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Guilt Show

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285:, who they had known for several years, and asked the owner if he wanted to sell it. To help fund the purchase, the group sold their Heroes & Villains Records imprint to Vagrant Records, citing a lack of responsibility and interest in it, in addition to Vagrant wanting 100% ownership of its releases. During some midwestern US shows in November and December, and Canadian shows in March, the band debuted two new songs: "Wouldn't Believe It" and "Sick in Her Skin". In December, the band and Rose had ownership of Red House, which they renamed Black Lodge Studios. Following this, they began renovating it into a state-of-the-art studio. During this time, the band were in the process of demoing material. 277:. In August, the group went on a European tour, playing shows in Germany, Belgium and the UK. The tour was to include additional shows in Italy, Switzerland and Amsterdam, but were left out due to time constraints. They were also due to perform shows as part of a Vagrant Records tour in the US, as well as further European shows, but were abandoned due to scheduling conflicts, resulting in the band staying at home. They began writing material for a new album, and by October, accumulated 12 potential song ideas. Around this time, they were in the middle of acquiring the studio Red House Recordings in Eudora, Kansas. 368:(1999). Pryor was at the happiest point of his life up to that point, but thought that it would not work well lyrical and started writing about other people's relationships. He claimed there was "hardly" anything on the album relating to his life. He stated that Pope's divorce was "pretty heavy shit to have gone through. So yeah, it made for good lyrical fodder." Pope said the theme and overall tone of the songs changed following it: "It made everyone step back and go, 'Wow. Okay.' It’s a big thing." Additionally, a lot of the album talks about conflict between friends. 337:
Way Out" in the basement of Pope's house. Rob and Ryan Pope recorded bar noise for "Martyr Me" at The Free State Brewery. Jeremy Goldstein, who worked at Quadrant 5 Studios, did sound manipulation on "The Dark Night of the Soul". Recording wrapped up in October with 58 days in total spent recording; 18 songs had been tracked altogether. Shortly afterwards, Rose mixed the recordings. After the track sequence was approved by Vagrant Records, it was sent off for mastering by Mike Fossenkemper at Turtle Tone Studios in October and November.
376:. "Wouldn't Believe" is about an occurrence of adultery that eventually ends in divorce. Pryor found "Holy Roman" to be a departure from his usual writings due to its political nature. It was influenced by him becoming a father, stating his awareness of the political climate in the world outside of life in a band. "How Long Is Too Long" talks about a man who sleeps with another guy's partner. The track was the first of two written during the 750: 745: 740: 712: 707: 662: 657: 612: 607: 550: 735: 730: 702: 697: 692: 652: 647: 642: 602: 597: 592: 545: 540: 535: 530: 414:. Also during January, the band were due to release an EP of two songs from the forthcoming album alongside alternative versions of other songs, but was cancelled when it was decided that the band would be better off releasing the songs online. "Martyr Me" was posted online as a free download on January 12, followed by "Wouldn't Believe It" on January 19. 371:
The album's title stemmed from an occasion where Rob Pope and Rose were driving to the studio. They passed a church that said "annual quilt show", which the pair misread as "annual guilt show". Discussing the meaning, Pryor said there was a lot of lyrics referring to "betrayal in one form or another,
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Suptic laid down his guitar parts in August while both the New Amsterdams and Reggie were on tour. Pryor later recorded piano, for "The Dark Night of the Soul", and backing vocals, for "Holy Roman", at his home in Lawrence, Kansas. Pryor and Rob Pope recorded a drum machine and vocals for "Is There a
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was recorded at Black Lodge Studios with Rose as the producer, in addition to acting as engineer. Despite having worked with the band for the previous six years, it marked the first time he produced an album for them. The group began doing pre-production in April 2003, listening to around 20 demos
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The EP was later superseded by the Japan-exclusive "Wouldn't Believe It" single, released on January 21. It featured "Martyr Me", "Wouldn't Believe It", and acoustic versions of "I'll Catch You" and "Wish You Were Here". The group had planned to release the rest of the album's songs on a weekly
273:. The album marked a musical shift away from their earlier work; despite being critically lauded, fan reaction to it was highly negative. While touring the album, the material came across as too mellow and quiet, which made for lackluster live performances, according to vocalist/guitarist 325:. The members initially listened to the demos of these new songs and thought how to approach them, before playing them in the studio's live room as a full group, marking it one of a handful of times the whole band were in the studio together for the album. At the end of June, keyboardist 349:
and Ryan Pope a more substantial role in writing the album than they had previously had. The album was far less collaborative than their previous works, many songs being written and demoed by Pryor, then fleshed out by the rest of the band. During the writing, the group was listening to
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was released on March 2 through Vagrant Records. The CD included a link to a private website that features pictures, information on the creation of the songs, as well as demos. To promote its release, the band did four in-store performances, and appeared on the
404:, on October 22. On November 11, the album was announced for release in March 2004. In early January, the album's artwork was posted on Vagrant Records' website. It was made by Sean T; Pryor found it to much simpler than the "incredibly complicated" artwork of 472:. Following this, the group played shows in Japan, the UK and Canada. The group tried to get as much promotion for the album as they could before August, by which point Pryor had his second child, and the band went on a break to focus on other projects. 372:
and guilt seems to go hand-in-hand with betrayal." "The One You Want" is about a woman that Pryor wishes he never met: "She sucks the soul out of people, and she spends all of my friend's money on drugs and stupid sh--." He referred to it as "'77 era"
460:. On April 29, a music video for "The One You Want" was posted on Vagrant's website. It was filmed during a weekend in Cincinnati, Ohio and sees the group performing in a diner with 60 people dancing around them. In May and June, the band supported 418:
basis, but due to the record leaking, the remainder of it was posted online on January 19. In addition, a music video for "Man of Conviction" was released on the same day. It featured photos of the band on tour, in the studio, among others.
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The band had previously made albums in places such as Chicago, Los Angeles and Bridgeport, and wanted to make one near to their home. The opportunity to purchase Red House came about when they wanted to work more with
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The group took a short two week break as most of the members went on holiday. They began tracking again in early June, and continued into July. They worked on some new songs, alongside a few by guitarist
309:, Rose and Pope would build drum tracks over. By early May, the drums were recorded for 13 songs, with guitar, bass and vocals only being finished for a few of them. Around this time, Jason Russell of 1425: 1386: 1828: 2267: 1884: 1572: 1207: 1801: 1417: 2482: 345:
During much of the writing, Suptic was on his honeymoon, and Dewees was far less involved in the initial writing process. However, this gave brothers
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and featured softer, acoustic versions of some of the album's songs. In March and April, the group went on a headlining US tour with support from
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sessions, but were left off as they didn't fit the style of that record. "Sympathy", the second track written during the
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was due to start touring in early July. Overall, Dewees finished around 95% of his parts before embarking on tour.
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Issue #204 "Say Goodnight, Mean Goodbye: The Oral History of 'The Get Up Kids'" Trevor Kelley
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On October 8, 2003, the album's track listing was revealed, followed by the album's title,
362:. They wanted more upbeat songs that would work well live, citing a return to the sound of 2763: 2585: 2491: 2454: 1866: 1862: 1656: 1627: 1558: 1554: 1034: 759: 683: 437: 359: 310: 270: 252: 156: 144: 137: 41: 2011: 317:, and ended up singing on "Man of Conviction", the only track finished up to that point. 2693: 2631: 1596: 457: 453: 355: 205: 187: 2244: 2860: 2711: 1348: 1119: 775: 721: 559: 465: 1515: 2809: 2610: 2531: 1021: 449: 389: 326: 132: 2174: 2120: 2638: 2143: 1418:"An Interview with The Get Up Kids: Still Finding Something To Write Home About" 306: 88: 2510: 1003: 671: 499: 410: 385: 322: 248: 101: 2435: 2414: 2571: 2524: 373: 351: 305:
guitar and vocals for 13 songs. The process consisted of Pryor playing to a
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tracked his parts; he had little time to do this due to his project
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include the album on their list of the best albums of the year.
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sessions, has been referred to by Pryor as "'97 era"
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was in the city to practice with Pryor's other band
301:'s house. By the end of the month, they had tracked 2823: 2782: 2756: 2703: 2685: 2648: 2602: 2549: 1802:"Get Up Kids Get All Up In Other People's Business" 813: 805: 204: 155: 143: 131: 115: 87: 64: 56: 48: 35: 21: 2268:"The Get Up Kids: Guilt Show : Music Reviews" 2042:"Guilt Show by The Get Up Kids Reviews and Tracks" 1313: 1311: 1309: 1749: 1747: 1745: 1743: 2351: 2349: 2005: 2003: 1277: 1275: 1273: 1271: 1269: 1267: 1265: 1263: 388:. Pryor compared the drums on "Conversation" to 2326: 2324: 1883:: CS1 maint: others in cite AV media (notes) ( 1716: 1714: 1712: 1710: 1708: 1706: 1704: 1702: 1700: 1571:: CS1 maint: others in cite AV media (notes) ( 1475: 1473: 1471: 1469: 1342: 1340: 1231: 1229: 1227: 1225: 1795: 1793: 1791: 1778: 1776: 2476: 2453:- Studio used to record Guilt Show, owned by 2422:Weingarten, Christopher H. (March 29, 2004). 1618: 1616: 1614: 1586: 1584: 1582: 8: 1900:"Vagrant posts new Get Up Kids album online" 1545: 1543: 1541: 1539: 1537: 1535: 1533: 727: 689: 639: 589: 527: 1647: 1645: 1380: 1378: 1376: 1374: 983:Personnel per booklet, except where noted. 263:The Get Up Kids released their third album 2483: 2469: 2461: 1178: 1176: 1104: 479: 27: 18: 2237:"The Get Up Kids, 'Guilt Show' (Vagrant)" 1200:"Get Up Kids Get A Lift From Superchunk" 802: 448:EP was released exclusively through the 16:2004 studio album by The Get Up Kids 2624: 2299:"The Get Up Kids - Guilt Show - Review" 2206:"The Get Up Kids - Guilt Show - Review" 2083:from the original on September 10, 2004 1172: 964: 247:is the fourth studio album by American 2010:Gintowt, Richard (December 30, 2004). 1876: 1564: 1428:from the original on February 25, 2019 1282:Gintowt, Richard (February 27, 2004). 1076:Jeremy Goldstein – sound manipulation 269:in May 2002 through independent label 2676:Free Language Demons / Up On the Roof 965: 508: 485: 7: 2719:A Newfound Interest in Massachusetts 2388:Griffin, Myles (December 31, 2004). 1238:"The Get Up Kids Get Back to Basics" 2235:Pappademas, Alex (April 19, 2004). 2154:from the original on April 16, 2009 1827:Luerssen, John D. (March 2, 2004). 1506:Cauthon, Phil (December 13, 2002). 1385:Shultz, Cara Lynn (June 14, 2016). 2297:Gottlieb, Akiva (March 18, 2004). 2266:Caramanica, Jon (March 18, 2004). 1898:Heisel, Scott (January 19, 2004). 1416:Magid, Morgan (December 2, 2015). 14: 2669:The Get Up Kids / The Anniversary 2142:Williams, Jenny (March 5, 2004). 1724:. The Get Up Kids. Archived from 1655:. The Get Up Kids. Archived from 1626:. The Get Up Kids. Archived from 1595:. The Get Up Kids. Archived from 1483:. The Get Up Kids. Archived from 1450:. The Get Up Kids. Archived from 1321:. The Get Up Kids. Archived from 1236:Green, Stuart (January 1, 2006). 729: 691: 641: 591: 529: 2401:Martens, Todd (March 20, 2004). 2331:"The Get Up Kids Chart History ( 1976:Heisel, Scott (April 18, 2004). 1953:Heisel, Scott (April 29, 2004). 1930:Heisel, Scott (March 15, 2004). 1800:Wiederhorn, Jon (May 13, 2004). 748: 743: 738: 733: 728: 710: 705: 700: 695: 690: 660: 655: 650: 645: 640: 610: 605: 600: 595: 590: 548: 543: 538: 533: 528: 2216:from the original on 2019-02-07 2204:Haag, Stephen (April 8, 2004). 2185:from the original on 2019-02-09 2052:from the original on 2019-02-11 2022:from the original on 2019-02-09 1988:from the original on 2019-02-10 1932:"Bands on TV - week of 3/15/04" 1359:from the original on 2019-02-09 1294:from the original on 2019-02-09 1248:from the original on 2019-02-07 1210:from the original on 2018-10-26 2409:. Vol. 116, no. 12. 2364:. Retrieved February 8, 2019. 2343:. Retrieved February 8, 2019. 2175:"The Get Up Kids - Guilt Show" 2071:Murray, Noel (March 3, 2004). 1955:"New Get Up Kids video posted" 1508:"Q&A with The Get Up Kids" 806: 426:Late Show with David Letterman 1: 2565:Something to Write Home About 2173:Roth, Kaj (August 27, 2004). 2073:"The Get Up Kids: Guilt Show" 1978:"Civic Tour lineup confirmed" 1829:"The Get Up Kids Are Alright" 1088:Mike Fossenkemper – mastering 432:Late Night with Conan O'Brien 365:Something to Write Home About 2430:. Vol. 79, no. 7. 2113:"The Get Up Kids Guilt Show" 1154: 1131: 1055:– producer, engineer, mixing 936:"The Dark Night of the Soul" 774:charted at number 58 on the 60:April–May, June–October 2003 1347:Niccum, Jon (May 2, 2003). 799:Track listing per booklet. 2898: 2882:Albums produced by Ed Rose 2790:Reggie and the Full Effect 2656:The Get Up Kids / Coalesce 2394:Spartanburg Herald-Journal 1653:"Studio Journal June/July" 788:Spartanburg Herald-Journal 331:Reggie and the Full Effect 228:Released: January 21, 2004 2498: 1757:. Ed Rose. Archived from 1681:. Ed Rose. Archived from 1136: 1117: 1082:Dan Monick – inside photo 954: 943: 932: 921: 910: 899: 888: 877: 866: 851: 840: 829: 818: 810: 516: 513: 493: 490: 236: 215: 200: 163: 26: 2662:The Get Up Kids / Braid 1058:Matt Pryor – recording 2877:Vagrant Records albums 2872:The Get Up Kids albums 2012:"The Kids Are Alright" 1920:Weingarten 2004, p. 21 1512:Lawrence Journal-World 1085:Sean T. – cover design 1070:Ryan Pope – recording 892:"How Long Is Too Long" 462:Dashboard Confessional 80:The Free State Brewery 2451:Black Lodge Recording 1804:. MTV. Archived from 1624:"Studio Journal 5/08" 1593:"Studio Journal 4/26" 1064:Rob Pope – recording 1060:(tracks 5, 11 and 12) 1000:– lead vocals, guitar 396:Release and promotion 2428:CMJ New Music Report 2373:Griffin 2004, p. D12 2148:Entertainment Weekly 1871:Victor Entertainment 1454:on February 12, 2003 1182:Loftus, Johnny. 1037:– additional vocals 947:"Is There a Way Out" 781:and number 3 on the 622:Entertainment Weekly 481:Professional ratings 2846:Black Lodge Studios 2740:Wouldn't Believe It 2733:Action & Action 2309:on February 1, 2010 2247:on January 31, 2010 2101:Martens 2004, p. 53 1879:cite AV media notes 1873:. 2004. VICP-35094. 1859:Wouldn't Believe It 1839:on October 26, 2007 1728:on October 26, 2005 1685:on October 11, 2003 1567:cite AV media notes 1487:on October 26, 2003 1422:The Aquarian Weekly 1029:Additional musician 1024:– keyboards, vocals 857:Wouldn't Believe It 822:"Man of Conviction" 482: 223:Wouldn't Believe It 77:Rob Pope's basement 71:Black Lodge Studios 2795:The New Amsterdams 2686:Compilation albums 2390:"Best of the Year" 2144:"On a Wire Review" 1561:. 2004. VR-0392-2. 1284:"Guilty Pleasures" 1139:Independent Albums 903:"Sick in Her Skin" 833:"The One You Want" 783:Independent Albums 480: 315:the New Amsterdams 74:Matt Pryor's house 2854: 2853: 2805:The Terrible Twos 2625:iTunes Session EP 2123:on March 27, 2004 1659:on August 1, 2003 1391:Alternative Press 1159: 1158: 1151: 1128: 1097: 1096: 1079: 1073: 1067: 1066:(tracks 6 and 12) 1061: 1040: 975: 974: 769: 768: 444:On March 25, the 240: 239: 196: 195: 2889: 2824:Related articles 2800:Blackpool Lights 2558:Four Minute Mile 2485: 2478: 2471: 2462: 2439: 2418: 2397: 2374: 2371: 2365: 2353: 2344: 2328: 2319: 2318: 2316: 2314: 2305:. Archived from 2294: 2288: 2287: 2285: 2283: 2278:on July 14, 2007 2274:. Archived from 2263: 2257: 2256: 2254: 2252: 2243:. Archived from 2232: 2226: 2225: 2223: 2221: 2201: 2195: 2194: 2192: 2190: 2170: 2164: 2163: 2161: 2159: 2139: 2133: 2132: 2130: 2128: 2119:. 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Index


Studio album
The Get Up Kids
Genre
Alternative rock
indie rock
emo
Label
Vagrant
Producer
Ed Rose
The Get Up Kids
On a Wire
Simple Science
Singles
Wouldn't Believe It
rock
The Get Up Kids
On a Wire
Vagrant Records
Matt Pryor
Ed Rose
Ryan Pope
scratch
click track
Hot Rod Circuit
the New Amsterdams
Jim Suptic
James Dewees
Reggie and the Full Effect

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