Knowledge (XXG)

Frank Stella

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759:, the American musicologist and harpsichordist, who brought Scarlatti's work to the attention of the listening public, and in 1953 produced the authoritative scholarly catalogue of the sonatas. Stella was inspired by the sonatas, and his series works, like the sonatas, are given "K" numbers, but they allude to Scarlatti's music abstractly with visual rhythm and movement, according to Stella, rather than literal correlation. Stella continued producing new works in the series into 2012. These were shown at the Freedman Art Gallery that year, and commenting about his work in the series, Stella said, "If you follow the edges of the lines, there's a sense of movement, and when they move well and the color follows, they become colorful, and that's what happens in the Scarlatti—it builds up and it moves...". Ron Labaco, a curator at the Museum of Arts and Design in New York, showed Stella's work in an exhibition featuring computer-enabled pieces, 1271: 1240: 1198: 1217: 1313: 1163: 1294: 1256: 270:, and his mother Constance (née Santonelli) was a housewife and artist who attended fashion school and later took up landscape painting. His father painted houses to pay his way through medical school, with young Stella as his helper. Many years later he told an interviewer, "My father would make me sand the floor; we had to do the sanding and scraping before you could hold the brush and then paint on the wall. So it was that kind of apprenticeship and familiarity." 611: 1058:
a long, unbroken panorama. According to Crimp, the stylistic change that occurred during the late 1970s in Frank Stella's work embodied this art historical view of painting and how it operates to maintain the practice of painting. By his lights, Stella's shift to the "flamboyantly idiosyncratic constructed works" of this period was "a kind of quantum leap" compared to his breakout works of the late 1950s.
336:, described it as a "hangar-like structure", its entrance marked by a piece of wood spray-painted with the name "Stella". She called the interior a "vast space more easily traversed by golf cart than on foot", divided into separate rooms for fabrication and display, with a curtain hanging in the rear behind which he kept his spray-painter, his industrial sander, and new works being assembled. 33: 1070:
Stella as being one of "the first to deal as directly as possible with the perception of material, form, and color", "the first hard-core Minimalist painter", and "a forerunner to the Postminimalism that defined the late 1960s and 1970s". Saltz goes on to say "even though he's prone to cranking out a lot of work that looks like God-awful space junk, I always pay attention to this artist".
1182: 350: 653: 1906:] rallies of the 1930s. Stella said for him it recalled a waving flag, adding: "The thing that stuck in my mind was the Nazi newsreels—that big draped swastika—the big hanging flag—has pretty much those dimensions." Stella pointed out that the proportions of his canvas (10'1" x 6'1") are much the same as the large flags displayed by the Nazis. 507: 285:, later to become a minimalist sculptor, was in the class ahead of him, but Andre said they never actually met. In his sophomore year, the abstractionist Patrick Morgan, a teacher at the school, began teaching Stella how to paint. At this time Stella was particularly affected by the work of the artist 1061:
For Crimp it was Stella's earliest paintings which suggested to his fellows that the end of painting had at last arrived. He sees Stella as working in profound torment over the inferences made by those early works, moving ever further away from them, and disavowing them more vehemently with every new
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in a broad way. In this period of his career, as the relief of his paintings became increasingly higher with more undercutting, the process eventually resulted in fully three-dimensional sculptural forms that he derived from decorative architectural elements, and incorporating French curves, pillars,
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and a house-painter's brush to paint black stripes of the same width and evenly spaced on bare canvas, leaving the thin strips of canvas between them unpainted and exposed, along with his pencil-and-ruler drawn guidelines. These paintings, his response to the Abstract Expressionist movement that grew
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reminded viewers that Stella had declared "I don't make Conceptual Art. I need the physical thing to work with or against." Saltz advised them to think literally, and in terms of the space the works occupy and the nature of their surfaces, seeing color as an element of their structures. He described
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writes that the notion of art as existing detached from everything else and autonomous proceeds from the logic of modernism, and is a notion maintained by contemporary painting into the 1980s. Painting is understood as having an origin and an essential nature, and its historical development as being
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By the turn of the 2010s, Stella started using the computer as a painterly tool to produce stand-alone star-shaped sculptures. The resulting stars are often monochrome, black or beige or naturally metallic, and their points can take the form of solid planes, spindly lines or wire-mesh circuits. His
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there. It really is an object... All I want anyone to get out of my paintings, and all I ever get out of them, is the fact that you can see the whole idea without any confusion.... What you see is what you see." The much-quoted tautology, "What you see is what you see", became "the unofficial motto
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Stella's work was a catalyst for the minimalist movement in the late 1950s; he stressed the properties of the materials he used in his paintings, disavowing any conception of art as a means of expressing emotion. He made a splash in the New York art world in 1959 when his four black pinstripe
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Stella abandoned rational structures in the mid-1970s and began to explore new, individualistic paths. He replaced solid planes with sqiggles, lattices, and swirls of color. Composite features began to project from his canvases in all directions, while his wall-mounted paintings evolved into
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I came across the images in Maria and Kazimierz Piechotka's book Wooden Synagogues (Arkady, 1959). The photographs and drawings from the book are part of the exhibition, as is a close-to-scale reconstruction of the roof and painted ceiling of a synagogue that once stood in the city of
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after he injured his back while opening a garage door. His racquet was strung with five bright colors. He later had a squash court built at his horse farm in upstate New York, and formed close friendships with many squash players. In 1986 he told Nicholas Dawidoff, a writer for
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According to critic Megan O'Grady, art critics were shocked by the "Black Paintings", with their purposely flat affect, their extreme reductiveness, and their "refusal to appease". In her view, the young artist had been inspired by the artists he admired in New York, among them
534:, sometimes overlapping, within square borders named after circular-plan cities he had visited while in the Middle East earlier in the 1960s. He was especially intrigued by the arches and decorative patterns he observed in the architecture and art of Iran. His painting, 888:(1970–74), had previously been exhibited at other venues, including the Fort Worth Museum of Dallas in 1978, the Museum of Modern Art in New York in 1987, and the Jewish Museum in New York in 1983. The paintings were inspired by photographs and drawings he saw of 1137:; they had two children, Rachel and Michael. At the time of his death, he was married to Harriet E. McGurk, a pediatrician. They had two sons, Patrick and Peter. He also had a daughter, Laura, from a relationship with Shirley De Lemos Wyse between his marriages. 238:. He developed a reductionist approach to his art, saying he wanted to demonstrate that for him, every painting is "a flat surface with paint on it—nothing more", and disavowed conceptions of art as a means of expressing emotion. He won notice in the New York 230:. Stella's work catalyzed the minimalist movement in the late 1950s. He moved to New York City in the late 1950s, where he created works which emphasized the picture-as-object. These were influenced by the abstract expressionist work of artists like 266:, on May 12, 1936, to first-generation Italian-American parents, as the oldest of their three children. His grandparents on both sides had immigrated to the United States at the turn of the 20th century from Sicily. His father, Frank Sr., was a 810:
the art works in the NFTs. Katarina Feder, director of business development at ARS, said, "We sold out all 2,100 tokens, and, importantly, brought in resale royalties for secondary sales, something that Frank has been championing for decades."
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presumes that the infringers it would let off the hook would be those who had made a "good faith, reasonably diligent" search for the copyright holder. Unfortunately, it is totally up to the infringer to decide if he has made a good faith
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After moving to New York City in the late 1950s, Stella began to create works which emphasized the picture-as-object. His visits to the art galleries of New York, where he was exposed to the abstract expressionist work of artists like
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waves, and cones. To generate these works, he made collages or scale models that were subsequently enlarged to the original's specifications by his assistants, along with the use of digital technology and industrial metal cutters.
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attributed the death of American gesture painting to the mortal blow dealt by these reductive and non-allusive paintings. According to Ottman, "Today, they are universally considered seminal works of 20th-century American art."
429:. Taking a reductionist approach to his art, Stella said he sought to demonstrate that he considered every painting as "a flat surface with paint on it—nothing more". The same year, several of his paintings were included in the 1050:, and felt that he was allowed freedom to do whatever he wanted with painting. She writes that critics have always been disconcerted by the fact that "the godfather of Minimalist painting" became a forbear of modern baroque. 1270: 2623: 1062:
series. Crimp goes on to say the late 1970s paintings "are truly hysterical in their defiance of the black paintings; each one reads as a tantrum, shrieking and sputtering that the end of painting has not come".
2873: 3833: 1528: 1125:, John Nimick, said, "Frank was a patron saint of our sport and various efforts to promote squash in New York City for forty years. He was a player, promoter, sponsor and creator of our perpetual trophy." 1635: 3198: 1093:(1977) was sold for £2.4 million ($ 3.2 million with premium) in London. The painting was bought for $ 1.9 million in 2006 from the collection of Belgian art patrons Roger and Josette Vanthournout at 1118:, he quipped, "In art, you can keep getting better, but in squash you hit your level and that's just about it. Curtains. You’re finished. I hit my limit at about forty minutes of mediocre playing." 1013:
He was heralded by the Birmingham Museum of Art for having created abstract paintings that bear "no pictorial illusions or psychological or metaphysical references in twentieth-century painting".
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The Copyright Office proposal would have a disproportionately negative, even catastrophic, impact on the ability of painters and illustrators to make a living from selling copies of their work.
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in New York presented a retrospective of Stella's work in 1970, making him the youngest artist to receive one. Stella was among those artists invited to participate in the problem-plagued 35th
1197: 1114:: "The advantage of squash is that I can forget about painting. A white blank and a ball; you don’t know where you are. It's like a snowstorm." Being interviewed in 1987 by Susan Orleans of 3358: 4621: 445:'s New York gallery gained him few sales. Stella shared studio space with Hollis Frampton and Carl Andre, both of whom had attended Phillips Academy, and scrounged a living by renting 1121:
Speaking of Stella after his death, Ned Edwards, the executive director of the U.S. Squash Foundation, said that "Frank was a transformational figure for squash." The director of the
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and the exterior rear wall of the building. The mural for the dome was based on computer-generated imagery. In 1997, he oversaw the installation of the 5,000-square-foot
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In the following decade, as he began to adopt more unusual color schemes and shapes, Stella brought to his artistic productions the element of relief, which he called "
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The dramatic, graph paper–themed CSL by Frank Stella was the second in BMW's Art Car series and was a crowd favorite when it competed in the 1976 24 Hours of Le Mans.
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and had two children. After they split up in 1969, Rose began to reconsider her relationship with minimalism, and became a champion of less well-recognized painters.
3327: 4596: 1520: 599:. The graph paper is what it is, a graph, but when it's morphed over the car's forms it becomes interesting. Theoretically it's like painting on a shaped canvas." 4631: 1595: 2783: 1643: 2327: 557:
in Venice (1970) who joined a boycott by artists opposed to the US wars in Vietnam and Cambodia and withdrew their works from display at the American Pavilion.
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The artist provided a number of factors involved in his selection of Die Fahne Hoch! With its title taken from the first line of the Horst Wessel song (
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Stella repudiated all efforts by critics to interpret his work. In a 1964 radio broadcast of a discussion of contemporary art with fellow artists
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where he majored in history, played lacrosse and wrestled, Stella took art courses and was introduced to the New York art scene by painter
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series, begun in 2006, consists of eight works by Stella from his Scarlatti Kirkpatrick polychrome sculpture series, for which he used a
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outlandish sculptures. Through the 1970s and 1980s, as his works became more uninhibited and intricate, his minimalism became baroque.
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Finding aid for the George Trescher records related to The Metropolitan Museum of Art Centennial, 1949, 1960–1971 (bulk 1967–1970)
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in 1984, calling for a rejuvenation of abstraction by achieving the depth of baroque painting. These six talks were published by
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that the Nazis had burned down in eastern Poland during World War II. They came from Maria and Kazimierz Piechotka's book
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On June 1, 2008, Stella, a member artist of the Artists Rights Society) published with ARS president Theodore Feder an
4566: 4561: 4239: 4097: 1208: 952: 932: 916: 2324: 2175:"Art Critic Barbara Rose, a Champion of Minimalism Whose Writings Crystallized Decades of Creativity, Has Died at 84" 494:; they married in London that November. Upon their return to New York, Rose and Stella moved into an apartment near 3650: 3597: 3494: 661: 223: 2814: 4452: 4112: 3623: 2895: 940: 771:(2017), a sculpture constructed out of six small geometric grids that rest on an aluminum base, was installed at 686: 539: 434: 2676: 1636:"Frank Stella, a painter's painter and one of the leading abstract artists of his generation, has died, aged 87" 755:, known for his short but exuberant Baroque period harpsichord sonatas (he wrote more than 500 of them), and to 4381: 3639: 3525: 3303: 3228: 2523: 1026: 972: 936: 377: 177: 1486: 3704: 2737: 944: 725: 714: 645: 506: 495: 357: 302: 3413: 3990: 3980: 3842: 3709: 3469: 2570: 983: 834: 799: 733: 310: 278: 247: 188: 126: 4437: 4122: 3892: 3760: 3719: 3487: 3442:
Works of art, auction & sale results, exhibitions, and artist information for Frank Stella on artnet
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and used it as his studio which resulted in the facade being restored. After a six-year campaign by the
706: 401:. According to Stella himself, the painting has similar proportions as flags used by that organization. 380:" which flouted conventional ideas of painterly composition. At age 22 in late 1958, he used commercial 325: 263: 227: 131: 60: 2592: 1782: 572:
series (1970–1973), executed in high relief. They were inspired by photographs and drawings he saw of
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at the Arthur M. Sackler Museum, Harvard University Cambridge, Massachusetts February 4 – May 7, 2006
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When the Whitney Museum of American Art exhibited its Frank Stella retrospective in 2015, art critic
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to create the metal and resin segments. The series title refers to the music of the Italian composer
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in the years following World War II, were devoid of color and meant to lack any visual stimulation.
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series are on permanent display, becoming the second artist to receive this honorary degree after
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in Los Angeles. His works are in the collections of many major art institutions, including the
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From the mid-1980s to the mid-1990s, Stella produced a large oeuvre that grappled with
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in 2012. After 2005, Stella split his time between his West Village apartment and his
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The exhibition "Frank Stella and Synagogues of Historic Poland", was on view at the
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Kaji-O'Grady, Sandra (2001). "3: The Development of Serialism in the Visual Arts".
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in 2021. It was created to replace the large (each ten feet wide by ten feet tall)
625: 526:(1967–71) of paintings, named after the common measuring instrument, a half circle 483: 442: 422: 381: 294: 286: 267: 2695: 1094: 3418: 3126: 2554: 2348: 4417: 4132: 3939: 3877: 3862: 3729: 3674: 3555: 1977:"New nihilism or new art / moderated by Bruce Glazer. | Pacifica Radio Archives" 1066: 748: 592: 588: 453: 366: 231: 121: 32: 3059: 1856:"Frank Stella's Polish Village Series and Related Works: Heritage and Alliance" 861:
Stella's work was included in several exhibitions in the 1960s, among them the
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In 1967, Stella designed the set and costumes for Scramble, a dance piece by
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in 2009 and the Lifetime Achievement Award in Contemporary Sculpture by the
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and kept an office there but commuted on weekdays to his upstate studio at
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Series. He said of this project, "The starting point for the art cars was
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in New York presented a second retrospective of Stella's work in 1970.
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if the creator of a work, after a diligent search, cannot be located".
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An exhibition featuring work by Frank Stella at The Jewish Museum, NY.
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Unbounded Doctrine: Encountering the Art-Making Career of Frank Stella
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Abstract Frank Stella sculpture 'Adjoeman' joins Cedars-Sinai artworks
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Cateforis, David (2005). Janovy, Karen O.; Siedell, Daniel A. (eds.).
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that the Nazis had burned down in eastern Poland during World War II.
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set an auction record for one of Stella's works with the sale of his
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in Warsaw through June 20, 2016. The series of paintings on display,
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in 1959 when his four black pinstripe paintings were shown at the
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Frank Stella Papers at the Smithsonian's Archives of American Art
3169:"Action and Spatial Engagement: A Conversation with Frank Stella" 2110:"Abstraction and Literalism: Reflections on Stella at the Modern" 1952:
The Italian American Heritage: A Companion to Literature and Arts
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Saltz, Jerry; critic, New York's senior art (October 30, 2015).
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In Frank Stella's Constellation of Stars, a Perpetual Evolution
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Jane Kinsman, National Gallery of Australia, November 11, 2016
2866:"Frank Stella's New NFTs Come With The Right To Print His Art" 2144:"Barbara Rose, Critic and Historian of Modern Art, Dies at 84" 1902: 791: 584: 297:, an influential proto-Abstract Expressionist. After entering 3454:
Stella mural installation, Princess of Wales Theatre, Toronto
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In 2012, a retrospective of Stella's career was shown at the
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White House Announces 2009 National Medal of Arts Recipients
896:(Arkady, 1959), and were themselves part of the exhibition. 478:, developing in 1966 into more elaborate designs, as in the 376:
He created a series of paintings in 1958–1959 known as his "
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in Manhattan in New York City. As of 2015, Stella lived in
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Mather, Frank Jewett; Sherman, Frederic Fairchild (1994).
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In 1969, Stella was commissioned to create a logo for the
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BMW Classic Coupes, 1965 – 1989: 2000C and CS, E9 and E24
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The Writings of Frank Stella. Die Schriften Frank Stellas
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at Massachusetts Institute of Technology, Cambridge; the
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attributes. He presented wood and other materials in his
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From 1961 to 1969, Stella was married to art historian
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installation which covers the ceiling of the dome, the
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Lifetime Achievement Award in Contemporary Sculpture –
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MIT List Visual Arts Center Staff (January 13, 2022).
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Italian Americans: The History and Culture of a People
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Serialism in Art and Architecture: Context and Theory
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Kenneth T. Jackson, Lisa Keller, Nancy Flood (2010).
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The Art Newspaper - International art news and events
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Frank Stella interviewed by Robert Ayers, March 2009
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Greenwich Village Society for Historic Preservation.
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After 20 Years, Frank Stella Returns to Ground Zero
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Scramble: Ascending Spectrum/Ascending Green Values
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Greenwich Village Society for Historic Preservation
166: 109: 84: 68: 42: 23: 3448:Guggenheim Museum online Biography of Frank Stella 2971:"Frank Stella: The Retrospective, Works 1958–2012" 2917:"The proposed new law is a nightmare for artists," 1025:says many art critics were outraged when Stella's 3414:Frank Stella works at the National Gallery of Art 3378: 3376: 2647:"Prinz Friedrich von Homburg, Ein Schauspiel, 3X" 2202: 2200: 2198: 2196: 2194: 2192: 1558: 1556: 1554: 1552: 1550: 1548: 1546: 3199:"Schrotthaufen oder Kunst? Frank Stella in Jena" 3090:Frank Stella at Harvard – The Artist as Lecturer 3023: 3021: 2468:BMW M: 50 Years of the Ultimate Driving Machines 1394:, Verlag der Buchhandlung König, Cologne, 2001; 1371:, Verlag der Buchhandlung König, Cologne, 2001; 602:He married pediatrician Harriet McGurk in 1978. 4622:United States National Medal of Arts recipients 2751:The Phillips Collection Staff (June 11, 2011). 2084:Sculpture from the Sheldon Memorial Art Gallery 2018:. University of California Press. p. 158. 842: 711:Prinz Friedrich von Homburg, Ein Schauspiel, 3X 2911: 2909: 2616:"Stella Sculpture to Land at National Gallery" 2407: 2405: 2137: 2135: 1741: 1739: 1451: 1449: 465:of the minimalist movement", according to the 3827: 3624: 3495: 3162: 3160: 3117:(Cambridge: Harvard University Press, 1986), 2043: 2041: 2039: 2037: 2035: 1833:. Oxford University Press. pp. 135–136. 1711: 1709: 1707: 1514: 1512: 1480: 1478: 1002:, Germany, where his large sculptures of the 615: 8: 4647:Members of the Royal Swedish Academy of Arts 3260: 3258: 2433: 2431: 1898:Die Fahne hoch! Die Reihen fest geschlossen! 3237:. : Birmingham Museum of Art. p. 236. 2116:. Vol. 8, no. 8. Artforum Media. 3834: 3820: 3812: 3631: 3617: 3609: 3502: 3488: 3480: 1954:. Taylor & Francis. pp. 528–529. 1722:. Bloomsbury Publishing USA. p. 350. 1629: 1627: 1625: 1623: 1621: 761:Out of Hand: Materialising the Postdigital 722:Van Tassell and Kearney Horse Auction Mart 703:Rebecca and John J. Moores School of Music 31: 20: 3385:"Frank Stella: A Remembrance | US Squash" 3296:"Toward a Unified Theory of Frank Stella" 2753:"Stella Sounds | The Phillips Collection" 2087:. U of Nebraska Press. pp. 196–198. 1390:Frank Stella and Franz-Joachim Verspohl: 1367:Frank Stella and Franz-Joachim Verspohl: 1105:In the 1980s, Stella took up the game of 732:, the historic building was designated a 4652:Deaths from lymphoma in New York (state) 2215:. The Solomon R. Guggenheim Foundation. 1701:, Second Edition, Yale University Press. 1357:, Walker Art Center, Minneapolis, 1997; 790:In late 2022, Stella launched his first 3179:from the original on September 20, 2020 3060:"Frank Stella • PĂ©rez Art Museum Miami" 2438:Patel, Alpesh Kantilal (June 7, 2016). 1922:"Frank Stella | PĂ©rez Art Museum Miami" 1886:from the original on September 21, 2023 1445: 1158: 4597:Art Students League of New York people 2595:from the original on November 27, 2011 2522:Charlebois, GaĂ«tan (August 20, 2021). 2154:from the original on December 27, 2020 2142:Solomon, Deborah (December 27, 2020). 1594:Schjeldahl, Peter (November 1, 2015). 1531:from the original on February 22, 2024 1519:Solomon, Deborah (September 7, 2015). 982:In 2009, Frank Stella was awarded the 681:In 1993, he designed and executed for 482:series (67). In 1961, Stella followed 4632:Honorary members of the Royal Academy 4184:Pennsylvania Academy of the Fine Arts 3361:from the original on October 27, 2021 3330:from the original on October 27, 2021 2708:from the original on February 1, 2021 2657:from the original on October 31, 2019 2359:from the original on October 27, 2021 2213:The Guggenheim Museums and Foundation 2120:from the original on October 29, 2023 1665:Tomkins, Calvin (November 27, 2011). 929:Hirshhorn Museum and Sculpture Garden 547:Metropolitan Museum of Art Centennial 218:, noted for his work in the areas of 7: 3251:from the original on August 6, 2016. 3136:at Harvard University Press website. 2626:from the original on August 27, 2017 2304:. Thames & Hudson. p. 114. 1303:, 2008; location, Hallbergsplatsen, 1264:at the Museum of Fine Arts, Montreal 802:(ARS). It includes the right to the 720:From 1978 to 2005, Stella owned the 583:In 1976, Stella was commissioned by 486:, later a well-known art critic, to 3472:writes about the exhibition titled 2981:from the original on March 14, 2013 2950:from the original on August 8, 2021 2534:from the original on August 8, 2007 1565:"The Constellation of Frank Stella" 1392:Heinrich von Kleist by Frank Stella 911:In 2014, Stella gave his sculpture 798:project in collaboration with the 4612:American people of Italian descent 4547:21st-century American male artists 4537:20th-century American male artists 3421:ArtsEditor.com, December 29, 2015. 3383:McClintick, Chris (May 15, 2024). 3349:Villa, Angelica (April 15, 2021). 2876:from the original on March 9, 2023 2614:Lewis, Jo Ann (January 17, 2024). 2267:Metropolitan Museum of Art Staff. 1950:. In D'Acierno, Pellegrino (ed.). 921:San Francisco Museum of Modern Art 833:law which "remove the penalty for 591:for the second installment in the 14: 4627:20th-century American printmakers 4617:People from Malden, Massachusetts 3843:National Medal of Arts recipients 3070:from the original on May 30, 2023 3040:from the original on May 31, 2023 2838:M.H. Miller (November 22, 2021), 2813:Jason Farago (February 4, 2021), 2244:. Monash University. p. 75. 2173:Pobric, Pac (December 28, 2020). 2016:Minimal Art: A Critical Anthology 1773:Greenberger, Alex (May 4, 2024). 1698:The Encyclopedia of New York City 1563:O'Grady, Megan (March 18, 2020). 701:at the Moores Opera House at the 3425:Frank Stella: Saving abstraction 3167:Ottmann, Klaus (April 1, 2011). 2763:from the original on May 6, 2024 2591:. Music.uh.edu. April 25, 2012. 2414:"Artist Frank Stella Dies at 87" 2298:Chougnet, Jean-François (2007). 2279:from the original on May 5, 2024 2248:from the original on May 6, 2024 2219:from the original on May 6, 2024 2108:Leider, Philip (April 1, 1970). 2062:from the original on May 4, 2024 1808:from the original on May 5, 2024 1798:"Frank Stella | Die Fahne hoch!" 1497:from the original on May 5, 2024 1485:Darwent, Charles (May 5, 2024). 1463:from the original on May 6, 2019 1337:A Decade of Sculpture: the 1960s 1311: 1292: 1269: 1254: 1238: 1215: 1196: 1180: 1161: 246:. Stella was a recipient of the 4637:Sculptors from New York (state) 4542:21st-century American sculptors 4532:20th-century American sculptors 4230:Interlochen Center for the Arts 3895:, cultural programming division 3088:John Russell (March 18, 1984), 3036:. MIT List Visual Arts Center. 2999:Deborah Vankin (July 7, 2014), 2969:Rhodes, David (November 2012). 2782:Freedman Staff (May 17, 2012). 2412:Russeth, Andrew (May 5, 2024). 2378:Hofmann, Paul (June 24, 1970). 2048:Grimes, William (May 4, 2024). 1086:, which sold for $ 28 million. 522:. The same year, his began his 4557:American contemporary painters 4527:21st-century American painters 4517:20th-century American painters 2336:The Metropolitan Museum of Art 2273:The Metropolitan Museum of Art 2014:. In Battcock, Gregory (ed.). 1946:D'Acierno, Pellegrino (1998). 1355:Frank Stella at Tyler Graphics 1101:Stella and the sport of squash 992:International Sculpture Center 925:Whitney Museum of American Art 915:(2004) as a long-term loan to 273:Stella went to high school at 252:International Sculpture Center 198:International Sculpture Center 1: 4592:People from Greenwich Village 4448:Oberlin Conservatory of Music 3273:. MIT Press. pp. 98–99. 1981:www.pacificaradioarchives.org 1416:, Kate Nesin, Lucas Blalock, 1281: 1227: 1053:The art historian and critic 969:Charles Eliot Norton Lectures 794:(non-fungible token) for his 334:New York Times Style Magazine 174:Charles Eliot Norton Lectures 4642:Sculptors from Massachusetts 4306:Lionel Hampton Jazz Festival 3930:Alvin Ailey Dance Foundation 3234:Visitors' View: Flin Flon VI 2010:Questions to Stella and Judd 863:Solomon R. Guggenheim Museum 840:In the op-ed, Stella wrote, 713:, was installed outside the 405:paintings were shown in the 316:In the 1970s, he moved into 4607:Princeton University alumni 4582:Painters from Massachusetts 4577:Painters from New York City 4377:JosĂ© LimĂłn Dance Foundation 4240:Preservation Hall Jazz Band 4098:Andrew W. Mellon Foundation 2559:. F.F. Sherman. p. 37. 2338:. Retrieved August 8, 2014. 2301:Museu Berardo: An Itinerary 1716:Martone, Eric, ed. (2016). 1634:Jebb, Louis (May 5, 2024). 953:Peggy Guggenheim Collection 933:Museum of Fine Arts, Boston 917:Cedars-Sinai Medical Center 16:American artist (1936–2024) 4668: 4572:American abstract painters 3598:Post-painterly abstraction 3132:November 20, 2008, at the 2845:November 30, 2021, at the 2820:November 30, 2021, at the 2757:www.phillipscollection.org 2471:. Motorbooks. p. 34. 1830:After Modern Art 1945–2000 1752:. Taschen. pp. 9–10. 1596:"Frank Stella's Big Ideas" 1224:Cones and Pillars, part 2. 662:Metropolitan Museum of Art 564:" painting because it had 502:Late 1960s and early 1970s 490:, where she had gone on a 474:From 1960, his works used 345:Late 1950s and early 1960s 224:post-painterly abstraction 4461: 4453:School of American Ballet 4021:William "Smokey" Robinson 3095:October 27, 2021, at the 2784:"Frank Stella | New Work" 2681:October 10, 2014, at the 2269:"Frank Stella | YAZD III" 2207:Guggenheim Staff (2024). 1287:; sculpture in fiberglass 829:decrying a proposed U.S. 785:Telepilus Laestrygonia II 687:Princess of Wales Theatre 660:, 2005, exhibited at the 435:Allen Memorial Art Museum 262:Frank Stella was born in 30: 3229:Birmingham Museum of Art 2922:October 7, 2008, at the 2727:Sightlines: Frank Stella 2501:. Crowood. p. 157. 2353:The Museum of Modern Art 1746:Marzona, Daniel (2004). 1207:, 1979; commissioned by 1189:BMW 3.0 CSL car-painting 975:in 1986 under the title 973:Harvard University Press 937:Art Institute of Chicago 724:building in Manhattan's 4602:Phillips Academy alumni 4552:American male sculptors 3265:Crimp, Douglas (1993). 2738:The Wall Street Journal 2732:August 7, 2017, at the 2651:National Gallery of Art 2645:NGA Staff (1998–2001). 2528:www.canadiantheatre.com 2450:on September 27, 2023. 2330:August 8, 2014, at the 1880:10.5703/shofar.28.2.139 1827:Hopkins, David (2000). 1487:"Frank Stella Obituary" 1459:. The Art Story. 2024. 1205:BMW M1 Pro car-painting 1129:Personal life and death 1123:Tournament of Champions 945:List Visual Arts Center 715:National Gallery of Art 646:National Gallery of Art 617:La scienza della fiacca 358:National Gallery of Art 4587:Artists from Manhattan 4522:American male painters 4382:The Presser Foundation 4362:Ford's Theatre Society 3991:Philippe de Montebello 3981:Florence Knoll Bassett 3064:PĂ©rez Art Museum Miami 3006:July 15, 2014, at the 2495:Taylor, James (2014). 2006:Glaser; Bruce (1995). 1975:Glazer, Bruce (1964). 1926:PĂ©rez Art Museum Miami 984:National Medal of Arts 941:PĂ©rez Art Museum Miami 854: 835:copyright infringement 800:Artists Rights Society 734:New York City Landmark 664: 649: 616: 540:PĂ©rez Art Museum Miami 536:Protractor Variation I 515: 413:, along with works by 361: 311:abstract expressionism 279:Andover, Massachusetts 248:National Medal of Arts 201:2011 192:2009 189:National Medal of Arts 127:abstract expressionism 4438:Michael Tilson Thomas 3893:National Public Radio 3761:Geometric abstraction 3271:On the Museum's Ruins 3267:"The End of Painting" 2675:128 East 13th Street 2349:"Frank Stella | MoMA" 2185:on December 29, 2020. 1854:Salus, Carol (2010). 1330:Selected bibliography 1172:'David Mirvish Books' 901:Kunstmuseum Wolfsburg 814: 707:University of Houston 689:a 10,000-square-foot 655: 613: 509: 449:and painting houses. 431:Three Young Americans 397:", the anthem of the 352: 326:Rock Tavern, New York 264:Malden, Massachusetts 228:Rock Tavern, New York 132:geometric abstraction 61:Malden, Massachusetts 4367:Fisk Jubilee Singers 4250:Viktor Schreckengost 3306:on October 31, 2015. 3151:May 5, 2010, at the 2902:on February 6, 2015. 2465:Lewin, Tony (2021). 2390:on September 1, 2023 875:Museum of Modern Art 773:7 World Trade Center 717:in Washington, D.C. 551:Museum of Modern Art 492:Fulbright fellowship 411:Museum of Modern Art 299:Princeton University 293:color theorist, and 244:Museum of Modern Art 158:color field painting 137:abstract illusionism 4428:Joseph P. Riley Jr. 4347:Olivia de Havilland 4310:University of Idaho 4225:Wilhelmina Holladay 3950:Helen Frankenthaler 3868:Mikhail Baryshnikov 3786:Monochrome painting 1677:on October 19, 2014 1606:on November 5, 2015 1089:In April 2021, his 1021:Writer and curator 1004:Hudson River Valley 769:Jasper's Split Star 606:1980s and afterward 538:(1969), now at the 427:Robert Rauschenberg 356:(1962–1963) at the 330:Hudson River Valley 212:Frank Philip Stella 142:lyrical abstraction 79:New York City, U.S. 47:Frank Philip Stella 4567:Minimalist artists 4562:American muralists 4337:Richard M. Sherman 4037:Austin City Limits 3766:Hard-edge painting 3173:Sculpture Magazine 3101:The New York Times 2384:The New York Times 2148:The New York Times 2055:The New York Times 1569:The New York Times 1525:The New York Times 1414:Andrianna Campbell 1187:Stella, detail of 1175:, 1974; in Toronto 1112:Sports Illustrated 1017:Critical reception 996:University of Jena 955:, Venice; and the 779:of his paintings, 753:Domenico Scarlatti 738:Newburgh, New York 665: 650: 516: 362: 305:and art historian 178:Harvard University 147:hard-edge painting 4494: 4493: 4342:Robert B. Sherman 4296:Henry Z. Steinway 4149:Louis Auchincloss 3809: 3808: 3606: 3605: 3474:Frank Stella 1958 3465:Frank Stella 1958 3431:Word Symbol Space 3280:978-0-262-53126-9 3244:978-1-904832-77-5 3012:Los Angeles Times 2975:The Brooklyn Rail 2927:The Art Newspaper 2741:, March 15, 2010. 2577:on March 1, 2009. 2508:978-1-84797-847-9 2478:978-0-7603-6848-0 2311:978-0-500-28700-2 2094:978-0-8032-7629-1 2025:978-0-520-20147-7 1987:on March 25, 2015 1961:978-0-8153-0380-0 1840:978-0-19-284234-3 1759:978-3-8228-3060-4 1729:979-8-216-10559-6 1667:"The Materialist" 1575:on March 18, 2020 1408:978-3-88375-488-8 1385:978-3-88375-487-1 1349:Frank Stella and 1321:at Whitney Museum 1048:Willem de Kooning 957:Kunstmuseum Basel 894:Wooden Synagogues 890:wooden synagogues 871:Systemic Painting 867:The Shaped Canvas 826:The Art Newspaper 757:Ralph Kirkpatrick 574:wooden synagogues 524:Protractor Series 480:Irregular Polygon 407:Sixteen Americans 395:Horst-Wessel-Lied 322:Greenwich Village 209: 208: 4659: 4276:N. Scott Momaday 4271:Morten Lauridsen 4159:Paquito D'Rivera 4067:Tabernacle Choir 4001:Lawrence Halprin 3914:Barbra Streisand 3836: 3829: 3822: 3813: 3695:Kazimir Malevich 3633: 3626: 3619: 3610: 3504: 3497: 3490: 3481: 3401: 3400: 3398: 3396: 3387:. Archived from 3380: 3371: 3370: 3368: 3366: 3346: 3340: 3339: 3337: 3335: 3326:. May 17, 2019. 3314: 3308: 3307: 3302:. Archived from 3291: 3285: 3284: 3262: 3253: 3252: 3225: 3219: 3218: 3216: 3214: 3209:on July 16, 2018 3205:. Archived from 3195: 3189: 3188: 3186: 3184: 3164: 3155: 3143: 3137: 3111: 3105: 3086: 3080: 3079: 3077: 3075: 3056: 3050: 3049: 3047: 3045: 3025: 3016: 2997: 2991: 2990: 2988: 2986: 2966: 2960: 2959: 2957: 2955: 2936: 2930: 2913: 2904: 2903: 2898:. 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Archived from 1972: 1966: 1965: 1943: 1937: 1936: 1934: 1932: 1918: 1909: 1908: 1893: 1891: 1851: 1845: 1844: 1824: 1818: 1817: 1815: 1813: 1793: 1787: 1786: 1781:. Archived from 1770: 1764: 1763: 1743: 1734: 1733: 1713: 1702: 1693: 1687: 1686: 1684: 1682: 1673:. Archived from 1662: 1656: 1655: 1653: 1651: 1642:. Archived from 1631: 1616: 1615: 1613: 1611: 1602:. Archived from 1591: 1585: 1584: 1582: 1580: 1571:. Archived from 1560: 1541: 1540: 1538: 1536: 1516: 1507: 1506: 1504: 1502: 1482: 1473: 1472: 1470: 1468: 1453: 1428:, London, 2017; 1418:Terry Richardson 1335:Julia M. Busch: 1315: 1296: 1286: 1283: 1273: 1258: 1242: 1232: 1229: 1219: 1200: 1184: 1165: 1152:Gallery of works 967:Stella gave the 927:, New York; the 846:Copyright Office 619: 530:. These feature 520:Merce Cunningham 447:cold-water flats 354:Jasper's Dilemma 307:William C. Seitz 275:Phillips Academy 75: 56: 54: 35: 21: 4667: 4666: 4662: 4661: 4660: 4658: 4657: 4656: 4497: 4496: 4495: 4490: 4457: 4386: 4371:Fisk University 4320: 4259: 4245:Gregory Rabassa 4198: 4179:Wynton Marsalis 4169:Leonard Garment 4137: 4086: 4072:Leonard Slatkin 4052:Suzanne Farrell 4025: 3969: 3918: 3899:Claes Oldenburg 3846: 3840: 3810: 3805: 3781:Minimalist film 3734: 3680:Ellsworth Kelly 3648: 3642: 3637: 3607: 3602: 3581: 3562: 3534:Die Fahne Hoch! 3526:Black Paintings 3513: 3508: 3470:William Corbett 3410: 3405: 3404: 3394: 3392: 3391:on June 2, 2024 3382: 3381: 3374: 3364: 3362: 3348: 3347: 3343: 3333: 3331: 3316: 3315: 3311: 3293: 3292: 3288: 3281: 3264: 3263: 3256: 3245: 3227: 3226: 3222: 3212: 3210: 3203:www.jenanews.de 3197: 3196: 3192: 3182: 3180: 3166: 3165: 3158: 3153:Wayback Machine 3144: 3140: 3134:Wayback Machine 3112: 3108: 3097:Wayback Machine 3087: 3083: 3073: 3071: 3058: 3057: 3053: 3043: 3041: 3034:Listart.mit.edu 3027: 3026: 3019: 3008:Wayback Machine 2998: 2994: 2984: 2982: 2968: 2967: 2963: 2953: 2951: 2938: 2937: 2933: 2929:, June 6, 2008. 2924:Wayback Machine 2914: 2907: 2894: 2893: 2889: 2879: 2877: 2863: 2862: 2858: 2847:Wayback Machine 2837: 2833: 2822:Wayback Machine 2812: 2805: 2795: 2793: 2786: 2781: 2780: 2776: 2766: 2764: 2750: 2749: 2745: 2734:Wayback Machine 2725: 2721: 2711: 2709: 2705: 2698: 2694: 2693: 2689: 2683:Wayback Machine 2674: 2670: 2660: 2658: 2644: 2643: 2639: 2629: 2627: 2620:Washington Post 2613: 2612: 2608: 2598: 2596: 2587: 2586: 2582: 2569: 2568: 2564: 2552: 2551: 2547: 2537: 2535: 2521: 2520: 2516: 2509: 2494: 2493: 2489: 2479: 2464: 2463: 2459: 2437: 2436: 2429: 2424:on May 5, 2024. 2411: 2410: 2403: 2393: 2391: 2377: 2376: 2372: 2362: 2360: 2347: 2346: 2342: 2332:Wayback Machine 2323: 2319: 2312: 2297: 2296: 2292: 2282: 2280: 2266: 2265: 2261: 2251: 2249: 2237: 2236: 2232: 2222: 2220: 2206: 2205: 2190: 2172: 2171: 2167: 2157: 2155: 2141: 2140: 2133: 2123: 2121: 2107: 2106: 2102: 2095: 2080: 2079: 2075: 2065: 2063: 2047: 2046: 2033: 2026: 2008:"Bruce Glaser: 2005: 2004: 2000: 1990: 1988: 1974: 1973: 1969: 1962: 1945: 1944: 1940: 1930: 1928: 1920: 1919: 1912: 1889: 1887: 1853: 1852: 1848: 1841: 1826: 1825: 1821: 1811: 1809: 1796:Whitney Staff. 1795: 1794: 1790: 1785:on May 4, 2024. 1772: 1771: 1767: 1760: 1745: 1744: 1737: 1730: 1715: 1714: 1705: 1694: 1690: 1680: 1678: 1664: 1663: 1659: 1649: 1647: 1633: 1632: 1619: 1609: 1607: 1593: 1592: 1588: 1578: 1576: 1562: 1561: 1544: 1534: 1532: 1518: 1517: 1510: 1500: 1498: 1484: 1483: 1476: 1466: 1464: 1455: 1454: 1447: 1442: 1332: 1327: 1326: 1325: 1322: 1316: 1307: 1297: 1288: 1284: 1274: 1265: 1259: 1250: 1243: 1234: 1230: 1220: 1211: 1201: 1192: 1185: 1176: 1166: 1154: 1144:at his home in 1140:Stella died of 1131: 1103: 1076: 1044:Jackson Pollock 1027:Black Paintings 1019: 965: 909: 859: 817: 815:Artists' rights 695:proscenium arch 669:Herman Melville 648:, Washington DC 640:, aluminum and 608: 504: 488:Pamplona, Spain 476:shaped canvases 439:Oberlin College 433:showing at the 419:Ellsworth Kelly 415:Louise Nevelson 409:exhibit at the 390:Die Fahne Hoch! 378:Black Paintings 371:Jackson Pollock 347: 342: 260: 236:Jackson Pollock 205: 202: 200: 193: 191: 185: 180: 162: 105: 80: 77: 73: 64: 58: 52: 50: 49: 48: 38: 26: 17: 12: 11: 5: 4665: 4663: 4655: 4654: 4649: 4644: 4639: 4634: 4629: 4624: 4619: 4614: 4609: 4604: 4599: 4594: 4589: 4584: 4579: 4574: 4569: 4564: 4559: 4554: 4549: 4544: 4539: 4534: 4529: 4524: 4519: 4514: 4509: 4499: 4498: 4492: 4491: 4489: 4488: 4483: 4478: 4473: 4468: 4462: 4459: 4458: 4456: 4455: 4450: 4445: 4440: 4435: 4430: 4425: 4420: 4415: 4410: 4405: 4403:Clint Eastwood 4400: 4394: 4392: 4388: 4387: 4385: 4384: 4379: 4374: 4364: 4359: 4354: 4349: 4344: 4339: 4334: 4328: 4326: 4322: 4321: 4319: 4318: 4313: 4303: 4298: 4293: 4288: 4283: 4278: 4273: 4267: 4265: 4261: 4260: 4258: 4257: 4252: 4247: 4242: 4237: 4232: 4227: 4222: 4217: 4212: 4210:William Bolcom 4206: 4204: 4200: 4199: 4197: 4196: 4191: 4186: 4181: 4176: 4174:Ollie Johnston 4171: 4166: 4161: 4156: 4154:James DePreist 4151: 4145: 4143: 4139: 4138: 4136: 4135: 4130: 4128:Vincent Scully 4125: 4120: 4115: 4113:Frederick Hart 4110: 4108:Carlisle Floyd 4105: 4100: 4094: 4092: 4088: 4087: 4085: 4084: 4079: 4074: 4069: 4064: 4059: 4054: 4049: 4044: 4042:Beverly Cleary 4039: 4033: 4031: 4027: 4026: 4024: 4023: 4018: 4013: 4008: 4003: 3998: 3993: 3988: 3983: 3977: 3975: 3971: 3970: 3968: 3967: 3962: 3957: 3955:Judith Jamison 3952: 3947: 3942: 3937: 3932: 3926: 3924: 3920: 3919: 3917: 3916: 3911: 3906: 3904:Itzhak Perlman 3901: 3896: 3890: 3885: 3880: 3875: 3870: 3865: 3860: 3854: 3852: 3848: 3847: 3841: 3839: 3838: 3831: 3824: 3816: 3807: 3806: 3804: 3803: 3801:Postminimalism 3798: 3793: 3791:Neo-minimalism 3788: 3783: 3778: 3773: 3768: 3763: 3758: 3753: 3751:Constructivism 3748: 3746:Conceptual Art 3742: 3740: 3736: 3735: 3733: 3732: 3727: 3722: 3717: 3712: 3707: 3705:John McCracken 3702: 3697: 3692: 3687: 3682: 3677: 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Index


Malden, Massachusetts
printmaker
Modernism
minimal art
abstract expressionism
geometric abstraction
abstract illusionism
lyrical abstraction
hard-edge painting
shaped canvas
color field painting
Charles Eliot Norton Lectures
Harvard University
National Medal of Arts
International Sculpture Center
printmaker
minimalism
post-painterly abstraction
Rock Tavern, New York
Franz Kline
Jackson Pollock
art world
Museum of Modern Art
National Medal of Arts
International Sculpture Center
Malden, Massachusetts
gynecologist
Phillips Academy
Andover, Massachusetts

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