Knowledge (XXG)

Gyan chauper

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in inspiration. Some of the Hindu boards following the 9×8 pattern, i.e., 72 squares in all, are found in Nepal as well where it is referred to as nagapasa or snake-dice. Surprisingly, both Persian and Devanagari script have been used in the squares. In one of the board games of early 19th-century
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Gyan chauper influenced the creation of morality games such as "Virtue Rewarded and Vice Punished" (1918) which evolved during the British Raj into the English game of Snakes and Ladders. It is played with the same rules except here the idea behind it is how an individual's karma effects his
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Gyan Chauper reached England around the 1890s. In the beginning, the game was also moralistic like the Indian version, but later due to the slowdown of the European economy in the 1940s due to the wars only numerical plan game boards were made. This design since then has remained ubiquitous.
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dwar akin to the head of the cosmic being. A protruding square on the extreme bottom left and one square on each side of the board is indicative of its legs and arms. Even the way the snakes and ladders have been placed on the board does not change whereas they vary widely in
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Each player starts from the bottom Narak Dwar and takes turns to roll dice and moves forward according to the number generated, towards Swarg (heaven) & ultimately reaching their goal of uniting with the Supreme One, seen as a crescent shape right on top.
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is counted. It is written in Arabic or Persian. There are 17 ladders and 13 snakes. It shows direct ladders from fana fi Allah to the throne. Later with slight modifications, it is known as "Shatranj-al-Arifin" or "The chess of gnostics.
200:. A recent excavation from Rakhigarhi in Haryana discovered game boards and game pieces in terracotta and stone. Many pyramid-shaped game pieces made in stone, ivory and terracotta have been discovered at these ancient sites. 123:. The central concept of the game is the liberation from bondage of passions. So the players move from the lower levels of consciousness to higher levels of spiritual enlightenment and finally to 139:
Gyan Chaupers are standardized with 84 numbered squares in a 9x9 pattern. The board game is in the human shape-the universal being. The topmost part of the board is the heavenly abode or the
119:. It was from India that it spread to the rest of the world. It was a very popular game that was played not only for entertainment but also as a way to instruct on 467: 211:(small brown nuts) as dice. This tradition of ritualistic gambling is still seen today as Hindus play the modern version of this game during Diwali. 172:. Ivory and bone objects of all shapes and sizes, some with dots on them, and interpreted as "dice" and/or "gaming pieces", have been found at 323:
from the late 17th or early 18th century. It is 100 square gyan chauper which represents the number of names of god or 101, if the throne of
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Shimkhada, Deepak (1983) "A Preliminary Study of the Game of Karma in India, Nepal, and Tibet" in Artibus Asiae 44:4, pp. 308–22
497: 316:. Another notable feature of this board is the unusual 14×10 grid, the whole playing area being divided into four separate zones. 252:
spiritual journey. Therefore, each player the jiva progresses upwards overcoming hurdles in the form of snakes representing vices.
551: 516: 299:(the heaven of Vishnu) being the winning square in most of the Hindu boards point to the fact that these boards were mostly 535:
Topsfield, Andrew (1985) "The Indian Game of Snakes and Ladders" in Artibus Asiae 46:3, pp. 203–26; pp. 85–86.
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Topsfield, Andrew (2006) "Snakes and Ladders in India: Some Further Discoveries" in Artibus Asiae 66:1, pp. 143–79
556: 283:. These formats are supposed to have developed over a period of time. The terminologies included on the board are 332: 169: 226:
mentions Shiva and Parvati playing a game of dice. This scene has been beautifully shown in a sculpture in the
26: 279:. Traditional Hindu gyan chaupars boards have greater diversity in terms of the format than those of 207:, which expresses the lament of the player over his loss of wealth and spouse. The Vedic people used 135:
The Gyan Chauper board is in a grid pattern. The Hindu Gyan Chauper has numerous formats whereas the
239:, a 10th-century text from Rishabhapanchashika. It was mostly played on painted cloth called patas. 116: 100: 192:, and so on. Fragments of game boards have also been found at various sites. A potsherd with a 512: 493: 112: 380:
Amarendra Nath, “Rakhigarhi, a Harappan metropolis in the Sarasvati Drishadvati divide”,
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Jain Gyan Chaupar on cloth, National Museum (India, 19th century)
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The game has also been adapted for play on a phone application.
336: 288: 280: 312:. There is also a unique example of a 124-square board from 168:
times, though game boards and pieces have been found in the
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version of the Gyan Chauper was more popular with the
79: 71: 53: 36: 203:Dice playing is also mentioned in a hymn in the 490:The art of play. Board and card games of India 8: 19: 164:Dice games have been played in India since 233:The Jain gyan chauper is mentioned in the 196:design drawn on it has been discovered at 218:also mentions the game of dice in which 355: 95:(ज्ञान चौपड़ in Hindi sometimes spelt 18: 222:loses everything to his cousins. The 7: 466:Singh, Shiv Sahay (14 April 2018). 319:The Muslim version was used in the 331:The Gyan Chauper exhibited at the 295:, all underlining devotionalism. 14: 509:Games and Pastimes in Mānasôllāsa 308:, Vishnu is shown in the form of 16:Traditional board game from India 25: 1: 573: 488:Topsfield, Andrew (2006). 333:National Museum, New Delhi 339:version with 84 squares. 170:Indus Valley civilisation 24: 552:Traditional board games 268: 507:Arundhati, P (2004). 492:. Marg Publications. 456:Topsfield(2006):85-86 267: 115:, popularly known as 393:Arundhati (2004):1-2 83:entirely based upon 447:Topsfield (2006):82 438:Topsfield (2006):79 429:Topsfield (2006):87 420:Topsfield (2006):13 411:Topsfield (2006):18 402:Topsfield (2006):14 371:Topsfield (2006):79 362:Topsfield (2006):13 21: 557:Indian board games 269: 117:Snakes and ladders 46:Chutes and Ladders 43:Snakes and Ladders 260:Specific versions 90: 89: 564: 522: 503: 476: 475: 463: 457: 454: 448: 445: 439: 436: 430: 427: 421: 418: 412: 409: 403: 400: 394: 391: 385: 378: 372: 369: 363: 360: 29: 22: 572: 571: 567: 566: 565: 563: 562: 561: 542: 541: 529: 527:Further reading 519: 506: 500: 487: 484: 479: 465: 464: 460: 455: 451: 446: 442: 437: 433: 428: 424: 419: 415: 410: 406: 401: 397: 392: 388: 379: 375: 370: 366: 361: 357: 353: 345: 262: 249: 230:in Aurangabad. 162: 156:Gyan Chaupers. 133: 64: 60: 49: 32: 17: 12: 11: 5: 570: 568: 560: 559: 554: 544: 543: 540: 539: 536: 533: 528: 525: 524: 523: 517: 504: 498: 483: 480: 478: 477: 458: 449: 440: 431: 422: 413: 404: 395: 386: 373: 364: 354: 352: 349: 344: 341: 261: 258: 248: 245: 198:Nagarjunakonda 161: 158: 132: 131:Board geometry 129: 88: 87: 81: 77: 76: 73: 69: 68: 55: 51: 50: 48: 47: 44: 40: 38: 34: 33: 30: 15: 13: 10: 9: 6: 4: 3: 2: 569: 558: 555: 553: 550: 549: 547: 537: 534: 531: 530: 526: 520: 514: 510: 505: 501: 499:9788185026763 495: 491: 486: 485: 481: 473: 469: 462: 459: 453: 450: 444: 441: 435: 432: 426: 423: 417: 414: 408: 405: 399: 396: 390: 387: 383: 377: 374: 368: 365: 359: 356: 350: 348: 342: 340: 338: 334: 329: 326: 322: 321:Mughal period 317: 315: 311: 307: 302: 298: 294: 290: 286: 282: 278: 274: 266: 259: 257: 253: 246: 244: 240: 238: 237: 231: 229: 225: 224:Skanda Purana 221: 217: 212: 210: 206: 201: 199: 195: 191: 187: 183: 179: 175: 171: 167: 159: 157: 155: 151: 147: 142: 138: 130: 128: 126: 122: 118: 114: 113:ancient India 110: 106: 103:derived from 102: 98: 94: 86: 82: 78: 74: 70: 67: 63: 59: 56: 52: 45: 42: 41: 39: 35: 28: 23: 508: 489: 471: 461: 452: 443: 434: 425: 416: 407: 398: 389: 381: 376: 367: 358: 346: 330: 318: 270: 254: 250: 241: 234: 232: 228:Ellora Caves 220:Yudhishthira 213: 208: 202: 174:Mohenjo-daro 163: 134: 97:gyan chaupar 96: 93:Gyan Chauper 92: 91: 20:Gyan Chauper 384:, 28, 1998. 343:Modern Uses 314:Maharashtra 216:Mahabharata 85:probability 37:Other names 546:Categories 518:8190170821 482:References 382:Puratattva 190:Alamgirpur 186:Kalibangan 111:played in 109:board game 58:Board game 472:The Hindu 301:Vaishnava 297:Vaikuntha 236:Dhanapala 209:Vibhidaka 166:Shramanic 101:dice game 75:Minimum 2 66:Dice game 62:Race game 277:Brahmins 247:Gameplay 205:Rig Veda 154:Buddhist 121:morality 335:is the 310:Krishna 293:Vedanta 285:Sankhya 194:chaupar 178:Harappa 160:History 105:chaupar 99:) is a 72:Players 515:  496:  306:Marwar 182:Lothal 152:, and 150:Muslim 141:Moksha 125:Moksha 80:Skills 54:Genres 351:Notes 325:Allah 304:from 281:Jains 273:Hindu 146:Hindu 513:ISBN 494:ISBN 337:Jain 289:Yoga 271:The 214:The 137:Jain 107:, a 548:: 511:. 470:. 291:, 287:, 188:, 184:, 180:, 176:, 148:, 127:. 521:. 502:. 474:.

Index


Board game
Race game
Dice game
probability
dice game
chaupar
board game
ancient India
Snakes and ladders
morality
Moksha
Jain
Moksha
Hindu
Muslim
Buddhist
Shramanic
Indus Valley civilisation
Mohenjo-daro
Harappa
Lothal
Kalibangan
Alamgirpur
chaupar
Nagarjunakonda
Rig Veda
Mahabharata
Yudhishthira
Skanda Purana

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