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Geometric abstraction

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122: 144: 200: 243:, for example, are perhaps best known for their geometric sculpture, although both of them were also painters; and indeed, the ideals of geometric abstraction find nearly perfect expression in their titling (e.g., Vantongerloo's "Construction in the Sphere") and pronouncements (e.g., Bill's statement that "I am of the opinion that it is possible to develop an art largely on the basis of mathematical thinking.") Expressionist abstract painting, as practiced by artists such as 191:, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school. Aligned with and often used in the architecture of Islamic civilations spanning the 7th century-20th century, geometric patterns were used to visually connect spirituality with science and art, both of which were key to Islamic thought of the time. 1380: 1288: 293: 25: 873: 231:
have also embraced this approach towards abstract painting. Mondrian's painting "Composition No. 10" (1939–1942) clearly defines his radical but classical approach to the construction of horizontal and vertical lines, as Mondrian wrote, "constructed with awareness, but not with calculation, led by
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or pure strains of abstraction have often suggested that geometric abstraction represents the height of a non-objective art practice, which necessarily stresses or calls attention to the root plasticity and two-dimensionality of painting as an artistic medium. Thus, it has been suggested that
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geometric abstraction might function as a solution to problems concerning the need for modernist painting to reject the illusionistic practices of the past while addressing the inherently two dimensional nature of the picture plane as well as the canvas functioning as its support.
121: 143: 223:, one of the forerunners of pure non-objective painting, was among the first modern artists to explore this geometric approach in his abstract work. Other examples of pioneer abstractionists such as 235:
Just as there are both two-dimensional and three-dimensional geometries, the abstract sculpture of the 20th century was of course no less affected than painting by geometricizing tendencies.
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has discussed this connection between music and painting, as well as how the practice of classical composition had influenced his work, at length in his seminal essay
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in its ability to convey emotional or expressive feelings and ideas without reliance upon or reference to recognizable objective forms already existent in reality.
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Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves.
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space and combined into non-objective (non-representational) compositions. Although the genre was popularized by
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artists in the early twentieth century, similar motifs have been used in art since ancient times.
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Gallery Papers, Reel 4087–4089: Exhibition Records, Reel 4108: Artists Files, last names A-B.
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Throughout 20th-century art historical discourse, critics and artists working within the
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based on the use of geometric forms sometimes, though not always, placed in
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Artists who have worked extensively in geometric abstraction include:
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Abdullahi, Yahya; Embi, Mohamed Rashid Bin (2013-06-01).
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Famous geometric abstract artists of the 20th century
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high intuition, and brought to harmony and rhythm."
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Unsourced material may be challenged and 1412: 1398: 1390: 1325: 1311: 1303: 1121: 1107: 1099: 954: 939:"Evolution of Islamic geometric patterns" 385:Learn how and when to remove this message 109:Learn how and when to remove this message 929: 16:Form of abstract art involving geometry 1004:"The Collection: Georges Vantongerloo" 980:Mondrian's Philosophy of Visual Rhythm 156:, 1915, oil on linen, 79.5 x 79.5 cm, 136:), 1912, oil on canvas, 210 x 200 cm, 7: 1025:Smith, Roberta (December 14, 1994). 319:adding citations to reliable sources 47:adding citations to reliable sources 943:Frontiers of Architectural Research 14: 1378: 1287: 1286: 871: 291: 23: 823:Friedrich Vordemberge-Gildewart 277:Concerning the Spiritual in Art 130:Amorpha, Fugue en deux couleurs 34:needs additional citations for 1: 1631: 1613:Contemporary art movements 1075:Sculpture and Art websites 1006:. The Museum of Modern Art 956:10.1016/j.foar.2013.03.002 913:Post-painterly abstraction 210:, 1939–1942, oil on canvas 138:National Gallery in Prague 1376: 1340: 1282: 982:. Springer. p. 110. 888:American Abstract Artists 1052:Archives of American Art 848:Stanton Macdonald-Wright 978:Tosaki, Eiichi (2017). 334:"Geometric abstraction" 263:Relationship with music 58:"Geometric abstraction" 1208:Abstract expressionism 458:Kenneth Wayne Bushnell 211: 161: 140: 1542:Geometric abstraction 1334:Geometric abstraction 202: 165:Geometric abstraction 146: 124: 1148:Abstract photography 828:Charmion von Wiegand 813:Georges Vantongerloo 553:Frederick Hammersley 413:Richard Anuszkiewicz 315:improve this section 237:Georges Vantongerloo 43:improve this article 1567:Monochrome painting 1238:Organic abstraction 908:Lyrical Abstraction 758:Alexander Rodchenko 453:Patrick Henry Bruce 134:Fugue in Two Colors 1547:Hard-edge painting 1173:Hard-edge painting 903:Hard-edge painting 803:Sophie Taeuber-Arp 678:LászlĂł Moholy-Nagy 673:Peter Hugo McClure 568:Gottfried Honegger 212: 208:Composition No. 10 195:Scholarly analysis 162: 141: 1590: 1589: 1387: 1386: 1300: 1299: 1218:All-over painting 773:Victor Servranckx 693:François Morellet 603:Wassily Kandinsky 523:Theo van Doesburg 395: 394: 387: 369: 273:Wassily Kandinsky 221:Wassily Kandinsky 173:non-illusionistic 158:Tretyakov Gallery 119: 118: 111: 93: 1620: 1476:Kazimir Malevich 1414: 1407: 1400: 1391: 1382: 1327: 1320: 1313: 1304: 1290: 1289: 1123: 1116: 1109: 1100: 1089: 1088: 1086:Official website 1063: 1048: 1042: 1041: 1039: 1037: 1022: 1016: 1015: 1013: 1011: 1000: 994: 993: 975: 969: 968: 958: 934: 881: 876: 875: 788:Henryk StaĹĽewski 653:Kazimir Malevich 628:Ronnie Landfield 543:GĂĽnter Fruhtrunk 533:Lorser Feitelson 433:Willi Baumeister 390: 383: 379: 376: 370: 368: 327: 295: 287: 283:Selected artists 225:Kasimir Malevich 148:Kazimir Malevich 114: 107: 103: 100: 94: 92: 51: 27: 19: 1630: 1629: 1623: 1622: 1621: 1619: 1618: 1617: 1593: 1592: 1591: 1586: 1562:Minimalist film 1515: 1461:Ellsworth Kelly 1429: 1423: 1418: 1388: 1383: 1374: 1336: 1331: 1301: 1296: 1278: 1247: 1213:Action painting 1199: 1192: 1139: 1132: 1127: 1084: 1083: 1071: 1066: 1049: 1045: 1035: 1033: 1024: 1023: 1019: 1009: 1007: 1002: 1001: 997: 990: 977: 976: 972: 936: 935: 931: 927: 922: 898:Formalism (art) 877: 870: 867: 862: 833:Zanis Waldheims 818:Victor Vasarely 783:Julian Stanczak 778:Leon Polk Smith 733:Francis Picabia 728:I. 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"Geometric abstraction"
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František Kupka
National Gallery in Prague

Kazimir Malevich
Black Square
Tretyakov Gallery
abstract art
non-illusionistic
avant-garde
Islamic art
Piet Mondriaan abstract painting "Composition No. 10" from 1939 to 1942
Piet Mondrian
reductive
Wassily Kandinsky
Kasimir Malevich
Piet Mondrian
Georges Vantongerloo
Max Bill

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