bowl, which replaced the square back and sides of traditional guitars; because of its engineering design, Ovation guitars could be amplified without producing the obnoxious feedback that had plagued acoustic guitars before. Ovation also pioneered with electronics, such as
512:
to compete with the dreadnought, but with maximum resonant space for greater volume and sustain. These come at the expense of being oversized, with a very deep sounding box, and thus somewhat more difficult to play. The foremost example of the style is the
755:) is the most important factor in the tone of the guitar. Solid backs and sides can also contribute to a pleasant sound, although laminated sides and backs are acceptable alternatives, commonly found in mid-level guitars (in the range of US$ 300–$ 1000).
492:
to produce a deeper sound than "classic"-style guitars, with very resonant bass. Its body's combination of compact profile with a deep sound has since been copied by virtually every major steel-string luthier, making it the most popular body type.
660:, or woods considered to have pleasing resonant qualities when used in instrument-making. The term is ill-defined and the wood species that are considered tonewoods have evolved throughout history. Foremost for making steel-string guitar tops are
428:
or the narrowest part of the body face near the soundhole. The proportion and overall size of these two parts helps determine the overall tonal balance and "native sound" of a particular body style – the larger the body, the louder the volume.
402:
believe a well-made guitar's tone improves over time. They theorize that a decrease in the content of hemicellulose, crystallization of cellulose, and changes to lignin over time all result in its wood gaining better resonating properties.
411:
Steel-string acoustic guitars are commonly constructed in several body types, varying in size, depth, and proportion. In general, the guitar's soundbox can be thought of as composed of two mating chambers: the
735:
The steel-string acoustic guitar evolved from the gut-string
Romantic guitar, and because steel strings have higher tension, heavier construction is required overall. One innovation is a metal bar called a
567:-like top either carved out of solid wood or heat-pressed using laminations. It usually has violin style f-holes rather than a single round sound hole. It is most commonly used by
508:
body type is bigger again than a grand auditorium but similarly proportioned, and is generally designed to provide a deep tone similar to a dreadnought's. It was designed by
620:
however, and gained a place in several musical styles (most notably blues and bluegrass), and retains a niche well after the proliferation of electric amplification.
60:
478:'s signature Martin, for example, is of this style. Martin's 000-xxx series and Taylor's x14 series are well-known examples of the grand auditorium style.
720:. Carbon-fiber and phenolic composite materials have become desirable for building necks, and some high-end luthiers produce all-carbon-fiber guitars.
304:
1428:
931:. This was started by Roy Noble, who built the guitar played by Clarence White from 1968 to 1972, and was followed by Bill Collings, Marty Lanham,
758:
From the 1960s through the 1980s, "by far the most significant developments in the design and construction of acoustic guitars" were made by the
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Until the 1960s, the predominant forms of music played on the flat-top, steel-string guitar remained relatively stable and included acoustic
1490:
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comparable to the 00 but with greater volume and dynamic range and slightly more low-end response, making this body style very popular.
692:, which is tonally similar to mahogany but slightly lighter in color and possessing a deep grain structure that is visually appealing.
1241:
1107:
664:, the most common, and Alpine and Adirondack spruce. The back and sides of a particular guitar are typically made of the same wood;
168:
126:
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1651:
1125:"Ovation's encore: How a host of product refinements have rekindled growth at Kaman Music's flagship guitar division"
866:. The concept of playing solo steel-string guitar in a concert setting was introduced in the early 1960s by such performers as
93:
712:, which is again tonally similar to mahogany but is cheap to acquire. Some have also begun using non-wood materials, such as
64:
1189:
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Steel-string guitars vary in construction and materials. Different woods and approach to bracing affect the instrument's
75:
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831:. The output of the preamplifier then goes to a separate amplifier system similar to that for an electric guitar.
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of two strings. The lower pairs are tuned an octave apart. Its unique sound was made famous by artists such as
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798:, often straddling the soundhole and using the same magnetic principle as a traditional electric guitar; or
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for a brighter, louder sound. Like the modern classical guitar, it is often referred to simply as an
553:
Other styles of guitar which enjoy moderate popularity, generally in more specific genres, include:
530:
All of these relatively traditional looking and constructed instruments are commonly referred to as
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1102:(foreword) (Fully revised and updated ed.). London and Sydney: Pan Books. p. 48.
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has been prized for the figuring that can be seen when it is cut in a certain way (such as
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for an acoustic guitar is E-A-D-G-B-E (low to high), although many players, particularly
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used a
Faheyesque approach to make the first solo steel-string guitar "hit" record.
517:, but like the dreadnought, most guitar manufacturers have at least one jumbo model.
1603:
1264:
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514:
475:
286:
152:
1190:"Connecticut firm makes guitars, helicopter blades from same fiberglass"
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being the rounded corner of an instrument body) on the neck end of the body, and
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and experienced players agree that a good solid top (as opposed to laminated or
638:
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250:
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Traditionally, steel-string guitars have been made of a combination of various
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variants other than Sitka. Cedar is also common in the back and sides, as is
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963:
909:
709:
927:
Many other luthiers attempt to recreate the guitars of the "Golden Era" of
17:
1198:. New Hartford, Conn.: Knight Ridder/Tribune Business News. Archived from
881:
techniques to compose original compositions with structures somewhat like
819:" as an acoustic, or plugged in as an electric. The most common type is a
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838:, which are designed to give undistorted and full-range reproduction.
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that descends from the gut-strung
Romantic guitar, but is strung with
1608:
1250:
1154:. Musical Instruments Series (first ed.). Milwaukee, Wisconsin:
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or tone. While there is little scientific evidence, many players and
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383:
320:
708:. Entry-level models, especially those made in East Asia, often use
827:, which increases the signal strength and normally incorporates an
1289:
847:
677:
615:
539:
534:
guitars. All are commonly used in popular music genres, including
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303:
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277:
266:
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patterns). A common non-traditional wood gaining popularity is
728:
For more details on the construction of acoustic guitars, see
36:
1012:"Acoustic Soundboard: The Sonic Effect of Time and Vibration"
1090:
Denyer, Ralph (1992). "Ovation guitars (Acoustic guitars)".
450:
smaller-framed players. It is well-suited to smaller rooms.
212:
30:
For a general range of acoustic, non-electric guitars, see
1219:
900:
Steel-string guitars are also important in the world of
1175:"From the ratcheting of helicopters to a guitar's hum"
1627:
1536:
1427:
1322:
1257:
1133:. The Guitar Market. 1 October 2004. Archived from
588:is usually played by those who follow the style of
222:
204:
184:
167:
160:
67:. Unsourced material may be challenged and removed.
1063:Mottola's Cyclopedic Dictionary of Lutherie Terms
497:'s "D" series guitars, such as the highly prized
809:The last type of guitar is commonly called an
345:, to distinguish it from the more specialized
1235:
1085:
1083:
1033:
1031:
8:
139:
575:players and often incorporates an electric
386:(particularly in Irish traditional music).
1242:
1228:
1220:
834:Several manufacturers produce specialised
501:, are classic examples of the dreadnought.
1150:Carter, Walter (1996). Eiche, Jon (ed.).
986:Building the Steel String Acoustic Guitar
521:Any of these body type can incorporate a
127:Learn how and when to remove this message
975:
424:(on the bridge end). These meet at the
341:The most common type is often called a
791:, possibly clipped to the guitar body;
138:
596:, and it is frequently employed as a
7:
1173:Cruice, Valerie (December 8, 1996).
1098:and Alastair M. Crawford;
935:, Randy Lucas, Lynn Dudenbostel and
65:adding citations to reliable sources
1066:. LiutaioMottola.com. p. 165.
676:are traditional choices, however,
458:'s x12 series are common examples.
25:
1152:The history of the Ovation guitar
1041:. www.sweetwater.com. 22 May 2013
983:Mottola, R.M. (20 October 2021).
904:, as utilized by such artists as
1709:
1708:
1188:Marks, Brenda (30–31 May 1999).
1060:Mottola, R.M. (1 January 2020).
563:, which incorporates an arched,
145:
41:
1652:History of the classical guitar
1010:Turner, Rick (2 October 2013).
783:using any of three techniques:
771:systems and electronic tuners.
186:Hornbostel–Sachs classification
52:needs additional citations for
1039:"Acoustic Guitar Buying Guide"
76:"Steel-string acoustic guitar"
1:
1195:Waterbury Republican-American
779:A steel-string guitar can be
465:guitar, sometimes called the
1740:American musical instruments
1156:Hal Leonard Corporation
954:List of guitar manufacturers
815:as it can be played either "
762:. It introduced a composite
629:replaces each string with a
317:steel-string acoustic guitar
140:Steel-string acoustic guitar
1761:
836:acoustic guitar amplifiers
730:Guitar § Construction
727:
700:or mahogany tops, or with
29:
1704:
360:, use alternate tunings (
229:
211:
144:
883:European classical music
862:, and several genres of
812:acoustic-electric guitar
585:Selmer-Maccaferri guitar
1094:. Special contributors
1642:Electric guitar design
891:Indian classical music
760:Ovation Guitar Company
349:and other variations.
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301:
290:
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217:
1679:list of manufacturers
1016:www.premierguitar.com
885:. Fahey contemporary
454:'s 00-xxx series and
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296:
281:
274:a steel-string guitar
270:
216:
1323:By type (six string)
929:C.F. Martin & Co
821:piezoelectric pickup
805:built into the body.
670:East Indian rosewood
334:, or sometimes as a
319:is a modern form of
61:improve this article
1202:on 23 February 2016
1137:on 28 February 2011
1096:Isaac Guillory
1092:The guitar handbook
259:(distantly related)
224:Related instruments
141:
1429:Additional strings
1384:GuitarrĂłn mexicano
1180:The New York Times
1158:. pp. 1–128.
889:added elements of
666:Brazilian rosewood
613:, also called the
382:(D-A-D-G-B-E), or
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27:Musical instrument
1722:
1721:
1564:Chitarra battente
1335:acoustic-electric
1165:978-0-7935-5876-6
1100:Robert Fripp
1073:978-1-7341256-0-3
996:978-1-7341256-1-0
842:Music and players
674:Honduras mahogany
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174:String instrument
162:String instrument
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16:(Redirected from
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368:(D-G-D-G-B-D),
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243:Electric guitar
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879:fingerpicking
877:
876:country blues
873:
869:
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841:
839:
837:
832:
830:
826:
825:pre-amplifier
822:
818:
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813:
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797:
794:a detachable
793:
790:
786:
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784:
780:
775:Amplification
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272:Fingerpicking
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235:
234:Guitar family
231:
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206:Playing range
203:
199:
196:sounded by a
195:
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120:
117:February 2017
109:
106:
102:
99:
95:
92:
88:
85:
81:
78: –
77:
73:
72:Find sources:
66:
62:
56:
55:
50:This article
48:
44:
39:
38:
33:
19:
1667:experimental
1340:steel-string
1339:
1204:. Retrieved
1200:the original
1193:
1178:
1151:
1139:. Retrieved
1135:the original
1128:
1118:
1091:
1062:
1055:
1043:. Retrieved
1019:. Retrieved
1015:
1005:
985:
978:
926:
914:Bryan Sutton
899:
887:Robbie Basho
868:Davey Graham
845:
833:
810:
808:
778:
763:
757:
746:
734:
694:
685:
681:
662:Sitka spruce
655:
653:
624:
614:
608:
583:
558:
552:
531:
529:
522:
520:
515:Gibson J-200
505:
482:
476:Eric Clapton
470:
466:
462:
446:
442:
438:
434:
425:
421:
417:
413:
410:
393:
390:Construction
351:
340:
335:
331:
316:
314:
287:Eric Clapton
232:
153:Gibson SJ200
123:
114:
104:
97:
90:
83:
71:
59:Please help
54:verification
51:
1345:dreadnought
922:David Grier
902:flatpicking
874:, who used
639:Pete Seeger
602:gypsy swing
484:dreadnought
422:lower bouts
414:upper bouts
384:D-A-D-G-A-D
364:), such as
336:folk guitar
284:C.F. Martin
194:chordophone
192:(Composite
18:Folk guitar
1729:Categories
1544:Bajo sexto
1528:Multi-neck
1021:2019-09-12
970:References
959:Dingulator
918:Doc Watson
895:Leo Kottke
872:John Fahey
803:transducer
789:microphone
643:Leo Kottke
635:Lead Belly
362:scordatura
87:newspapers
1637:Amplifier
1579:Guitalele
1537:Ancillary
1404:Resonator
1389:Lap steel
1359:Classical
1307:Guitarist
1270:Harmonics
1045:11 August
964:Strumming
910:Tony Rice
856:bluegrass
829:equalizer
817:unplugged
781:amplified
764:roundback
738:truss rod
710:nato wood
698:red cedar
657:tonewoods
650:Tonewoods
190:321.322-6
1714:Category
1594:Requinto
1569:Craviola
1549:Baritone
1442:ArmĂłnico
1409:Romantic
1399:Requinto
1379:Fretless
1374:Flat top
1369:Flamenco
1364:Electric
1330:Acoustic
1206:24 April
943:See also
749:luthiers
724:Assembly
718:graphite
706:basswood
471:triple-O
443:double-O
400:luthiers
375:♯
372:(D-A-D-F
311:PR-5E VS
309:Epiphone
300:DG-41SCE
198:plectrum
1662:Luthier
1486:English
1476:Baroque
1447:Russian
1354:Archtop
1302:Tunings
1285:Picking
1258:Playing
1251:Guitars
852:country
753:plywood
742:bracing
714:plastic
594:soloing
560:archtop
544:country
532:flattop
524:cutaway
469:or the
378:-A-D),
328:strings
178:plucked
101:scholar
1609:Timple
1574:Cuatro
1459:Brahms
1419:Hybrid
1394:Parlor
1297:Rhythm
1265:Chords
1162:
1106:
1070:
993:
949:Guitar
796:pickup
769:pickup
702:spruce
690:sapele
672:, and
631:course
577:pickup
565:violin
546:, and
510:Gibson
495:Martin
456:Taylor
452:Martin
435:parlor
426:waist,
396:timbre
380:drop D
370:open D
366:open G
321:guitar
298:Fender
103:
96:
89:
82:
74:
1604:Tenor
1589:RajĂŁo
1491:Yepes
1290:strum
1141:1 May
848:blues
747:Most
686:quilt
682:flame
678:maple
616:Dobro
569:swing
540:blues
506:jumbo
445:, or
407:Types
325:steel
289:model
155:model
108:JSTOR
94:books
1614:Tres
1584:Lyre
1554:Bass
1523:Harp
1312:list
1280:Lead
1275:Jazz
1208:2012
1160:ISBN
1143:2012
1104:ISBN
1068:ISBN
1047:2015
991:ISBN
920:and
893:and
870:and
864:rock
860:folk
684:and
641:and
623:The
607:The
582:The
573:jazz
571:and
557:The
548:folk
536:rock
504:The
499:D-28
481:The
461:The
433:The
418:bout
352:The
315:The
257:Lute
251:bass
80:news
716:or
600:in
467:000
416:(a
63:by
1731::
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1513:14
1508:13
1503:12
1498:11
1471:10
1192:.
1177:.
1127:.
1122:*
1082:^
1030:^
1014:.
989:.
916:,
912:,
908:,
858:,
854:,
850:,
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550:.
542:,
538:,
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439:00
437:,
338:.
282:A
249:,
245:,
241:,
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604:.
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237:(
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124:(
119:)
115:(
105:·
98:·
91:·
84:·
57:.
34:.
20:)
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