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51:. He served as the superintendent of the Galleria Estense in Modena. Some sources claim he was influenced by the naturalism of
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Madonna and Child with Saint John, Saint Anne, and Two Angels in
Adoration
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He is said to have been a follower of the style, if not the pupil of
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154:. Vol. 2, first part. Bassano: Remondini. pp. 279–280.
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Dictionary of
Painters and Engravers: Biographical and Critical
62:
at the
Minneapolis Institute of art is attributed to Stringa.
24:
Allegorical Still Life with
Bernini's Bust of Francis I d'Este
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The
Picture Collector's Manual: Dictionary of names
57:Allegorical Still Life with Bernini's Bust of Duke
8:
135:, by Shearjashub Spooner (1867); page 1034.
36:era, active mainly near his native city of
32:(1635–1709) was an Italian painter of the
133:A Biographical History of the Fine Arts
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94:Metropolitan Museum of Art collections
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200:Dizionario Biografico degli Italiani
179:by James R. Hobbes (1849): page 505.
206:Istituto dell'Enciclopedia Italiana
77:were said to have been his pupils.
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202:, Volume 94: Stampa–Tarantelli
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253:17th-century Italian painters
243:16th-century Italian painters
193:Davoli, Alessandro (2019).
16:Italian painter (1578–1615)
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263:Italian Mannerist painters
258:Italian Baroque painters
26:
248:Italian male painters
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268:Painters from Modena
204:(in Italian). Rome:
195:"STRINGA, Francesco"
96:, drawing depicting
111:, short biography.
59:Francesco I d'Este
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64:Francesco Vellani
30:Francesco Stringa
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238:1709 deaths
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227:Categories
81:References
148:(1796).
49:Guercino
34:Baroque
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109:AskArt
55:. The
38:Modena
210:ISBN
73:and
47:and
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