84:(the disciple of St Benedict), and produced an architectural design for the building which was accepted and built. In September 1868 he went to Rome to recruit Wüger to the task of the painting, and the cartoons having been produced they travelled back to Beuron in May 1869 together with Steiner, Wüger's pupil. The work was completed in summer 1871 and dedicated in September. Wüger took on the robes of the Order at Beuron in September 1871 as Brother Gabriel, followed by Steiner as Brother Lukas and Lenz as Brother Desiderius in 1872.
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61:. Like the Nazarenes, these artists who were to become known as the “Beuronese” were in search of natural simplicity and clarity with an emphasis on essentials and conscious neglect of accidentals and details. They chose as their guiding principles the use of plain backgrounds and basic colours, a limited use of perspective and a repetition of decoration.
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Lenz was attracted to Beuron because of the abbey’s use of
Gregorian chant, which he saw as parallel to his own efforts in art and architecture. He approached Princess Katherina von Hohenzollern, who had promised a chapel there to
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likened the artistic efforts of the
Benedictines of Beuron to the revival of Gregorian chant by the Benedictines of Solesmes when he wrote, “...together with sacred music, it proves itself to be a powerful aid to the liturgy”.
68:, who had similar artistic aspirations for his young Benedictine monastery at Beuron. Maurus Wolter wanted his monastery to play a role in the revival of Church art just as it was beginning to do in the revival of
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Lenz and Wüger thought of forming a monastic community of artists. They believed that in order to make sacred art one should lead a
Catholic life in community. In 1868 in Rome, they met
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The original “Life of the Virgin” series was painted at the Emmaus Abbey in Prague under the direction of Lenz, Wüger, and
Steiner between 1880-87.
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in 1913, on the occasion of the consecration of a crypt chapel at the abbey of Monte
Cassino decorated in the style of the
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and
Fridolin Steiner, travelled to Rome to work with the artists of the
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In 1863 Wüger and two other artists drawn to the
Benedictine teaching,
168:, November 2003 Volume XXVI, Number 11. See at St. John's Seminary
183:(Herder & Co., Freiburg im Breisgau 1930 edition), pp. 204-06.
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210:(Herder & Co., Freiburg im Breisgau 1930 edition), p. 205.
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Kingdom of the soul: symbolist art in
Germany, 1870-1920
46:Wüger was born Jakob Wüger on 2 December 1829 in
35:(2 December 1829 – 1892) was an artist and a
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43:in Germany in the late nineteenth century.
39:monk. He was one of the founders of the
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16:Swiss artist and monk (1829-1893)
262:19th-century Swiss male artists
106:Wüger died at the monastery of
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257:19th-century Swiss painters
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139:Ehrhardt, Ingrid (2000).
92:Archicoenobium Casinense
90:In his apostolic letter
28:by Gabriel Wüger, 1868.
194:Acta Apostolicae Sedis
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247:Swiss Christian monks
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252:Swiss male painters
237:People from Thurgau
242:Swiss Benedictines
197:5, 1913, pp.113-17
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208:Die Unruh zu Gott
181:Die Unruh zu Gott
96:Beuron Art School
72:(in emulation of
59:Nazarene movement
41:Beuron Art School
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165:Angelus Magazine
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120:Desiderius Lenz
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70:Gregorian chant
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48:Canton Thurgau
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33:Gabriel Wüger
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206:W. Verkade,
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179:W. Verkade,
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25:Stabat Mater
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232:1892 deaths
227:1829 births
100:Pope Pius X
37:Benedictine
221:Categories
55:Peter Lenz
110:in 1892.
82:St Maurus
114:See also
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126:Notes
145:ISBN
76:).
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