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The fact that
Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. Considered one of the best church composers of his style and period, he seems to have founded the sentimental school of Italian church music. Nevertheless,
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Peter van Tour: Counterpoint and
Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples. 2015. 318p. (Studia musicologica Upsaliensia, 0081-6744 ; 25)
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also preserves a valuable collection of
Durante's manuscripts. Two requiems, several masses (one of which, a most original work, is the Pastoral Mass for four voices) and the
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were amongst his pupils. As a teacher, he insisted on the unreasoning observance of rules, differing thus from
Scarlatti, who treated all his pupils as individuals.
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as head of the
Conservatorio di Santa Maria di Loreto, also in Naples. This post he held for thirteen years, till his death in Naples. He was married three times.
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protested against
Durante's being described as the greatest harmonist of Italy, a title which he ascribed to Alessandro Scarlatti.
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A complete collection of
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107:. Best known for his church music, he was also an important teacher, instructing
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at the
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385:. Vol. 8 (11th ed.). Cambridge University Press. pp. 694–695.
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This article incorporates text from a publication now in the
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achieved popularity partly because of its misattribution to
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99:(31 March 1684 – 30 September 1755) was an Italian
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241:are amongst his most important settings. His
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19:For the Italian surgeon and politician, see
1804:People from the Metropolitan City of Naples
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217:, Paris, perhaps by virtue of his students
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76:Learn how and when to remove this message
39:This article includes a list of general
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146:Conservatorio dei poveri di Gesù Cristo
143:, and at an early age he entered the
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239:Lamentations of the prophet Jeremiah
1819:17th-century Italian male musicians
1779:18th-century Italian male musicians
45:it lacks sufficient corresponding
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419:Free scores by Francesco Durante
409:Free scores by Francesco Durante
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157:. Later he became a pupil of
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423:Choral Public Domain Library
403:Francesco Durante (composer)
16:Italian composer (1684–1755)
1809:Pupils of Bernardo Pasquini
1799:Neapolitan school composers
486:Giovanni Battista Pergolesi
196:Giovanni Battista Pergolesi
117:Giovanni Battista Pergolesi
21:Francesco Durante (surgeon)
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233:. The imperial library of
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1789:Italian Baroque composers
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602:List of Baroque composers
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382:Encyclopædia Britannica
327:Sadie, S. (ed.) (1980)
167:Giuseppe Ottavio Pitoni
60:more precise citations.
1677:Common practice period
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491:Francesco Provenzale
405:at Wikimedia Commons
159:Alessandro Scarlatti
1609:early music revival
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369:Dent, Edward Joseph
312:Trattato di armonia
287:Vergine tutto amore
909:Torrejón y Velasco
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373:Durante, Francesco
347:2022-05-25 at the
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1687:Architecture
1636:Folk baroque
1631:Figured bass
1604:counterpoint
1580:Other topics
1452:18th-century
1447:17th-century
1072:D. Scarlatti
889:A. Scarlatti
859:J. Pachelbel
610:Transitional
481:Leonardo Leo
475:
425:(ChoralWiki)
380:
328:
311:
306:
286:
267:
251:
242:
238:
230:
220:
185:
174:
144:
134:
96:
95:
72:
63:
44:
1774:1755 deaths
1769:1684 births
1656:Style brisé
1592:Chamber pop
1587:Baroque pop
1531:grand motet
1504:passacaglia
1315:lautenwerck
1310:harpsichord
1280:double bass
1247:Instruments
1205:Mondonville
1037:A. Marcello
967:F. Couperin
914:Vejvanovský
864:J. Playford
844:J.-B. Lully
809:Charpentier
764:d'Anglebert
649:Frescobaldi
613:and early (
261:Discography
58:introducing
1763:Categories
1670:Background
1556:recitative
1464:concertato
1432:canzonetta
1295:fortepiano
1270:clavichord
1220:Sammartini
1200:Mysliveček
1160:Boccherini
1150:W. F. Bach
1145:J. C. Bach
942:J. S. Bach
869:H. Purcell
789:Cabanilles
704:Monteverdi
679:Kapsberger
669:O. Gibbons
664:C. Gibbons
659:V. Galilei
639:J. Dowland
629:G. Caccini
310:Selvaggi,
298:References
243:Magnificat
41:references
1702:Sculpture
1619:ensembles
1614:festivals
1509:sarabande
1437:capriccio
1379:Ensembles
1210:L. Mozart
1112:de Zumaya
1047:Pergolesi
1027:Locatelli
1012:Heinichen
997:Gorczycki
992:Geminiani
972:Delalande
894:Stradella
849:M. Marais
829:Froberger
794:Carissimi
784:Buxtehude
739:Sweelinck
371:(1911). "
247:Pergolesi
139:, in the
131:Biography
1738:Category
1715: ←
1697:Painting
1561:ricercar
1536:madrigal
1516:fantasia
1484:courante
1469:concerto
1442:chaconne
1335:recorder
1260:carillon
1230:Telemann
1175:Corrette
1170:F. Brixi
1155:F. Benda
1087:Telemann
1052:Pisendel
1002:Graupner
937:Albinoni
874:Reincken
839:Legrenzi
824:Diletsky
748:Middle (
654:Gabrieli
345:Archived
101:composer
1728:→
1682:Baroque
1551:prelude
1489:gavotte
1459:chorale
1427:canzona
1417:cantata
1370:violone
1350:trumpet
1345:theorbo
1340:sackbut
1275:cornett
1255:bassoon
1245:Musical
1185:Galuppi
1107:Zelenka
1097:Vivaldi
1082:Tartini
1057:Porpora
1042:Pepusch
982:Fischer
957:Caldara
904:Torelli
899:Strozzi
819:Corelli
799:Cavalli
769:Bassani
724:Scheidt
674:d'India
624:Allegri
421:in the
415:(IMSLP)
411:at the
379:(ed.).
366::
322:Sources
314:, 1823.
181:Porpora
103:of the
54:improve
1748:Portal
1641:monody
1499:minuet
1412:ballet
1365:violin
1300:guitar
1215:Quantz
1122:Galant
1077:Seixas
1067:Rameau
1062:Quantz
1007:Handel
962:Campra
879:Sabini
854:Muffat
814:Clarke
759:Amodei
734:Schütz
729:Schein
699:Merula
694:Michna
644:Franck
634:Coelho
375:". In
360:
338:
235:Vienna
151:Naples
43:, but
1692:Dance
1571:suite
1546:opera
1526:fugue
1521:folia
1494:gigue
1479:dance
1422:canon
1360:viola
1330:organ
1290:flute
1265:cello
1225:Soler
1190:Hasse
1165:Boyce
1128:1720)
1102:Weiss
1092:Vinci
1032:Lotti
977:Fasch
930:1700)
834:Kerll
804:Cesti
752:1650)
719:Rossi
689:Lawes
684:Landi
617:1600)
276:Media
255:Hasse
227:Fétis
149:, in
1541:mass
1407:aria
1355:viol
1325:oboe
1320:lute
1305:harp
1285:drum
1235:Zach
1135:Arne
924:Late
884:Sanz
779:Blow
709:Peri
336:ISBN
202:and
171:Rome
165:and
123:and
987:Fux
331:, .
229:'s
169:in
1765::
1126:c.
928:c.
750:c.
615:c.
249:.
198:,
194:,
190:,
119:,
115:,
111:,
1124:(
926:(
585:e
578:t
571:v
457:e
450:t
443:v
351:.
79:)
73:(
68:)
64:(
50:.
23:.
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