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Frank Staff

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In 1963, the South African government established four professional ballet companies, one in each of the four provinces, and Staff would eventually work with them all: the companies of the Cape Performing Arts Board (CAPAB Ballet), the Natal Performing Arts Council (NAPAC Ballet), the Performing Arts
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Staff was soon invited to join Rambert's Ballet Club, as her performing group was then called. For the next twelve years, from 1933 to 1945, he worked with the Rambert company as both a dancer and choreographer. Except for two seasons with the Vic-Wells Ballet, 1934/35 and 1938/39, and a brief stint
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Staff married four times. He wed his fellow Ballet Rambert dancer Elisabeth Schooling in 1942, and she danced in many of his early works. He next married English dancer Jaqueline St. Clere, followed by South African musical comedy actress Heather Lloyd-Jones. All three of these marriages ended in
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Returning to Britain in 1947, Staff spent the next few years as an international freelance. He served as resident choreographer of the Metropolitan Ballet (1947–1948), toured Australia with Ballet Rambert (1948), toured the United States and Canada with Sadler's Wells Ballet (1949), and was
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subsequently appointed ballet master and choreographer at the Empire Theatre (1950) on London's Leicester Square. In 1953, he went back to South Africa and in 1955 founded his own company, the South African Ballet, for which he choreographed or produced more than fifteen works, including
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Upon completion of his military service, Staff returned to his homeland in 1946 and joined the South African National Ballet in Cape Town. There he danced in his own ballets and produced works in which he had appeared in England, notably Nijinsky's
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it remained in the Rambert repertory for many years. During the war years in England—September 1939 to May 1945—Staff served as a captain in the Argyle and Sutherland Highlanders but was released temporarily to choreograph
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Thereafter, Staff was artistic director of PACOFS Ballet in Bloemfontein from 1969 until his death in 1971. Among the six ballets he created for this company were two notable works made in 1970:
84:(15 June 1918 – 10 May 1971) was a South African ballet dancer, choreographer, producer, and company director. He was a major figure in the history of European theatrical dance in South Africa. 274:(1965), to music by Benjamin Britten. Moving on to the Transvaal in 1966, he worked in Johannesburg until 1968 as resident producer and choreographer with PACT Ballet under the direction of 108:
in London. After Lloyd returned to England in 1933, she encouraged her young pupil to join her. At age fifteen, Staff moved to London to continue his training at Rambert's school in
221:(1940), to the music and text of Sergei Prokofiev. All these works displayed his facility for witty invention that would characterize many of his later ballets. He also created 329:(1971), set to a commissioned score by Newcater, was planned as the first full-length ballet with an indigenous South African theme. The title character, known as the 205:, set to music by William Boyce, it was made for Ballet Rambert in 1938. Over the next two years, he contributed three of his best works to the company's repertory: 266:
Council of the Transvaal (PACT Ballet), and the Performing Arts Council of the Orange Free State (PACOFS Ballet). For CAPAB Ballet, based in Cape Town, he mounted
589: 225:(1941), a second version of his popular hit, a series of dances caricaturing different kinds of ballet. Combined with its predecessor under the title 604: 594: 584: 599: 96:, in what is now the Northern Cape Province of South Africa. As a teenager, he moved to Cape Town, where he attended 310:
proved such a success that it was soon made into a film that was distributed worldwide by Twentieth Century Fox.
157:(1940), set to music of Gabriel Fauré by Andrée Howard. Other roles in his varied repertory included The Poet in 93: 44: 121:
with Walter Gore's London Ballet in 1940, he was a featured performer and choreographer with Ballet Rambert.
109: 359: 542: 579: 574: 342: 290:(1966), set to music by Stephen O'Reilly and described as a "good-humoured ballet in five visions"; 358:, who became a prolific choreographer in her own right as director of CAPAB Ballet, later known as 198: 92:
Frank Cedric Staff was born to an Irish mother and an English father in the diamond mining town of
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both works by Antony Tudor. He also danced in several ballets by Frederick Ashton, among them
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Staff inherited many of Hugh Laing's roles in the Rambert repertory, including The Lover in
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all choreographed by Michel Fokine. He also danced such different roles as Bluebird in
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Marina Grut, "Staff, Frank Cedric," Biographies of South African Personalities, in
63: 202: 101: 341:) of the Limpopo Province. In homage to Staff, the work was rechoreographed by 330: 153:(1939). For the London Ballet, he created the role of The Boy, Julien, in 270:(1964), to the Prokofiev score, and for NAPAC Ballet, in Durban, he set 278:. These years were especially productive. Beside staging his popular 149:
by Ninette de Valois and created the role of Cupid in Ashton's
539: 503:"Graham Newcater," at Documentation Center for Music website, 317:
based on a Bushman legend and set to music by Hans Maske, and
286:(1966), set to the classical guitar music of Joaquin Rodrigo; 437:(New York: Oxford University Press, 1998), vol. 5, p. 691. 100:
and received his early dance training from Helen Webb and
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and mounted for CAPAB Ballet in cooperation with PACOFS.
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was a new version of Ashton's ballet of the same name. A
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For the Vic-Wells company, he appeared as Horn Blower in
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Grut and Conyers, "Staff, Frank" (1998), vol. 5, p. 692.
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divorce. Staff's fourth wife was South African dancer
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but set to music by Britten. Staff's unfinished work,
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Debra Craine and Judith Mackrell, "Staff, Frank," in
433:Marina Grut and Claude Conyers, "Staff, Frank," in 71: 52: 30: 23: 525:Nadine Meisner, "Obituary: Elisabeth Schooling," 294:the third rescension of his first big hit; and 209:(1939), to the piano exercises of Carl Czerny; 282:he created seven new ballets. Among them were 362:. Each of Staff's four wives bore him a son. 298:(1967), a three-act ballet set to a score by 16:South African ballet dancer and choreographer 8: 411:(Cape Town: Rowman & Littlefield, 1980). 333:, was Modjadji, the hereditary queen of the 558:Grut, "Staff, Frank Cedric" (1981), p. 414. 485:Grut, "Staff, Frank Cedric" (1981), p. 414. 516:Craine and Mackrel, "Staff, Frank" (2000). 302:and based on an epic poem in Afrikaans by 215:(1939), to the score by Edward Elgar; and 20: 407:Montgomery Cooper and Jane Allyn Cooper, 383:The Concise Oxford Dictionary of Ballet 371: 409:Dance for Life: Ballet in South Africa 398:(Cape Town: Human and Rousseau, 1981). 448:The History of Ballet in South Africa 422:The History of Ballet in South Africa 396:The History of Ballet in South Africa 7: 258:(1957), to music by Schoenberg; and 254:(1955), with music by Rachmaninoff; 435:International Encyclopedia of Dance 189:Staff's first choreographic work, 14: 590:South African male ballet dancers 463:(Oxford University Press, 2000). 385:(Oxford University Press, 1977). 75:Ballet dancer and choreographer 461:The Oxford Dictionary of Dance 262:(1958), to music by Sibelius. 1: 605:Rambert Dance Company dancers 474:Quicksilver: An Autobiography 321:derived from Menotti's opera 595:South African ballet dancers 585:South African choreographers 549:. Retrieved 8 February 2015. 507:. Retrieved 8 February 2015. 540:http://www.paeperballet.com 621: 476:(London: Macmillan, 1972). 177:by Nijinsky; and Death in 538:Veronica Paeper website, 529:(London), 30 June 1998). 243:L'Après-midi d'un Faune 173:by Petipa; the Faun in 104:, who had studied with 505:http://www.domus.ac.za 288:Five Faces of Euridyce 197:for himself, his wife 163:Le Spectre de la Rose, 600:Ballet choreographers 545:3 August 2020 at the 360:Cape Town City Ballet 247:Death and the Maiden. 179:Death and the Maiden, 175:Afternoon of a Faun, 171:The Sleeping Beauty, 280:Peter and the Wolf, 260:The Swan of Tuonela 199:Elisabeth Schooling 147:The Rake's Progress 256:Transfigured Night 232:Peter and the Wolf 218:Peter and the Wolf 304:N.P. van Wyk Louw 284:Spanish Encounter 276:Faith de Villiers 212:Enigma Variations 165:and Harlequin in 139:Recamier, Façade, 79: 78: 612: 559: 556: 550: 536: 530: 523: 517: 514: 508: 501: 495: 492: 486: 483: 477: 470: 464: 457: 451: 444: 438: 431: 425: 418: 412: 405: 399: 392: 386: 376: 268:Romeo and Juliet 151:Cupid and Psyche 131:Jardin aux Lilas 98:Diocesan College 59: 40: 38: 21: 620: 619: 615: 614: 613: 611: 610: 609: 565: 564: 563: 562: 557: 553: 547:Wayback Machine 537: 533: 527:The Independent 524: 520: 515: 511: 502: 498: 493: 489: 484: 480: 472:Marie Rambert, 471: 467: 458: 454: 450:(1981), p. 415. 445: 441: 432: 428: 424:(1981), p. 413. 419: 415: 406: 402: 393: 389: 377: 373: 368: 356:Veronica Paeper 351: 300:Graham Newcater 187: 161:the Spectre in 155:La FĂŞte Ä–trange 143:Mephisto Valse. 133:and Mercury in 127: 118: 110:Bedford Gardens 90: 67: 61: 57: 48: 42: 36: 34: 26: 17: 12: 11: 5: 618: 616: 608: 607: 602: 597: 592: 587: 582: 577: 567: 566: 561: 560: 551: 531: 518: 509: 496: 487: 478: 465: 452: 439: 426: 413: 400: 387: 370: 369: 367: 364: 350: 347: 327:The Rain Queen 292:Czernyana III, 186: 183: 159:Les Sylphides, 126: 123: 117: 114: 89: 86: 77: 76: 73: 69: 68: 66:, South Africa 62: 60:(aged 52) 54: 50: 49: 47:, South Africa 43: 32: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 617: 606: 603: 601: 598: 596: 593: 591: 588: 586: 583: 581: 578: 576: 573: 572: 570: 555: 552: 548: 544: 541: 535: 532: 528: 522: 519: 513: 510: 506: 500: 497: 491: 488: 482: 479: 475: 469: 466: 462: 456: 453: 449: 443: 440: 436: 430: 427: 423: 417: 414: 410: 404: 401: 397: 394:Marina Grut, 391: 388: 384: 380: 379:Horst Koegler 375: 372: 365: 363: 361: 357: 349:Personal life 348: 346: 344: 340: 336: 335:Lobedu people 332: 328: 324: 320: 316: 311: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 263: 261: 257: 253: 248: 245:and Howard's 244: 238: 237: 233: 228: 224: 220: 219: 214: 213: 208: 204: 200: 196: 192: 185:Choreographer 184: 182: 180: 176: 172: 168: 164: 160: 156: 152: 148: 144: 140: 136: 132: 124: 122: 115: 113: 111: 107: 106:Marie Rambert 103: 99: 95: 87: 85: 83: 74: 72:Occupation(s) 70: 65: 55: 51: 46: 33: 29: 22: 19: 554: 534: 526: 521: 512: 499: 490: 481: 473: 468: 460: 455: 447: 442: 434: 429: 421: 416: 408: 403: 395: 390: 382: 374: 352: 338: 326: 322: 318: 315:Mantis Moon, 314: 312: 307: 295: 291: 287: 283: 279: 271: 267: 264: 259: 255: 251: 246: 242: 239: 235: 231: 226: 222: 216: 210: 206: 195:pas de trois 194: 191:The Tartans, 190: 188: 178: 174: 170: 167:Le Carnaval, 166: 162: 158: 154: 150: 146: 142: 138: 135:The Planets, 134: 130: 128: 119: 91: 81: 80: 64:Bloemfontein 58:(1971-05-10) 41:15 June 1918 18: 580:1971 deaths 575:1918 births 343:David Poole 203:Walter Gore 181:by Howard. 102:Maude Lloyd 82:Frank Staff 56:10 May 1971 25:Frank Staff 569:Categories 366:References 331:Rain Queen 323:The Medium 227:Czernyana, 88:Early life 37:1918-06-15 339:ba Lobedu 272:Apollo 65 236:Czerny 2. 207:Czernyana 94:Kimberley 45:Kimberley 543:Archived 252:Don Juan 223:Czerny 2 319:SĂ©ance, 420:Grut, 201:, and 125:Dancer 116:Career 308:Raka 296:Raka 234:and 141:and 53:Died 31:Born 571:: 381:, 306:. 112:. 337:( 39:) 35:(

Index

Kimberley
Bloemfontein
Kimberley
Diocesan College
Maude Lloyd
Marie Rambert
Bedford Gardens
Elisabeth Schooling
Walter Gore
Enigma Variations
Peter and the Wolf
Faith de Villiers
Graham Newcater
N.P. van Wyk Louw
Rain Queen
Lobedu people
David Poole
Veronica Paeper
Cape Town City Ballet
Horst Koegler
http://www.domus.ac.za
http://www.paeperballet.com
Archived
Wayback Machine
Categories
1918 births
1971 deaths
South African choreographers
South African male ballet dancers
South African ballet dancers

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