Knowledge (XXG)

Intellectual property protection of typefaces

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1124:"Stephenson, Blake and Co. v. Grant, Legros & Co., 115 L.T.R. 666, 61 Sol. J. 55 (1916), reprinted in E.J. MacGillivray, Copyright Cases 1911-1916 326-329 (1969), aff'd 116 L.T.R. 268 (1917), noted in 13 Eng. and Empire Digest 68, 68-69. The court recognized that the typeface design was subject to copyright under the then-current Copyright Act of 1911, an Act to Amend and Consolidate the Law Relating to Copyright, 1911, 1 & 2 Geo. 5, ch. 46 (Eng.). However, the plaintiff's victory was hollow. The court held that the copyright protected only the design in its entirety, with all the letters in their particular order. The defendant's embodiment of them into a font of his own, as opposed to a reproduction of the design with the letters in the same order, was held not to infringe. MacGillivray, supra at 327-28". Terrence J. Carroll, 146: 717:
symbolic characters, whose forms are related by repeating design elements consistently applied in a notational system and are intended to be embodied in articles whose intrinsic utilitarian function is for use in composing text or other cognizable combinations of characters. The Committee does not regard the design of typeface, as thus defined, to be a copyrightable "pictorial, graphic, or sculptural work" within the meaning of this bill and the application of the dividing line in section 101 .
808:. A US court decided that Monotype's trademarks were "fanciful" and did not have descriptive value of the actual products. However it also decided that URW was confusing the public deliberately because "the purloining of the first part of a well-known trademark and the appending of it to a worthless suffix is a method of trademark poaching long condemned by the courts." The court issued an injunction preventing URW from using their chosen names. 2572: 38: 961: 720:
In addition to rejecting copyright protection for typeface designs, Congress deferred a decision on a more limited form of protection under proposed ornamental design legislation. Title II of the 1976 copyright revision bill as passed by the Senate could have protected typeface designs, but the House
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or "Type Faces Law"), according to which a typeface is initially protected under German copyright law for 10 years from first publication onwards. After the end of the initial ten-year period, the rights holder may pay a fee to prolong copyright status for one additional 15 years period. According to
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in many countries (either automatically, by registration, or by some combination thereof). A design patent is the strongest system of protection, but the most uncommon. It is the only US legal precedent that protects the actual design (the design of the individual shapes of the letters) of the font.
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may be protectable by copyright. In 1992, the US Copyright Office determined that digital outline fonts had elements that could be protected as software if the source code of the font file "contains a sufficient amount of original authorship". Since that time, the Office has accepted registration of
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clearly comports with the intention of the Congress. Whether typeface designs should be protected by copyright was considered and specifically rejected by Congress in passing the Copyright Act of 1976. The 1976 House Report states: A "typeface" can be defined as a set of letters, numbers, or other
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helped clear the distinction between intellectual property protection for a font and a typeface. SSI had used the FontMonger program to copy and rename fonts from Adobe and others. They assumed safety from prosecution because they had directly copied the points that define the shapes from Adobe's
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of Representatives had doubts about the limited form of protection. Consequently, only copyright revision passed. . Design legislation has yet to be enacted, and Congress has chosen not to include typeface designs within the Copyright Act's definition of pictorial, graphic, or sculptural works."
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intellectual legacy combined with absence of specific law regulation of the fonts. That created the opposite situation in which all typefaces have copyright, and payments can be collected by current law. According to the Russian Yur'yev legal bureau, at least 99
441:, the shapes of typefaces are not eligible for copyright but may be protected by design patent (although it is rarely applied for, the first US design patent that was ever awarded was for a typeface). Typefaces can be protected in other countries, including the 693:
copyright for digital vector fonts, such as PostScript Type 1, TrueType, and OpenType format files. As computer programs are protected as literary works in the United States, a font file program can only be eligible for copyright protection in the US if the
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The basic standard for copyrighted digital font use is that a license is required for each individual font used on a computer, or in the case of businesses, one per entity. Under the license fonts are typically licensed only for use on one computer. These
512:) for a fee, which, like a digital font, also holds much higher copyright protection status than an analogue typeface itself. If a typeface's name is trademarked, no other typeface may bear the same name, including digital clones of the analogue typeface. 821:(EULAs) generally state that fonts may only be used on machines that have a valid license. These fonts cannot be shared by multiple computers or given to others. These licenses can be obtained in three ways: directly from the font authors (e.g., 887:
product without permission. Font Brothers claimed that Hasbro had refused to comply with its licensing request. It is also claiming substantial damages, from loss of revenue for that misuse and requesting a jury trial to resolve this matter.
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for copyright infringement. SWFTE was using special computer programs to take other type founders' fonts, convert them, and give them new names. The case focused on the fact that SWFTE had used Bitstream's software to create these new fonts.
1241: 794:. This is the weakest form of protection because only the font name itself is being protected. For example, the letters that make up the trademarked font Palatino can be copied but the name must be changed. 620:. However, the denied protection is not imperative since in theory, typefaces could be protected based on both copyright and design law. Additionally, the name of a typeface can be protected by a trademark. 55: 895:, No. 1:17-cv-07180 (N.D. Ill.). The lawsuit claimed that Target gave Calango, a design firm that Target had hired, copies of Berthold's font software without permission. The case was dismissed 804:
for cloning their fonts and naming them with a name starting with the same three letters. As typeface shapes themselves cannot be copyrighted in the United States, the lawsuit centered on
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Another prominent example is the European Union, where the automatic protection (without registration) expires after three years and can be extended (by registration) up to 25 years.
453:, by industrial design protections that are similar to copyright or design patent in that they protect the abstract shapes. Additionally, in the US and some other countries, computer 876:
fonts, but they had made slight adjustments to all the points so that they were not technically identical. Nevertheless, it was determined that the computer code had been copied.
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German law, every typeface thus ends up in the public domain after no more than 25 years from first publication onwards, when it is also free to be digitized into a computer
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Such licenses typically only apply to the font file itself (which is a computer program), and not to the shape of the typeface, which may be subject to a design patent.
437:, trademark, design patent, and related laws. The copyright status of a typeface and of any font file that describes it digitally varies between jurisdictions. In the 461:
of the shapes as vector outlines, may be protected by copyright on the computer code that produces them. The name of a typeface may also be protected as a trademark.
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considers that fonts are subject to copyright, but that covers typefaces for only 25 years from first publication and does not cover their usage by typographers.
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The Supreme Court of South Korea has ruled that typefaces are not protected by copyright because they function primarily as a means of communicating information.
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has no specific law for the protection of typefaces. So far, the jurisdiction has been very reluctant in admitting legal protection of any sort to typefaces in
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as the shapes the program produces. However, both terms are often used synonymously, and the Copyright Office uses them equivalently to refer to typefaces.
195: 74: 81: 1209:"Registrability of Computer Programs that Generate Typefaces", 57 Fed. Reg. 6201 (Feb. 21, 1992), reproduced in U.S. Copyright Office announcement 563:
by copyright on the ground that they function primarily as a means of communicating information, rather than an appeal to aesthetic appreciation.
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Compendium of U.S. Copyright Office Practices, Third Edition, §723, "Computer Programs That Generate Typeface, Typefont, or Barcodes", pg 53,
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in 1992. The legal precedent that typefaces are not eligible for protection under U.S. copyright law was established before that in 1978 in
1601: 1296: 689: 328: 230: 70: 1095: 398: 2596: 1344:"Compendium of U.S. Copyright Office Practices, § 906.4 ("Typeface, Typefont, Lettering, Calligraphy, and Typographic Ornamentation")" 1571: 1560: 121: 670:. However, fonts can be protected by design patent, and computer programs that implement typefaces may be protected by copyright. 360: 185: 481:
Gesetz zum Wiener Abkommen vom 12. Juni 1973 über den Schutz typographischer Schriftzeichen und ihre internationale Hinterlegung
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recognized copyright in typefaces but protected only the design with all the letters in their particular order. The current
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allows for using the typeface in the ordinary course of printing. The term of protection is 15 years from first publication.
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of the computer instructions within the file was written by a human; due to the prominence of modern user-friendly digital
484:("Law on the 1973 Vienna Agreement for the Protection of Type Faces and their International Deposit", also simply known as 95: 2526: 2411: 2373: 1140: 779: 613: 1497: 661: 2557: 1626: 657: 2137: 1059: 908: 818: 684:
in protecting their creative elements under US law, but the computer program that is used to display a typeface, a
547:'s Hadassah typeface for a term exceeding 48 years, forcing Masterfont's unauthorized digitization off the market. 1408: 1157: 1024:
Karjala, Dennis S.; Sugiyama, Keiji (Autumn 1988). "Fundamental Concepts in Japanese and American Copyright Law".
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As a general rule, typeface, typefont, lettering, calligraphy, and typographic ornamentation are not registrable.
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Historically, the unavailability of protection for typefaces reaches back to at least 1976. In 1988, the
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Most recently, Berthold LLC sued Target Corporation for its alleged breach of a font license agreement.
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https://storage.courtlistener.com/recap/gov.uscourts.ilnd.344822/gov.uscourts.ilnd.344822.59.0.pdf
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https://storage.courtlistener.com/recap/gov.uscourts.ilnd.344822/gov.uscourts.ilnd.344822.45.0.pdf
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The US allows design patents for fonts. In fact, the very first design patent awarded in the US (
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copyright statute, enacted in 1989, expressly refers to copyrights in typeface designs.
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https://archives.federalregister.gov/issue_slice/1992/2/21/6201-6203.pdf#page=2
2489: 2303: 2193: 2046: 2039: 2016: 1971: 1935: 1889: 1846: 1841: 1836: 1821: 1661: 1656: 1651: 1610: 731: 652:. The idea that typefaces cannot be copyrighted in the United States has been 576: 17: 1329: 1321: 1189: 1981: 1976: 1753: 1681: 1494: 829:), or through purchasing or downloading the font from an authorized outlet. 791: 685: 673: 503: 434: 301: 245: 165: 2454: 2313: 2132: 2005: 1991: 1816: 1768: 774: 418: 377: 323: 160: 797: 755:
font family was one group that was formerly protected by design patent.
2278: 2064: 1915: 1826: 1758: 1694: 1018:, II-1 Chosakuken Hanreishu 8 (9 Mar. 1979, Tokyo District Court) (the 629: 446: 1256:"Notice of Policy Decision on Copyrightability of Digitized Typefaces" 1045: 2181: 1798: 1505:, No. C 95-20710 1998 U.S. Dist. LEXIS 1941 (N.D. Cal. Feb. 2, 1998). 989:(Ireland), §§ 84-85. Irishstatutebook.ie, Accessed January 31, 2013. 880: 752: 593: 580: 540: 450: 205: 1230:
https://copyright.gov/comp3/chap700/ch700-literary-works.pdf#page=53
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In computing parlance, a distinction is sometimes drawn between the
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Copyright, trademark and patent considerations of fonts and related
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programs, this method of creating a font file is now quite rare.
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and their letter forms are considered utilitarian objects whose
492: 422: 1583: 1544:""My Little Pony" Sued For Using a Pirated Font - TorrentFreak" 1170: 31: 1579: 1060:"Юридическое бюро Юрьева - Шрифт как объект авторского права" 1297:"Policy Decision on Copyrightability of Digitized Typefaces" 883:, claiming that Hasbro used the "Generation B" font for its 879:
On 21 January 2016, Font Brothers filed a lawsuit against
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Policy Decision on Copyrightability of Digitized Typefaces
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Copyright, Designs and Patents Act 1988 (c. 48), § 54
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Protection For Typeface Designs: A Copyright Proposal
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The names of particular fonts may be protected by a
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have been about the use of studio made typefaces in
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https://www.federalregister.gov/citation/57-FR-6202
62:. Unsourced material may be challenged and removed. 1402: 1400: 1398: 840:GNU General Public License with the Font Exception 648:Typefaces cannot be protected by copyright in the 1396: 1394: 1392: 1390: 1388: 1386: 1384: 1382: 1380: 1378: 862:and four other type companies successfully sued 502:of a typeface can separately be registered as a 1470:Legal Battles that Shaped the Computer Industry 1190:"Circular 33: Works Not Protected by Copyright" 825:), as part of a larger software package (e.g., 71:"Intellectual property protection of typefaces" 1495:Adobe Systems, Inc. v. Southern Software, Inc. 1473:. Greenwood Publishing Group. pp. 47–48. 1353:. 22 December 2014. p. 13. Archived from 872:Adobe Systems, Inc. v. Southern Software, Inc. 2532:Intellectual property protection of typefaces 1595: 761:In 1981, Germany passed a special extension ( 727:Compendium of U.S. Copyright Office Practices 399: 8: 2074: 507: 485: 479: 196:Integrated circuit layout design protection 2012: 1736: 1602: 1588: 1580: 738:also cannot be copyrighted in themselves. 406: 392: 133: 2558:Punctuation and other typographic symbols 966:United States Patent and Trademark Office 122:Learn how and when to remove this message 1084:The Supreme Court of South Korea 94누5632 559:has not held typefaces to be covered in 1409:"Font Licensing and Protection Details" 1026:The American Journal of Comparative Law 953: 925: 778:), in 1842, was for a font designed by 314:Limitations and exceptions to copyright 258: 136: 987:Copyright and Related Rights Act, 2000 1516:"Font Brothers, Inc., v. Hasbro, Inc" 272:Artificial intelligence and copyright 7: 1407:Gaultney, Victor (31 October 2003). 800:was involved in a 1995 lawsuit with 690:domain-specific programming language 231:Supplementary protection certificate 60:adding citations to reliable sources 712:, which explains: "The decision in 1006:, 2016-05-09. Accessed 2019-09-21. 724:According to section 906.4 of the 25: 2571: 2570: 1188:United States Copyright Office. 1096:"Valentin Blank — Schriftschutz" 936:as the computer program and the 746:Typefaces may be protected by a 361:Outline of intellectual property 186:Indigenous intellectual property 144: 36: 47:needs additional citations for 1351:United States Copyright Office 1314:Office of the Federal Register 688:of computer instructions in a 1: 2527:History of Western typography 1143:(England), Legislation.gov.uk 543:have recognized copyright in 2374:traditional point-size names 1413:Sil International and UNESCO 893:Berthold LLC v. Target Corp. 765:) to the design patent law ( 614:copyright law of Switzerland 1627:Canons of page construction 1467:Lawrence D. Graham (1999). 819:End User License Agreements 658:Code of Federal Regulations 523:covers typefaces. Like the 309:Idea–expression distinction 2618: 1016:Yagi v. Kashiwa Shobo K.K. 909:Legal aspects of computing 838:font licenses include the 708:published a report titled 656:since the introduction of 2597:Intellectual property law 2566: 1784:Subscript and superscript 2542:Vox-ATypI classification 1672:Intentionally blank page 1216:7 November 2012 at the 962:"Patent #: US0D0000001" 590:Lebedev's design studio 573:copyright law of Russia 221:Plant genetic resources 191:Industrial design right 181:Geographical indication 2075: 1152:57 Fed.Reg. 6202, see 806:trademark infringement 767:Geschmacksmustergesetz 557:copyright law of Japan 508: 486: 480: 292:Criticism of copyright 216:Plant breeders' rights 1295:(29 September 1988). 1000:Hadassah Friedlaender 914:Intellectual property 844:SIL Open Font License 714:Eltra Corp. v. Ringer 667:Eltra Corp. v. Ringer 459:digital instantiation 431:intellectual property 138:Intellectual property 2412:Typographic features 1020:Typeface Design Case 802:Monotype Corporation 763:Schriftzeichengesetz 662:Ch 37, Sec. 202.1(e) 487:Schriftzeichengesetz 56:improve this article 2537:Technical lettering 2436:Typography in other 2177:Hanging punctuation 1360:on 23 December 2014 858:From 1993 to 1995, 848:Ubuntu Font License 529:Republic of Ireland 521:Irish copyright law 282:Copyright abolition 2500:Handwriting script 2427:Desktop publishing 2397:Character encoding 2390:Digital typography 1904:Horizontal aspects 1857:Visual distinction 1715:Widows and orphans 1500:2010-05-22 at the 1454:2011-04-06 at the 1437:2011-04-06 at the 1032:(4): 613, 625–26. 545:Henri Friedlaender 525:United Kingdom law 433:considerations in 374:Higher categories: 366:Outline of patents 2584: 2583: 2331:Typographic units 2249:For position only 2148: 2147: 2000: 1999: 1480:978-1-56720-178-9 998:Misha Beletsky. " 968:. 9 November 1842 596:without payment. 527:(see below), the 416: 415: 132: 131: 124: 106: 16:(Redirected from 2609: 2574: 2573: 2551:Related template 2483:Related articles 2284:Phototypesetting 2138:reverse-contrast 2123:Display typeface 2080: 2057:Blackletter type 2013: 1950:Vertical aspects 1931:Sentence spacing 1741:Typeface anatomy 1737: 1604: 1597: 1590: 1581: 1574: 1569: 1563: 1558: 1552: 1551: 1540: 1534: 1533: 1531: 1529: 1523:Torrentfreak.com 1520: 1512: 1506: 1491: 1485: 1484: 1464: 1458: 1447: 1441: 1430: 1424: 1423: 1421: 1419: 1404: 1373: 1372: 1367: 1365: 1359: 1348: 1340: 1334: 1333: 1305:Federal Register 1301: 1293:Copyright Office 1288: 1282: 1281: 1279: 1277: 1271: 1265:. Archived from 1260: 1252: 1246: 1245: 1238: 1232: 1226: 1220: 1207: 1201: 1200: 1194: 1185: 1179: 1178: 1167: 1161: 1150: 1144: 1138: 1129: 1122: 1116: 1115: 1113: 1111: 1102:. 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sources: 61: 57: 51: 50: 45:This article 43: 39: 34: 33: 30: 19: 2531: 2522:Type foundry 2359:Metric units 2289:Punchcutting 2274:Movable type 2244:Font catalog 2204:Vertical bar 1941:Word spacing 1911:Figure space 1794:Text figures 1637:Even working 1567: 1556: 1548:TorrentFreak 1547: 1538: 1526:. 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