265:
inveterate misery, who was no fairer than so many others he saw each night at the Opéra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is
Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara – though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
244:
principals, which certainly find in us the main analogues which respond to them, sympathise with them, and magnify them by the power of thought. Air also has to contain particles of different elasticities and able to vibrate at as many different durations as there are tones of sound bodies, and these particles piece our ear ear, put to work by the musician, replying to ideas following our organisation.
27:
243:
Music is at once a science and an art. The roots it has in physics and mathematics makes it a science; it becomes an art by the inspiration that it uses whilst insulated from science's theorems. It owes physics the essence of the substance it employs, the sound of modified air; the air is composed of
264:
in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient,
248:
Misunderstood on its first publication, this short story has since been re-evaluated. Musicologists have demonstrated few errors in Balzac's research, which he passionately documented. He impressed
239:, Balzac addressed the musical world with the character of an instrument-maker who becomes a composer of mad music, as a substitute for himself as an author composing a work - he has Gambara say:
1392:
581:
524:
Klaus Ley, « Die Oper im Roman: Erzählkunst und Musik bei
Stendhal, Balzac und Flaubert », Heidelberg, Carl Winter Universitätsverlag, 1995.
915:
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214:, a short story also written by Balzac shortly after returning from Italy, highly impressed by what he called the "mother of the arts".
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with his ideas about opera during a conversation on music, and she advised him to write down what they had been discussing.
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182:, which he was also publishing. At the time of its publication, Balzac was going every week to the
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204:, published by Ă©ditions Souverain in 1839, before being published by Ă©dition Furne in 1846 in the
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Chantal Massol, Éd., Lise Dumasy, Intro., Toulouse, PU du Mirail, 2006, p. 137-47.
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Jean-Pierre
Barricelli, « Poésie and Suono: Balzac and Leopardi on Music »,
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1020:
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453:
Geneviève
Delattre, « Andrea Marcosini et les tribulations du romancier dans
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This work shows the formidable artistic intuition Balzac had already developed in
434:
Jewry in Music – Entry to the
Profession from the Enlightenment to Richard Wagner
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774:
739:
26:
477:
Louise Fiber Luce, « Alchemy and the Artist in Balzac’s
Gambara »,
1080:
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634:
391:, Larry H. Peer, Éd. et intro., Lanham, UP of America, 1998, p. 99-113.
325:
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Mélanges d’histoire du livre et des bibliothèques offerts à Frantz Calot
1342:
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470:, « Logique du récit musical chez Stendhal et chez Balzac »,
400:, « Mahomet et Robert-le-Diable : l’Esthétique musicale dans
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538:
Anthony R. Pugh, « Balzac’s
Beethoven: A Note on Gambara »,
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101:
191:
563:
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The
Milanese nobleman count Andrea Marcosini strolls to the
317:
Notes by Pierre Brunel for
Gambara, volume also including
414:
Pierre Citron, « Gambara, Strunz et
Beethoven »
472:
Stendhal, Balzac, Dumas : un récit romantique ?
527:
Roger Pierrot, « La Véritable Édition originale de
380:
Pierre Brunel, « Gambara, ou l’opéra ivre »,
358:
518:, Fall-Winter 1986-1987, n° 15 (1-2), p. 62-69.
418:, Paris, Eds. Garnier Frères, 1967, p. 165-170.
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552:de Balzac : les Effets et les causes »,
548:Daniela Teodorescu, « Deux Personnages dans
424:Pierre Citron, « Préludes à Gambara »,
366:Max Andréoli, « Sublime et parodie dans les
329:, « Folio classique », Gallimard, 1995.
198:. The text was edited into a single volume with
172:Schlesinger commissioned the novella to promote
241:
575:
8:
286:The Human Comedy: Introductions and Appendix
19:
582:
568:
560:
487:J.-C. Fizaine, « Génie et folie dans
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436:. Cambridge: Cambridge University Press.
556:, Spring 2004, n° 58 (1), p. 29-42.
514:: Music Is a Science and an Art »,
993:Les Secrets de la princesse de Cadignan
274:
384:, 1985, n° 13, pp. 133–139.
916:Splendeurs et misères des courtisanes
428:, 1982, n° 3, pp. 292–294.
7:
359:Text of Gambara on French Wikisource
1321:Petites misères de la vie conjugale
408:, 1984, n° 4, pp. 51–78.
510:Bettina L. Knapp, « Balzac’s
389:Romanticism across the Disciplines
147:Revue et gazette musicale de Paris
14:
1393:Short stories by Honoré de Balzac
516:Nineteenth-Century French Studies
144:, first published in 1837 in the
481:, 1978, n° 3 (1), p. 67-74.
25:
705:Mémoires de deux jeunes mariées
16:Short story by Honoré de Balzac
1361:Armorial de la Comédie Humaine
507:, 1979, n° 175, p. 61-75.
1:
308:Conway (2012), p. 238, p. 255
150:at the request of its editor
1123:Scènes de la vie de campagne
944:Les Comédiens sans le savoir
820:Scènes de la vie de province
621:La Maison du chat-qui-pelote
461:, 1984, n° 4, p. 79-91.
374:, 1994, n° 15, p. 7-38.
1383:Books of La Comédie humaine
908:Scènes de la vie Parisienne
505:Revue des sciences humaines
338:Notes by Pierre Brunel for
1409:
1247:Un drame au bord de la mer
1113:Une passion dans le désert
1098:Scènes de la vie militaire
1060:Un Ă©pisode sous la Terreur
1045:Scènes de la vie politique
1314:La Physiologie du mariage
603:
24:
1275:Sur Catherine de MĂ©dicis
1170:La Recherche de l'absolu
535:, 1961, p. 175-179.
1352:Related works by others
1191:Le Chef-d'Ĺ“uvre inconnu
1177:JĂ©sus-Christ en Flandre
958:La Duchesse de Langeais
884:Le Cabinet des Antiques
613:Scènes de la vie privée
220:le Chef-d'Ĺ“uvre inconnu
201:le Cabinet des Antiques
1261:L'Elixir de longue vie
1131:Le MĂ©decin de campagne
1067:Madame de la Chanterie
1053:Une ténébreuse affaire
965:La Fille aux yeux d'or
923:Un prince de la bohème
870:La Muse du département
719:La Femme de trente ans
432:Conway, David (2012).
246:
1155:Études philosophiques
891:Le Lys dans la vallée
863:L'illustre Gaudissart
754:Le Contrat de mariage
206:Études philosophiques
156:Études philosophiques
1035:Les Petits Bourgeois
761:Un début dans la vie
684:Autre Ă©tude de femme
542:, 1966, n° 8: 43-46.
194:and at the shows in
184:Théâtre des Italiens
140:is a short story by
1338:Eugène de Rastignac
1233:Le RĂ©quisitionnaire
930:Un homme d’affaires
796:La Messe de l'athée
726:La Femme abandonnée
670:La Fausse Maîtresse
459:L’Année balzacienne
426:L’Année balzacienne
416:L’Année balzacienne
406:L’Année balzacienne
372:L'Année balzacienne
290:. Project Gutenberg
154:. It is one of the
152:Maurice Schlesinger
81:Hippolyte Souverain
21:
1388:1837 short stories
1306:Études analytiques
1184:Melmoth réconcilié
1163:La Peau de chagrin
1138:Le Curé de village
986:La Maison Nucingen
789:Le Colonel Chabert
691:La Grande Bretèche
656:Une double famille
592:La Comédie humaine
370:de Balzac »,
282:Honoré de Balzac.
161:La Comédie humaine
72:La Comédie humaine
1370:
1369:
1088:Le Député d'Arcis
898:Illusions perdues
663:La Paix du ménage
443:978-1-107-01538-8
174:Giacomo Meyerbeer
133:
132:
98:Publication place
1400:
1268:Maître Cornélius
1021:La Cousine Bette
877:La Vieille Fille
849:Le Curé de Tours
628:Le Bal de Sceaux
597:Honoré de Balzac
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1212:Massimilla Doni
1198:L'Enfant maudit
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712:Une fille d'Eve
649:Madame Firmiani
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500:Massimilla Doni
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468:BĂ©atrice Didier
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292:. Retrieved
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256:Plot summary
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53:Pierre Vidal
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1145:Les Paysans
1106:Les Chouans
1014:Facino Cane
642:La Vendetta
546:(in French)
522:(in German)
485:(in French)
479:Centerpoint
465:(in French)
451:(in French)
422:(in French)
412:(in French)
395:(in French)
382:Corps Ă©crit
378:(in French)
364:(in French)
250:George Sand
50:Illustrator
31:Image from
1377:Categories
1240:El Verdugo
1219:Les Marana
740:Le Message
269:References
176:'s opera,
1296:Séraphîta
1081:Z. Marcas
1007:Sarrasine
842:Pierrette
635:La Bourse
554:Symposium
531: »,
503: »,
457: »,
404: »,
326:Sarrasine
232:Sarrasine
226:la Bourse
78:Publisher
1074:L'Initié
951:Ferragus
782:Honorine
294:20 April
58:Language
20:Gambara
1343:Vautrin
1331:Related
1205:Gambara
775:BĂ©atrix
747:Gobseck
550:Gambara
529:Gambara
512:Gambara
495:Gambara
455:Gambara
402:Gambara
340:Gambara
237:Gambara
235:. With
168:History
137:Gambara
33:Gambara
440:
196:Venice
128:
115:
102:France
68:Series
62:French
40:Author
1226:Adieu
344:Ibid.
192:Milan
188:Scala
438:ISBN
323:and
296:2018
92:1837
595:by
497:et
190:in
158:of
1379::
493:,
342:,
223:,
164:.
583:e
576:t
569:v
446:.
298:.
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