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Gömda

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535:(Reclassification of Buried Alive). Bibliotekstjänst, 19 January 2009. In Swedish: "Även förlag och en av författarna medger nu den fiktiva karaktären. När boken ursprungligen kom 1995 fanns inga sådana uppgifter. Den presenterades som en sann historia och såväl recensenter som BTJ:s lektörer hade ingen avvikande uppfattning. Följaktligen klassificerade BTJ och nationalbibliografin boken på fackavdelning Eftersom vi bedömer ändringen som brådskande kommer vi i detta fall att frångå de normala rutinerna kring ändrat huvuduppslag (ÄHU) och med början måndag 19 januari starta rättningsarbetet". (Even the publishers and one of the authors now admit the fictitious character. When the book originally came in 1995, there were no such data. It was presented as a true story and neither the reviewers nor BTJ's assistants had a dissenting opinion. Consequently BTJ and National Bibliography classified the book as belonging to the non-fiction department Since we consider the change to be urgent, we will in this case depart from normal routines regarding changes in the main entry and beginning Monday, January 19 we will start the correction work). 382:. Dagens Nyheter, 18 January 2009. In Swedish: "Människor har misstolkat "Gömda" och trott att detta är en journalistisk, objektiv sanning som presenterats, men det är det inte det är Maria Erikssons sanna historia, som hon upplevde den" (People have misinterpreted "Gömda" and believed it was a journalistic, objective truth presented, but that's not what it is it is Maria Eriksson's true story, how she experienced it). 602:(The publishing company: We should have done as in Hollywood). Expressen, 20 December 2008. In Swedish: "Vad vill ni säga till dem som faktiskt känner sig lurade? - Jag utgår ifrån att de är intelligenta läsare som förstår att det är roman, som bygger på en verklighetsbakgrund, men att det faktiskt är en roman. Det är inte menat att vara en biografi, säger Ann-Marie Skarp." 614:(Marklund reverses in regards to "true story"). Dagens Nyheter, 12 January 2009. In Swedish: "- Själva handlingen, grundhistorien, måste stämma i sak om man ska kalla det "en sann historia". Men däremot kan man av många olika skäl inte vilja lämna ut personer med namn eller exakta yrken, av hänsyn till de inblandade. Det är fullt rimligt att inte varje detalj är sann." 124:
did not know of the aggravated assault committed by "Mia Eriksson's" Chilean husband, and that she read about for it the first time in Monica Antonsson's book. However, she noted that if Antonsson's information about the records is correct, then the court's decision confirms that the family was being harassed by "Maria Eriksson's" ex-boyfriend.
194:, the evening tabloid where Marklund worked, another part-owner of the publishing company, Ann-Marie Skarp, has stated that readers could not have been fooled by the label "true story" because, she argued, intelligent readers understand that the book is a novel based on reality and that it is not meant to be a 201:
Kerstin Angelin at the initial publisher, Bonnier Alba, has also commented in the press on the controversy by saying: "The storyline, the bulk of the story, must be correct for it to be called a true story. However, for various reasons one may not want to expose individuals with name and professions,
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In response to the criticism, Marklund has stated that she considers the bulk of the story to be factually correct and neither exaggerated nor deceptive. She has noted that the story is supported by hundreds of official documents from the courts and the social services. She has also written that she
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tells the story of "Mia" and "the man with the black eyes", an immigrant from Lebanon, that soon turns into an abusive relationship. They have a child together and they break up, but the abuse continues and is intensified when "Mia" remarries. The welfare state is not able to protect the family, and
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After the controversy regarding the truthfulness of the books, "Mia" revealed her identity in 2009 in order to confirm her story. Today she lives with a new husband in Arizona. Since 2006 she has written three additional books about her life and about domestic violence, but without Liza Marklund
69:, was published in 2004. It describes how the woman is forced to flee abroad with her family. Finally, in February 2003, she is granted asylum in the United States, on grounds of domestic violence. The story received a lot of attention in Sweden, and was even discussed in the Swedish Parliament. 435:
Slutsats: familjen var utsatt för omfattande trakasserier innan Anders körde på Marias ex-fästman tingsrättens dom (om nu Monica Antonssons uppgifter stämmer) bekräftar familjens utsatta position. (Conclusion: the family was the target of extensive harassment before Anders drive into Maria's
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Eftersom jag inte fått några uppgifter om detta eller har läst någon dom i frågan så måste jag luta mig mot Monica Antonssons uppgifter för att svara på detta." (Since I did not receive any information about this or have read any court decision in the question, I have to lean against Monica
108:. Liza Marklund and her publisher argued that although some changes were made to make identification more difficult, the bulk of the story was factually correct. They conceded, though, that the novel should have been labeled as "based on a true story", rather than as "a true story". 135:
and led to academic work studying the audience's relation to documentary novels. The genre is based on a mix of fact and fiction, where the author's own interpretation is part of the genre's conventions. The documentary novel often has a political objective, which in
84:), the second book in the series, published 9 years later. The book tells the story of how the abuser forced the woman and her new family to flee abroad. They left Sweden for South America and then spent five years in the United States, attempting to establish 111:
Antonsson criticised that Maria Eriksson's grades and jobs were not factually correct, and that the ethnicity of a boyfriend and his criminal record was not reflected in the books. For example, the hospitalization of "the man with the black eyes" after
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The novel is based on a true story and deals with a woman who is abused by her boyfriend and forced into hiding. It was re-worked and re-released in 2000, and the new edition became one of the best selling books of all times in Sweden.
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was to bring to the fore an abused woman's exposed situation. The genre also, like many Hollywood movies, uses popular clichés to appeal to a broader audience.
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used for the main character in the series is "Maria (or Mia) Eriksson", who is also listed as a co-author of the first editions of the two books in the series.
448: 418: 392: 188:, has told the press that the company regrets that the book was marketed as "a true story" and that "based on a true story" would have been better. In 305: 528: 479:
Det brutna kontraktet: Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs
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ex-boyfriend the district court's decision (if Monica Antonsson's information is correct) confirms the family's vulnerable position).
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In January 2009, the Swedish National Bibliography and the public libraries of Sweden reclassified all editions as
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and marketed as a "documentary novel", a term used by Piratförlaget also for the edition published by Bonniers.
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husband, who was convicted and imprisoned for one year due to the assault, was not mentioned in the book.
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Swedish journalist Monica Antonsson released a book in 2008 criticising the factual background of
243:(Isobel Hadley-Kamptz: The truth about Marklund's book). Expressen, 10 januari 2009. In Swedish. 478: 355:"Marklund om härvan: "Jag har aldrig ljugit" (Marklund about the affair: "I have never lied")" 89: 611: 379: 338: 302:"Toppadvokat krävde att få förhandsgranska (Top lawyer demanded pre-publication examination)" 525: 128: 449:"Fakta och lögner om "Gömda" och "Asyl" (Facts and Lies about "Buried Alive" and "Asylum")" 419:"Fakta och lögner om "Gömda" och "Asyl" (Facts and Lies about "Buried Alive" and "Asylum")" 393:"Fakta och lögner om "Gömda" och "Asyl" (Facts and Lies about "Buried Alive" and "Asylum")" 643: 636: 599: 576: 532: 498: 240: 85: 264: 624: 491: 655: 560:(Guillou regrets marketing of Marklund-book). Politiken, 23 December 2008. In Danish. 329:(Swedish Crime novel queen accused of lying). Politiken, 15 December 2008. In Danish. 155: 31: 224:(Hesitant promotion of Mia's secret). Svensk Bokhandel, 19 October 2005. In Swedish. 202:
out of concern for them. It is perfectly reasonable that not every detail is true."
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due to questions raised about the factual nature of the book. The classification of
185: 516:(What kind of book is Buried Alive?). Sydsvenskan, 17 January 2009. In Swedish. 557: 326: 181:
was not altered as it had been classified as fiction from the very beginning.
162:" in the publishing industry's catalogue. It was re-worked and re-released by 73: 492:
Gömda. En sann historia – romantik, spänning, melodram och populärorientalism
195: 190: 159: 42: 548:(Buried Alive classified as novel). Sydsvenska Dagbladet, 19 januari 2009. 151: 174: 113: 117: 127:
The controversy has been compared to the controversy surrounding
579:(The publishing company: We should have done as in Hollywood). 96:. "Maria Eriksson" was granted asylum on February 25, 2003. 88:. "Maria Eriksson" submitted her application as a victim of 304:(in Swedish). Realtid.se. 28 November 2008. Archived from 253:
Personligt. Frågor och svar: Hur många böcker har du sålt?
357:(in Swedish). Expressen. 12 December 2008. Archived from 255:. Piratförlaget. Retrieved 5 February 2009. In Swedish. 451:(in Swedish). Newsmill. 1 January 2009. Archived from 421:(in Swedish). Newsmill. 1 January 2009. Archived from 395:(in Swedish). Newsmill. 1 January 2009. Archived from 34:. It is the first novel in the Maria Eriksson series. 291:(Facts Maria Eriksson). Piratförlaget AB. In Swedish. 184:
A spokesperson and part-owner of the Piratförlaget,
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Antonsson's information in order to reply to this.)
279:. The Riksdag website, 22 June 2004. In Swedish. 234:Isobel Hadley-Kamptz: Sanningen om Marklunds bok 558:Guillou fortryder markedsføring af Marklund-bog 30:) is the 1995 literary debut of Swedish author 341:. Dagens Nyheter, 18 January 2009. In Swedish. 179:Asylum - the True Continuation of Buried Alive 509: 507: 481:. Examensarbete, Karlstads Universitet, 2009. 8: 349: 347: 65:A second book in the Maria Eriksson series, 327:Svensk krimidronning beskyldes for at lyve 154:in 1995 and marketed under the category " 593:Förlaget: Vi borde gjort som i Hollywood 570:Förlaget: Vi borde gjort som i Hollywood 214: 78:Asyl Den Sanna Fortsättningen på Gömda 501:. Svenskläraren nr 4, 2006, s. 19-26. 72:"The man with the black eyes" is the 7: 222:Tveksam lansering av Mias hemlighet 612:Marklund backar om "sann historia" 14: 625:”Skräcken finns fortfarande kvar” 380:Marklund: "Gömda" är Mias sanning 339:Marklund: "Gömda" är Mias sanning 583:, 20 December 2008. In Swedish. 1: 514:Vad för slags bok är "Gömda"? 82:Asylum Granted - A True Story 57:they are forced into hiding. 277:Skriftlig fråga 2003/04:1366 150:) was initially released by 168:Buried Alive - A True Story 688: 627:. Aftonbladet, 2009-02-13. 526:Omklassificering av Gömda 667:Novels by Liza Marklund 546:Gömda klassas som roman 544:Kuprijanko, Alexander. 116:by "Maria Eriksson's" 16:Book by Liza Marklund 289:Fakta Maria Eriksson 662:1995 Swedish novels 361:on 24 February 2009 265:Bokrecension: Gömda 642:2011-10-06 at the 623:Edblom, Kristina. 598:2011-08-29 at the 575:2011-08-29 at the 531:2009-12-21 at the 497:2011-10-06 at the 477:Möller, Valdemar. 239:2011-08-09 at the 114:aggravated assault 94:gender-based abuse 672:1995 debut novels 637:Emma, Mias dotter 90:domestic violence 679: 647: 634: 628: 621: 615: 609: 603: 590: 584: 567: 561: 555: 549: 542: 536: 523: 517: 511: 502: 488: 482: 475: 469: 468: 462: 460: 445: 439: 438: 432: 430: 415: 409: 408: 406: 404: 389: 383: 377: 371: 370: 368: 366: 351: 342: 336: 330: 324: 318: 317: 315: 313: 298: 292: 286: 280: 274: 268: 262: 256: 250: 244: 231: 225: 219: 206:being involved. 129:Per Olov Enquist 687: 686: 682: 681: 680: 678: 677: 676: 652: 651: 650: 644:Wayback Machine 635: 631: 622: 618: 610: 606: 600:Wayback Machine 591: 587: 577:Wayback Machine 568: 564: 556: 552: 543: 539: 533:Wayback Machine 524: 520: 512: 505: 499:Wayback Machine 489: 485: 476: 472: 458: 456: 455:on 30 July 2012 447: 446: 442: 428: 426: 425:on 30 July 2012 417: 416: 412: 402: 400: 399:on 30 July 2012 391: 390: 386: 378: 374: 364: 362: 353: 352: 345: 337: 333: 325: 321: 311: 309: 308:on 20 July 2012 300: 299: 295: 287: 283: 275: 271: 263: 259: 251: 247: 241:Wayback Machine 232: 228: 220: 216: 212: 102: 63: 51: 17: 12: 11: 5: 685: 683: 675: 674: 669: 664: 654: 653: 649: 648: 629: 616: 604: 585: 562: 550: 537: 518: 503: 483: 470: 440: 410: 384: 372: 343: 331: 319: 293: 281: 269: 257: 245: 226: 213: 211: 208: 101: 98: 67:Asylum Granted 62: 59: 50: 47: 15: 13: 10: 9: 6: 4: 3: 2: 684: 673: 670: 668: 665: 663: 660: 659: 657: 645: 641: 638: 633: 630: 626: 620: 617: 613: 608: 605: 601: 597: 594: 589: 586: 582: 578: 574: 571: 566: 563: 559: 554: 551: 547: 541: 538: 534: 530: 527: 522: 519: 515: 510: 508: 504: 500: 496: 493: 490:Heith, Anne. 487: 484: 480: 474: 471: 467: 454: 450: 444: 441: 437: 424: 420: 414: 411: 398: 394: 388: 385: 381: 376: 373: 360: 356: 350: 348: 344: 340: 335: 332: 328: 323: 320: 307: 303: 297: 294: 290: 285: 282: 278: 273: 270: 267:Mimers Brunnn 266: 261: 258: 254: 249: 246: 242: 238: 235: 230: 227: 223: 218: 215: 209: 207: 203: 199: 197: 193: 192: 187: 182: 180: 176: 171: 169: 165: 164:Piratförlaget 161: 157: 156:autobiography 153: 149: 145: 141: 139: 134: 130: 125: 121: 119: 115: 109: 107: 99: 97: 95: 91: 87: 83: 79: 75: 70: 68: 60: 58: 55: 48: 46: 44: 39: 35: 33: 32:Liza Marklund 29: 28: 23: 22: 632: 619: 607: 588: 580: 565: 553: 540: 521: 486: 473: 464: 457:. Retrieved 453:the original 443: 434: 427:. Retrieved 423:the original 413: 401:. Retrieved 397:the original 387: 375: 363:. Retrieved 359:the original 334: 322: 310:. Retrieved 306:the original 296: 284: 272: 260: 248: 229: 217: 204: 200: 189: 183: 178: 172: 167: 148:Buried Alive 147: 143: 142: 138:Buried Alive 137: 133:Legionärerna 132: 126: 122: 110: 106:Buried Alive 105: 103: 81: 77: 71: 66: 64: 54:Buried Alive 53: 52: 40: 36: 27:Buried Alive 26: 25: 20: 19: 18: 459:24 November 429:24 November 403:24 November 365:24 November 312:24 November 186:Jan Guillou 166:in 2000 as 100:Controversy 656:Categories 210:References 74:antagonist 581:Expressen 196:biography 191:Expressen 160:biography 43:pseudonym 646:Adlibris 640:Archived 596:Archived 573:Archived 529:Archived 495:Archived 237:Archived 152:Bonniers 76:also in 175:fiction 118:Chilean 61:Sequels 86:asylum 144:Gömda 21:Gömda 461:2012 431:2012 405:2012 367:2012 314:2012 92:and 49:Plot 41:The 131:'s 658:: 506:^ 463:. 433:. 346:^ 198:. 407:. 369:. 316:. 158:/ 146:( 80:( 24:(

Index

Liza Marklund
pseudonym
antagonist
asylum
domestic violence
gender-based abuse
aggravated assault
Chilean
Per Olov Enquist
Bonniers
autobiography
biography
Piratförlaget
fiction
Jan Guillou
Expressen
biography
Tveksam lansering av Mias hemlighet
Isobel Hadley-Kamptz: Sanningen om Marklunds bok
Archived
Wayback Machine
Personligt. Frågor och svar: Hur många böcker har du sålt?
Bokrecension: Gömda
Skriftlig fråga 2003/04:1366
Fakta Maria Eriksson
"Toppadvokat krävde att få förhandsgranska (Top lawyer demanded pre-publication examination)"
the original
Svensk krimidronning beskyldes for at lyve
Marklund: "Gömda" är Mias sanning

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