429:, at the request of the composer's son in 1985. It was published in 2001, and has been recorded by Sándor. Sándor wrote in his introduction to the edition: "It was agreed that the primary goal would not be to make the piano score easier to play, but to make it playable at all. Furthermore, since Bartók's piano score contains only the first ending of the last movement, my role was to provide a reading for the second (alternative) ending. Bartók wrote the second ending to avoid the rather abrupt conclusion of this grandiose work, and this is now accepted as the standard version of the last movement." He also edited the works for solo piano of Sergei Prokofiev.
261:, he returned to the concert stage. His technique was described as "Lisztian" and his repertoire universal, although later in his career his playing of Bartók was much in demand. Initially he recorded numerous piano works by Bach, Beethoven, Brahms, Chopin, Liszt, Rachmaninov, Schumann and others for Columbia Masterworks. Then with Vox, he recorded the complete works for solo piano of Zoltán Kodály and of
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392:, an endless source of energy, during playing. Ideas on memorizing are also addressed. Importantly, "On Piano Playing" corrects these common misconceptions: pianists only play with their fingers and only a few have the physical ability to play the piano.
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Sándor remained friends with Bartók throughout his life, and was one of only ten people who attended Bartók's funeral in 1945. Sándor played the premiere of Bartók's
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He wrote a book "On Piano
Playing: Motion, Sound, Expression", published by Schirmer Books, which is one of the most rational and clear accounts of piano technique.
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newspaper, Leo Black commented "musical performance desperately needs the sense of rightness, completeness and economy that pervaded his playing and thinking".
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He also edited and published Bartók's own unpublished piano arrangement (made in
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A manuscript of a book on his mentor Béla Bartók and his music remains unpublished.
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György Sándor plays Béla Bartók: Concerto for
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486:"Gyorgy Sandor, Pianist Who Trained Under Bartok, Is Dead at 93"
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György Sándor plays Bach-Liszt
Fantasy & Fugue in G minor
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and the
Intelligence and Special Services from 1942 to 1944.
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349:, renowned teacher, Dr. J.D. Kelly, and composers
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546:David Dubal interview with György Sándor (1 of 2)
526:"On Piano Playing: Motion, Sound and Expression"
281:. They had one son, Michael, and were divorced.
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604:Hungarian emigrants to the United States
422:(first perf. New York 1975; pub. 1977).
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30:For the Hungarian footballer, see
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373:Manuscripts and published works
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279:Archduke Karl Pius of Austria
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539:Interview with György Sándor
233:on 8 February 1946 with the
213:debut in 1939. He became an
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217:citizen and served in the
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528:. Boston, MA: Schirmer.
400:The Sorcerer's Apprentice
609:Juilliard School faculty
167:Hungarian pronunciation:
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624:Pupils of Zoltán Kodály
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171:[ˈɟørɟˈʃaːndor]
427:Concerto for Orchestra
420:Sonata for Solo Violin
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367:New York University
307:Deniz Arman Gelenbe
225:Friends with Bartók
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589:2005 deaths
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445:at age 93.
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381:Writing in
335:Jungwon Jin
203:Béla Bartók
185:Early years
578:Categories
466:References
345:performer
343:fortepiano
331:Ljuba Moiz
257:Following
110:newspapers
176:Hungarian
365:In 1996
327:Ian Pace
285:Teaching
215:American
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563:YouTube
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390:gravity
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