263:, strongly influenced by Mondrian's theories of "dynamic symmetry". As he developed as an artist, his works began to be increasingly influenced by Mondrian's Neoplastic theory. His leaning toward nonrepresentational art had begun as early as 1929 in Paris, where he was a member of the Abstraction-Création group. Glarner took up Mondrian's motif of arranging simplified colors and forms on an architectural pattern. Glarner introduced a diagonal into the strict horizontal and vertical geometric aesthetic of Mondrian, creating new, yet equally systematic principles of composition that he termed "relational painting."
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Like
Mondrian, Glarner limited his color palette to the primaries, red, yellow and blue. He expanded Mondrian's black "line" into a broad range of grays, used both as line and, like the primaries, as geometric areas of color. Many of his works are
171:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
271:, his signature relational principles ordered within a circle. Glarner's additions and alterations in structure and color to the Mondrian style gave his works a vitality and spatial dimensions. 24 of his works are owned by
295:, and kept close ties to his home country, he lived most of his life as an expatriate. He spent his childhood and youth in Italy and France. He studied and worked in Paris from 1923 to 1935. Glarner emigrated to the
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Margit Staber. Fritz
Glarner: Monograph on One of the Leading Exponents of Concrete Art. ABC Verlag, Zurich 1976. (The artist's biography is drawn largely from Ms. Staber's monograph.)
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Content in this edit is translated from the existing German
Knowledge (XXG) article at ]; see its history for attribution.
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Werner
Haftmann. Painting in the Twentieth Century. 2 vols. Praeger, New York, 1965. Page 341 and plate 389, fig. 971.
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The
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Museo
Cantonale d'Arte, Lugano, Switzerland: Fritz Glarner
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http://www.metmuseum.org/toah/hi/hi_glarnerfritz.htm
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