Knowledge (XXG)

Gypsy jazz

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1108:"Django in June" is a weeklong gypsy jazz music camp ("Django Camp"), with weekend clinics and concerts. Inaugurated in 2004, the event is held on the campus of Smith College in Northampton, Massachusetts. Berklee College of Music in Boston, Massachusetts offers a gypsy jazz ensemble instructed by Jason Anick, the leader of the Rhythm Future Quartet. DjangoFest NW is held each September at Whidbey Island Center for the Arts in Langley, Washington, which typically features such performers as John Jorgenson, The Rosenberg Trio, Dan Hicks, and Pearl Django. In conjunction with the first DjangoFest event, Jazz Gitan guitarist Don Price started the first American Gypsy Jazz Guitar Group to facilitate the popularity and spread of this style in the United States. Every year, in August, New York's Lincoln Center holds a concert at Rose Hall, and the jazz club Birdland in New York holds a weeklong gypsy jazz concert series in June and November. 1010: 359: 846: 564:, "two-feel" parts where the root and the fifth (or sometimes another chord tone) are played as quarter notes on the first and third beats, respectively, and for ballads, a mix of whole notes and half notes. It is mostly plucked with the fingers, but on some songs, the bow is used, either for staccato roots and fifths in "two-feel" or, on a ballad, for sustained low notes. On some songs, bass players may be given an improvised solo. Some gypsy jazz bass players strike the fingerboard with the fingers between plucked notes, creating a percussive style called 545:; Maccaferri parted company with Selmer in 1933 and later models were just known as "Selmer". These guitars were originally made in two versions, the earliest with a large, D-shaped sound hole, and later models with a smaller, O-shaped sound hole. The later models are considered most suited to lead guitar playing. In the 2010s, designs based on this model were marketed as "gypsy jazz guitars" and are the guitars of choice for most practitioners of the style on account of their responsiveness and particular tonal characteristics. 1101: 235: 489:, Grappelli returned to the hot club style with the support of acoustic guitars and double bass. Grappelli's popularity and public appearances helped to rekindle an interest in gypsy jazz among younger listeners. In the 2010s and 2020s, the gypsy jazz style is once again passed on from one generation to the next in Manouche/Sinti communities, children learning from their relatives at an early age, able to master the basics almost before they can hold a normal-sized guitar in their hands. 572: 530: 1080:
Communist Romania. After the Romanian Revolution of 1989, numerous musicians who were not previously permitted to record on the national record label Electrecord, saw their debuts released; but that eclectic characteristic of Romanian gypsy music changed into what is now called "manele" – a music that is not entirely from gypsy folk origin, nor is it jazz or another defined genre. There are many manele performers creating hybrid genres mixing different notes and rhythms.
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with Pearl Django, the Clearwater Hot Club, and Parisota Hot Club, "Stockholm Sweetnin'" (2006) with The Hot Club of Sweden, and "All the Cats Join In" (2014) with the John Jorgenson Quintet. George Cole and his group Vive Le Jazz have been touring nationally, most recently playing at Carnegie Hall in 2008. His gypsy jazz inspired music was chosen for a Grammy's showcase. He plays an original Selmer 520 that Django Reinhardt used on tour in France in the 1940s.
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This is a generalised account drawing from material in a range of sources, including Michael Dregni's two comprehensive accounts (2006 and 2008) in particular (see "Further reading" for full details). Information and detailed sources on individual artists mentioned are given in the relevant Knowledge
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In Minnesota, guitarist and composer Reynold Philipsek performs gypsy jazz as a solo musician and with Minnesota gypsy jazz acts East Side, The Twin Cities Hot Club, and Sidewalk Café. Also in the Twin Cities area, the singer Connie Evingson has recorded three gypsy albums: "Gypsy in My Soul" (2004)
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was politically censored throughout the 1980, so that only bootleg recordings survive of those years. According to the Romanian Ministry of Culture, the reason for banning it was its impure nature, threatening the national folk music. However, other lăutari music was widely recorded and performed in
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Arpeggios on the guitar are typically executed as patterns running diagonally from the lower frets on the lower strings to the upper frets on the upper strings. Such patterns tend to have no more than two stopped notes per string, relating to the fact that Django could only articulate two fingers on
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feeling, and it most often emphasizes beats two and four, a vital feature of swing. The strumming hand, which never touches the top of the guitar, must make a quick up-down strum followed by a down strum. The up-down part of la pompe must be done extremely fast, regardless of the tempo of the music.
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initially played acoustically, without a drummer. After 1940, the group often recorded with a drummer. Guitar and violin are still the main solo instruments, although clarinet, saxophone, mandolin, and accordion are sometimes used. The rhythm guitar is played using a distinct percussive technique,
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with little formal musical study (or, indeed, formal education of any kind). Since the late 1970s, study materials of a more conventional kind such as workshops, etude and method books and videos have become available, allowing musicians worldwide to learn the style and its idiomatic ornaments and
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This lineup, with occasional changes in membership on double bass and rhythm guitar, entered the recording studio later that year. They recorded extensively, until the outbreak of war in 1939 when the Quintette was on tour in England. Reinhardt returned to Paris, while Grappelli remained in London
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What is called "gypsy jazz" today was not always played exclusively by Roma, even in its early days: of the original Quintette, only Django and his brother Joseph were Roma, and Django himself played in a non-Roma jazz context on many occasions. In addition, many later Roma guitarists—including
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Following Reinhardt's death in 1953 and into the 1960s, Romani players performed mainly upon amplified instruments in a modern, electric style, though with a European "inflection" in which some traces of Reinhardt's influence remained. However, from the 1970s onwards, a new generation of Romani
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is played in all inversions, one after the other, is another widespread gypsy jazz technique. Diminished 7th arpeggios are also used over dominant 7th chords. (Example: If an A7 is being played, a diminished run starting on C# would be played, creating an A7b9 sound over the dominant chord.)
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for the duration of the war. After the war, they reunited in London and recorded with an English rhythm section. The days of the "hot club" sound were over, as both men had pursued independent musical paths. Reinhardt had moved to an electric guitar sound influenced by
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Entertainer of the Week is Tatiana Eva-Marie...included in Vanity Fair's list of rising jazz stars...lead singer of the Gypsy-French Avalon Jazz Band...influences of Gypsy and Eastern European folklore...with violinist Adrien Chevalier...we opened for Norah
422:, they played dance music at the Hôtel Claridge in Paris, during the summer of 1934. According to an account in a book by Michael Dregni, Grappelli played a chorus, then Reinhardt began to improvise. Sometimes they were accompanied on double bass by 896:, who now lives in Perth, Western Australia, has toured and recorded gypsy jazz in a quartet featuring a rhythm guitar, bandoleon, and double bass. There is a gypsy jazz "cell" in St. Kilda, Melbourne, which has performed in parks. 996:
Violinist George Curmi l-Puse along with accordionist Yuri Charyguine, guitarists Joshua Bray and Steve Delia d-Delli, and bassist Anthony Saliba l-Fesu created the Hot Club Of Valletta in 2014. They have played gigs in and around
745:, which are fairly distinct from the standards tunes of mainstream jazz. However, contemporary ensembles may adapt almost any type of song to the style. Swing standards include jazz hits of the 1920s and 1930s, such as " 4182: 928:
Contemporary gypsy instrumentalists in the Django Reinhardt and Jazz Hot Tradition, as heard annually at the Festival Django Reinhardt at Samois-sur-Seine, France, include Django's grandson David Reinhardt,
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from these instruments are also featured.) The repertoire mixes together café concert, old-school jazz standards, folk and pop-folk music. The Western gypsy style is reinterpreted mostly through the
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In Brooklyn, New York, musicians from France including vocalist Tatiana Eva-Marie of the Avalon Jazz Band and violinist Adrien Chevalier have been performing a gypsy-jazz mixed with American swing.
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The largest audiences and highest number of musicians were found in Europe in 2006 as this is where the style originated. Contemporary gypsy jazz musicians include Gonzalo Bergara, George Cole,
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are based in Sweden. Gypsy guitar builder Ari-Jukka Luomaranta (AJL-Guitars) is based in Finland and runs his own group Hot club de Finlande, performing with soloists from Europe.
675:. Dominant seventh chords are also altered by lowering the 9th and 13th scale degree. Gypsy jazz songs use half-diminished chords to precede dominant seventh chords in minor keys. 1809: 1284:
and his mother was a Reinhardt (another German surname). Also living in the south of France at the time were another gypsy clan or tribe, the Gitans, whose origins were from the
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The first generations of gypsy jazz musicians learned the style by the "gypsy method," involving intense practice, direct imitation of older musicians (often family members) and
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bands with accordionists and accompanying popular singers of the day, he became acquainted with jazz music and began playing it. After hearing
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in classical music, albeit an entire chord is used. This pattern is usually played in unison by two or more guitarists in the rhythm section.
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Williams, Patrick. "Un Héritage Sans Transmission : Le Jazz Manouche." Ethnologie Française 30, no. 3 (2000): 409-22. French language.
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gypsies of Spain. Although Reinhardt's style has acquired the name "jazz manouche" in recent times, many of his accompanists, such as the
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Belgian virtuoso violinist Yves Teicher and the Chorda Trio at la Ferme de la Madelonne in Gouvy (Belgium) during the 2007 Djangofolllies.
1838: 825:. Touring gypsy jazz musicians often include workshops with performances. Players who have written study guides include Martin Norgaard, 2917: 1740: 1813: 291:
Reinhardt was foremost among a group of gypsy guitarists working in Paris from the 1930s to the 1950s. The group included the brothers
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with the chord progressions and melodies of gypsy jazz standards have become available as well, both in book form and on websites.
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players were interested in the original, hot club style and repertoire; some, such as the older German violinist and bandleader
3447: 2743: 1924: 1725: 1700: 510: 427: 273: 226: 1783: 3981: 3887: 2690: 2328: 2263: 48: 1826:... Bushwick jazz singer group Tatiana Eva-Marie and her Avalon Jazz Band will play 1920s-style Gypsy jazz in the lobby, ... 326:. However, it had a resurgence from the 1970s onwards, among performers and audiences at festivals, etc., in particular the 845: 3809: 2884: 2859: 2784: 2715: 2705: 709:
Chromatic runs are often executed very quickly over more than one octave. A particularly characteristic technique is the
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Guitarists often intersperse melodic playing with flamenco-esque percussive series of chords to create a varied solo.
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design favored by Reinhardt. Ensembles aim for an acoustic sound even when playing amplified concerts, and informal
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Andrew Gilbert (30 July 2011) San Jose Mercury News, "Argentine guitarist Gonzalo Bergara Feels Gypsy jazz spirit"
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There is a yearly Django festival in Norway and Jon Larsen's Hot Club de Norvège is based there. Gypsy guitarists
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Another aspect of the style is based on the chord shapes Reinhardt was forced to use due to his injury. Standard
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and Florin Niculescu. Former regulars also included the late Mondine Garcia and Didi Duprat. Jazz vocalist
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clan of Romanis, and has remained popular amongst this clan. Gypsy jazz is often called by the French name
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Reinhardt and his band used a range of guitar models available in France, but dominant among them was the
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rhythm, actually very close to it, but syncopated differently in lead instruments. Throughout the years,
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Conferinţele de la Şosea. Profesioniştii muzicilor orale: istorie, practici, stiluri, tendinţe recente
765:"; compositions by other notable gypsy swing players and jazzed-up versions of Romani songs, such as " 4248: 3986: 3774: 3597: 3412: 3320: 3024: 2799: 2710: 1050: 973: 869: 471: 459: 1234:
Siv B. Lie and Benjamin Givan (2019). "Jazz Manouche". Grove Music Online. Oxford University Press.
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Gypsy jazz came into prominence in Romania around 1980 by means of the pop-folk subgenre known as
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files have become available. Prominent gypsy-style guitarists who are not ethnically Roma include
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In Eastern European gypsy music, the rhythm section is most likely covered by one or two
463: 334:, France (the location of Reinhardt's last residence) and continues to the present time. 84: 4149: 3971: 3939: 3371: 3168: 2569: 2557: 1089: 946: 938: 930: 877: 865: 857: 810: 786: 553: 395: 1869: 4237: 4089: 3929: 3821: 3779: 3714: 3602: 3585: 3570: 3497: 3492: 3487: 3482: 3477: 3472: 3467: 3462: 3457: 3452: 3272: 3249: 3147: 3135: 3125: 3108: 2735: 2579: 2438: 2373: 2358: 2338: 2249: 2025:"David Regueiro: "Sin pasión se podría tocar esta música, pero no sería interesante"" 1704: 1304: 1204: 1119: 1070: 950: 881: 849: 818: 806: 742: 627: 557: 538: 533:
Selmer Maccaferri type guitars. Distinctive sound holes and "floating" wooden bridges
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The style was popular in France and, via recordings and appearances by the original
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Since the 2010s, Gypsy Jazz has been growing very fast in Spain with guitarists as
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US band Pearl Django performs in Seattle. Note the accordion player on the left.
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In Canada, gypsy jazz bands include Denis Chang, Justin Duhaime's Gypsy Muse,
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brothers, were Gitans. For more information see Cruickshank, 1984, pp. 40-41.
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Commonly used scales, in addition to arpeggios, include the chromatic scale,
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Django legacy - the music of Django Reinhardt & the birth of gypsy jazz
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numbers, often waltzes; original compositions by Django Reinhardt, such as "
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In gypsy jazz, the rhythm guitar uses a special form of strumming known as "
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people of Germany and the Netherlands; his father's surname was the German
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when played in the Banat style; however the swung sârbă was not abandoned.
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performs gypsy-jazz music combined with swing music in Brooklyn, New York.
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is the low-pitched instrument in gypsy jazz. The bass is mostly used for a
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into 2015, sometimes referring to the music they play as jazz manouche.
3668: 3580: 3565: 3427: 2522: 2406: 1550: 568:(this is different from the 1970s bass guitar style of the same name). 387: 1053:
type of sound (beside the unexpected timbre combinations, contrasting
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Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing
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Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing
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Django's Gypsies - The Mystique of Django Reinhardt and His People
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Romani clan of northern France, the French-speaking branch of the
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Leeds University Library's Gypsy, Traveller and Roma Collections
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in small venues such as the annual Django Reinhardt festival at
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The origins of gypsy jazz can be traced to the Manouche gypsy
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L'Esprit Manouche: A Comprehensive Study of Gypsy Jazz Guitar
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performing with the Rosenberg Trio in the Netherlands in 2002
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Memorial to the Sinti and Roma Victims of National Socialism
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Chapter 20: "Along came Diz." in Balmer, 2003, pp. 235-253.
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Original 78 release by the Quintette du Hot Club de France.
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Documentation and Cultural Centre of German Sinti and Roma
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Django Reinhardt and the Illustrated History of Gypsy Jazz
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Django Reinhardt and the Illustrated History of Gypsy Jazz
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http://www.festivaldjangoreinhardt.com/spip.php?rubrique26
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https://doi.org/10.1093/omo/9781561592630.013.90000315373
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The Guitar Style of Django Reinhardt and the Gypsies
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has roots based in gypsy jazz. French jazz vocalist
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The style has its origins in France and the 3837:2008–2009 neo-Nazi murders of Roma in Hungary 3815:Deportations of Romani people to Transnistria 3699: 2257: 1457:, Stan Ayeroff, p. 43, Mel Bay Publications, 655:are almost never played, and are replaced by 272:(1908–1997), as expressed by their group the 8: 1306:Django: The Life and Music of a Gypsy Legend 1206:Django: The Life and Music of a Gypsy Legend 1122:is a leading figure of American gypsy-jazz. 2185:. University of Michigan Press, Ann Arbor. 1155:. Oxford University Press. pp. 10–13. 647:are not as common in gypsy jazz. Standard 3706: 3692: 3684: 3295: 3055: 2264: 2250: 2242: 122: 4168:European Center for Antiziganism Research 111:Learn how and when to remove this message 4060:Central Council of German Sinti and Roma 3842:Deportation of Roma migrants from France 1956:Rădulescu, Speranţa and Iordan, Florin. 4100:Contact Point for Roma and Sinti Issues 2111:Django Legacy – The Birth of Gypsy Jazz 1952: 1950: 1131: 1996:Hernández, Óscar (11 October 2018). 1726:fr:Christine Tassan et les Imposteures 729:. Notes on the same string are played 1895:"Gustav Lundgren — Musikcentrum Väst" 1140:https://www.jstor.org/stable/40990261 908:Nova Scotia band Gypsophilia in 2010. 852:, guitarist on stage in London, 1983. 410:via the record collection of painter 260:) is a musical idiom inspired by the 7: 1310:. Oxford University Press. pp.  1210:. Oxford University Press. pp.  49:adding citations to reliable sources 2195:Romane and Derek Sebastian (2004): 2096:Stéphane Grappelli: A Life in Jazz. 1782:Andrew Gilbert (26 February 2014). 1455:Mel Bay's Music of Django Reinhardt 1069:rhythm, which sounds more like the 322:, mainstream jazz, and eventually, 4203:Museum of Roma Culture of Belgrade 3800:Rescue of Roma during the Porajmos 1808:Danielle Kogan (25 October 2017). 801:Since the 1990s, software such as 342:The musical style was first named 14: 3795:Berlin-Marzahn concentration camp 3619:Album covers of Blue Note Records 2050:Kerry Gravatas (2 January 2017). 1868:Allen, Rick (24 September 2013). 1250:. 5 February 2005. Archived from 1065:has gradually become fond of the 4216: 4215: 4140:European Roma Information Office 4115:European Roma Information Office 3750:Archaeology of the Romani people 3667: 1812:. Brooklyn Daily. Archived from 1403:Earls, Jason (6 November 2009). 1335:(XXG) articles on those persons. 485:At the instigation of guitarist 25: 2217:The Django Reinhardt Swing Page 2084:Consolidated Music Publishers. 2082:Jazz Masters: Django Reinhardt. 511:Quintette du Hot Club de France 428:Quintette du Hot Club de France 274:Quintette du Hot Club de France 227:Quintette du Hot Club de France 36:needs additional citations for 3888:Environmental racism in Europe 3810:Gypsy family camp in Auschwitz 2999:Institutions and organizations 1747:, Festivaldjangoreinhardt.com. 1272:Django's family were from the 777:playing and exotic harmonies. 541:guitar designed and signed by 1: 2696:Cool jazz and West Coast jazz 2183:The Music of Django Reinhardt 1977:(in Spanish). 8 February 2016 1620:"Mishra's Dream on CBC Music" 1551:"Gypsy Muse – Justin Duhaime" 988:and innovator of gypsy jazz. 787:playing and learning "by ear" 394:music, Reinhardt listened to 288:in English-language sources. 160: 4198:Gordon Boswell Romany Museum 4125:National Agency for the Roma 4009:World Day of Romani Language 3760:Moldavian–Wallachian slavery 2171:. Oxford University Press. 1761:. Speck Press. p. 197. 1368:The Total Acoustic Guitarist 4193:Basketry Museum of the Roma 4065:European Roma Rights Centre 3847:Roma Holocaust Memorial Day 2232:: French site on Gypsy Jazz 1406:Underground Guitar Handbook 1118:New Jersey-based guitarist 330:which commenced in 1968 at 4267: 4095:International Romani Union 3727:Names of the Romani people 2236:www.djangobooks.com/forum/ 2135:. Ashley Mark Publishing. 2023:Región, La (20 May 2015). 1388:Horowitz, Michael (2007), 835:Patrick "Romane" Leguidcoq 505:Instrumentation and lineup 305:Joseph "Nin-Nin" Reinhardt 4211: 3722: 3663: 3025:See Template: Jazz theory 1675:www.alliance-francaise.ca 482:performed in this style. 328:Festival Django Reinhardt 205: 4188:Museum of Romani Culture 4158:Romani Studies (journal) 4105:Decade of Roma Inclusion 4004:International Romani Day 2131:Ian Cruickshank (1994): 2117:Ian Cruickshank (1982): 1757:Dregni, Michael (2006). 1739:History of the festival 1650:TD Toronto Jazz Festival 1528:17 November 2006 at the 1409:. Lulu.com. p. 52. 1302:Dregni, Michael (2004). 1202:Dregni, Michael (2004). 1151:Dregni, Michael (2008). 715:diminished seventh chord 631:It is very similar to a 516:Selmer-Maccaferri guitar 303:and Reinhardt's brother 2228:7 November 2008 at the 2219:: UK Gypsy Jazz website 2181:Benjamin Givan (2010): 2167:Michael Dregni (2008): 2153:Michael Dregni (2006): 1644:Patti (10 March 2014). 687:or decorated arpeggio. 526:are part of the scene. 266:Jean "Django" Reinhardt 1925:"Gustav Lundgren Trio" 1839:"Hot Club of Valletta" 1743:22 August 2016 at the 1390:Gypsy Rhythm, Volume 1 1366:Natter, Frank (2006). 1105: 1017: 970:Schnuckenack Reinhardt 909: 892:The British guitarist 853: 615: 576: 534: 452:Schnuckenack Reinhardt 375: 367: 242: 4135:World Romani Congress 4053:Politics and advocacy 3878:Anti-Romani sentiment 2094:Paul Balmer, (2003): 2080:Stan Ayeroff (1978): 1646:"Les Petits Nouveaux" 1357:. www.djangobooks.com 1103: 1012: 907: 848: 781:Teaching and learning 599: 574: 532: 373: 361: 237: 3775:Great Gypsy Round-up 3413:Bibliography of jazz 3193:Continental European 2108:Denis Chang (2015): 284:, or alternatively, 45:improve this article 4110:Roma Education Fund 4044:World Roma Festival 4029:Kris (Romani court) 4014:King of the Gypsies 3905:Society and culture 3883:Roma Special School 3832:2006 Ferentari riot 3827:1993 Hădăreni riots 3654:Straight, No Chaser 3443:Straight-ahead jazz 2900:Winter & Winter 2349:French horn in jazz 2054:. Up Front New York 696:melodic minor scale 691:his fretting hand. 258:hot club-style jazz 172:Typical instruments 4163:Gypsy Lore Society 4075:Ketani Association 3982:Bible translations 3805:Szczurowa massacre 3770:Egyptians Act 1554 3765:Egyptians Act 1530 3755:Feudum Acinganorum 3598:West African music 3423:British dance band 3213:European free jazz 3186:British dance band 2679:Musicians by genre 2459:Free improvisation 1935:on 19 October 2016 1905:on 18 October 2016 1849:on 7 December 2015 1707:on 1 December 2019 1681:on 18 October 2016 1577:ottawajazzscene.ca 1571:McGregor, Alayne. 1254:on 5 February 2005 1106: 1018: 1014:Stochelo Rosenberg 916:, Mishra's Dream, 910: 876:, Paulus Schäfer, 874:Stochelo Rosenberg 854: 841:Contemporary forms 790:musical language. 723:plectrum technique 616: 577: 535: 493:Django's own sons 480:Stochelo Rosenberg 420:Stéphane Grappelli 376: 368: 270:Stéphane Grappelli 243: 223:Stéphane Grappelli 193:others on occasion 4231: 4230: 4080:NGO Roma Together 3681: 3680: 3554:New Orleans blues 3401: 3400: 3344: 3343: 2918:Beaches (Toronto) 2329:Swing performance 2223:djangostation.com 2191:978-0-472-03408-6 2177:978-0-19-531192-1 2163:978-1-933108-10-0 2114:. denischang.com. 2104:978-1-84772-576-9 1870:"Gustav Lundgren" 1768:978-1-933108-10-0 1416:978-0-557-14772-4 1392:, Djangobooks.com 1183:on 15 August 2015 1162:978-0-19-531192-1 982:Dotschy Reinhardt 959:Tatiana Eva-Marie 829:, Andreas Öberg, 562:walking basslines 406:, and especially 232: 231: 131:Stylistic origins 121: 120: 113: 95: 4256: 4219: 4218: 3708: 3701: 3694: 3685: 3672: 3671: 3438:Continental jazz 3331:Washington, D.C. 3296: 3198:Czech and Slovak 3056: 2840:India Navigation 2538:Progressive jazz 2392:Avant-garde jazz 2266: 2259: 2252: 2243: 2157:. 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