115:
These authors, as the name of their hero may suggest, tried to provide a representation of an idealized poet soldier, eager for love and beauty very different from the reality of the violence and hatreds of the actual warfare then raging. Their alternative world is harmonious, fulfilled and orderly,
65:
The
Garcilaso movement bought together a number of poets who called themselves Garcilasistas because they met initially to celebrate the four hundredth anniversary of the death of Garcilaso de la Vega on October 14, 1536. The Civil War had already begun in summer of that year. They formed part of a
123:
who wrote "Ángeles de
Compostela o Alondra de verdad" (approximately: Angels of Pilgrims or Lark of Truth). The language of the garcilasistas poetry may have been intended to echo and revitalize the neo-popular patriotic spirit of Generation of 27.
111:
The
Garcilasismo poetry style broke with traditional metrics, giving predominance to the sonnet, which constructed and resolved harmoniously, in contrast to the harrowing reality of Spain after the Civil War.
46:
was a
Spanish soldier and poet who first introduced the Italian Renaissance verse forms into Spanish poetry in the early 16th Century. The first three editions of the magazine were edited by
116:
if somewhat melancholy. The themes of the
Garcilasistas are those of lyrical poetry: love, death, God, the Castilian landscape, their homeland and nation.
66:
wider group of academics and artists known as "Generation of 36" who were working about the time Civil war broke out. Leading
Garcilasistas included:
119:
Similar sentiments may also ascribed some earlier works of "Generation of 27" (writers if the early period of the II Republic) such as the poet
182:
191:
43:
206:
28:
143:
138:
42:
The movement took its name from a magazine entitled "Garcilaso" which was first published in 1943,
179:
75:
90:
85:
47:
133:
53:
The
Garcilasismo genre falls within a wider category of contemporary Spanish poetry which
32:
186:
80:
50:. It enjoyed only a short life (up to number 36) and ceased publication in April 1946.
95:
200:
120:
54:
100:
70:
36:
57:
dubbed "poesía arraigada" (indicating "root" or primitive poetry).
162:
José Esteban, Julián Marcos, Mariano Tudela, (2002),
8:
155:
27:) is one of the main themes of Spanish
7:
14:
31:poetry whose followers met in
1:
223:
164:«El libro del Café Gijón»
180:La voz del Garcilasismo
76:es:Luis Felipe Vivanco
44:Garcilaso de la Vega
192:Poesia de posguerra
134:Café Gijón (Madrid)
185:2016-03-04 at the
166:,Madrid, pp:44-45
86:Dionisio Ridruejo
48:Jose Garcia Nieto
21:Juventud Creadora
214:
167:
160:
101:es:Jose Valiente
222:
221:
217:
216:
215:
213:
212:
211:
197:
196:
187:Wayback Machine
176:
171:
170:
161:
157:
152:
130:
109:
107:Characteristics
96:es:García Nieto
81:Leopoldo Panero
63:
19:(also known as
17:El Garcilasismo
12:
11:
5:
220:
218:
210:
209:
207:Spanish poetry
199:
198:
195:
194:
189:
175:
174:External links
172:
169:
168:
154:
153:
151:
148:
147:
146:
141:
136:
129:
126:
108:
105:
104:
103:
98:
93:
91:Salvador Pérez
88:
83:
78:
73:
62:
59:
29:post-civil-war
25:Creative Youth
13:
10:
9:
6:
4:
3:
2:
219:
208:
205:
204:
202:
193:
190:
188:
184:
181:
178:
177:
173:
165:
159:
156:
149:
145:
144:Generacion 27
142:
140:
139:Generacion 36
137:
135:
132:
131:
127:
125:
122:
121:Gerardo Diego
117:
113:
106:
102:
99:
97:
94:
92:
89:
87:
84:
82:
79:
77:
74:
72:
69:
68:
67:
61:Personalities
60:
58:
56:
55:Damaso Alonso
51:
49:
45:
40:
38:
34:
30:
26:
22:
18:
163:
158:
118:
114:
110:
71:Luis Rosales
64:
52:
41:
24:
20:
16:
15:
150:References
33:Café Gijón
201:Category
183:Archived
128:See also
37:Madrid
23:or
203::
39:.
35:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.