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220:. The composer uses instruments with the great respect to their design, destination and limitations, yet she produces extraordinary effects. Her dazzling music is rich in invention and imagination. “Gabriela Moyseowicz is a genial composer whose work merits more attention”. The opinions like this have been expressed on several occasions by musical professionals and music lovers. The work of Gabriela Moyseowicz has been subjected to analyses by several authors.
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of the sixties” were never attractive for her. From her teens she searched for her own way and managed to develop an original style that has nothing to do with any “modern” or “fashionable” ideas of the second half of the 20th century. Gabriela’s compositions are thoroughly atonal, but listeners
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have, very often, an impression to hear the tonal music. It is a secret of
Gabriela’s workshop that she is able to extract from the highly complex sound material sequences of ear-friendly modern
199:). Two CDs with orchestral and piano compositions, respectively, were released. Scores of over twenty of Moyseowicz’s compositions were released by a famed musical editor in Berlin.
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after submitting her second piano concerto. A stormy discussion resulted, among the local professors, over
Gabriela’s dissertation in which she had presented her artistic attitudes.
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Gabriela
Moyseowicz has composed a variety of atonal instrumental and vocal works. They include piano-, violin- and cello-
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and choir director at a
Catholic church. She made several recordings of her own music for the German Radio (
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system, it has not been her main artistic goal to compose tonal music. The ideas of the “sclerotic
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she composed as school-exercises were the first indicators of the scope of the composer’s talent.
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From 1962 Moyseowicz attended composition classes at the
Academy of Music in KrakĂłw and the
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skillfully at the age of three. She was recognized as a musical prodigy at music schools in
154:. The concerto was both classical & romantic in style. The work and a number of superb
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composition of
Gabriela - “The Piano Sonata No. 1” (1960). Also, the atonal chamber work “
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Inspiration als Quelle des
Komponierens, Ein Porträt der Komponistin Gabriela Moyseowicz
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for two pianos. She performed it before a group of respected professors-musicians in
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169:” (1961) was met with a warm reaction by both the public and musical critics.
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Contentious material about living persons that is unsourced or poorly sourced
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Polish Music
Information Centre, biography of Gabriela Moyseowicz (in Polish)
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for string orchestra, piano variations and other occasional works.
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A renowned musical critic in KrakĂłw highly praised the first
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S. 107–110: Werkverzeichnis
Gabriela Moyseowicz, S.110
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Although
Moyseowicz has always been at ease with the
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359:Polish Music Information Centre, Warsaw, Poland:
49:but its sources remain unclear because it lacks
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150:and was instantly admitted to the prestigious
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349:Neuland Musikverlag Herbert Henck, Germany:
278:“NEULAND, Ansätze zur Musik der Gegenwart”
187:, where she worked for thirty years as an
88:Learn how and when to remove this message
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118:) is a Polish composer and pianist.
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430:21st-century classical composers
420:20th-century classical composers
410:Polish women classical composers
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435:21st-century classical pianists
425:20th-century classical pianists
415:Polish women classical pianists
322:“Neue Berlinische Musikzeitung”
318:“Wer sein Klavier nicht tritt…”
294:, Fischer Taschenbucher, 1981,
288:“Komponistinnen aus 500 Jahren”
274:weekly, 6 Feb. 2000, p. 95
370:Hommage Ă la Pologne (YouTube)
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328:„Portret Gabrieli Moyseowicz”
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365:Portrait Gabriela Moyseowicz
260:by Marian Wallek-Walewski,
218:contemporary classical music
183:In 1974 Moyseowicz moved to
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460:21st-century women pianists
455:20th-century women pianists
126:Gabriela Moyseowicz played
100:Polish composer and pianist
58:must be removed immediately
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400:Polish classical composers
152:Academy of Music in KrakĂłw
405:Polish classical pianists
307:, by David M. Cummings,
112:Gabriela Maria Moyseowicz
330:by Radosław Rzepkowski,
64:or harmful. Please help
232:, piano concertos, one
72:more precise citations.
450:Polish women composers
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324:, Berlin 1988, Heft 3
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114:(born 4 May 1944 in
395:Musicians from Lviv
334:monthly, No.8, 2004
320:von Bettina Brand,
107:Gabriela Moyseowicz
264:daily, 23 May 1961
262:”Gazeta Krakowska”
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37:list of references
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70:introducing
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379:Categories
252:References
167:Media Vita
246:capriccio
238:oratorium
203:Appraisal
122:Biography
272:“WPROST”
242:cantatas
234:symphony
189:organist
144:concerto
78:May 2023
62:libelous
230:sonatas
140:Gliwice
66:improve
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163:atonal
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148:KrakĂłw
132:Gdańsk
224:Works
209:tonal
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