36:
326:. Motivated by these successful works, Francisco Salas encouraged some writers and composers to produce more zarzuelas, both comic and serious. The principal pioneers of the genre became composers
129:, one of the most important singers on the Spanish scene of the period. They married and had three children. At their recitals, apart from the Italian airs, they both sang Spanish music (
284:. Many songs staged there were chosen not because of their musical merits but because they let Salas show his abilities: this was one of the best guarantees for getting the public.
233:. They intended to have a performance at an Italian theatre led by Rossini, but for some couldn't to this. Nevertheless they gave some private performances in aristocratic salons.
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during its siege by the French. His father died the same year he was born. Thus, the boy had to work hard from early age. A famous tenor
Lorenzo Valencia from
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91:. He became Salas's first teacher and protector. In 1829 they went to Madrid, where the seventeen-year-old entered the choir of
157:, this comedy went almost unnoticed. Salas' reputation at that time was based mainly on the comedy roles in Italian operas (
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Even the royal family was interested in creating
Spanish music, which could compete with Italian: at the wedding fests of
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153:, a sequence of Spanish songs mixed with Italian-stzled airs and recitatives. Although composed by a famous dramatist
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was closed, and the leading role in the struggle for the
Spanish lyrical theater passed to the
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created an association to support such attempts. They organized several meetings at the
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Spanish music prevailed, and Salas performed some songs during the presentation of
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in one of his compositions. With some other songs and a new stage work by Basili,
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In
October 1831 Salas made his soloist debut substituting the bass protagonist in
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la primera producción española de esta clase en los tiempos modernos
190:. With this he began to promote Spanish works by Basili. Notable is
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Bárbara's sister, Teodora
Lamadrid, an actress too, was married to
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221:, which gained an enormous popularity. Its tune was later used by
217:. In 1842 he became famous also as a composer, publishing a song,
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Being only 30, Salas was considered the most prominent
Spanish
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stayed. She met Salas and even performed some duets with him.
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came to
Granada to sing in some operas, especially those by
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burda copia de la ópera italiana con canciones españolas
62:), one of the crucial figures in the revival of the
316:genre. Hernando soon repeated the same features in
377:Francisco Salas: El granadino que creĂł la zarzuela
28: and the second or maternal family name is
102:I fidanzati, ossia Il contestabile di Chester
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186:In 1840 Salas came into possession of the
394:International Music Score Library Project
58:) was a Spanish classical opera singer (
420:19th-century Spanish male opera singers
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141:Collaboration with Basilio Basili
390:Free scores by Francisco Salas
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155:Manuel BretĂłn de los Herreros
302:Teatro del Instituto Español
79:Francisco Salas was born in
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264:La alcaldesa de Zamarramala
236:A further opera by Basili,
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242:Academia Real de la MĂşsica
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332:Francisco Asenjo Barbieri
270:The creation of zarzuela
200:El ventorrillo de Crespo
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44:Francisco Lleroa y Salas
425:Operatic bass-baritones
151:El novio y el concierto
175:and works by Rossini,
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355:Luis Mariano de Larra
297:Colegialas y soldados
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430:Spanish male singers
293:Mariano Pina BohĂgas
238:El diablo predicador
219:Los toros del puerto
111:Le calife de Bagdad
52:Province of Granada
344:Ventura de la Vega
338:, and a bit later
328:JoaquĂn Gaztambide
54:– 21 June 1875 in
46:(12 March 1812 in
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323:Teatro Variedades
287:In 1848 composer
276:Teatro de la Cruz
192:El contrabandista
188:Teatro de la Cruz
94:Teatro de la Cruz
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363:José de la Villa
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336:CristĂłbal Oudrid
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291:with librettist
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18:Spanish name
415:1875 deaths
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253:Isabella II
223:Franz Liszt
123: [
75:Early years
404:Categories
165:Mercadante
131:tonadillas
318:El duende
295:produced
181:Donizetti
116:Boieldieu
70:Biography
314:zarzuela
81:AlbaicĂn
64:zarzuela
48:AlbaicĂn
16:In this
396:(IMSLP)
392:at the
369:Sources
299:at the
177:Bellini
135:boleros
89:Rossini
66:genre.
22:surname
106:Pacini
85:Madrid
56:Madrid
26:Lleroa
361:and
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231:Paris
173:Ricci
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30:Salas
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