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to head the prestigious ISIA (Higher
Institute for Artistic Industries) where he remained until 1932. From 1936 Balsamo Stella directed the State Institute of Art in Venice. Balsamo Stella died suddenly in Asolo in 1941.
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in Val
Gardena (1924-1927) from where, however, he was removed at the request of the producers of sacred art who consider him too innovative. He then taught at the Pietro Selvatico State Institute of Art in
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Upon his return to Italy
Balsamo Stella first lived in Florence where from 1922 he taught at the Royal Institute of Art of S. Croce; he also set up a glass laboratory in Colle Val d'Elsa.
61:, demanded the payment of rent, Guido left after less than two and a half years. From 1903 to 1904 he attended some lessons at the Free School of the Nude of the Venetian Academy.
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Born in Turin of parents Luigi
Balsamo and Celestina Sommariva, Balsamo Stella soon lost his father and acquired the double surname from his mother's second husband, the Venetian
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88:'s student. He showed some of his works at the Secession exhibitions at the Glasspalast, while also working on the production of
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A. Dorigato, G. Trentin, Guido
Balsamo Stella. Opera incisoria e vetraria, catalogo della mostra, Bassano del Grappa, 1987.
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In 1914 Balsamo Stella obtained an award at the 11th Venice
Biennale for his etching: "Il Vitello d'oro".
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Nothing is known about his education. In 1901 Balsamo Stella began working in a painter's studio in
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A. Crespi, scheda in R. Bossaglia, L'ISIA a Monza: una scuola d'arte europea, Milano, 1986.
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At a later time
Balsamo Stella became the director of the State School of Art of Wood in
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I. de Guttry, M.P. Maino; M. Quesada, G.B.S in Le arti minori d'autore, Bari-Roma, 1985.
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P. Daverio, P. Baldacci, Guido
Balsamo Stella: opera grafica e vetraria, Milano, 1977.
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R. Bossaglia, Il DĂ©co italiano: fisionomia dello stile 1925 in Italia, Milano, 1975.
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50:. In 1896 Balsamo Stella followed his family and moved back to Turin from Venice.
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Mario
Quesada, Museo d'arte italiana di Lima, Venezia, Marsilio, 1994, p. 7,
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Mario
Quesada, Museo d'arte italiana di Lima, Venezia, Marsilio, 1994, p. 7,
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During the First World War, Balsamo Stella moved to Sweden with his wife
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and, on his return to Italy, he became a proponent for the renewal of
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but because the local Municipality, contrary to the will of Duchess
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30:, 1 January 1941) was an Italian painter and engraver.
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135:(1927-1929). In 1929 Balsamo Stella worked in
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37:Guido Balsamo Stella Ex Libris August Ammann
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142:In 1929 Balsamo Stella was called to
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295:19th-century Italian male artists
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265:20th-century Italian sculptors
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285:19th-century Italian painters
280:20th-century Italian painters
64:Balsamo Stella soon went to
16:Italian painter and engraver
59:Felicita Bevilacqua La Masa
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20:Guido Maria Balsamo Stella
260:Italian male sculptors
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290:Italian male painters
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72:, in particular with
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48:Alessandro Stella
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255:1941 deaths
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244:Categories
151:References
78:Felice Rix
55:Ca 'Pesaro
91:ex libris
42:Biography
106:Orrefors
128:Ortisei
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137:Murano
66:Munich
144:Monza
133:Padua
28:Asolo
24:Turin
227:ISBN
165:ISBN
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