684:, and Steinhardt describes one public rehearsal in which the group argued for 20 minutes over precisely how much shortening one particular staccato-marked note ought to have. In general majority opinions prevailed, but a minority voice was listened to, and occasionally when one member had extremely strong feelings on a matter, he was allowed veto power. When the group's decision process hit a deadlock, they would sometimes play the passage one way for a Monday concert and a different way on Tuesday. The players came to accept and expect the constant flow of criticism without resentment, and the rehearsals were also laced with friendly banter and corny jokes. But praise was almost never expressed; Steinhardt describes the Guarneri as a "compliment-free zone," noting that this reduced competitiveness and eliminated any pressure to offer congratulations in return.
536:, whose style he admiringly described as "refined and thoughtful." In another context he stated that "our top priority is to try and deliver the essence of the music and create goosebumps – give a performance that will be as memorable and vital and energetic as possible. I'd like to think we set caution slightly to the side in favor of emotional impact." The high-voltage performance style mellowed somewhat as the group matured; in a 2009 review of the quartet's performance of Beethoven's Quartet in E-flat, op. 127, Oregon critic David Stabler reported:
662:
could listen as they argued over the best way to play a passage or whether a piece they were considering ought to become part of their repertoire. They frequently held interactive sessions with audiences and they regularly made themselves available for interviews by journalists and writers. On several occasions they allowed observers to travel with the quartet and to publish detailed accounts of their activities onstage, in rehearsal, and during their travel time and free hours. In addition, Arnold
Steinhardt published a book of memoirs in 1998 under the title
71:, and at Marlboro, the Guarneri players helped nurture interest in quartet playing for a generation of young musicians. The group's extensive touring and recording activities, coupled with its outreach efforts to engage audiences, contributed to the rapid growth in the popularity of chamber music during the 1970s and 1980s. The quartet is notable for its longevity: the group performed for 45 years with only one personnel change, when cellist David Soyer retired in 2001 and was replaced by his student Peter Wiley. The Guarneri Quartet disbanded in 2009.
692:
remarkable record of longevity for a string quartet, in which tensions over music making, money and personal differences often cause breakups." After Soyer retired, the group continued, with Wiley playing cello, for another 8 years, bringing the
Guarneri's total life to 45 years with only one personnel change. The quartet's longevity, along with the readily-available material about the group's interpersonal dynamics, has made it possible for the Guarneri to be used as a model in studies and pedagogy regarding collaborative leadership.
511:
our time. We had surprisingly little discussion; everybody came to that conclusion rather quickly." Critics agreed that it was time to bow out; while still praising the
Guarneri's tone and style, they perceived increasing technical imperfections and a decrease in the intensity of the group's emotional connection with the music. For some of the final concerts, David Soyer rejoined the Guarneri as the group once again played the Schubert Quintet in C, which is scored for two cellos.
705:"There was always an excitement in the air at Curtis when they were about to show up," recalls Lucy Chapman Stoltzman, who studied particularly with Steinhardt, often in lessons lasting more than two hours…"It was the pure beauty of their sound and legato, and the sense of the inner voices was so strong, the sense of every voice being important in the way you want it to be," she says. "The Guarneri brought it to some new level that I hadn't heard before."
710:
establishing themselves as a professional string quartet in the absence of bookings, recording contracts, concert management, or even certainty of sufficient public interest. In the wake of their success, however, other musicians have been able to launch new quartets with more confidence that they can make a living playing chamber music, and by commanding significant fees, the
Guarneri raised the payment baseline for all string quartets.
400:, where they taught advanced students, held a series of open rehearsals, and played 15 public concerts per year. Steinardt relates that the group found the situation attractive because Binghamton was within driving distance of their base in New York City, and it would provide an opportunity to rapidly build a repertoire, gain performing experience, and develop working relationships among themselves.
188:, 19 Feb 1935; d. New York, 30 Mar 2018) Tree was the son of Samuel Applebaum, a respected violin teacher and the author of several books on technique. He started lessons with his father at age 5, and entered Curtis Institute at the unusually young age of 12. He studied with Leah Luboshutz, Veda Reynolds, and ultimately with Efrem Zimbalist. Following his graduation, Tree made a successful debut at
701:
active work as teachers increased student interest in playing string quartets. One need look no further than Peter Wiley, who began his cello studies with Soyer, to see an example. The group's teaching at Harpur, at
University of Maryland, and particularly at Marlboro and Curtis certainly helped young musicians to develop an appetite for quartet music. James Reel quotes a Curtis student's thoughts:
670:
second violinist John Dalley would play that part unless he chose not to do so. Similarly, all decisions were to be made by the group as a whole – and since four is an even number, that stance guaranteed a great deal of discussion when two members favored one option and two others preferred a different one. Dalley expressed the group's position as follows:
471:, Italy. As the quartet's reputation grew, both domestic and international tours became a way of life – often a grueling one. In the early years they played as many as 130 concerts per year, although by the 1980s they were attempting – not always successfully – to limit their appearances to 100 per year.
507:
new guy," he remarked. "I was a fan of the quartet since I was 11 years old…It was a very natural transition for me." Dalley added "It was actually very good for us when Peter came in, even though the quartet field was new to him…I think I learned more from Peter than he learned from us. He had a lot of good ideas that were brand new to us."
577:’s quartets. However, by the 1980s the quartet was incorporating more music from the 20th century in its programs. The musicians took a selective approach to modern music – they were not enthusiastic about what Tree called "very experimental, avant-garde music" and they had mixed feelings about
688:
travel and hotel arrangements. They would frequently split up during off days while on tour, and consciously avoided asking about the activities of the others. The musicians maintained a firewall between the quartet's activities and their family lives, and summers were protected as
Guarneri-free time.
674:
You have to be able to bend or give up some of your ideas. If you don't compensate and give in and compromise, you just don't get along. I think we had four strong personalities, and that's good. It's one way for a quartet to mature. The other way is to have a dictator who rules over the other three.
568:
I think in view of many of our colleagues we'll be best known for never making a fuss about playing the same bowings. Some players would come backstage and wonder if we were fighting, because our bowings were different. We were unorthodox from the beginning, having a strong notion that we should play
510:
The members of the quartet decided to disband at the end of the 2009 season, with the intention of going out on a high note. Steinhardt remarked on the difficulty of their work, and added "We all had the sense that we're still playing pretty well, and it's better to quit at that point than to go past
506:
concert that year, in which the
Guarneri performed the Beethoven Quartet in B-flat major, op. 130, with Soyer playing cello, followed by the String Quintet in C by Schubert, with Soyer and Wiley taking the two cello parts. The incorporation of Wiley as cellist was a smooth one: "I don't feel like the
255:
In rehearsals, Soyer was outspoken and forceful; Steinhardt describes him as "blunt and highly opinionated". Soyer considered that his experiences performing commercial music helped him grow as an artist, and firmly believed that young musicians should be exposed to dance music, folk music, and gypsy
713:
Finally, the
Guarneri helped to build public awareness of chamber music, and thus increase demand for it. Their eagerness to communicate with their audiences, their interviews, open rehearsals, question-and-answer sessions all helped to make string quartets less esoteric, more familiar to listeners.
687:
However, the frequency and intensity with which the players had to work together forced them to adopt measures to preserve their individual identities and maintain some degree of personal privacy. They seldom socialized outside of concert-related events, and while touring they often made independent
661:
Unlike most performing ensembles, the
Guarneri permitted, and even encouraged, public awareness of their work as they prepared concerts, and they allowed backstage glimpses of the interpersonal dynamics within the group. From the beginning they conducted "genuine" open rehearsals, in which audiences
550:
They readily admit that other quartets look for and achieve a more consistent blend of timbre and unity of style. They enter into the music’s expressive stream and let it work upon them, even if, in so doing, an occasional rough edge appears. Their goal is always to communicate the music as a living
522:
The
Guarneri's musical style was distinctive and widely admired. It has been described as "suave, elegant, highly nuanced, technically flawless", as "lush and vibrant sound married to an intensity of purpose", and as "seamless, warm and impassioned playing a unanimity that did not efface individual
494:
The Guarneri musicians were active in teaching throughout the quartet's life. The affiliation with Harpur College continued until 1968, and in that year Steinhardt, Tree and Soyer were appointed to the faculty of the Curtis Institute of Music in Philadelphia. The members continued summer teaching at
1114:
Dalley was particularly elusive outside of work hours, and Steinhardt reports that "Where’s John?" was a frequent question while the group was travelling. Once when the quartet had two days off between concerts in Florida, Dalley disappeared, leaving behind the impression that he was going to visit
1104:
cf. Steinhardt 101. An amusing extreme was a concert in which the others disliked the tempo set by Tree for the final movement of a Beethoven quartet, and when it was over, after emphatic argument in the wings between bows, the group returned to the stage and played the movement at a faster pace as
1054:
Ruttencutter documents examples of their schedules in the period around the late 1970s: in the fall of 1977, for example, they performed in 21 American cities, in addition to playing half a dozen New York concerts; in 1981 they were scheduled for 18 European concerts within 20 days. Over the course
540:
Instead of the feel of discovery, freshness and unpredictability, we heard more tempered playing. Instead of sharpness and strength in the opening of the E-Flat Quartet, the soft-pedaled sounds suggested a different way of engaging with the music. Less about surprise and urgency, more about knowing
168:
Dalley is thoughtful and affable, with a dry wit and occasional bursts of outright clowning; but he was the most introverted of the Guarneri musicians, often skipping post-concert social events and disappearing immediately after a concert. Dalley is a skilled maker of bows for stringed instruments;
123:
Steinhardt is 6 feet 3 inches tall, and as a result he has unusually long arms, which has made it necessary to adjust his playing posture to avoid pain. He is outgoing and articulate, and has written two books. When touring with the quartet, he liked to browse in antique shops, and he particularly
700:
There were only about a dozen American string quartets in 1964 when the Guarneri was born. Just 16 years later, there were over 250. While that growth cannot be attributed to any single cause, the Guarneri is frequently cited as a significant force assisting the boom. For one thing, the members’
691:
The devices the players used to resolve problems and maintain their personal privacy, combined with their genuine fondness for each other and for the music they played, made possible an unusually long life for the quartet. The four original musicians performed together for 37 consecutive years, "a
352:
in Washington, D.C. After considering the offer, the Guarneri musicians declined, preferring to play the instruments each had chosen for himself. Steinhardt has compared the task of finding a violin well matched to a performer's style to that of finding a spouse, and he adds, "After much trial and
669:
From the beginning, the Guarneri members rejected the then-common notion that the first violinist was the leader of the ensemble. The group insisted that all of the players were equals, and as a symbol of this, determined that whenever a piece called for one violin (for example, a piano quartet),
279:, and at age 11, he started cello lessons with David Soyer during the time the Guarneri Quartet was in residence at Harpur College in Binghamton. When Soyer joined the faculty of Curtis Institute in 1968, Wiley enrolled there and continued his cello studies. Graduating in 1974, he played with the
718:
They are said to have done for quartet music in America what Leonard Bernstein did for symphonic music – made it accessible and appealing to everyone open to a new musical experience. Audiences get a quadruple dose of what many managers consider one of the most important elements for a career in
709:
Another way in which the Guarneri facilitated the growth of interest in playing chamber music was through the example they set. In the early 1960s, music students aspired primarily to careers as soloists or orchestral musicians. The four Guarneri players took a substantial financial risk by
201:
Tree was described by Steinhardt as an efficient problem solver, and as "one part musician, one part cutup", always ready to relieve an overly-intense moment with a joke or some kind of buffoonery. He was the most high-strung member of the quartet, particularly prone to nervousness before
249:
orchestra, and various groups that recorded jingles and commercials. He played with several chamber music ensembles before the Guarneri: the Guilet and New Music Quartets, the short-lived American Quartet with John Dalley, and the Marlboro Trio with Michael Tree and Anton
217:(b. Philadelphia, 24 Feb 1923; d. New York, 25 Feb 2010) Soyer was, by about 12 years, the oldest of the original members of the quartet, and his pre-Guarneri experience was more extensive. The only one in the group who was not trained at Curtis, Soyer studied cello with
407:
as part of a concert series arranged by Alexander Schneider. The enthusiastic audience included Fritz Steinway, of the concert management firm Judson, O’Neill, Beall and Steinway (which would shortly become the group's manager) and Max Wilcox, a record producer for
527:
Audiences kept coming back for the warmth of tone that was built from the inside out, with an unusually strong presence from second violin and viola, but with soft attacks and releases. Steinhardt's leaner tone defined that cloud of sound with a laserlike
474:
While the members of the quartet unanimously and emphatically preferred live performances to studio recordings, they were, from the beginning, prolific recording artists. Their first session for RCA Victor took place in June 1965, and included quartets by
545:
Many quartets strive to present a clean and cohesive tone, working to coordinate phrasing, bowing and intonation so as to create the sense of a single instrument with four registers. David Blum notes that the Guarneri explicitly followed a different
894:(recorded twice: for RCA and Philips) (in G K387, in d K421, in E K428, in Bb K458, in A K464, in C K465), String Quartet in D K499, String Quartet in D K575, String Quartet in Bb K589, String Quartet in F K590, The Complete Viola Quintets (with
559:
ou heard four individual voices rather than four people trying to play alike. We liked to stand out individually in the quartet rather than play in a unified way. We wanted to have our own personalities come through rather than be
679:
Thus the Guarneri's rehearsals were marked by vigorous give-and-take, with disagreements frequent and forcefully expressed. No point was too small for debate: in musical notation, a dot over a note means that it should be played
324:
in the late 18th century. Dalley plays a French violin made in 1810 by Nicholas Lupot. In the quartet's early years Tree played a viola (patterned after Andrea Guarneri's "Conte Vitale") made by Harvey Fairbanks, a luthier from
728:
The Guarneri String Quartet has made numerous recordings during its long history, including some of the most important works in the string quartet and chamber music literature. They recorded for Arabesque,
914:– String Quartets in a D804 (recorded twice: for RCA and Arabesque), in c "Quartettsatz", in d D810 "Death and the Maiden" (recorded twice: for RCA and Arabesque), in G D887, String Quintet in C D956 (with
369:, where all of them spent summers during the early 1960s. During the summers of 1962 and 1963, the four played chamber music together in various permutations, and with encouragement from Festival director
31:
The Guarneri Quartet in 2001. Retiring cellist David Soyer (seated L) passes the bow to incoming cellist Peter Wiley, as John Dalley, Arnold Steinhardt, and Michael Tree (standing L–R) look on.
192:
and toured internationally as a violin soloist, playing with a number of orchestras. In 1959 he began spending summers at Marlboro, where he met David Soyer and played with him and pianist
1124:
Few quartets have even approached this record. The Budapest String Quartet disbanded in 1967 after 40 years, having included a total of 11 different players over the years. As of 2014 the
1115:
relatives in Orlando. Eventually he revealed that he had flown back to his New Jersey home to strip the linoleum from his kitchen floor, returning to Florida in time for the next concert.
28:
502:
David Soyer, who was about a dozen years older than his colleagues, retired in 2001, and his place was taken by Peter Wiley, Soyer's former student. The transition was symbolized in a
169:
he would sometimes carry the necessary equipment on the road, so that he could work on a bow in his hotel room, while the others might be attending a reception following a performance.
295:. He left the Beaux Arts in 1998 to co-found the Opus One Piano Quartet. When Soyer retired from the Guarneri in 2001, Wiley was quickly and unanimously chosen to succeed his mentor.
573:
In its early years, the Guarneri's repertoire focused primarily on music of 18th and 19th century composers, and they became particularly known for their interpretations of
90:(b. Los Angeles, 1 April 1937) Steinhardt is the elder of two sons born to music-loving Polish parents. He began studying the violin at age 6, and when he was 17 he entered
514:
David Soyer died on 25 February 2010, and Michael Tree died on 30 March 2018. As of 2018, the other Guarneri musicians continue to teach and perform under their own names.
1420:
2285:
1570:
412:, who quickly secured a recording contract for the Guarneri. Soon afterward, the group replaced the retiring Budapest String Quartet in a series of concerts at the
1082:
Reports from such observers provided the raw material for books by Helen Drees Ruttencutter and by David Blum (see Resources), as well as for the documentary film
1766:
47:. It was admired for its rich, warm, complex tone and its bold, dramatic interpretations of the quartet literature, with a particular affinity for the works of
804:– String Quartet No. 2 in Db (recorded twice: on RCA in 1980 and on Sony in 2009 with cellist Peter Wiley), String Quartet No. 3 in A (with cellist Peter Wiley)
437:
532:
The quartet took a dramatic, even rambunctious approach to performing music; Steinhardt called it "swashbuckling and boisterous" when contrasting it with the
1095:
In this they followed the example of the Budapest String Quartet, whose members encouraged and advised the Guarneri musicians as the quartet was taking shape.
1354:
3594:
2856:
124:
collected old locks. Since the Guarneri’s dissolution he has maintained a blog containing his personal reflections and reminiscences (see External links).
3609:
3604:
3235:
2251:
2055:
719:
music: charisma. They have been hailed all over the world as "the Great American Quartet of the era" and "the greatest string quartet in the world."
1859:
1712:
496:
1381:
Steinhardt 132: "… was playing on a brand-new instrument made by a relatively obscure maker, one Harvey Fairbanks from Binghamton, New York."
737:
and Surroundedby Entertainment. All recordings are with David Soyer as cellist unless it is noted that the cellist is Peter Wiley. A partial
416: – a series that extended across the Guarneri's lifespan, ending only when the quartet disbanded in 2009. They appeared at the
1064:
Steinhardt’s book devotes chapter 7 to the group’s experiences making recordings, and their mixed feelings about the process and its results.
2246:
1073:
After 2009, even when all of the former members of the quartet performed together, the billing did not list them as the Guarneri Quartet.
1128:
and the Fine Arts Quartet are both in their 68th year, but they have included 15 and 19 musicians, respectively, during their lifespans.
362:
44:
3093:
3599:
1746:
1189:
1175:
1165:
1150:
27:
3573:
2271:
2230:
2216:
2202:
2188:
1655:
1428:
385:(violist of the Budapest String Quartet), who had played with a short-lived group of that name in Germany before World War II.
144:
666:(see Resources). As a result of all this, a good deal is known about the way the group worked, musically and psychologically.
381:) the new quartet was launched on 20 July 1964 with a concert at Nantucket, Massachusetts. The name Guarneri was suggested by
1578:
1170:
Helen Drees Ruttencutter (1980). Quartet: a Profile of the Guarneri Quartet. New York. Lippincott & Crowell Publishers.
404:
2278:
1686:
675:
That's the way it was in Europe, but Americans don't like that. It works faster, but the democratic way is more satisfying.
3531:
650:
160:
1045:
Steinhardt claims that he learned to forge Dalley’s signature so that fans could have all four names on a signed program.
1762:
143:, 1 June 1936) Dalley’s parents were both musicians, and he started violin lessons at the age of 4. He spent summers at
3027:
3012:
2780:
2604:
242:
2714:
2489:
1355:"Empathy for Uncertainty: Guarneri String Quartet members reflect on decades of learning, teaching, and performing"
745:
413:
1365:
824:– String Quartet Op. 121 (recorded twice: on RCA and Surroundedby Entertainment), Piano Quartet in c Op. 15 (with
320:
in 1778. After trying several violins (including a Guarneri), Steinhardt settled on a Cremona instrument made by
3245:
3022:
2951:
2694:
2379:
91:
68:
955:– String Quartet No. 1 in D Op. 11, "Souvenir de Florence" Sextet Op. 70 (with Boris Kroyt and Mischa Schneider)
814:), Quartet in C Op. 61, in F Op. 96 ("American"), in G Op. 106, in Ab Op. 105, Viola Quintet in Eb Op. 97 (with
3450:
3336:
3032:
2574:
2529:
2519:
2514:
2344:
2324:
1125:
952:
940:
102:. Prior to the founding of the Guarneri Quartet, Steinhardt spent four years as assistant concertmaster of the
3485:
3382:
3316:
3311:
3260:
3214:
3148:
2634:
2559:
2364:
2354:
879:
378:
230:
111:
807:
637:. The group also made a point of performing seldom-heard quartets by earlier composers, including those of
3480:
2911:
2906:
2704:
2659:
2624:
2579:
2504:
2464:
2444:
2419:
2409:
2334:
2096:
464:
433:
417:
234:
64:
2070:
1799:
499:, where they continued teaching up to and beyond the formal dissolution of the Guarneri Quartet in 2009.
447:
on 20 April 1965. In the summer of that year they embarked upon their first European tour, performing in
3526:
3501:
3017:
2926:
2916:
2846:
2765:
2699:
2649:
2614:
2569:
2454:
2429:
2414:
2394:
2389:
2359:
2329:
2308:
1863:
393:
389:
152:
60:
56:
3058:
853:
642:
610:
202:
performances. An avid tennis player, he liked to play with local experts or with friends while on tour.
3562:
3536:
3429:
3398:
3113:
3088:
3037:
3002:
2971:
2941:
2936:
2790:
2775:
2644:
2584:
2554:
873:
757:
533:
487:. By 1998 the Guarneri's catalog exceeded 50 LPs and CDs, including numerous recordings with pianist
397:
326:
569:
as best we can individually in our own comfort zone in terms of bowings and fingerings and so forth.
333:; he also plays a modern instrument made by Hiroshi Iizuka. Wiley plays a cello made around 1700 by
3475:
3403:
3209:
3138:
2891:
2709:
2619:
2449:
730:
602:
374:
312:
was played for any significant time by a member of the quartet: for many years David Soyer used an
284:
280:
148:
103:
3184:
1929:
The books by Steinhardt and Ruttercutter include numerous excerpts of exchanges during rehearsals.
1821:
868:– String Quartet in an Op. 13, String Quartet in D Op. 44 No. 1, Viola Quintet in Bb Op. 87 (with
859:
801:
760:– Complete String Quartets (recorded twice: on RCA and Philips), String Quintet in C Op. 29 (with
646:
3434:
3280:
3250:
3199:
3194:
3169:
3078:
2745:
2494:
2424:
1756:
634:
292:
185:
140:
3270:
3068:
946:
1055:
of its career, the quartet also performed in Mexico, South America, Australia, China and Japan.
3506:
3413:
3361:
3356:
3346:
3341:
3306:
2881:
2836:
2639:
2599:
2474:
2469:
2459:
2404:
1742:
1656:"Guarneri's farewell After 45 years, the quartet gave its last Philadelphia concert on Friday"
1185:
1171:
1161:
1146:
929:
883:
865:
843:
825:
811:
789:
781:
767:
751:
614:
578:
488:
366:
344:
At one point in the mid-1990s the quartet was offered the extended loan of a set of four rare
334:
222:
86:
1514:
3521:
3351:
3331:
3326:
3275:
3255:
3053:
2981:
2976:
2896:
2724:
2719:
2674:
2609:
2594:
2589:
969:
869:
840:– String Quartets in D Op. 20 No. 4, in g Op. 74 No. 3, in G Op. 77 No. 1, in F Op. 77 No. 2
821:
777:
761:
630:
425:
421:
349:
321:
246:
238:
3557:
3541:
3516:
3511:
3470:
3321:
3189:
3098:
3073:
3007:
2961:
2956:
2921:
2901:
2876:
2851:
2826:
2821:
2816:
2811:
2806:
2770:
2755:
2654:
2549:
2544:
2534:
2484:
2434:
2384:
2339:
925:
899:
815:
773:
734:
313:
288:
272:
218:
156:
3366:
3174:
2785:
2564:
163:, and later played alongside David Soyer in a group known as the American String Quartet.
982:
2005: The Ford Honors Award, University Musical Society of the University of Michigan.
3408:
3290:
3285:
3204:
3153:
3143:
3103:
3083:
3063:
2886:
2841:
2729:
2539:
2509:
2399:
2374:
2369:
2294:
958:
911:
795:
606:
276:
115:
40:
17:
3588:
3265:
3240:
3179:
3118:
3108:
2997:
2966:
2946:
2866:
2861:
2831:
2760:
2750:
2629:
2439:
2349:
935:
905:
638:
618:
503:
429:
370:
256:
fiddling. He was a connoisseur of art, and an avid sailor who owned a 24-foot sloop.
189:
99:
3230:
2871:
2669:
2664:
2524:
2479:
988:
1992: Award of Merit, Association of Performing Arts Presenters in New York City.
915:
895:
891:
847:
837:
831:
785:
582:
345:
226:
193:
180:
107:
95:
621:, and William Klenz. Several original compositions were written for the group, by
480:
2033:
1143:
The Art of Quartet Playing: The Guarneri Quartet in Conversation with David Blum
738:
484:
382:
329:. Later, his primary instrument became a 1750 viola made by Dominicus Busan of
267:
213:
135:
2097:"An exploration of a student string quartet as a model of cooperative learning"
985:
2004: The Richard J. Bogomolny National Service Award, Chamber Music America.
353:
error, each of us has found what could aptly be called his musical soul mate."
2134:
919:
626:
598:
594:
555:
In a similar vein, Dalley expressed the Guarneri musicians’ intent as follows:
409:
361:
Steinhardt, Dalley, Tree and Soyer coalesced into the Guarneri Quartet at the
964:
622:
574:
456:
444:
48:
798:– String Quartet (recorded twice: on RCA and on Surroundedby Entertainment)
586:
495:
Marlboro, and in 1983, all four were appointed artists-in-residence at the
52:
1452:
1627:
908:– String Quartet (recorded twice: for RCA and Surroundedby Entertainment)
681:
523:
personalities." Philadelphia critic Daniel Patrick Stearns remarked that:
403:
The Guarneri's New York City debut took place on 28 February 1965 at the
305:
155:
with Ottokar ÄŚadek. At 18, he enrolled at Curtis Institute, working with
1713:"Philadelphia Chamber Music Society closes season with Guarneri players"
2931:
2139:
1741:. The New Grove Dictionary of Music and Musicians vol. 7. p. 774.
991:
1983: Honorary Doctorate degrees by the State University of New York.
468:
460:
309:
997:
1976: Honorary Doctorate degrees by the University of South Florida
928:– Complete String Quartets, Op. 41, Piano Quintet in Eb Op. 44 (with
590:
476:
448:
338:
330:
317:
304:
Despite the group's name, only one instrument made by the celebrated
2012:
1156:
I. Fink & C. Merriell with the Guarneri String Quartet (1985).
2263:
452:
316:
cello made in 1669. He later switched to a Gagliano cello made in
26:
1862:. Bienen School of Music, Northwestern University. Archived from
834:– String Quartet in g Op. 27 (recorded twice: on RCA and Philips)
443:
The Guarneri began touring almost immediately, with a concert in
388:
In the fall of 1964, the quartet began a four-year residency at
2267:
585: – but they became champions of the quartets of
2258:
862:- Quartet for Strings no 2, Op. 10 (with cellist Peter Wiley)
541:
and acceptance. For the Guarneri, it was ground well trodden.
420:
beginning in 1966, and an ongoing series at Lincoln Center's
2254:. National Public Radio, All Things Considered, 17 May 2009.
1182:
Indivisible by Four: A String Quartet in Pursuit of Harmony
1030:
Indivisible by Four: A String Quartet in Pursuit of Harmony
776:– Complete String Quartets, Complete String Quintets (with
424:
began in 1975. Other frequent New York venues included the
664:
Indivisible by Four: A String Quartet in Search of Harmony
1687:"Guarneri Quartet: A lifetime of engaging with Beethoven"
233:. Following the war, he played cello as a member of the
890:(with Julius Levine), 6 String Quartets dedicated to
159:. Following graduation from Curtis, Dalley taught at
2056:"Cooperative learning in the music theory classroom"
3550:
3494:
3459:
3443:
3422:
3391:
3375:
3299:
3223:
3162:
3127:
3046:
2990:
2799:
2738:
2683:
2317:
2301:
589:and their repertoire eventually included music by
229:. During World War II, he played euphonium in the
1860:"A Conversation With the Guarneri Strong Quartet"
2247:Miami Chamber Music profile of Guarneri Quartet
2279:
2259:In the Key of Strawberry: Stories About Music
1822:"After 45 years, A Guarneri Quartet Farewell"
1160:, New Jersey: Paganiniana Publications, Inc.
8:
2013:"Introduction to the String Quartet: Groups"
1009:High Fidelity – The Guarneri String Quartet,
949:– String Quartet in E minor ("From my Life")
491:. A partial discography can be found below.
2252:After 45 Years, A Guarneri Quartet Farewell
1564:
1562:
1084:High Fidelity – The Guarneri String Quartet
788:on Philips), Complete Piano Quartets (with
114:and in 1962 he studied in Switzerland with
2286:
2272:
2264:
2135:"A Curtis Tribute to the Guarneri Quartet"
1680:
1678:
1676:
1649:
1647:
1645:
1348:
1346:
1344:
1342:
1340:
1217:Ruttencutter 59–60; see also Steinhardt 93
1854:
1852:
1765:) CS1 maint: location missing publisher (
714:Helen Drees Ruttencutter put it this way:
1630:. University of Maryland School of Music
1508:
1506:
1504:
1502:
1500:
1184:, New York: Farrar, Straus and Giroux.
1032:(see Resources), Steinhardt has written
2034:"Fine Arts Quartet: Membership History"
1654:Stearns, Daniel Patrick (20 May 2009).
1414:
1412:
1410:
1408:
1406:
1404:
1402:
1400:
1398:
1396:
1201:
1021:
1754:
1011:directed and produced by Allan Miller.
497:University of Maryland at College Park
196:in a group known as the Marlboro Trio.
1515:"David Soyer, cellist, is dead at 87"
994:1982: New York Seal of Recognition.
7:
1956:Steinhardt 196–198, Ruttencutter 137
1800:"Guarneri Quartet: Artist Biography"
1421:"Guarneri Quartet Takes a Final Bow"
882:– The Complete Piano Quartets (with
1884:Steinhardt 174–175, Ruttencutter 14
938:– String Quartet in D minor Op. 56
810:– Piano Quintet No. 2 Op. 81 (with
780:), Piano Quintet in f Op. 34 (with
3595:Musical groups established in 1964
1513:Wakin, Daniel (26 February 2010).
1036:(Houghton Mifflin Harcourt, 2008).
363:Marlboro Music School and Festival
45:Marlboro Music School and Festival
25:
3610:Curtis Institute of Music faculty
1826:NPR Music Interviews, 17 May 2009
1571:"Guarneri Quartet Calls It Quits"
1145:, New York: Alfred A. Knopf Inc.
275:, 1955) Wiley grew up in central
3605:Curtis Institute of Music alumni
3574:List of string quartet ensembles
2063:Journal of Music Theory Pedagogy
2054:Zbikowski, L.; Long, C. (1994).
872:), Octet in Eb Op. 20 (with the
1685:Stabler, David (26 June 2009).
1451:Hex (www.roundhex.com), Round.
145:Interlochen National Music Camp
918:), "Trout" Quintet D667 (with
405:New School for Social Research
147:, and in his teens he went to
1:
1711:Dobrin, Peter (21 May 2013).
438:Washington Irving High School
161:Oberlin Conservatory of Music
518:Musical style and repertoire
291:to replace retiring cellist
2781:radio.string.quartet.vienna
961:– String Quartet in E minor
243:Columbia Symphony Orchestra
3626:
1180:Arnold Steinhardt (1998).
856:– Complete String Quartets
754:– Complete String Quartets
748:– Complete String Quartets
651:Juan CrisĂłstomo de Arriaga
414:Metropolitan Museum of Art
110:; he spent summers at the
3571:
2069:: 135–157. Archived from
1628:"Guarneri: One Last Time"
1556:Ruttencutter 70, 119, 134
377:(second violinist of the
348:instruments owned by the
92:Curtis Institute of Music
69:Curtis Institute of Music
3600:American string quartets
1761:: CS1 maint: location (
1457:In the Key of Strawberry
1126:Juilliard String Quartet
953:Pyotr Ilyich Tchaikovsky
1828:. National Public Radio
1739:Guarneri String Quartet
1737:Glass, Herbert (1980).
1569:Williams, Rory (2007).
1476:Steinhardt 72–80, 98–99
1364:: 12–14. Archived from
1353:Waleson, Heidi (2008).
898:, Steven Tenenbom, and
880:Wolfgang Amadeus Mozart
746:Juan CrisĂłstomo Arriaga
379:Budapest String Quartet
261:Violoncello (2001–2009)
231:United States Navy Band
207:Violoncello (1964–2001)
112:Marlboro Music Festival
43:founded in 1964 at the
18:Guarneri String Quartet
2106:. University of Sydney
1390:Ruttencutter 44, 62–63
1334:Ruttencutter 44, 51–53
1158:String Quartet Playing
888:Eine kleine Nachtmusik
846:– Piano Quintet (with
770:– String Quartet No. 2
721:
707:
677:
571:
562:
553:
543:
530:
465:Festival of Two Worlds
434:Rockefeller University
418:Mostly Mozart Festival
357:History and activities
235:NBC Symphony Orchestra
65:University of Maryland
55:. Through teaching at
32:
1717:Philadelphia Inquirer
1660:Philadelphia Inquirer
716:
703:
672:
566:
557:
548:
538:
525:
394:Binghamton University
153:University of Alabama
61:Binghamton University
30:
2257:Steinhardt, Arnold.
1599:Ruttencutter 42, 127
1419:Reel, James (2009).
874:Orion String Quartet
758:Ludwig van Beethoven
534:Orion String Quartet
398:Binghamton, New York
327:Binghamton, New York
2169:Ruttencutter 49, 69
1298:Ruttencutter 73, 78
1253:Steinhardt 120, 200
1141:David Blum (1986).
731:RCA Victor Red Seal
603:Vincent Persichetti
375:Alexander Schneider
287:before joining the
285:Cincinnati Symphony
281:Pittsburgh Symphony
104:Cleveland Orchestra
3236:1st Adolph Brodsky
2857:2nd Adolph Brodsky
1974:Steinhardt 199–203
1965:Steinhardt 173–174
1947:Steinhardt 110–111
1902:Steinhardt 111–112
1893:Steinhardt 169–170
1798:Cummings, Robert.
1575:All Things Strings
1494:Steinhardt 115–117
1425:All Things Strings
1316:Ruttencutter 44–45
1289:Ruttencutter 30–32
1271:Ruttencutter 29–30
1244:Ruttencutter 38–39
922:and Julius Levine)
818:), Terzetto Op. 74
635:Richard Danielpour
611:Witold Lutosławski
293:Bernard Greenhouse
141:Madison, Wisconsin
33:
3580:
3579:
3246:Fanny Mendelssohn
2231:"Hungarian Album"
2217:"Hungarian Album"
2203:"Hungarian Album"
2189:"Hungarian Album"
1911:Steinhardt 63, 79
1431:on 27 April 2014.
1208:Steinhardt, 58–69
930:Arthur Rubinstein
884:Arthur Rubinstein
866:Felix Mendelssohn
844:Hans Werner Henze
826:Arthur Rubinstein
812:Arthur Rubinstein
790:Arthur Rubinstein
782:Arthur Rubinstein
768:Alexander Borodin
615:Hans Werner Henze
489:Arthur Rubenstein
335:Matteo Goffriller
223:Emanuel Feuermann
87:Arnold Steinhardt
16:(Redirected from
3617:
2288:
2281:
2274:
2265:
2235:
2234:
2227:
2221:
2220:
2213:
2207:
2206:
2199:
2193:
2192:
2185:
2179:
2176:
2170:
2167:
2161:
2158:
2152:
2151:
2149:
2147:
2131:
2125:
2122:
2116:
2115:
2113:
2111:
2101:
2092:
2086:
2085:
2083:
2081:
2076:on 27 April 2014
2075:
2060:
2051:
2045:
2044:
2042:
2040:
2030:
2024:
2023:
2021:
2019:
2008:
2002:
1999:
1993:
1990:
1984:
1981:
1975:
1972:
1966:
1963:
1957:
1954:
1948:
1945:
1939:
1936:
1930:
1927:
1921:
1918:
1912:
1909:
1903:
1900:
1894:
1891:
1885:
1882:
1876:
1875:
1873:
1871:
1866:on 27 April 2014
1856:
1847:
1844:
1838:
1837:
1835:
1833:
1818:
1812:
1811:
1809:
1807:
1795:
1789:
1786:
1780:
1777:
1771:
1770:
1760:
1752:
1734:
1728:
1727:
1725:
1723:
1708:
1702:
1701:
1699:
1697:
1682:
1671:
1670:
1668:
1666:
1651:
1640:
1639:
1637:
1635:
1624:
1618:
1615:
1609:
1606:
1600:
1597:
1591:
1590:
1588:
1586:
1581:on 27 April 2014
1577:. Archived from
1566:
1557:
1554:
1548:
1545:
1539:
1536:
1530:
1529:
1527:
1525:
1510:
1495:
1492:
1486:
1483:
1477:
1474:
1468:
1467:
1465:
1463:
1448:
1442:
1439:
1433:
1432:
1427:. Archived from
1416:
1391:
1388:
1382:
1379:
1373:
1372:
1370:
1359:
1350:
1335:
1332:
1326:
1323:
1317:
1314:
1308:
1305:
1299:
1296:
1290:
1287:
1281:
1280:Steinhardt 7, 72
1278:
1272:
1269:
1263:
1260:
1254:
1251:
1245:
1242:
1236:
1233:
1227:
1224:
1218:
1215:
1209:
1206:
1129:
1122:
1116:
1112:
1106:
1102:
1096:
1093:
1087:
1080:
1074:
1071:
1065:
1062:
1056:
1052:
1046:
1043:
1037:
1026:
970:Italian Serenade
870:Pinchas Zukerman
778:Pinchas Zukerman
762:Pinchas Zukerman
631:Mario Davidovsky
426:Frick Collection
422:Alice Tully Hall
350:Corcoran Gallery
322:Lorenzo Storioni
247:Ed Sullivan Show
239:Arturo Toscanini
151:to study at the
39:was an American
37:Guarneri Quartet
21:
3625:
3624:
3620:
3619:
3618:
3616:
3615:
3614:
3585:
3584:
3581:
3576:
3567:
3546:
3490:
3464:
3462:
3455:
3451:Latinoamericano
3439:
3418:
3387:
3371:
3317:Budapest (1917)
3312:Budapest (1886)
3295:
3271:MĂĽller Brothers
3261:Ludwig Schuster
3219:
3158:
3132:
3130:
3123:
3042:
2986:
2795:
2734:
2688:
2686:
2679:
2313:
2297:
2295:String quartets
2292:
2243:
2238:
2229:
2228:
2224:
2215:
2214:
2210:
2201:
2200:
2196:
2187:
2186:
2182:
2178:Ruttencutter 26
2177:
2173:
2168:
2164:
2159:
2155:
2145:
2143:
2133:
2132:
2128:
2124:Ruttencutter 15
2123:
2119:
2109:
2107:
2099:
2094:
2093:
2089:
2079:
2077:
2073:
2058:
2053:
2052:
2048:
2038:
2036:
2032:
2031:
2027:
2017:
2015:
2011:Morton, Lewis.
2010:
2009:
2005:
2000:
1996:
1992:Ruttencutter 81
1991:
1987:
1982:
1978:
1973:
1969:
1964:
1960:
1955:
1951:
1946:
1942:
1937:
1933:
1928:
1924:
1919:
1915:
1910:
1906:
1901:
1897:
1892:
1888:
1883:
1879:
1869:
1867:
1858:
1857:
1850:
1845:
1841:
1831:
1829:
1820:
1819:
1815:
1805:
1803:
1797:
1796:
1792:
1787:
1783:
1778:
1774:
1753:
1749:
1736:
1735:
1731:
1721:
1719:
1710:
1709:
1705:
1695:
1693:
1684:
1683:
1674:
1664:
1662:
1653:
1652:
1643:
1633:
1631:
1626:
1625:
1621:
1616:
1612:
1607:
1603:
1598:
1594:
1584:
1582:
1568:
1567:
1560:
1555:
1551:
1546:
1542:
1538:Ruttencutter 68
1537:
1533:
1523:
1521:
1512:
1511:
1498:
1493:
1489:
1484:
1480:
1475:
1471:
1461:
1459:
1450:
1449:
1445:
1440:
1436:
1418:
1417:
1394:
1389:
1385:
1380:
1376:
1371:on 3 June 2014.
1368:
1357:
1352:
1351:
1338:
1333:
1329:
1324:
1320:
1315:
1311:
1306:
1302:
1297:
1293:
1288:
1284:
1279:
1275:
1270:
1266:
1262:Ruttencutter 43
1261:
1257:
1252:
1248:
1243:
1239:
1234:
1230:
1225:
1221:
1216:
1212:
1207:
1203:
1199:
1138:
1133:
1132:
1123:
1119:
1113:
1109:
1103:
1099:
1094:
1090:
1081:
1077:
1072:
1068:
1063:
1059:
1053:
1049:
1044:
1040:
1028:In addition to
1027:
1023:
1018:
1004:
979:
947:Bedřich Smetana
926:Robert Schumann
900:Kim Kashkashian
816:Walter Trampler
774:Johannes Brahms
726:
698:
696:Cultural impact
659:
520:
359:
314:Andrea Guarneri
302:
289:Beaux Arts Trio
219:Diran Alexanian
157:Efrem Zimbalist
77:
23:
22:
15:
12:
11:
5:
3623:
3621:
3613:
3612:
3607:
3602:
3597:
3587:
3586:
3578:
3577:
3572:
3569:
3568:
3566:
3565:
3560:
3554:
3552:
3548:
3547:
3545:
3544:
3539:
3534:
3532:St. Petersburg
3529:
3524:
3519:
3514:
3509:
3504:
3498:
3496:
3492:
3491:
3489:
3488:
3483:
3478:
3473:
3467:
3465:
3460:
3457:
3456:
3454:
3453:
3447:
3445:
3441:
3440:
3438:
3437:
3432:
3426:
3424:
3420:
3419:
3417:
3416:
3411:
3406:
3401:
3395:
3393:
3389:
3388:
3386:
3385:
3379:
3377:
3373:
3372:
3370:
3369:
3364:
3359:
3354:
3349:
3344:
3339:
3334:
3329:
3324:
3319:
3314:
3309:
3303:
3301:
3297:
3296:
3294:
3293:
3288:
3283:
3278:
3273:
3268:
3263:
3258:
3253:
3248:
3243:
3238:
3233:
3227:
3225:
3221:
3220:
3218:
3217:
3212:
3207:
3202:
3197:
3192:
3187:
3182:
3177:
3172:
3166:
3164:
3160:
3159:
3157:
3156:
3151:
3146:
3141:
3135:
3133:
3128:
3125:
3124:
3122:
3121:
3116:
3111:
3106:
3101:
3096:
3094:Ĺ evÄŤĂk-LhotskĂ˝
3091:
3086:
3081:
3076:
3071:
3066:
3061:
3056:
3050:
3048:
3044:
3043:
3041:
3040:
3035:
3030:
3025:
3020:
3015:
3010:
3005:
3000:
2994:
2992:
2988:
2987:
2985:
2984:
2979:
2974:
2969:
2964:
2959:
2954:
2949:
2944:
2939:
2934:
2929:
2924:
2919:
2914:
2909:
2904:
2899:
2894:
2889:
2884:
2879:
2874:
2869:
2864:
2859:
2854:
2849:
2844:
2839:
2834:
2829:
2824:
2819:
2814:
2809:
2803:
2801:
2797:
2796:
2794:
2793:
2788:
2783:
2778:
2773:
2768:
2763:
2758:
2753:
2748:
2742:
2740:
2736:
2735:
2733:
2732:
2727:
2722:
2717:
2712:
2707:
2702:
2697:
2691:
2689:
2684:
2681:
2680:
2678:
2677:
2672:
2667:
2662:
2657:
2652:
2647:
2642:
2637:
2632:
2627:
2622:
2617:
2612:
2607:
2602:
2597:
2592:
2587:
2582:
2577:
2572:
2567:
2562:
2557:
2552:
2547:
2542:
2537:
2532:
2527:
2522:
2517:
2512:
2507:
2502:
2497:
2492:
2487:
2482:
2477:
2472:
2467:
2462:
2457:
2452:
2447:
2442:
2437:
2432:
2427:
2422:
2417:
2412:
2407:
2402:
2397:
2392:
2387:
2382:
2377:
2372:
2370:Brooklyn Rider
2367:
2362:
2357:
2352:
2347:
2342:
2337:
2332:
2327:
2321:
2319:
2315:
2314:
2312:
2311:
2305:
2303:
2299:
2298:
2293:
2291:
2290:
2283:
2276:
2268:
2262:
2261:
2255:
2249:
2242:
2241:External links
2239:
2237:
2236:
2222:
2208:
2194:
2180:
2171:
2162:
2153:
2126:
2117:
2087:
2046:
2025:
2003:
2001:Steinhardt 202
1994:
1985:
1983:Steinhardt 200
1976:
1967:
1958:
1949:
1940:
1938:Steinhardt 284
1931:
1922:
1913:
1904:
1895:
1886:
1877:
1848:
1839:
1813:
1802:. Allmusic.com
1790:
1781:
1779:Steinhardt 204
1772:
1747:
1729:
1703:
1672:
1641:
1619:
1617:Steinhardt 159
1610:
1601:
1592:
1558:
1549:
1547:Steinhardt 122
1540:
1531:
1519:New York Times
1496:
1487:
1478:
1469:
1443:
1441:Steinhardt 262
1434:
1392:
1383:
1374:
1336:
1327:
1318:
1309:
1300:
1291:
1282:
1273:
1264:
1255:
1246:
1237:
1228:
1226:Steinhardt 201
1219:
1210:
1200:
1198:
1195:
1194:
1193:
1178:
1168:
1154:
1137:
1134:
1131:
1130:
1117:
1107:
1097:
1088:
1075:
1066:
1057:
1047:
1038:
1020:
1019:
1017:
1014:
1013:
1012:
1003:
1000:
999:
998:
995:
992:
989:
986:
983:
978:
975:
974:
973:
962:
959:Giuseppe Verdi
956:
950:
944:
933:
923:
912:Franz Schubert
909:
903:
877:
863:
857:
851:
841:
835:
829:
819:
808:AntonĂn Dvořák
805:
799:
796:Claude Debussy
793:
771:
765:
755:
749:
725:
722:
697:
694:
658:
657:Group dynamics
655:
607:Paul Hindemith
519:
516:
392:(now known as
390:Harpur College
358:
355:
301:
298:
297:
296:
277:New York State
258:
257:
252:
251:
204:
203:
198:
197:
171:
170:
165:
164:
126:
125:
120:
119:
116:Joseph Szigeti
98:as a pupil of
76:
73:
59:(which became
57:Harpur College
41:string quartet
24:
14:
13:
10:
9:
6:
4:
3:
2:
3622:
3611:
3608:
3606:
3603:
3601:
3598:
3596:
3593:
3592:
3590:
3583:
3575:
3570:
3564:
3561:
3559:
3556:
3555:
3553:
3549:
3543:
3540:
3538:
3535:
3533:
3530:
3528:
3525:
3523:
3520:
3518:
3515:
3513:
3510:
3508:
3505:
3503:
3500:
3499:
3497:
3493:
3487:
3484:
3482:
3479:
3477:
3474:
3472:
3469:
3468:
3466:
3458:
3452:
3449:
3448:
3446:
3442:
3436:
3433:
3431:
3428:
3427:
3425:
3421:
3415:
3412:
3410:
3407:
3405:
3402:
3400:
3397:
3396:
3394:
3390:
3384:
3381:
3380:
3378:
3374:
3368:
3365:
3363:
3360:
3358:
3355:
3353:
3350:
3348:
3345:
3343:
3340:
3338:
3335:
3333:
3330:
3328:
3325:
3323:
3320:
3318:
3315:
3313:
3310:
3308:
3305:
3304:
3302:
3298:
3292:
3289:
3287:
3284:
3282:
3279:
3277:
3274:
3272:
3269:
3267:
3264:
3262:
3259:
3257:
3254:
3252:
3249:
3247:
3244:
3242:
3239:
3237:
3234:
3232:
3229:
3228:
3226:
3222:
3216:
3213:
3211:
3208:
3206:
3203:
3201:
3198:
3196:
3193:
3191:
3188:
3186:
3183:
3181:
3178:
3176:
3173:
3171:
3168:
3167:
3165:
3161:
3155:
3152:
3150:
3147:
3145:
3142:
3140:
3137:
3136:
3134:
3126:
3120:
3117:
3115:
3112:
3110:
3107:
3105:
3102:
3100:
3097:
3095:
3092:
3090:
3087:
3085:
3082:
3080:
3077:
3075:
3072:
3070:
3067:
3065:
3062:
3060:
3057:
3055:
3052:
3051:
3049:
3045:
3039:
3036:
3034:
3031:
3029:
3026:
3024:
3021:
3019:
3016:
3014:
3011:
3009:
3006:
3004:
3001:
2999:
2996:
2995:
2993:
2989:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2950:
2948:
2945:
2943:
2940:
2938:
2935:
2933:
2930:
2928:
2925:
2923:
2920:
2918:
2915:
2913:
2910:
2908:
2905:
2903:
2900:
2898:
2895:
2893:
2890:
2888:
2885:
2883:
2880:
2878:
2875:
2873:
2870:
2868:
2867:Demon Strings
2865:
2863:
2860:
2858:
2855:
2853:
2850:
2848:
2845:
2843:
2840:
2838:
2835:
2833:
2830:
2828:
2825:
2823:
2820:
2818:
2815:
2813:
2810:
2808:
2805:
2804:
2802:
2798:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2772:
2769:
2767:
2766:Hellmesberger
2764:
2762:
2759:
2757:
2754:
2752:
2749:
2747:
2744:
2743:
2741:
2737:
2731:
2728:
2726:
2723:
2721:
2718:
2716:
2713:
2711:
2708:
2706:
2703:
2701:
2698:
2696:
2693:
2692:
2690:
2682:
2676:
2673:
2671:
2668:
2666:
2663:
2661:
2658:
2656:
2653:
2651:
2650:Turtle Island
2648:
2646:
2643:
2641:
2638:
2636:
2633:
2631:
2628:
2626:
2623:
2621:
2618:
2616:
2615:San Francisco
2613:
2611:
2608:
2606:
2603:
2601:
2598:
2596:
2593:
2591:
2588:
2586:
2583:
2581:
2578:
2576:
2573:
2571:
2570:New Hungarian
2568:
2566:
2563:
2561:
2558:
2556:
2553:
2551:
2548:
2546:
2543:
2541:
2538:
2536:
2533:
2531:
2528:
2526:
2523:
2521:
2518:
2516:
2513:
2511:
2508:
2506:
2503:
2501:
2498:
2496:
2493:
2491:
2488:
2486:
2483:
2481:
2478:
2476:
2473:
2471:
2468:
2466:
2463:
2461:
2458:
2456:
2453:
2451:
2448:
2446:
2443:
2441:
2438:
2436:
2433:
2431:
2428:
2426:
2423:
2421:
2418:
2416:
2413:
2411:
2408:
2406:
2403:
2401:
2398:
2396:
2393:
2391:
2388:
2386:
2383:
2381:
2378:
2376:
2373:
2371:
2368:
2366:
2363:
2361:
2358:
2356:
2353:
2351:
2348:
2346:
2343:
2341:
2338:
2336:
2333:
2331:
2328:
2326:
2323:
2322:
2320:
2316:
2310:
2307:
2306:
2304:
2300:
2296:
2289:
2284:
2282:
2277:
2275:
2270:
2269:
2266:
2260:
2256:
2253:
2250:
2248:
2245:
2244:
2240:
2232:
2226:
2223:
2218:
2212:
2209:
2204:
2198:
2195:
2190:
2184:
2181:
2175:
2172:
2166:
2163:
2160:Steinhardt 84
2157:
2154:
2142:
2141:
2136:
2130:
2127:
2121:
2118:
2105:
2104:Honors thesis
2098:
2091:
2088:
2072:
2068:
2064:
2057:
2050:
2047:
2035:
2029:
2026:
2014:
2007:
2004:
1998:
1995:
1989:
1986:
1980:
1977:
1971:
1968:
1962:
1959:
1953:
1950:
1944:
1941:
1935:
1932:
1926:
1923:
1920:Steinhardt 79
1917:
1914:
1908:
1905:
1899:
1896:
1890:
1887:
1881:
1878:
1865:
1861:
1855:
1853:
1849:
1843:
1840:
1827:
1823:
1817:
1814:
1801:
1794:
1791:
1785:
1782:
1776:
1773:
1768:
1764:
1758:
1750:
1748:1-56159-174-2
1744:
1740:
1733:
1730:
1718:
1714:
1707:
1704:
1692:
1691:The Oregonian
1688:
1681:
1679:
1677:
1673:
1661:
1657:
1650:
1648:
1646:
1642:
1629:
1623:
1620:
1614:
1611:
1605:
1602:
1596:
1593:
1580:
1576:
1572:
1565:
1563:
1559:
1553:
1550:
1544:
1541:
1535:
1532:
1520:
1516:
1509:
1507:
1505:
1503:
1501:
1497:
1491:
1488:
1485:Steinhardt 86
1482:
1479:
1473:
1470:
1458:
1454:
1447:
1444:
1438:
1435:
1430:
1426:
1422:
1415:
1413:
1411:
1409:
1407:
1405:
1403:
1401:
1399:
1397:
1393:
1387:
1384:
1378:
1375:
1367:
1363:
1356:
1349:
1347:
1345:
1343:
1341:
1337:
1331:
1328:
1322:
1319:
1313:
1310:
1304:
1301:
1295:
1292:
1286:
1283:
1277:
1274:
1268:
1265:
1259:
1256:
1250:
1247:
1241:
1238:
1235:Steinhardt 75
1232:
1229:
1223:
1220:
1214:
1211:
1205:
1202:
1196:
1191:
1190:0-374-23670-4
1187:
1183:
1179:
1177:
1176:0-690-01944-0
1173:
1169:
1167:
1166:0-86622-007-0
1163:
1159:
1155:
1152:
1151:0-394-53985-0
1148:
1144:
1140:
1139:
1135:
1127:
1121:
1118:
1111:
1108:
1101:
1098:
1092:
1089:
1085:
1079:
1076:
1070:
1067:
1061:
1058:
1051:
1048:
1042:
1039:
1035:
1034:Violin Dreams
1031:
1025:
1022:
1015:
1010:
1006:
1005:
1001:
996:
993:
990:
987:
984:
981:
980:
976:
972:
971:
966:
963:
960:
957:
954:
951:
948:
945:
943:
942:
941:Voces intimae
937:
936:Jean Sibelius
934:
931:
927:
924:
921:
917:
913:
910:
907:
906:Maurice Ravel
904:
901:
897:
893:
889:
885:
881:
878:
875:
871:
867:
864:
861:
860:Zoltán Kodály
858:
855:
852:
849:
845:
842:
839:
836:
833:
830:
827:
823:
822:Gabriel Fauré
820:
817:
813:
809:
806:
803:
802:Ernő Dohnányi
800:
797:
794:
791:
787:
784:on RCA, with
783:
779:
775:
772:
769:
766:
763:
759:
756:
753:
750:
747:
744:
743:
742:
740:
736:
732:
723:
720:
715:
711:
706:
702:
695:
693:
689:
685:
683:
676:
671:
667:
665:
656:
654:
652:
648:
647:Zoltán Kodály
644:
640:
639:Jean Sibelius
636:
632:
628:
624:
620:
619:Leon Kirchner
616:
612:
608:
604:
600:
596:
592:
588:
584:
580:
576:
570:
565:
561:
556:
552:
547:
542:
537:
535:
529:
524:
517:
515:
512:
508:
505:
504:Carnegie Hall
500:
498:
492:
490:
486:
482:
478:
472:
470:
466:
463:, and at the
462:
458:
454:
450:
446:
441:
439:
435:
431:
430:92nd Street Y
427:
423:
419:
415:
411:
406:
401:
399:
395:
391:
386:
384:
380:
376:
372:
371:Rudolf Serkin
368:
364:
356:
354:
351:
347:
342:
340:
336:
332:
328:
323:
319:
315:
311:
307:
299:
294:
290:
286:
282:
278:
274:
270:
269:
265:
264:
263:
262:
254:
253:
248:
244:
240:
236:
232:
228:
224:
220:
216:
215:
211:
210:
209:
208:
200:
199:
195:
191:
190:Carnegie Hall
187:
183:
182:
178:
177:
176:
175:
167:
166:
162:
158:
154:
150:
146:
142:
138:
137:
133:
132:
131:
130:
122:
121:
117:
113:
109:
105:
101:
100:Ivan Galamian
97:
93:
89:
88:
84:
83:
82:
81:
74:
72:
70:
66:
62:
58:
54:
50:
46:
42:
38:
29:
19:
3582:
3537:Shostakovich
3383:RTÉ Vanbrugh
3028:St. Lawrence
3013:Conservatory
2972:Spencer Dyke
2942:Philharmonic
2937:Philharmonia
2791:Schuppanzigh
2685:Asian &
2605:Philadelphia
2499:
2225:
2211:
2197:
2183:
2174:
2165:
2156:
2144:. Retrieved
2138:
2129:
2120:
2108:. Retrieved
2103:
2095:Curotta, L.
2090:
2078:. Retrieved
2071:the original
2066:
2062:
2049:
2037:. Retrieved
2028:
2016:. Retrieved
2006:
1997:
1988:
1979:
1970:
1961:
1952:
1943:
1934:
1925:
1916:
1907:
1898:
1889:
1880:
1868:. Retrieved
1864:the original
1846:Blum 162–163
1842:
1830:. Retrieved
1825:
1816:
1804:. Retrieved
1793:
1784:
1775:
1738:
1732:
1720:. Retrieved
1716:
1706:
1694:. Retrieved
1690:
1663:. Retrieved
1659:
1632:. Retrieved
1622:
1613:
1604:
1595:
1583:. Retrieved
1579:the original
1574:
1552:
1543:
1534:
1522:. Retrieved
1518:
1490:
1481:
1472:
1460:. Retrieved
1456:
1453:"The Poster"
1446:
1437:
1429:the original
1424:
1386:
1377:
1366:the original
1361:
1330:
1325:Steinhardt 7
1321:
1312:
1307:Blum 100–105
1303:
1294:
1285:
1276:
1267:
1258:
1249:
1240:
1231:
1222:
1213:
1204:
1181:
1157:
1142:
1120:
1110:
1100:
1091:
1083:
1078:
1069:
1060:
1050:
1041:
1033:
1029:
1024:
1008:
968:
939:
916:Leonard Rose
896:Ida Kavafian
892:Joseph Haydn
887:
854:Leoš Janáček
848:Peter Serkin
838:Joseph Haydn
832:Edvard Grieg
786:Peter Serkin
727:
717:
712:
708:
704:
699:
690:
686:
678:
673:
668:
663:
660:
643:Leoš Janáček
583:Shostakovich
572:
567:
564:Tree agreed:
563:
558:
554:
549:
544:
539:
531:
526:
521:
513:
509:
501:
493:
473:
442:
402:
387:
360:
346:Stradivarius
343:
303:
266:
260:
259:
227:Pablo Casals
212:
206:
205:
194:Anton Kuerti
181:Michael Tree
179:
173:
172:
134:
128:
127:
108:George Szell
96:Philadelphia
85:
79:
78:
36:
34:
3210:Prima Vista
2892:Fitzwilliam
2852:3rd Brodsky
2715:New Zealand
2490:Fred Sherry
1086:(see Films)
752:BĂ©la BartĂłk
739:discography
560:submissive.
551:experience.
485:Mendelssohn
383:Boris Kroyt
367:Marlboro VT
300:Instruments
268:Peter Wiley
214:David Soyer
136:John Dalley
3589:Categories
3251:Gewandhaus
3200:Modigliani
3195:Loewenguth
3170:Arpeggione
3079:Pavel Haas
3023:New Orford
2746:Alban Berg
2695:Australian
2495:Fry Street
2425:Corigliano
2380:Carpe Diem
1462:10 October
1197:References
1105:an encore.
920:Emanuel Ax
741:includes:
724:Recordings
627:Lukas Foss
599:Stravinsky
579:Schoenberg
528:precision.
410:RCA Victor
308:family of
149:Tuscaloosa
129:2nd violin
80:1st violin
3563:Barcelona
3507:Beethoven
3461:Northern
3414:Jerusalem
3342:Hungarian
3337:Festetics
3300:Hungarian
3281:Rosamunde
3114:New Vlach
2882:Endellion
2837:Balanescu
2776:MosaĂŻques
2575:New World
2530:Juilliard
2520:Hollywood
2515:Hawthorne
2475:Flonzaley
2470:Fine Arts
2460:Esterhazy
2415:Composers
2405:Cleveland
2345:Berkshire
2325:Alexander
1757:cite book
1362:Overtones
1136:Resources
965:Hugo Wolf
623:Ned Rorem
575:Beethoven
457:Amsterdam
445:Cleveland
373:and from
186:Newark NJ
75:Musicians
49:Beethoven
3522:Kopelman
3463:European
3435:Italiano
3332:Danubius
3327:Corvinus
3276:Petersen
3256:Henschel
3149:Silesian
3131:European
3129:Eastern
3054:Bohemian
2991:Canadian
2982:Virtuoso
2977:Stratton
2897:Gabrieli
2739:Austrian
2720:Shanghai
2675:Zoellner
2635:Stanford
2610:Pro Arte
2595:Paganini
2590:Pacifica
2560:Midnight
2500:Guarneri
2365:Brentano
2355:Borromeo
2318:American
2146:25 April
2110:25 April
2080:25 April
2039:25 April
2018:25 April
1870:25 April
1832:26 April
1806:25 April
1722:24 April
1696:24 April
1665:24 April
1634:25 April
1585:24 April
1524:24 April
682:staccato
306:Guarneri
283:and the
273:Utica NY
3551:Spanish
3542:Taneyev
3517:Komitas
3512:Borodin
3495:Russian
3481:Vertavo
3471:Galatea
3444:Mexican
3430:Cremona
3423:Italian
3392:Israeli
3322:Carmine
3190:Krettly
3099:Smetana
3074:Panocha
3069:MartinĹŻ
3059:Janáček
3033:Toronto
3008:Bozzini
2962:Salomon
2957:Sacconi
2932:Methera
2922:Maggini
2912:Lindsay
2907:Kutcher
2902:Griller
2877:Element
2827:Arditti
2822:Amadeus
2817:Allegri
2812:Alberni
2807:Aeolian
2800:British
2771:Kolisch
2756:Barylli
2705:Goldner
2687:Oceanic
2660:Vitamin
2655:Vermeer
2625:Soldier
2620:Section
2580:Oberlin
2550:LaSalle
2545:Laclede
2535:Kneisel
2505:Hampton
2485:Formosa
2445:Emerson
2435:Del Sol
2420:Concord
2410:Clinton
2385:Cassatt
2340:Audubon
2335:Artaria
2302:African
2140:YouTube
1788:Blum xi
1608:Blum 20
1007:1989:
735:Philips
469:Spoleto
461:Cologne
310:Cremona
250:Kuerti.
3558:Casals
3527:Nevsky
3502:Atrium
3409:Carmel
3362:Tátrai
3357:Takács
3347:Kodály
3307:BartĂłk
3291:Vogler
3286:Signum
3224:German
3205:Pascal
3163:French
3154:Zagreb
3144:Moyzes
3104:Talich
3089:Pražák
3084:Prague
3064:Kocian
3018:Dubois
2952:Regent
2927:Medici
2917:London
2887:Escala
2842:Belcea
2730:Zephyr
2640:Takács
2600:Perolé
2540:Kronos
2510:Harlem
2455:Escher
2430:Curtis
2400:Ciompi
2395:Chiara
2390:Cavani
2375:Calder
2360:Boston
2330:Ancora
2309:Soweto
1745:
1188:
1174:
1164:
1149:
977:Awards
649:, and
633:, and
591:Webern
587:BartĂłk
481:Dvořák
477:Mozart
449:Geneva
428:, the
339:Venice
331:Venice
318:Naples
245:, the
237:under
225:, and
106:under
53:BartĂłk
3486:YsaĂże
3399:Ariel
3376:Irish
3352:LĂ©ner
3266:Melos
3241:Busch
3215:YsaĂże
3185:Ébène
3180:Capet
3119:Wihan
3109:Vlach
3047:Czech
3038:Vaghy
3003:Annex
2998:Amati
2967:Smith
2947:RaVen
2862:Coull
2832:Badke
2761:Hagen
2725:T'ang
2645:Tokyo
2630:Sonus
2585:Orion
2555:Miami
2465:Ethel
2440:Dover
2350:Blair
2100:(PDF)
2074:(PDF)
2059:(PDF)
1369:(PDF)
1358:(PDF)
1016:Notes
1002:Films
546:path:
453:Basel
396:) in
174:Viola
3476:Oslo
3404:Aviv
3367:VĂ©gh
3231:Amar
3175:BĂ©la
3139:Atom
2872:Duke
2847:Bond
2786:Rosé
2751:ALEA
2710:Jade
2700:Bond
2670:Ying
2665:Yale
2565:MirĂł
2525:JACK
2480:FLUX
2450:Enso
2148:2014
2112:2014
2082:2014
2041:2014
2020:2014
1872:2014
1834:2014
1808:2014
1767:link
1763:link
1743:ISBN
1724:2014
1698:2014
1667:2014
1636:2014
1587:2014
1526:2014
1464:2021
1186:ISBN
1172:ISBN
1162:ISBN
1147:ISBN
595:Berg
581:and
483:and
436:and
271:(b.
184:(b.
139:(b.
51:and
35:The
886:),
467:in
365:in
337:of
94:in
63:),
3591::
2137:.
2102:.
2065:.
2061:.
1851:^
1824:.
1759:}}
1755:{{
1715:.
1689:.
1675:^
1658:.
1644:^
1573:.
1561:^
1517:.
1499:^
1455:.
1423:.
1395:^
1360:.
1339:^
967:–
792:),
733:,
653:.
645:,
641:,
629:,
625:,
617:,
613:,
609:,
605:,
601:,
597:,
593:,
479:,
459:,
455:,
451:,
440:.
432:,
341:.
241:,
221:,
67:,
2287:e
2280:t
2273:v
2233:.
2219:.
2205:.
2191:.
2150:.
2114:.
2084:.
2067:8
2043:.
2022:.
1874:.
1836:.
1810:.
1769:)
1751:.
1726:.
1700:.
1669:.
1638:.
1589:.
1528:.
1466:.
1192:.
1153:.
932:)
902:)
876:)
850:)
828:)
764:)
118:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
