354:. The early version emphasised the nature of intelligence and spiritual problems. The later edition placed an emphasis on the idea of renovation being found within Christianity. As Blake revised the poem, he added more concrete images and connected the plot to the histories of the Druids and of the Christians along with adding various locations connected to them. In both editions of the poem, Blake changed his mythological system in the
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took ten years. A notebook was probably used to draft the poem or the designs, but none has survived. One of the manuscript sheets was used to create a history of
England that was abandoned by Blake in 1793. The work was never put into etching, and the manuscript was given to
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after 1795. He continued to work on it throughout the rest of the 1790s, but he lost confidence that he could complete the work, as he was in a state of deep depression. After 1800, however, he became able to work on it again. The poem was retitled
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but, dissatisfied, he abandoned the effort in 1807, leaving the poem in a rough draft and its engraving unfinished. The text of the poem was first published, with only a small portion of the accompanying illustrations, in 1893, by the Irish poet
143:. The lines are surrounded by large designs, and there are around 2,000 lines in the original version of the poem and 4,000 in the second version. The differences between the two versions are primarily in the last two "nights".
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is the first work to mention them. In particular, Blake's God/Man union is broken down into the bodily components of Urizen (head), Urthona (loins), Luvah (heart), and
Tharmas (unity of the body) with paired
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In the second "night", the theme of women ruling is discussed but there is an emphasis on how the ability to create constricts them. Humanity is imprisoned by creation, and experience causes great pain:
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depict sexual activity or the genitals of the individual. Blake used these images as part of a general celebration of sex and sexuality. This emphasis on free sexuality occurs in
430:, Blake added Christian and Hebrew images and describes how Los experiences a vision of the Lamb of God that regenerates Los's spirit. In opposition to Christ is Urizen and the
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who was originally of the divine substance (Urizen, reason) and their
Emanations represent Sexual Urges (Enion), Nature (Vala), Inspiration (Enitharmon), and Pleasure (Ahania).
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from a dualistic struggle between two divine powers to a struggle of four aspects split from
Eternity. These aspects are Blake's Four Zoas, which represent four aspects of the
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Between the various editions, the concept of the poem changes. The later edition was on a smaller conceptual scale, and it emphasises the concept of imprisonment found in the
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as the character Los (imagination) is connected to the image of Christ, and he added a
Christian element to his mythic world. In the revised version of
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422:, Blake felt that he was able to overcome his inner battle but he was concerned about losing his artistic abilities. These thoughts carried over into
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were 41 x 32 cm. The work also took far longer than any of his previous works had: most of Blake's designs were completed within a year, but
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in 1807, and this title is often used to denote a second version of the poem, the first having been completed between 1796 and 1802.
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in addition to claiming that "The poem provides a profound analysis of man's limitations but no hint of escape from the prison".
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73:. It consists of nine books, referred to as "nights". These outline the interactions of the Zoas, their fallen forms and their
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454:, in 2003, believed that Blake's "most extraordinary achievement" between the "prodigious years" of 1795 and 1800 was
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Blake believed that each person had a twofold identity with one half being good and the other evil. In
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The Four Zoas: The torments of Love & Jealousy in The death and
Judgment of Albion the Ancient Man
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claimed: "There is nothing like the colossal explosion of creative power in the Ninth Night of
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discuss their selves as divided. By the time he was working on his later works, including
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An illustration of the relationship of the four Zoas from one of Blake's other works:
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Lincoln, Andrew (2003). "11: From
America to The Four Zoas". In Morris Eaves (ed.).
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The heavens shall quake, the earth shall move & shudder & the mountains
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Vala, or The Death and
Judgement of the Eternal Man: A Dream of Nine Nights
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The Four and Twenty Elders
Casting their Crowns before the Divine Throne
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And tore them down cracking the heavens across from immense to immense.
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With all their woods, the streams & valleys: wail in dismal fear
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With thunderous noise & dreadful shakings racking to & fro,
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Or wisdom for a dance in the street? No it is bought with the price
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And in the witherd field where the farmer plows for bread in vain
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Folding like scrolls of the
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In all his ancient strength to form the golden armour of science
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The poem is divided into nine "nights". An early draft begins:
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were much larger than those for any of Blake's previous works.
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The heavens are shaken & the Earth removed from its place
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Outstretchd; his right hand branching out in fibrous Strength,
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The Wood of the Self-Murderers: The Harpies and the Suicides
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The dark Religions are departed & sweet Science reigns.
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Sound of Loud Trumpet thundering along from heaven to heaven
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Siezd the Sun; his left hand like dark roots coverd the Moon
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witnessing a vision of Christ's crucifixion at the hands of
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Wisdom is sold in the desolate market where none come to buy
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Themes from William Blake's The Marriage of Heaven and Hell
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This is the Dirge of Eno which shook the heavens with wrath
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The Works of William Blake: Poetic, Symbolic and Critical
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To Judgement from the four winds! Awake & come away!"
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What is the price of Experience? do men buy it for a song
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If with his Intellect he comprehend the terrible Sentence
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And thus beginneth the Book of Vala which Whosoever reads
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Of all that a man hath, his house his wife his children.
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The original manuscript and illustrations to the poem
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Then fell the fires of Eternity with loud & shrill
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Night the Second, lines 397-401 (Page 35, lines 11-15)
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Night the Ninth, lines 852-855 (Page 139, lines 7-10)
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For intellectual War. The war of swords departed now,
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A mighty sound articulate "Awake ye dead & come
77:. Blake intended the book to be a summation of his
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169:. Portions of the work were later used in Blake's
121:while he was working on an illustrated edition of
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623:. Hanover: University Press of New England, 1988.
187:William Blake: The Four Zoas, manuscript, page 3
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630:. Princeton: Princeton University Press, 1990.
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1156:Jerusalem: The Emanation of the Giant Albion
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27:Uncompleted prophetic book by William Blake
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638:. Cambridge: Cambridge University Press.
616:. Ithaca: Cornell University Press, 1993.
609:. New Haven: Yale University Press, 2003.
636:The Cambridge Companion to William Blake
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308:Like many of Blake's works, designs in
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1627:Serenade for Tenor, Horn and Strings
1643:Songs and Proverbs of William Blake
1508:On the Morning of Christ's Nativity
65:), who were created by the fall of
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548:Bentley 2003 pp. 198–199, 247, 310
473:Bentley 2003 pp. 197–198, 201, 310
450:anywhere else in English poetry."
321:Visions of the Daughters of Albion
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566:Damon pp. 124, 255, 399, 419, 428
1677:William Blake in popular culture
1522:Illustrations of the Book of Job
1391:Original Stories from Real Life
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315:The Marriage of Heaven and Hell
1464:A Vision of the Last Judgement
482:Bentley 2003 pp. 198, 137, 311
383:(nature, from the heart), and
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1602:Blake: Prophet Against Empire
1412:The Night of Enitharmon's Joy
1011:The Voice of the Ancient Bard
575:Bentley 2003 pp. 271–272, 301
337:The Night of Enitharmon's Joy
90:, in their three-volume book
751:There is No Natural Religion
399:(Urthona, imagination), and
234:The final "night" describes
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607:The Stranger From Paradise
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35:is one of the uncompleted
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1018:(found only in Copy BB)
896:The Clod and the Pebble
117:Blake began working on
1703:Catherine Blake (wife)
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32:Vala, or The Four Zoas
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1581:Life of William Blake
1471:Descriptive Catalogue
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1107:The French Revolution
911:The Little Girl Found
744:All Religions are One
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614:The Visionary Company
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818:The Little Boy Found
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1500:Agony in the Garden
1493:The Ghost of a Flea
1398:The Ancient of Days
1197:Rossetti Manuscript
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946:My Pretty Rose Tree
916:The Chimney Sweeper
878:Songs of Experience
868:On Another's Sorrow
813:The Little Boy Lost
808:The Chimney Sweeper
530:Bentley 2003 p. 311
395:(Luvah, love), the
1432:Illustrations for
1128:The Book of Ahania
1121:The Book of Urizen
1054:America a Prophecy
996:A Little Girl Lost
976:The Human Abstract
961:The Garden of Love
788:The Ecchoing Green
775:Songs of Innocence
763:Songs of Innocence
621:A Blake Dictionary
619:Damon, S. Foster.
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16:(Redirected from
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986:A Poison Tree
984:
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981:Infant Sorrow
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926:The Sick Rose
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901:Holy Thursday
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838:Holy Thursday
836:
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828:A Cradle Song
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823:Laughing Song
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700:William Blake
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448:The Four Zoas
445:
444:Northrop Frye
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343:William Blake
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106:Milton a Poem
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47:William Blake
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921:Nurse's Song
886:Introduction
877:
853:Nurse's Song
783:The Shepherd
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360:Almighty God
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123:Edward Young
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31:
30:
29:
1699:(1989 play)
1043:continental
803:The Blossom
281:concludes:
84:W. B. Yeats
1696:In Lambeth
1377:and prints
1307:Palamabron
1272:Golgonooza
1262:Enitharmon
1045:prophecies
858:Infant Joy
600:References
397:Holy Ghost
393:Son of God
377:Enitharmon
369:Emanations
113:Background
75:Emanations
1480:paintings
1442:The Grave
1375:Paintings
1226:Mythology
1031:Prophetic
1001:To Tirzah
956:The Lilly
941:The Tyger
936:The Angel
442:In 1945,
18:Four Zoas
1731:Category
1708:Ancients
1651:The Lamb
1532:Sketches
793:The Lamb
296:—
271:—
227:—
1670:Related
1619:Musical
1337:Urthona
1322:Thiriel
1317:Tharmas
1312:Spectre
1252:Bromion
931:The Fly
863:A Dream
63:Tharmas
51:Urthona
41:English
39:by the
1662:(1998)
1654:(1982)
1646:(1965)
1638:(1958)
1630:(1943)
1419:Newton
1332:Urizen
1327:Tiriel
1287:Leutha
1277:Grodna
1247:Beulah
1242:Albion
1237:Ahania
1149:Milton
1086:Tiriel
971:London
848:Spring
642:
373:Ahania
371:being
340:, 1795
304:Themes
240:Urizen
67:Albion
55:Urizen
1688:Blake
1297:Luvah
1267:Fuzon
1257:Enion
1078:Other
1033:books
843:Night
462:Notes
401:Satan
385:Enion
59:Luvah
1486:Pity
1347:Vala
1342:Utha
1195:The
1041:The
640:ISBN
456:Vala
428:Vala
424:Vala
420:Vala
414:and
408:Vala
381:Vala
364:Vala
362:and
326:Vala
310:Vala
279:Vala
179:Poem
162:Vala
158:Vala
148:Vala
61:and
44:poet
1365:Art
1302:Orc
1292:Los
1282:Har
412:Orc
236:Los
125:'s
69:in
1733::
523:^
511:^
499:^
487:^
318:,
175:.
96:.
57:,
53:,
1206:"
1202:"
1187:"
1183:"
1180:"
1176:"
692:e
685:t
678:v
648:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
