Knowledge (XXG)

Fred R. Archer

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204: 80:. Archer was experimenting with photography as early as 1915, when he made a portrait of Edward Weston. Archer served in a military aerial photography unit in France in World War I, and returned to the United States in May, 1919. He began studying commercial art, and photography was at that time a hobby of his. In less than a year, Archer gained critical attention in two east coast photography journals, 57:, whose portrait he took, Archer was known as one of the "two big names in art photography in those days out on the west coast". He socialized with and exchanged ideas with many other artists and intellectuals in Los Angeles for decades. He was "without a doubt, the individual with the longest history of participation in the Southern California Salon movement." 588: 819: 119:
years to gain acceptance among the arts and the struggle has been long and hard. It is only within the last few years that photography has been raised from pure mechanics and given its well deserved place with the other arts." Their slogan was "the still sells the movies" which was a Hollywood truism for many years.
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Ansel Adams went out of his way to give Archer equal credit for the Zone System: "I take this opportunity to restate that the Zone System is not an invention of mine; it is a codification of the principles of sensitometry, worked out by Fred Archer and myself at the Art Center School in Los Angeles,
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Their article described the importance of still photography in advertising, marketing, production reference work and trick photography. According to Archer and Fryer, "A good 'still' will attract and hold attention where many poor ones will receive but a passing glance. Photography has striven for
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The Los Angeles County Museum of Art has seven photos by Archer in its permanent collection, including a self-portrait, described as a "surrealistic image of his face merging with the front of a large format camera and an obedient fly resting on his trigger finger".
66: 20: 131:. Archer was considered "for many years a popular teacher and lecturer" who then went on to serve as director of education at his own Fred Archer School of Photography in Los Angeles, which he founded after World War II. 114:
In 1928, he wrote an influential article along with fellow photographer Elmer Fryer called "Still photography in motion picture work". Fryer succeeded Archer as head of photography at Warner Brothers in 1929.
166:, and provides photographers with a systematic method of precisely defining the relationship between the way they visualize the photographic subject and the final results. Although it originated with 312: 218:, was published in 1948. The book was a "popular text" that "remained in print for a number of years", and was reviewed in several national photography magazines. 789: 462: 894: 909: 904: 899: 773: 746: 716: 572: 476: 88:, which reported that he had exhibited five "somber" photos of the World War I battlefields of France at the Seventh Pittsburgh Salon. 396: 695: 671: 503: 493: 322: 863: 736: 663: 234: 793: 227: 855: 468: 233:
Archer's photos were featured in a 1980-1981 show "Southern California Photography, 1900-1965: An Historical Survey" at the
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and was promoted to head the department the following year. He soon moved on to motion picture photography.
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Hollywood glamour, 1924-1956: selected portraits from the Wisconsin Center for Film and Theater Research
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In 1935, Archer helped found the photography department and served as professor of photography at the
919: 914: 163: 39: 554: 203: 653: 411:: Camera Club of New York, Boston Photo-Clan, Photo-Pictorialists of Buffalo: 495–496. January 1920 182: 635: 108: 92: 824: 769: 742: 712: 691: 667: 593: 568: 564: 499: 472: 343: 318: 254: 148: 30:(December 3, 1889 – April 27, 1963), was an American photographer who collaborated with 50:. He later became a photography teacher, and ran his own photography school for many years. 532: 226:
In 1959, Archer won the annual Stuyvesant Peabody Memorial Award, given to a member of the
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The camera i: photographic self-portraits from the Audrey and Sydney Irmas Collection
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In the early 1920s, he was hired as assistant head of the Art Title Department for
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movie stars. He was associated with the artistic trend in photography known as
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California dreamin': camera clubs and the pictorial photography tradition
185:. Archer and Adams formulated the system while teaching together at the 19: 242: 560: 408: 257:. The show was part of the bicentennial celebration of Los Angeles. 76:
He was born on December 3, 1889, in Georgia, and his family moved to
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Dailey, Victoria; Shivers, Natalie Wilkins; Dawson, Michael (2003).
536: 690:. Vol. 30. Scholastic Library Publishing. 2006. p. 137. 626:"NEW PHOTO LITERATURE; Additions to Technical Bookshelf Published" 202: 64: 18: 230:"who has contributed significantly to Pictorial Photography". 856:"Search Results: Fred R. Archer (United States, 1889 - 1963)" 107:
as a portrait photographer until 1929, and later worked for
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Zone systemizer for creative photographic control, Part 1
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Transactions of the Society of Motion Picture Engineers
723:...Ansel Adams' zone system, formulated in 1939–1940. 464:
Ruth Harriet Louise and Hollywood glamour photography
139:Archer collaborated with Ansel Adams to codify the 42:, specializing early in his career in portraits of 314:LA's early moderns: art, architecture, photography 158:. The technique is based on the late 19th century 589:"Judges Select Winners of 'Times' Photo Contest" 436:Photo-Era: The American Journal of Photography 289:(11). Photographic Society of America: 166–169 741:. Random House Digital, Inc. pp. 84–95. 652:Sobieszek, Robert A.; Irmas, Deborah (1994). 8: 762:Dowdell, John J.; Zakia, Richard D. (1973). 72:, taken by Fred Archer in approximately 1915 647: 645: 548: 546: 521:"Still Photography in Motion Picture Work" 702:By 1939 he had devised the Zone System... 461:Dance, Robert; Robertson, Bruce (2002). 306: 304: 553:McCarroll, Stacey; Sichel, Kim (2004). 269: 519:Archer, Fred R.; Fryer, Elmer (1928). 820:"Art Museum to Hold Photography Show" 372: 370: 368: 366: 7: 624:Deschin, Jacob (November 28, 1954). 601:. September 20, 1936. Archived from 23:1946 self-portrait of Fred R. Archer 895:20th-century American photographers 910:ArtCenter College of Design people 832:. December 4, 1980. Archived from 768:. Morgan & Morgan. p. 6. 147:technique for determining optimal 14: 864:Los Angeles County Museum of Art 664:Los Angeles County Museum of Art 235:Los Angeles County Museum of Art 905:American portrait photographers 794:Photographic Society of America 492:Elvehjem Museum of Art (1987). 228:Photographic Society of America 99:Hollywood portrait photographer 900:Photographers from Los Angeles 711:. Academic Press. p. 72. 469:University of California Press 317:. Balcony Press. p. 264. 279:"Them was the days – Part III" 123:Teacher and photography school 1: 565:Boston University Art Gallery 430:Rypinski, M. C. (June 1920). 347:. May 1, 1963. Archived from 707:Robinson, Edward M. (2007). 442:(6). Wilfred A. French: 275 432:"The 1920 Pittsburgh Salon" 936: 216:Fred Archer on Portraiture 209:Fred Archer on Portraiture 198:Fred Archer on Portraiture 277:Buffum, Jesse H. (1949). 860:LACMA Collections Online 498:. Chazen Museum of Art. 379:"Profile of Fred Archer" 237:, alongside the work of 735:Simmons, Steve (1992). 709:Crime scene photography 78:Los Angeles, California 796:. 2011. Archived from 688:Encyclopedia Americana 211: 73: 24: 738:Using the View Camera 377:Maloney, Tom (1943). 206: 68: 40:portrait photographer 22: 16:American photographer 401:American Photography 214:Archer's only book, 164:Hurter and Driffield 82:American Photography 836:on November 7, 2012 605:on January 31, 2013 397:"Our illustrations" 351:on November 7, 2012 183:digital photography 800:on August 11, 2011 636:New York, New York 471:. pp. 92–93. 212: 109:Paramount Pictures 93:Universal Pictures 86:Photo-era Magazine 74: 28:Fred Robert Archer 25: 825:Los Angeles Times 775:978-0-87100-040-8 748:978-0-8174-6353-3 718:978-0-12-369383-9 594:Los Angeles Times 574:978-1-881450-21-4 478:978-0-520-23347-8 344:Los Angeles Times 255:Imogen Cunningham 193:around 1939-40." 187:Art Center School 129:Art Center School 927: 875: 874: 872: 870: 852: 846: 845: 843: 841: 816: 810: 809: 807: 805: 786: 780: 779: 759: 753: 752: 732: 726: 725: 704: 684: 678: 677: 649: 640: 639: 621: 615: 614: 612: 610: 585: 579: 578: 550: 541: 540: 516: 510: 509: 489: 483: 482: 458: 452: 451: 449: 447: 427: 421: 420: 418: 416: 393: 387: 386: 374: 361: 360: 358: 356: 335: 329: 328: 308: 299: 298: 296: 294: 274: 189:in Los Angeles. 935: 934: 930: 929: 928: 926: 925: 924: 885: 884: 883: 878: 868: 866: 854: 853: 849: 839: 837: 818: 817: 813: 803: 801: 788: 787: 783: 776: 761: 760: 756: 749: 734: 733: 729: 719: 706: 705: 698: 686: 685: 681: 674: 651: 650: 643: 623: 622: 618: 608: 606: 587: 586: 582: 575: 552: 551: 544: 531:(33): 167–172. 518: 517: 513: 506: 491: 490: 486: 479: 460: 459: 455: 445: 443: 429: 428: 424: 414: 412: 395: 394: 390: 376: 375: 364: 354: 352: 337: 336: 332: 325: 310: 309: 302: 292: 290: 276: 275: 271: 267: 224: 201: 168:black-and-white 137: 125: 105:Warner Brothers 101: 63: 17: 12: 11: 5: 933: 931: 923: 922: 917: 912: 907: 902: 897: 887: 886: 882: 881:External links 879: 877: 876: 847: 811: 781: 774: 754: 747: 727: 717: 696: 679: 672: 641: 631:New York Times 616: 580: 573: 542: 537:10.5594/J08112 511: 504: 484: 477: 453: 422: 388: 362: 330: 323: 300: 268: 266: 263: 223: 220: 200: 195: 136: 133: 124: 121: 103:He worked for 100: 97: 62: 59: 34:to create the 15: 13: 10: 9: 6: 4: 3: 2: 932: 921: 918: 916: 913: 911: 908: 906: 903: 901: 898: 896: 893: 892: 890: 880: 865: 861: 857: 851: 848: 835: 831: 827: 826: 821: 815: 812: 799: 795: 791: 785: 782: 777: 771: 767: 766: 758: 755: 750: 744: 740: 739: 731: 728: 724: 720: 714: 710: 703: 699: 697:0-7172-0139-2 693: 689: 683: 680: 675: 673:9780810931978 669: 665: 661: 657: 656: 648: 646: 642: 637: 633: 632: 627: 620: 617: 604: 600: 596: 595: 590: 584: 581: 576: 570: 566: 562: 558: 557: 549: 547: 543: 538: 534: 530: 526: 522: 515: 512: 507: 505:9780932900159 501: 497: 496: 488: 485: 480: 474: 470: 466: 465: 457: 454: 441: 437: 433: 426: 423: 410: 406: 402: 398: 392: 389: 384: 380: 373: 371: 369: 367: 363: 350: 346: 345: 340: 334: 331: 326: 324:9781890449162 320: 316: 315: 307: 305: 301: 288: 284: 280: 273: 270: 264: 262: 258: 256: 252: 248: 244: 240: 239:Edward Weston 236: 231: 229: 221: 219: 217: 210: 205: 199: 196: 194: 190: 188: 184: 180: 176: 172: 169: 165: 161: 157: 153: 150: 146: 143:, which is a 142: 134: 132: 130: 122: 120: 116: 112: 110: 106: 98: 96: 94: 89: 87: 83: 79: 71: 70:Edward Weston 67: 60: 58: 56: 55:Edward Weston 51: 49: 45: 41: 37: 33: 29: 21: 867:. 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He was a 27: 26: 920:1963 deaths 915:1889 births 830:Los Angeles 660:Los Angeles 599:Los Angeles 383:U.S. Camera 283:PSA Journal 251:Diane Arbus 162:studies of 156:development 141:Zone System 135:Zone System 53:Along with 36:Zone System 32:Ansel Adams 889:Categories 869:August 28, 840:August 28, 804:August 28, 609:August 28, 446:August 28, 415:August 28, 339:"Obituary" 293:August 28, 265:References 171:sheet film 61:Early life 207:Cover of 181:, and to 44:Hollywood 355:July 31, 179:reversal 175:negative 152:exposure 243:Man Ray 772:  745:  715:  694:  670:  571:  561:Boston 502:  475:  409:Boston 385:: 193. 321:  253:, and 222:Legacy 407:(1). 871:2011 842:2011 806:2011 770:ISBN 743:ISBN 713:ISBN 692:ISBN 668:ISBN 611:2011 569:ISBN 500:ISBN 473:ISBN 448:2011 440:XLIV 417:2011 357:2011 319:ISBN 295:2011 177:and 154:and 149:film 84:and 533:doi 891:: 862:. 858:. 828:. 822:. 792:. 721:. 700:. 666:. 662:: 658:. 644:^ 634:. 628:. 597:. 591:. 567:. 563:: 559:. 545:^ 529:12 527:. 523:. 467:. 438:. 434:. 405:14 403:. 399:. 381:. 365:^ 341:. 303:^ 287:15 285:. 281:. 249:, 245:, 241:, 873:. 844:. 808:. 778:. 751:. 676:. 638:. 613:. 577:. 539:. 535:: 508:. 481:. 450:. 419:. 359:. 327:. 297:.

Index


Ansel Adams
Zone System
portrait photographer
Hollywood
pictorialism
Edward Weston

Edward Weston
Los Angeles, California
Universal Pictures
Warner Brothers
Paramount Pictures
Art Center School
Zone System
photographic
film
exposure
development
sensitometry
Hurter and Driffield
black-and-white
sheet film
negative
reversal
digital photography
Art Center School

Photographic Society of America
Los Angeles County Museum of Art

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