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discontinued a style which had been attended with great success, and took to painting works in what
Spaniards call the 'picaresco' style – a style which includes beggar-boys and vagabonds of Murillo and Velasquez. In his groups of Italian boys and girls, Mr. Hurlstone has given representations of an uncluttered life; often of that beauty which is united with wilderness, and this without the vulgarity with which such subjects are too often treated. In 1841, and again in 1852, he somewhat varied his subjects, by drawing his resources from Spain, which country he visited those years; but his style of treatment remained essentially the same. In the year 1854 the painter visited Morocco, and while in that semi-bararous locality, he painted several pictures, of which the principle on was a subject from the History of the Moors in Spain, entitled,
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232:. He continued to send portraits to the Royal Academy until 1830, but in 1831 he was elected a member of the Society of British Artists, after which he seldom exhibited elsewhere. He was chosen president in 1835, and again in 1840, retaining the office until his death. He contributed to the society's exhibitions upwards of three hundred portraits and other works, among them being
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who exhibited some watercolour drawings and portraits at the Royal
Academy and the Society of British Artists between 1846 and 1850, but from 1850 to 1856 she contributed to the latter exhibition only fancy subjects in oil-colours. She died on 2 October 1858, leaving issue two sons, one of whom was
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His later works, consisted mainly of
Spanish and Italian rustic subjects, the outcome of several visits to Italy, Spain, and Morocco, made between 1835 and 1854. "His best pictures date from this period." "In the year 1836, in consequence of visiting Italy, Mr. Hurlstone in a great measure
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He was always much opposed to the constitution and management of the Royal
Academy, and gave evidence before at the Parliamentary enquiry into the constitution of the Royal Academy in 1835 and again in 1836 to the select committee of the
364:. Hurlstone never became a member of the Royal Academy. He was elected president of the Royal Society of British Artists in 1835 and held the office until his death sending 326 works to their exhibitions.
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in Paris in 1855, when he received from the
Emperor a gold medal of honour." Eleven of his best works were re-exhibited at the Society of British Artists in 1870.
193:, where in 1822 he gained the silver medal for the best copy made in the school of painting, and in 1823 the gold medal for historical painting, the subject being
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Frederick Yeates
Hurlstone was born in London on 6 December 1800, the eldest son by his second marriage of Thomas Y. Hurlstone, one of the proprietors of
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In 1844 and, for the last time, in 1845 he again sent portraits to the
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His first paid work was an altar-piece, painted in 1816, for which he received 20 pounds. In 1820 he was admitted as a student of the
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Margaret of Anjou and Edward, Prince of Wales, in the wood on their flight after the Battle of Hexham
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Hurlstone was also a successful portrait painter, one of his best heads being that of
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The Sons of Jacob bringing the blood-stained garment of Joseph to their Father
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Boabdil el Chico, mourning over the Fall of
Granada, reproached by his Mother
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James
Blackwood, Our living painters: their lives and works - 1859 p.149–150
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The
Contention between the Archangel Michael and Satan for the Body of Moses
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623:. Vol. 13 (11th ed.). Cambridge University Press. p. 959.
490:"Hurlstone, Frederick Yeates (1800–1869), portrait and history painter"
375:, London, on 10 June 1869, in his sixty-ninth year, and was buried in
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Inhabitants of the Palace of the Cæsars—Rome in the Nineteenth Century
152:(1800 – 10 June 1869) was an English portrait and historical painter.
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Tate gallery: (the national gallery of British art). 1908 - Page 131
587: This article incorporates text from a publication now in the
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The Scene in St. Peter's, Rome, from Byron's Deformed Transformed
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and a portrait, in 1823 by five portraits, and in 1824 by his
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The Convent of St. Isidore: the Monks giving away provisions
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Mourning over the Fall of Grenada, reproached by his Mother
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City of Westminster Archives Centre; London, England;
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Haidee aroused from her Trance by the sound of Music
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246:Italian Boys playing at the National Game of Mora
285:Columbus asking Alms at the Convent of La Rabida
209:. These were followed at the Academy in 1822 by
709:Members of the Royal Society of British Artists
356:, at the National Portrait Exhibition of 1868.
469:Westminster Church of England Parish Registers
335:Italian Boys Playing the National Game of Mora
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699:19th-century painters of historical subjects
641:Sancho Panza Attended by his State Physician
499:(online ed.). Oxford University Press.
341:formed Mr. Hurlstone's contributions to the
603:. London: Smith, Elder & Co. 1885–1900.
396:, became a moderately well-known composer.
301:The Eve of the Land which is still Paradise
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387:In 1836 Hurlstone married fellow artist
496:Oxford Dictionary of National Biography
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116: 1836; died 1858)
542:Ernest Chesneau, John Ruskin (1891) –
392:also an artist. Hurlstone's grandson,
262:Scene in a Spanish Posada in Andalusia
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614:"Hurlstone, Frederick Yeates"
299:, 1860. Besides these may be noted
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714:19th-century English male artists
654:National Portrait Gallery, London
448:Portrait of the 7th Earl of Cavan
719:Burials at West Norwood Cemetery
600:Dictionary of National Biography
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220:One of his best early works was
178:, afterwards studying under Sir
318:, by Frederick Yeates Hurlstone
228:to the first exhibition of the
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544:The English School of Painting
493:. In Morales, Patricia (ed.).
350:Richard, seventh earl of Cavan
211:The Return of the Prodigal Son
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689:19th-century English painters
222:A Venetian Page with a Parrot
530:UK public library membership
430:The Peasant Girl of Sorrento
277:A Girl of Sorrento at a Well
595:Hurlstone, Frederick Yeates
333:, which, together with his
305:Constance and Prince Arthur
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659:Frederick Yeates Hurlstone
230:Society of British Artists
145:Frederick Yeates Hurlstone
25:Frederick Yeates Hurlstone
704:English portrait painters
400:Some representative works
316:Charles Philip de Ainslie
289:The Last Sigh of the Moor
217:and some more portraits.
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354:General Sir John MacLeod
620:Encyclopædia Britannica
505:10.1093/ref:odnb/14254
487:Graves, R. E. (2004).
412:The Enchantress Armida
383:Family and descendants
343:Exposition Universelle
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234:The Enchantress Armida
172:Joseph Wright of Derby
694:English male painters
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236:, exhibited in 1831;
163:The Morning Chronicle
367:Hurlstone died at 9
339:Constance and Arthur
199:Le Malade Imaginaire
424:Prisoner of Chillon
250:Prisoner of Chillon
203:British Institution
170:, was a student of
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166:(his great-uncle,
528:(Subscription or
394:William Hurlstone
215:Archangel Michael
207:View near Windsor
168:Richard Hurleston
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77:(1869-06-10)
75:10 June 1869
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684:1869 deaths
679:1800 births
314:Lieutenant
201:and to the
673:Categories
572:References
532:required.)
473:STP/PR/1/6
389:Jane Coral
337:, and his
138:(grandson)
102:Jane Coral
88:Occupation
56:1800-12-06
643:from the
520:3 October
373:Belgravia
132:Relatives
66:, England
665:catalog)
663:WorldCat
546:p. 85–86
287:, 1853;
283:, 1850;
279:, 1847;
275:, 1845;
271:, 1844;
264:, 1843.
256:, 1839;
252:, 1837;
248:and the
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124:Children
652:at the
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91:Painter
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450:(1833)
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182:, and
96:Spouse
64:London
455:Notes
112:(
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522:2020
509:ISBN
418:Eros
303:and
291:(or
242:Eros
156:Life
72:Died
50:Born
597:".
501:doi
149:RBA
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