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for their unorthodox style and preference for individualism. Gāo Fènghàn is not usually considered one of the eight
Yangzhou eccentrics, but is associational. Like his father, he served a minor post in the bureaucracy, but this did not occur until 1739. In 1736, this job led to his imprisonment. The
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following year, injuries during his time in prison combined with arthritis disabled his right hand. After that he painted with his left. These paintings have since gained some renown among
Chinese art collectors.
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to a minor bureaucrat. He was a painter, poet, and seal-carver, and he later became associated with the
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Gao
Fenghan in the collection of the Metropolitan Museum, New York
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82:Chinese Paintings in the Ashmolean Museum Oxford
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61:Fragrant Blossom Snow in the Desert Mountains
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127:This article about a Chinese painter is a
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65:Study in the Shade of the Wutong Tree
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184:. You can help Knowledge (XXG) by
131:. You can help Knowledge (XXG) by
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35:. These painters were known as
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27:(高鳳翰, 1683–1749) was born in
67:, Museum of East Asian Art,
33:Yangzhou school of painters
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246:Painters from Shandong
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256:Chinese painter stubs
241:Qing dynasty painters
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261:Chinese writer stubs
251:Artists from Qingdao
59:Gao Fenghan, (top):
20:Gao Fenghan Portrait
98:Artnet Page on him
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104:External links
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186:expanding it
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63:, (bottom):
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236:1749 deaths
231:1683 births
25:Gāo Fènghàn
225:Categories
38:eccentrics
29:Shandong
76:Sources
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86:Oxford
69:Dahlem
84:(48)
46:Works
182:stub
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89:ISBN
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