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Fred Sandback

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189:, as well as minimal and literal. Indeed, Sandback was fond of installing "corner" pieces whose shadows assist with this form completion process. In describing his work he stated, "It's a consequence of wanting the volume of sculpture without the opaque mass that I have the lines." and "I did have a strong gut feeling from the beginning though, and that was wanting to be able to make sculpture that didn't have an inside." Sandback himself referred to his sculptures operating in pedestrian space, acknowledging both the viewer’s movement through a space and as something to be engaged actively. 206: 172:
Sandback is primarily known for his Minimalist works made from lengths of colored yarn. The artist's early interest in stringed musical instruments led him to make dulcimers and banjos as a teenager. In 1967, he produced the sculpture that would establish the terms of his mature work. Using string
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and wire, he outlined the shape of a 20-foot-long 2-by-4 board lying on the floor. Though he employed metal wire and elastic cord early in his career, the artist soon dispensed with mass and weight by using acrylic yarn. His yarn, elastic cord, and wire sculptures define edges of
373:, which was closed in 1996. Dia presented exhibitions of his works in 1988 and in 1996–97. In 2007 the Fred Sandback Archive, a non-profit organization was established primarily to create and maintain an archival resource on Sandback's work. At 430:. Munich: Galerie Fred Jahn in co-production with StĂ€dtisches Museum Leverkusen, Schloss Morsbroich, 1987. Texts by Rolf Wedewer and Fred Jahn. Another edition, without the text of Rolf Wedewer, was published as 446:. New Haven, Conn.: Yale University Art Gallery, in association with Contemporary Arts Museum, Houston, 1991. Texts by Suzanne Delehanty, Richard S. Field, Sasha M. Newman, and Phyllis Tuchman. 663:. Berlin: Hatje Cantz; Mexico City: Proyectos Monclova, 2017. Texts by Federica Zanco, Daniel Garza Usabiaga; discussion with Roger Duffy, Amavong Panya, Lilian Tone, and Edward Vazquez. 550:. Cambridge, England: Kettle’s Yard, 2005. Texts by Elizabeth Fisher, Michael Harrison, Lynne Cooke, and Fred Sandback. Published with separate insert documenting the exhibition. 321:, Vaduz (which traveled to the Fruitmarket Gallery, Edinburgh and the Neue Galerie am Joanneum, Graz, in 2006). His work is represented in many public collections including the 686:
A detailed exhibition history and bibliography, 1967–2005, together with the artist’s collected writings and interviews, is published in the exhibition catalogue
723: 967: 977: 644:. Texts by Emily Wei Rales, and Mitchell Rales, Harry Cooper, and Briony Fer. Potomac, MD: Glenstone; Munich, London, New York: Delmonico Prestel, 2016. 962: 942: 492:. Mexico City: Museo Tamayo, 2002. Texts by Sari BermĂșdez, Saul Suarez, Lynne Cooke, and Fred Sandback. Interview with Fred Sandback by Joan Simon. 770: 947: 952: 937: 803: 534: 817: 754: 542: 253: 972: 626:. DĂŒsseldorf: Richter Verlag, 2014. Texts by Mark Godfrey, Heinz Liesbrock, Dieter Schwarz, Edward Vazquez, and Gianfranco Verna. 606:. Bielefeld: Kerber Verlag, 2011. Texts by Reinhard Spieler and Kerstin Skrobanek. Interview with Fred Jahn by Kerstin Skrobanek. 537:; Ostfildern-Ruit: Hatje Cantz, 2005. Texts by Christiane Meyer-Stoll, Yve-Alain Bois, Thomas McEvilley, Thierry Davila, et al., 286:
sculptures and prints in the United States, Europe and elsewhere. His artwork was included in the 1968 Annual Exhibition at the
287: 231: 227: 907: 31: 533:. Vaduz: Kunstmuseum Liechtenstein; Edinburgh: Fruitmarket Gallery; Graz: Neue Galerie am Landesmuseum Joanneum; Bordeaux: 495: 338: 957: 690:, Vaduz: Kunstmuseum Liechtenstein, 2005; an updated history from 2004–2009 is published in the exhibition catalogue 330: 282:, both in 1968, while the artist was still a graduate student. Following this debut, Sandback exhibited widely his 883: 370: 350: 318: 694:, New York: David Zwirner; Göttingen:Steidl, 2009. The years 2009–2012 are covered in the exhibition catalogue 346: 295: 216: 738: 612:. Denver, Colorado: Museum of Contemporary Art, 2011. Texts by David Adjaye, Adam Lerner, and Fred Sandback. 334: 322: 235: 220: 121:
conceptual-based sculptor known for his yarn sculptures, drawings, and prints. His estate is represented by
479:. Bregenz: Bregenzer Kunstverein, Palais Thurn und Taxis, 1997. Interview with Fred Sandback by Joan Simon. 927: 898: 848: 778: 342: 311: 267: 166: 878: 683:. Seoul: Gallery Hyundai, 2019. Text by Yve-Alain Bois (reprint of “A Drawing that Is Habitable," 2005). 932: 922: 326: 146: 134: 54: 424:. Hannover: Kestner-Gesellschaft, 1987. Texts by Carsten Ahrens, Carl Haenlein, and Fred Sandback. 366: 362: 158: 706:
A complete exhibition history and bibliography is available online at fredsandbackarchive.org.
568:. Laramie: University of Wyoming Art Museum, 2006. Texts by Susan Moldenhauer and David Raskin. 825: 650:. New York: David Zwirner Books, 2017. Texts by Yve-Alain Bois, David Gray, and Lisa LeFeuvre. 556:. ZĂŒrich: Annemarie Verna Galerie; DĂŒsseldorf: Richter Verlag, 2005. Text by Gianfranco Verna. 538: 868: 440:
s. MĂŒnster: WestfĂ€lischer Kunstverein, 1987. Texts by Marianne Stockebrand and Fred Sandback.
581:. Exh. cat. (New York: Zwirner & Wirth, 2007). Texts by Pamela M. Lee and Fred Sandback. 411:. ZĂŒrich: Kunsthaus ZĂŒrich, 1985. Texts by Gianfranco Verna, Lisa Liebmann, and Toni Stooss. 303: 275: 138: 792: 317:
Sandback's work was the subject of an extensive survey exhibition organized in 2005 by the
150: 82: 892: 515:. New York: Zwirner & Wirth, Lawrence Markey Gallery, 2004. Texts by Fred Sandback. 418:. Munich: Galerie Fred Jahn, 1986. Texts by Manfred Fath, Fred Jahn, and Fred Sandback. 587:
Exh. cat. (Goettingen and New York: Steidl/David Zwirner, 2009). Text by John Rajchman
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Christie's, Post-War and Contemporary Afternoon Session, 11 November 2010, New York.
502:, vol. 2. Ed. Lynne Cooke and Karen Kelly. New York: Dia Center for the Arts, 2003. 527:. Exh. brochure. New York: Susan Sheehan Gallery, 2004. Text by Andrew Ehrenworth. 298:
in 1979. In 2003, several large Sandback sculptures were permanently installed at
698:, New York: David Zwirner; Santa Fe: Radius Books, 2013; 2013–2016 is covered in 632:. London: Sims Reed Gallery, 2015. Texts by Lyndsey Ingram and Nancy Princenthal. 887: 205: 186: 162: 96: 661:
Luis BarragĂĄn/Fred Sandback. Las propriedades de la luz/The Properties of Light
562:. Exh. brochure. Sioux City: Sioux City Art Center, 2005. Text by David Raskin. 422:
Fred Sandback: Diagonal Constructions/Broken Lines'. Skulpturen und Zeichnungen
465:. Exh. brochure. New York: Dia Center for the Arts, 1996. Text by Lynne Cooke. 299: 283: 174: 118: 106: 829: 182: 154: 92: 452:. Stockholm: Magasin 3, Stockholm Konsthall, 1991. Text by Sasha M. Newman. 369:
initiated and maintained a museum of his work, The Fred Sandback Museum in
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Sandback died by suicide in his studio in New York City on June 23, 2003.
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Sandback was one of a small group of avant garde artists sponsored by the
178: 161:(MFA, 1969) where he studied with, among others, visiting instructors 291: 279: 677:. Paris: Galerie Marian Goodman, 2018. Expanded and revised edition. 403:
74 Front Street: The Fred Sandback Museum, Winchendon, Massachusetts
30: 399:. Munich: Kunstraum, 1975. Texts by Hermann Kern and Fred Sandback. 521:. ZĂŒrich: Annemarie Verna Galerie, 2004. Text by Gianfranco Verna. 142: 571:
David Raskin, “Art That Just Goes ‘Ping’: Sandback’s Vibration.”
670:. Milan and London: Cardi Gallery, 2018. Text by Fred Sandback. 600:. Rio de Janeiro and SĂŁo Paulo: Instituto Moreira Salles, 2010. 199: 181:
the rest of the form. In that way his work can be considered
593:. Auckland: Jensen Gallery, 2009. Text by Leonhard Emmerling. 405:. New York: Dia Art Foundation, 1982. Text by Fred Sandback. 505:
Stephanie Cash, David Ebony, “Obituaries: Fred Sandback.”
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in 1976, and the Seventy-third American Exhibition at the
818:"Fred Sandback, 59, Sculptor Of Minimalist Installations" 432:
Fred Sandback: Werkverzeichnis der Druckgrafik, 1970–1986
657:. Chicago and London: University of Chicago Press, 2017. 619:. New York: David Zwirner; Santa Fe: Radius Books, 2013. 393:. Krefeld: Museum Haus Lange, 1969. Text by Paul Wember. 308:
Mikado (Sculptural Study for the Pinakothek der Moderne)
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Fred Sandback, 59, Sculptor Of Minimalist Installations
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From a Yarn Spinner, Variations for Minimalist Strings
638:. Madrid: GalerĂ­a CayĂłn, 2015. Text by Edward Vazquez. 266:
Sandback's first one-person exhibitions were at the
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David Raskin on Fred Sandback in Apollo March, 2007
102: 88: 78: 62: 40: 21: 804:Fred Sandback, 18 November 2005 – 19 February 2006 117:(August 29, 1943 – June 23, 2003) was an American 897:Examples of the artist's work and exhibitions at 457:KĂŒnstler: Kritisches Lexikon der Gegenwartskunst, 893:Remarks on my Sculpture 1966-86 by Fred Sandback 793:Remarks on my Sculpture 1966-86 by Fred Sandback 381:(1968) was sold for $ 266,500 in November 2010. 554:Fred Sandback: Drawings/Zeichnungen, 1968–2000 468:“Lines of Inquiry: Interview by Joan Simon.” 8: 879:Many examples at the Barbara Krakow Gallery 604:Fred Sandback: RĂ€ume zeichnen/Drawing Space 310:as site-specific at the then newly opened 234:. Unsourced material may be challenged and 566:Fred Sandback: Sculpture and Related Works 560:Fred Sandback: Sculpture and Related Works 500:Robert Lehman Lectures on Contemporary Art 472:85, no. 5 (May 1997), pp. 86–93, 143. 29: 18: 254:Learn how and when to remove this message 722:Benjamin Genocchio (September 5, 2004), 509:91, no. 9 (September 2003), p. 142. 715: 739:Fred Sandback, 59; Minimalist Sculptor 702:. New York: David Zwirner Books, 2017. 177:shapes that ask the viewer's brain to 700:Fred Sandback: Vertical Constructions 648:Fred Sandback: Vertical Constructions 455:von Drathen, Doris. “Fred Sandback.” 377:New York, his four-part installation 7: 438:Fred Sandback: Vertical Construction 232:adding citations to reliable sources 133:Frederick Lane Sandback was born in 416:Fred Sandback: Sculpture, 1966–1986 306:. That same year, Sandback created 968:20th-century American male artists 655:Aspects: Fred Sandback’s Sculpture 642:Fred Sandback: Light, Space, Facts 486:. Brussels: La Lettre volĂ©e, 1998. 434:. Munich: Galerie Fred Jahn, 1987. 14: 978:20th-century American printmakers 806:Kunstmuseum Liechtenstein, Vaduz. 428:Fred Sandback: Die gesamte Grafik 675:Fred Sandback, ou le fil d’Occam 630:Fred Sandback: Prints, 1970–2000 204: 963:20th-century American sculptors 943:Sculptors from New York (state) 903:David Zwirner, New York/London. 484:Fred Sandback ou le fil d’Occam 141:where, as a young man, he made 525:Fred Sandback Prints: A Survey 288:Whitney Museum of American Art 149:. He majored in philosophy at 1: 948:American installation artists 899:Zwirner & Wirth, New York 753:Ken Johnson (June 26, 2003), 737:Mary Rourke (June 29, 2003), 535:capcMusĂ©e d’art contemporain 391:Fred Sandback: Installations 339:Solomon R. Guggenheim Museum 953:American conceptual artists 938:American postmodern artists 849:Fred Sandback (1943-2003), 816:Johnson, Ken (2003-06-26). 153:(BA, 1966) before studying 994: 371:Winchendon, Massachusetts 351:Albright-Knox Art Gallery 319:Kunstmuseum Liechtenstein 28: 681:Fred Sandback: Obangsaek 575:165 (March 2007): 72-77. 519:Fred Sandback, 1943–2003 490:Fred Sandback: Escultura 463:Fred Sandback: Sculpture 444:Fred Sandback: Sculpture 347:Art Institute of Chicago 331:Museum fĂŒr Moderne Kunst 296:Art Institute of Chicago 973:American male sculptors 775:www.zwirnerandwirth.com 673:Mavridorakis, ValĂ©rie. 624:Fred Sandback: Drawings 482:Mavridorakis, ValĂ©rie. 385:Bibliography (selected) 335:National Gallery of Art 323:Centre Georges Pompidou 884:Essay on Fred Sandback 869:Sandback's work at Dia 696:Fred Sandback: Decades 343:Pinakothek der Moderne 312:Pinakothek der Moderne 268:Galerie Konrad Fischer 771:"ZWIRNER & WIRTH" 622:Schwarz, Dieter, ed. 498:. "Apprehension." In 333:, Frankfurt am Main, 475:Fetz, Wolfgang, ed. 327:Museum of Modern Art 228:improve this section 55:Bronxville, New York 414:Fath, Manfred, ed. 337:, Washington D.C., 35:Fred Sandback print 958:Minimalist artists 822:The New York Times 367:Dia Art Foundation 363:Dia Art Foundation 290:, the Biennale of 274:, and the Galerie 159:Yale School of Art 742:Los Angeles Times 666:Celant, Germano. 653:Vazquez, Edward. 615:Lawrence, James. 264: 263: 256: 112: 111: 73:New York City, US 16:American sculptor 985: 856: 846: 840: 839: 837: 836: 813: 807: 801: 795: 789: 783: 782: 777:. Archived from 767: 761: 751: 745: 735: 729: 720: 304:Beacon, New York 276:Heiner Friedrich 259: 252: 248: 245: 239: 208: 200: 69: 50: 48: 33: 19: 993: 992: 988: 987: 986: 984: 983: 982: 913: 912: 874:Notes from 1975 865: 860: 859: 847: 843: 834: 832: 815: 814: 810: 802: 798: 790: 786: 769: 768: 764: 752: 748: 736: 732: 727:New York Times. 721: 717: 712: 387: 359: 260: 249: 243: 240: 225: 209: 198: 151:Yale University 131: 83:Yale University 74: 71: 67: 58: 52: 51:August 29, 1943 46: 44: 36: 24: 17: 12: 11: 5: 991: 989: 981: 980: 975: 970: 965: 960: 955: 950: 945: 940: 935: 930: 925: 915: 914: 911: 910: 905: 895: 890: 881: 876: 871: 864: 863:External links 861: 858: 857: 841: 808: 796: 784: 781:on 2009-02-13. 762: 758:New York Times 746: 730: 714: 713: 711: 708: 704: 703: 684: 678: 671: 664: 658: 651: 645: 639: 633: 627: 620: 613: 607: 601: 596:Tone, Lilian. 594: 588: 585:Fred Sandback. 582: 576: 569: 563: 557: 551: 545: 528: 522: 516: 510: 507:Art in America 503: 496:Mark C. Taylor 493: 487: 480: 473: 470:Art in America 466: 460: 459:vol. 23, 1993. 453: 447: 441: 435: 425: 419: 412: 406: 400: 394: 386: 383: 365:. In 1981 the 358: 355: 345:, Munich, the 262: 261: 212: 210: 203: 197: 194: 130: 127: 110: 109: 104: 100: 99: 90: 89:Known for 86: 85: 80: 76: 75: 72: 70:(aged 59) 64: 60: 59: 53: 42: 38: 37: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 990: 979: 976: 974: 971: 969: 966: 964: 961: 959: 956: 954: 951: 949: 946: 944: 941: 939: 936: 934: 931: 929: 928:2003 suicides 926: 924: 921: 920: 918: 909: 906: 904: 900: 896: 894: 891: 889: 885: 882: 880: 877: 875: 872: 870: 867: 866: 862: 854: 852: 845: 842: 831: 827: 823: 819: 812: 809: 805: 800: 797: 794: 788: 785: 780: 776: 772: 766: 763: 759: 756: 750: 747: 743: 740: 734: 731: 728: 725: 719: 716: 709: 707: 701: 697: 693: 692:Fred Sandback 689: 688:Fred Sandback 685: 682: 679: 676: 672: 669: 668:Fred Sandback 665: 662: 659: 656: 652: 649: 646: 643: 640: 637: 636:Fred Sandback 634: 631: 628: 625: 621: 618: 617:Fred Sandback 614: 611: 610:Fred Sandback 608: 605: 602: 599: 598:Fred Sandback 595: 592: 591:Fred Sandback 589: 586: 583: 580: 579:Fred Sandback 577: 574: 570: 567: 564: 561: 558: 555: 552: 549: 548:Fred Sandback 546: 544: 543:3-7757-1720-X 540: 536: 532: 531:Fred Sandback 529: 526: 523: 520: 517: 514: 513:Fred Sandback 511: 508: 504: 501: 497: 494: 491: 488: 485: 481: 478: 477:Fred Sandback 474: 471: 467: 464: 461: 458: 454: 451: 450:Fred Sandback 448: 445: 442: 439: 436: 433: 429: 426: 423: 420: 417: 413: 410: 409:Fred Sandback 407: 404: 401: 398: 397:Fred Sandback 395: 392: 389: 388: 384: 382: 380: 376: 372: 368: 364: 356: 354: 352: 348: 344: 340: 336: 332: 328: 325:, Paris, The 324: 320: 315: 313: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 258: 255: 247: 237: 233: 229: 223: 222: 218: 213:This section 211: 207: 202: 201: 195: 193: 190: 188: 184: 180: 176: 170: 168: 167:Robert Morris 164: 160: 156: 152: 148: 144: 140: 136: 129:Life and work 128: 126: 124: 123:David Zwirner 120: 116: 115:Fred Sandback 108: 105: 101: 98: 94: 91: 87: 84: 81: 77: 66:June 23, 2003 65: 61: 56: 43: 39: 32: 27: 23:Fred Sandback 20: 850: 844: 833:. 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Index


Bronxville, New York
Yale University
Sculpture
Printmaking
Minimalism
minimalist
David Zwirner
Bronxville
New York
banjos
dulcimers
Yale University
sculpture
Yale School of Art
Donald Judd
Robert Morris
virtual
perceive
visionary
imaginative

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Galerie Konrad Fischer
DĂŒsseldorf

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