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displays the "Exploits of
Perseus". He also painted altar-pieces for several of the churches, most of which have been destroyed. In 1562 he completed the main
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192:, the Spanish national church in Rome. This tabernacle may have later been melted down to fashion a new Baroque tabernacle, stolen in 1741.
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May, Rose Marie (2021). "San
Giacomo degli Spagnoli in Rome on the Forefront of Reform". In DiFuria, Arthur J.; Verstegen, Ian (eds.).
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In 1556 Becerra married Doňa Paula
Velasquez and returned to Spain and settled in Zaragoza for a time. He was extensively employed by
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Content in this edit is translated from the existing
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His fame as a sculptor almost surpassed that as a painter. One of his best works was a magnificent figure of the
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church, where, in 1555, he painted a ‘Nativity’. He also contributed to the anatomical plates of
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around 1563, and played a prominent part in the establishment of the fine arts in Spain.
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Space, Image, and Reform in Early Modern Art: The
Influence of Marcia Hall
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The monastery convent of the
Descalzas Reales: Guide-book for sightseers;
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to the source of your translation. A model attribution edit summary is
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donated funds to commission
Becerra to provide a gold tabernacle for
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This article incorporates text from a publication now in the
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Historical
Anatomies on the Web. US National Library of Medicine.
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wrote a poem, "Gaspar
Becerra", included in his 1850 collection
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chapel of the convent of Our Lady of
Victory. The high altar of
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Selected pages scanned from Juan Valverde de Amusco's
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a machine-translated version of the Spanish article.
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217:Convent of Las Descalzas Reales
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410:Annals of the Artists of Spain
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515:16th-century Spanish painters
379:A History of Spanish Painting
269:The Seaside and the Fireside
16:Spanish painter and sculptor
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207:. A ceiling fresco in the
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