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for the court at Turin. Around this time, he was commissioned, along with other painters, to provide decorations for the Duke of
Richmond's Goodwood Palace. He also executed commissions for a number of churches in Bolognia. Within a few years, he was admitted to the prestigious
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Vite de' pittori bolognesi non descritte nella
Felsina Pittrice
217:, vo. 2 (M to Z). New York: Leypoldt & Holt, 1867, p. 682.
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Guida di
Pistoia per gli amanti delle belle arti con notizie
256:. Rome, 1769. Trans. Julia K. Dabbs with Viktor Berberi. In
139:. He received other commissions from regional churches in
135:, where he painted frescoes on the vault of the church of
22:(1685 – 14 April 1768) was an Italian painter of the late
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Life
Stories of Women Artists, 1550–1800: An Anthology
230:, vol. 2. London: Henry G. Bohn, 1847, pp. 149-50.
96:. A prolific painter, he worked in oil and in
103:His first known work, dating from 1713, is a
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215:A Biographical History of the Fine Arts
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252:Crespi, Luigi. "Eleonora Monti". From
170:, and the priest Antonio Montelatici.
68:, he studied art for three years with
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332:18th-century Italian male artists
76:, and then starting in 1701 with
228:The History of Painting in Italy
115:. Other early works include a
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302:17th-century Italian painters
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78:Giovanni Gioseffo dal Sole
51:, originally in church of
36:, originally in church of
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38:San Zeno al Foro, Brescia
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119:for Count Ranuzzi and a
109:Basilica of San Prospero
84:style was influenced by
162:Among his pupils were
137:Santa Maria della Pace
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317:Painters from Bologna
307:Italian male painters
131:In 1738, he moved to
90:Giuseppe Maria Crespi
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269:Tolomei, Francesco.
197:Indicearte biography
126:Accademia Clementina
80:in Bologna. His neo-
121:Triumph of Mordecai
117:Rape of the Sabines
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213:Spooner, S., ed.
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297:1768 deaths
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173:He died in
286:Categories
241:Dizionario
181:References
105:Pentecost
82:Mannerist
60:Biography
141:San Zeno
107:for the
64:Born in
175:Brescia
157:Cremona
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66:Bologna
24:Baroque
149:Chiari
98:fresco
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