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someone agrees to marry him without knowing his past. In a neighboring kingdom, Beauty is the daughter of a king and a different fairy. Beauty's mother has broken the laws of fairy society by falling in love with a human, so she is sentenced to remain in the fairy land and Beauty is sentenced to marry a hideous beast when she grows up (the same beast that the prince was turned into). After Beauty's mother disappears, the evil fairy unsuccessfully attempts to take Beauty's life and marry her father. Beauty's aunt, another good fairy, intervenes and exchanges Beauty for the dead daughter of a merchant. She also places the Beast in a magically hidden castle until Beauty grows old enough to meet him.
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197:, or Crébillon pÚre, the most famous writer of tragedies of the period. It is likely that she began co-habitating with Crébillon pÚre in the early 1730s, although the earliest documented date is 1748. She remained with him until her death in 1755 and assisted him with his duties as the royal literary censor. She thus became knowledgeable about the literary tastes of the Parisian reading public.
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294:. This book, which is as long as a conventional novel, was influenced by the style of 17th-century novels and contains many subplots or intercalated stories, one of which is the story of Beauty and the Beast. The Beast is "bĂȘte" in both senses of the French word: both a beast and lacking in intelligence. After her death, Villeneuve's tale was abridged, rewritten, and published by
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In 1706, Gabrielle-Suzanne married Jean-Baptiste Gaalon de
Villeneuve, a member of a noble family from Poitou. Within six months of their marriage, she requested a separation of property from her husband, who had already squandered much of their substantial joint inheritance. A daughter was born, but
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The Beast, a prince, loses his father at a young age. His mother has to wage war to defend his kingdom, and leaves him in the care of an evil fairy. This fairy attempts to seduce him when he reaches adulthood. He rejects her and she transforms him into a beast. He must remain in this form until
185:(1655-1712), was an early explorer of West Africa and the Caribbean, and worked as an agent on slave ships. He published his travel journals in French and English after he migrated to England to escape the persecution of Protestants after Louis XIV revoked the
302:
to teach young
English girls a moral lesson. In her widely popular publication, Leprince de Beaumont gave no credit to Villeneuve and thus she is often wrongly referred to as the author of the tale. Her shortened version is the one most commonly known today.
323:
Marie Laure Girou
Swiderski, "La Belle et la BĂȘte? Madame de Villeneuve, la MĂ©connue," Femmes savants et femmes d'esprit: Women Intellectuals of the French Eighteenth Century, edited by Roland Bonnel and Catherine Rubinger (New York: Peter Lang, 1997)
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no records indicate if she survived. In 1711, Gabrielle-Suzanne became a widow at the age of 26. She lost her fortune and was forced to seek employment to support herself. Eventually, she made her way back to Paris, where she met
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Madame de
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was considered her masterpiece and gave her her greatest commercial success. The
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Gabrielle-Suzanne de
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34:(28 November 1685 – 29 December 1755) was a French novelist influenced by
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writers. Villeneuve is particularly noted for her original story of
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395:. Cambridge, Massachusetts: Harvard University Press. p. 352.
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349:. The Endicott Studio. Archived from the original on 2014-07-26.
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Beauty: A Retelling of the Story of Beauty and the Beast
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Works by or about
Gabrielle-Suzanne Barbot de Villeneuve
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in 1740, and is the oldest known modern variant of the
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The
Writing s of Jean Barbot on West Africa 1678-1712
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Gabrielle-Suzanne de
Villeneuve was born and died in
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Bibliographie du genre romanesque français 1751-1800
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283:La jeune américaine, et les contes marins
224:La Jeune Américaine, et les Contes marins
157:Learn how and when to remove this message
768:Beauty and the Beast: A 30th Celebration
177:and was a descendant of Amos Barbot, a
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95:adding citations to reliable sources
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221:); two collections of fairy tales,
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231:(1745); and four novels,
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