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Clarke 1998, pp. 13–14. Clarke refers to the theatre as the Hôtel Guénégaud, with the particule "de" omitted, and states this form is particularly prevalent in the more recent literature; Forman 2010, p. 127, uses the name Théâtre de Guénégaud; Wiley 1960, p. 320, indexes it under "Guénégaud, Hôtel
153:, acquired Perrin's rights to perform opera and named his company the Académie Royale de Musique, although it also continued to be called the Opéra. Because of legal difficulties Lully could not use the Salle de la Bouteille, and moved the Opéra to a theatre built by
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and the rue des Fossés de Nesle (now 42 rue
Mazarine, at its intersection with the rue Jacques Callot). It was across from the rue Guénégaud, which ran behind the garden of a townhouse formerly known as the
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Plaque at the intersection of the rue
Jacques-Callot and the rue Mazarine: "Here was erected the Salle du Jeu de Paume de la Bouteille, where the first opera of Paris opened on 16 [
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on the rue des Fossés-Saint-Germain-des-Prés (the southeastward extension of the rue des Fossés de Nesle), today known as the
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Sadler 2001, p.180. Bashford 1992, p. 697: "Considered by modern scholars to be the first true French opera..."
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Future location of the Jeu de Paume de la
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with a libretto by Perrin, premiered there on 3 March of that year. A second lyric work,
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The Guénégaud
Theatre in Paris (1673–1680). Volume One: Founding, Design and Production
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119:) that was converted into a theatre, it was inaugurated in 1671 as the first home of
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Harris-Warrick, Rebecca (1992). "Paris. 2. 1669–1725", vol. 3, pp. 856–858, in
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Bashford, Christina (1992). "Cambert, Robert", vol. 4, pp. 696–698, in
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and continued to perform in the Guénégaud until 1689, when it moved to the
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and music by
Cambert, was performed in 1672. On 13 March 1672 the
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The premiere was actually on 3 March 1671 (Sadler 2001, p.180).
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on the quai de Nevers. The theatre was the first home of the
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Buildings and structures in the 6th arrondissement of Paris
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Sadler, Graham (2001). "Robert
Cambert", p. 150, in
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French
Theatre in the Neo-Classical Era 1550–1789
524:. Cambridge, Massachusetts: Harvard University Press.
471:(in French). Paris: E. Plon, Nourrit et Cie. Copies
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Histoire des théâtres 1402–1904. Notice préliminaire
183:In 1680, after merging with the troupe from the
357:, edited by G. Monval. Paris: Bonnassies, 1875.
364:. Lewiston, New York: The Edwin Mellen Press.
8:
295:Clarke 1998, pp. 36–45; Forman 2010, p. 127.
101:and in 1680 became the first theatre of the
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415:. Cambridge: Cambridge University Press.
253:, uses "Hôtel Guénégaud (théâtre de l')".
225:Nuitter & Thoinan 1886, after p. 146
377:Historical Dictionary of French Theater
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88:located in Paris, France, between the
60:Presumed plan of the theatre near the
488:Music and Theatre in France 1600–1680
265:; translated by Howarth 1997, p. 121.
139:Les peines et les plaisirs de l'amour
74:Salle du Jeu de Paume de la Bouteille
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490:. Oxford: Oxford University Press.
263:Chappuzeau 1674 (1875), pp. 156–157
532:. Greenwood Press reprint (1973):
522:The Early Public Theatre in France
187:, the company became known as the
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411:Howarth, William D., ed. (1997).
393:The New Grove Dictionary of Opera
332:The New Grove Dictionary of Opera
469:Les Origines de l'Opéra français
379:. Lanham: The Scarecrow Press.
430:. Paris: Librairie Sartorius.
1:
449:Lecomte, Louis-Henry (1905).
509:. New York: Penguin Putnam.
428:Les Treize Salles de l'Opéra
426:La Salle, Albert de (1875).
286:Harris-Warrick 1992, p. 856.
168:In 1673, after the death of
503:The New Penguin Opera Guide
127:). The first French opera,
113:Originally a tennis court (
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467:; Thoinan, Ernest (1886).
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123:'s Académie d'Opéra (see
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486:Powell, John S. (2000).
423:(digital reprint, 2008).
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