262:"had an idea of religion from the age of cave men – no, not so much – what can I tell you, about ... well yes, terrible! like a replica of Isabel La Católica absolutely different from him, a person of the sea, with a free, liberal family, as they were called, who had nothing to do with religious matters an absolutely conventional life. I didn't know anybody. We prayed the rosary with the servants. Friendships were all very Christian. We went from one convent to another. My dad would get us up at six in the morning to go to mass at seven. And since he was left with the religious question because he should have been a priest ... he woke us up with "Long live Jesus!" and I was quietly saying "let him die!", because he woke me up, I was cold, and we had to go to church for mass ... All this upset me. And my sisters, nobody else was affected. So they saw me as born evil I really spent all my youth in boarding school. I left already a grand lady, around eighteen years old. When I went out into the world I was dazzled because from neither on one side nor the other."
270:"I kept a diary that all the girls at school kept: it was no accident. They carried it with them and our mothers told us yes to say: this happened today, Monday, today, Tuesday, we pray such and such thing. Anyway, things like that. And then in that book I was really myself. I put all the hatred, the disgust that life caused me, my disappointment in what was, my total hopelessness. I was very renegade, and also very happy. I wrote verses there; I did everything I thought I could do. I brought the book, and that book that was so obscurely written, about things that didn't happen, nothing happened! I used to say: 'Today is Monday, nothing happens here, and it will never happen again. Nothing, there is not a nun who dies, there is not...' Well, horrible things And there I made many verses and many half-stories that I thought were stories, and it was poetry."
304:, revista de cultura mexicana. Janua The stories "Las ratas", "El Correo", "Los lojos" and "Mi chimpancé" were included in the July–September 1954 issue and later distributed as a separate plaquette. Dueñas was a regular contributor after these first published texts, including "El moribundo", "Digo yo como vaca" and "Diplodocus Sapiens" in 1955, "La hora desteñida" in 1956, "Autopresentación" in 1966 and "Carta a un aprendiz de cuentos" in 1960. In addition, she also published essays such as "La locura de Emma" in 1970 and a text giving homage to Emma Godoy in January 1974. Between 1958 and 1991, Guadalupe Dueñas published 69 short stories that were included in three books.
135:
292:
expensive (10 pesos), that they bought it. It gave them a sense of tenderness, she says, they thought it was probably the work of an old lady with enough self-esteem to place her stories on sale. However, Emmanuel
Carballo, who at that time was collaborating with the supplement 'México en la cultura,' saw in the story of 'Mariquita', something more than just a curious event, and he telephoned the writer to discuss the possibility of publishing her stories:
25:
291:
She remembers that milestone event in her literary life with these words:Probably this fact would not have had greater significance, if it were not for the fact that among those attending the fair were impressive buyers: don
Alfonso Reyes, Octavio Paz, Julio Torri. This book-story was so funny, so
296:"Well, I imagine that you are an old lady, and that you do not want to come ". 'Yes I am very old. I just go out when someone takes me, or with the cane.' 'es miss, I understand, but don't be too careful, we will send to pick it up; but do you have someone else?' 'Yes I have "La tía Carlota."
274:
The first person who read this notebook, and the poems it contained, was her uncle, the priest and humanist
Alfonso Méndez Plancarte, her father's cousin on the maternal line of the surname Padilla. The importance of this first critic is crucial, since his advice largely defined Dueñas's prose:
287:
The story of Dueñas' literary beginning is anything but glamorous and, yes, full of humor, like her own stories. At a book fair, the manager of the Fondo de
Cultura Económica's shelf allowed her to put her self-published work on sale, that is, a few "little stories" lined "with very beautiful
245:
While there is scant a bibliography for the second years of Dueñas' life, the archive of the
National Coordination of Literature houses a photocopy of an interview published just after the author's death, but which took place in 1993 at Dueñas' house on avenida Universidad, in front of the
257:
Carrizales' wishes were frustrated: after Easter, Dueñas did not see him again because she had to prepare, she said, silently for her death.However, before the silence, the words collected in that interview managed to give an intimate profile of the writer. For example, a father who:
283:
Dueñas never published a poem or verse, but she continued to write, wherever; "notebooks and notebooks of nonsense" It was not until she returned to Mexico City from the United States, "with a different heart, with a totally different mind" that she wrote her first short stories.
253:
Leonardo Martínez
Carrizales, the interview's author, had had the goal of obtaining enough material to elaborate a biography similar to the manner in which Víctor Díaz Arciniega written on Alejandro Gómez Arias, the director of the strike for university autonomy.
213:, he met the fourteen-year-old teenager of Lebanese origin, Guadalupe de la Madrid, and left the seminary. He had her placed in a school, since she was still too young to marry. When she was of age, they married and moved to
220:
The couple formed a large family—fourteen children—eight of which reached adulthood: Guadalupe, Miguel (who died in an accident at age twenty-three), Carmelita, Gloria, Lourdes, Luz María, Manuel and María de los Ángeles.
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Apart from these small family signs, little is known about the first years of Dueñas' life except for the information repeated by different sources: she completed her primary education at the
Teresian Schools in
202:
Dueñas was the first-born daughter from the marriage between Miguel Dueñas
Padilla (Spanish descent) and Guadalupe de la Madrid García, first cousin to former president of Mexico
275:"quantity is going to serve you! as a basis for your writing. But never publish a verse. You are not for poetry, you belong to prose, which you write quite poetically already."
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From one confinement to the next, between identities with which she did not feel identified ("neither on one side nor the other"), is where
Guadalupe Dueñas began to write:
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582:---. "Animalización de los sujetos y estructuras sociales en la narrativa de Guadalupe Dueñas" en Cecilia Eudave y Encarnación López (coords.).
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766:'EL DESAMPARO Y LA ORFANDAD EN TIENE LA NOCHE UN ÁRBOL DE GUADALUPE DUEÑAS' in 'Escribir La Infancia: Narradoras Mexicanas Contemporáneas'
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773:
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108:
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Martínez
Carrizales, Leonardo. "Guadalupe Dueñas. Antes del silencio". Semanario cultural de novedades. 10 de febrero (2002): 1–3.
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Tiene la noche una Venus oscura: la cuentística de Angela Carter y Guadalupe Dueñas desde la perspectiva de la literatura gótica
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paintings, all crooked, the cows standing in line, a success—not what she wrote, but what she painted, was the funniest thing."
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46:
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Carballo was the first to print Dueñas' work, followed by Alfonso and Gabriel Méndez Plancarte brothers in their magazine,
1153:
357:
350:
328:
1089:. Coordinación Nacional de Literatura CNL (INBA) and Instituto Nacional de Bellas Artes y Literatura INBA. 6 January 2011
698:
Castellanos Hernández, Gloria. El fantasma narrativo de Guadalupe Dueñas en el cuento Historia de Mariquita. UNAM. 2001.
75:
203:
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35:
870:
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Obras completas / Guadalupe Dueñas; selección y prólogos Patricia Rosas Lopátegui; introducción Beatriz Espejo
194:, 19 October 1910 – México, DF, 13 January 2002) was a 20th-century Mexican short story writer and essayist.
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554:(1991): el catecismo personal de Guadalupe Dueñas" en Maricruz Castro y Marie-Agnès Palaisi-Robert.
158:
146:
82:
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589:
Espejo, Beatriz. "Guadalupe Dueñas, una fantasiosa que escribía cuentos basados en la realidad".
577:
378:
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Flores, Mauricio. "Hablaron Dueñas y Leñero de su paso por el Centro de Escritores Mexicanos".
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559:
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233:; she took private literature classes with Emma Godoy and studied Hispanic Literature at the
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343:, Mexico, Jus, 1977 (brief literary-biographical portraits of writers and intellectuals).
953:
572:. Vol. 17, no. 50, University of Texas at El Paso, Ed. Neón, 2011. pp. VII- XIII,
622:
396:
Guadalupe Dueñas ¡está de moda...!: ficciones, invenciones, colaboraciones y versiones
1132:
540:. Vol. II. Mexico: Ayuntamiento de Mérida, UC-Mexicanistas, 2011. pp. 145–163.
674:
La Pequeña Galería del Escritor Hispanoamericano: Universidad de Guanajuato, 2019.
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214:
187:
24:
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Observatory of the Spanish Language and Hispanic Cultures in the United States
536:----. "Guadalupe Dueñas y las Tertulias del Mate" en Sara Poot-Herrera (ed).
899:
Von Munk Benton, Gabriele (1959). "Women Writers of Contemporary Mexico".
939:
829:"Guadalupe Dueñas y su arsenal poético: 110 aniversario de su natalicio"
634:
Paisajes del limbo: una antología de la narrativa mexicana del siglo XX.
512:
Fellowship at the Centro Mexicano de Escritores (CME) from 1961 to 1962.
230:
191:
1082:
931:
410:
Países del limbo, Una antología de la narrativa mexicana del siglo XX
210:
1034:
Latin American Women Writers: A Resource Guide to Titles in English
999:"'The Guide through Death' and 'The Fat Lady' by Guadalupe Dueñas"
623:"Relatos clásicos, legado de Lupe Dueñas a la literatura mexicana"
556:
Narradoras mexicanas y argentinas siglos XX-XXI. Antología crítica
568:---. "Visos fantásticos en la narrativa de Guadalupe Dueñas", en
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Slick, Sam L. (1978). "No moriré del todo by Guadalupe Dueñas".
209:
Her father was a student at the Catholic Seminary. On a trip to
522:
Castro Ricalde, Maricruz. "Entre la elocuencia y el silencio".
388:, Mexico, Joaquín Mortiz, 1967, pp. 57–65 (Paper read in
373:"Pasos en la escalera", "La extraña visita" y "Girándula", en
18:
664:. Weekly. Literature section, num 137, 17–23 June (1985): 19.
463:
Short Stories By Latin American Women: The Magic and the Real
529:
____. "Yo soy el otro: Imaginaciones de Guadalupe Dueñas."
465:. Modern Library pbk. ed. New York: Modern Library (2003).
605:"Lo que sea de cada quien. El huésped de Guadalupe Dueñas"
418:, Ciudad de México: Fondo de Cultura Económica FCE, 2017,
650:. Mexico: Universidad Nacional Autónoma de México, 1997.
593:. Beatriz Espejo (comp). Mexico: DEMAC/UANL, 2009. 35–53
558:. París: Éditions Mare et Martin, 2011, p. 29-46.
768:. Mexico City: El Colegio De Mexico. pp. 210–211.
660:
Tenorio, Marta. "Guadalupe Dueñas y su viejo naranjo".
1059:
The Mexican Cult of Death in Myth, Art and Literature
980:"Translation Tuesday: "The Rats" by Guadalupe Dueñas"
614:
López Morales, Laura. "El arte de escribir cuentos".
735:"Guadalupe Dueñas en el Centenario de su nacimiento"
639:
Miller, Beth y Alonso González. "Guadalupe Dueñas".
477:
Pyramids of Glass: Short Fiction from Modern Mexico
461:"In Heaven" and "Shoes for the Rest of My Life" in
165:
153:
141:
125:
49:. Unsourced material may be challenged and removed.
1125:from Mexico's Coordinación Nacional de Literatura.
847:"Guadalupe Dueñas: writing as her means of escape"
1008:. Instituto Cervantes at Harvard University (FAS)
653:Sabido, Miguel. "Pita, la hechicera cotidiana".
586:. Guadalajara: Universidad de Guadalajara, 2012.
538:Bebida y Literatura. Aguas Santas de la Creación
294:
268:
260:
584:Zoomex. Los animales en la literatura mexicana
827:Rosas Lopátegui, Patricia (18 October 2020).
703:Guadalupe Dueñas: poética. Parodia y símbolo.
449:"The Guide Through Death" and "The Fat Lady,"
206:and Enrique O. De la Madrid's granddaughter.
8:
1036:. Lanham, Md: Scarecrow Press. p. 266.
813:
811:
570:Revista de Literatura Mexicana Contemporánea
533:. Mexico: TEC-FONCA-UNAM-UAM, 2010b. 103–107
491:The Muse in Mexico: A Mid-Century Miscellany
733:Rosas Lopátegui, Patricia (February 2010).
643:. Mexico: Costa-Amic Editor, 1978. 153–173.
526:." Mexico: TEC-FONCA-UNAM-UAM, 2010a. 45–61
646:Ocampo, Aurora y Ernesto Prado Velásquez.
133:
122:
657:. Mexico: TEC-FONCA-UNAM-UAM, 2010. 41–44
618:. México: TEC-FONCA-UNAM-UAM, 2010. 65–78
486:. New York: Las Americas Pub. Co. (1963).
438:English translation by Yolanda Fauvet in
109:Learn how and when to remove this message
386:Los narradores ante el público 2.ª serie
235:National Autonomous University of Mexico
16:Mexican short story writer and essayist
1087:Enciclopedia de la Literatura en México
718:
701:Gutiérrez De la Torre, Silvia Eunice.
591:Seis niñas ahogadas en una gota de agua
655:Guadalupe Dueñas, después del silencio
616:Guadalupe Dueñas, después del silencio
531:Guadalupe Dueñas, después del silencio
524:Guadalupe Dueñas, después del silencio
451:English translation by Josie Hough in
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641:Veintiséis autoras del México actual
609:Revista de la Universidad de México.
493:. Texas: Univ of Texas Press (1959).
363:Memoria de una espera. Novel. (2017)
47:adding citations to reliable sources
648:Diccionario de escritores mexicanos
1159:20th-century Mexican women writers
662:Punto. Un periódico de periodistas
356:Guadalupe Dueñas Obras Completas.
14:
1169:Mexican women short story writers
869:Trejo Valencia, Gabriela (2019).
621:Gümes, César and Ericka Montaño.
600:Second section. 26 June (1986): 7
482:"The Tree" and "The Moribund" in
636:Mexico: Tusquets Editores, 2001.
611:Número 46. December (2007): 106.
23:
978:Fauvet, Yolanda (26 May 2020).
337:, Mexico, Joaquín Mortiz, 1976.
34:needs additional citations for
1149:20th-century Mexican novelists
792:. 4 March 2016. Archived from
484:Short Stories of Latin America
1:
878:. Universidad de Guanajuato.
430:Works Translated into English
127:Guadalupe Dueñas de la Madrid
691:Piñeiro Carballeda, Aurora.
204:Miguel de la Madrid Hurtado
1185:
1115:from various publications.
907:(1): 18 – via Jstor.
667:Trejo Valencia, Gabriela.
358:Fondo de Cultura Económica
351:Fondo de Cultura Económica
329:Fondo de Cultura Económica
1061:. iUniverse. p. 74.
1057:Brodman, Barbara (2011).
1032:Leonard, Kathy S (2007).
764:Monges, Graciela (1996).
629:. Sunday 13 January 2002.
406:, 2012 (available online)
331:, Letras Mexicanas, 1958.
319:Las ratas y otros cuentos
132:
632:González Suárez, Mario.
508:Tiene la noche un árbol.
506:, Best Book of 1959 for
479:. Corona Pub Co. (1994).
353:, Letras Mexicanas, 1991
706:Universidad Veracruzana
390:Palacio de Bellas Artes
325:Tiene la noche un árbol
954:"Librería virtual FCE"
920:World Literature Today
504:Pemio José María Vigil
475:"Mariquita and Me" in
384:"Guadalupe Dueñas" en
298:
272:
264:
997:Hough, Josie (2020).
489:"A Clinical Case" in
1154:Writers from Jalisco
1119:Article about Dueñas
402:, Mexico, Conaculta-
43:improve this article
851:Fahrenheit Magazine
790:"Dueñas, Guadalupe"
686:Theses About Dueñas
453:Translator's Corner
248:Viveros de Coyoacán
159:Mexico City, Mexico
147:Guadalajara, Mexico
1123:Catalog of Writers
1083:"Guadalupe Dueñas"
958:elfondoenlinea.com
833:Revista Replicante
627:La jornada virtual
552:Antes del silencio
347:Antes del silencio
335:No moriré del todo
172:short story writer
58:"Guadalupe Dueñas"
1164:Mexican essayists
1068:978-1-4620-2261-8
1043:978-0-8108-6015-5
984:Asymptote Journal
885:978-607-441-649-7
680:978-607-441-649-7
603:Leñero, Vicente.
564:978-2-84934-077-6
471:978-0-8129-6707-4
440:Asymptote Journal
424:978-607-16-4609-5
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