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87:. The public performances were, in practice, normally visited exclusively by the upper classes of Stockholm, who were able to understand the French language. The French Theater appeared before the public at Bollhuset on Wednesdays and Fridays, and at the royal court whenever they were commanded to. The company were considered of high quality, and performed the latest plays from Paris.
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from 1788, but they performed separately and referred to as the "French
Theater" and the "Swedish Theater" respectively. The actors of the French Theater were expected by the king to educate Swedish pupils, and many of the first generation of Swedish actors at the Royal Dramatic Theatre were students
217:
303:
Jonsson, Leif & Ivarsdotter, Anna (red.), Musiken i
Sverige. 2, Frihetstid och gustaviansk tid 1720–1810, Fischer, Stockholm, 1993 (Music in Sweden. The age of Liberty and the Gustavian age 1720–1810) (in
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theater active in Sweden between 1781 and 1792. The French theater company performed both before the
Swedish royal court in the theaters of the royal palaces, as well as before the Swedish public in
307:
Forser, Tomas & Heed, Sven Åke (red.), Ny svensk teaterhistoria. 1, Teater före 1800, Gidlund, Hedemora, 2007 (New
Swedish theatre-history. Theatre before 1800) (in Swedish)
280:
Fredrik August
Dahlgren: Förteckning öfver svenska skådespel uppförda på Stockholms theatrar 1737-1863 och Kongl. Theatrarnes personal 1773–1863. Med flera anteckningar.
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Nordensvan, Georg, Svensk teater och svenska skådespelare från Gustav III till våra dagar. Förra delen, 1772–1842, Bonnier, Stockholm, 1917 (in
Swedish)
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to perform before the
Swedish royal court. Initially, they performed exclusively for the royal court in the theaters of the royal residences, such as
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Oscar
Levertin: Teater och drama under Gustaf III, Albert Bonniers förlag, Stockholm, Fjärde Upplagan (1920).
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57:. It is known to have played a significant part in the education of the pioneer generation of actors at the
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Andersson, Ingvar (red.), Gustavianskt: : en bokfilm, , Wahlström & Widstrand, Stockholm, 1979
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The French
Theater were dissolved after the death of Gustav III in 1792.
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From 1783 onward, they also performed before the
Swedish public at
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211:Catherine-Victoire Le Riche de Cléricourt - Monvel
289:Lars Löfgren (2003). Svensk teater. Stockholm:
222:Henri O. Dougherthy de la Tour eller Delatour
95:of the actors at the French Theater, such as
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64:The French theater was composed in Paris by
30:Drottningholms slottsteater, interior view
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68:in 1781, when it was engaged by king
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354:1792 disestablishments in Europe
364:Sweden during the Gustavian era
90:They shared Bollhuset with the
207:Jacques Marie Boutet de Monvel
66:Jacques Marie Boutet de Monvel
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349:1781 establishments in Sweden
344:Former theatres in Stockholm
146:Anne Marie Milan Desguillons
74:Drottningholm Palace Theatre
47:French Theater of Gustav III
359:Theatre companies in Sweden
240:Charles Didelot, father of
167:Francois Marie Moussé Félix
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264:La troupe du Roi de Suede
175:Adélaïde-Thérèse Feuchère
151:Joseph Sauze Desguillons
339:Swedish comedy troupes
324:18th century in Sweden
92:Royal Dramatic Theatre
59:Royal Dramatic Theatre
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334:French comedy troupes
242:Charles-Louis Didelot
193:Marie Louise Marcadet
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329:18th-century theatre
252:Marie-Renée Frossard
70:Gustav III of Sweden
369:Court of Gustav III
218:Monsieur Saint-Ange
133:Monsieur Clericourt
291:Natur & Kultur
214:Monsieur Sainville
188:Jean-RĂ©my Marcadet
139:Monsieur Delaroche
129:Francois Chatillon
121:Mademoiselle Baron
115:Actors and singers
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230:Monsieur Versenil
197:Sidonie de Massat
179:Monsieur Feuillet
136:Monsieur Cressent
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269:Du Londel Troupe
162:Madame Dutillier
142:Madame Delaroche
40:Gripsholm Castle
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203:Madame Montrose
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51:French language
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226:Carlo Uttini
171:Madame Felix
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101:Fredrica Löf
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78:Confidencen
38:Theatre in
21:Confidencen
318:Categories
275:References
183:Sophie Hus
85:Bollhuset
55:Stockholm
304:Swedish)
258:See also
235:Dancers
110:Members
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49:was a
295:ISBN
99:and
76:and
45:The
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