34:, with whom he collaborated for approximately 30 years using lithography as a method of reproduction to print music scores. Using the songs composed by Gleißner, Senefelder demonstrated that lithography could be successfully used for music publication.
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Incidental Music to
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Music, Libraries, and the
Academy: Essays in Honor of
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141:The New Grove Dictionary of Music and Musicians
134:The New Grove Dictionary of Music and Musicians
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37:Gleißner's compositions include masses, the
16:German lithographer and composer (1759–1818)
169:at Kirchenmusik in Benediktbeuern website
158:International Music Score Library Project
22:(1759 – 18 September 1818) was a German
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59:In 1803, Gleißner made a catalog of
30:. In the late 18th century, he met
112:Motets" in Cassaro (editor) James
95:p. 943 (2001) Duckles & Twyman
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208:German Classical-period composers
203:18th-century German male artists
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198:18th-century German engravers
193:18th-century German composers
154:Free scores by Franz Gleißner
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143:2nd Ed. Vol. 9 Macmillan
213:German ballet composers
61:Wolfgang Amadeus Mozart
20:Franz Johannes Gleißner
86:p. 432 (1980) Duckles
218:German lithographers
63:'s manuscripts in
44:, about thirteen
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136:Macmillan Vol. 7
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177:Categories
127:References
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71:Footnotes
65:Constanze
108:and his
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160:(IMSLP)
156:at the
106:Lanassa
48:, much
42:Lazarus
110:Thamos
26:and
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79:^
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