Knowledge (XXG)

Garrett Eckbo

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greater Los Angeles-San Diego, Palm Springs, San Francisco Bay and Lake Tahoe areas. In addition to protected county, state and federal lands existing at the time, EDAW's plan identified a further 330,000 acres for protection. In strong language, it warned against the automobile and foretold the climate crisis. "A new ethical attitude about land use is needed," intoned EDAW's report, "in order to protect the environment for everyone’s benefit."
486:. Gehry credits Eckbo and Simon Eisner, who taught city planning, in encouraging him to follow his "liberal political do-gooder leanings" and apply to Harvard Graduate School of Design for graduate work in city planning: "they also knew I wasn't interested in doing rich guys' houses and that I would be more emotionally inclined toward low-cost housing and planning." 335:, "and from an airplane it looks as if nobody knew what they were doing or where they were building. There's a near total absence of physical community in America today, no sequence of qualitative connections and experiences. What we landscape architects are about is to try to bring some intelligence to that pattern." 514:, a summation of humanistic principles that at the time in the decade of the late 1990s may have seemed novel to a generation that grew up in a very different climate for design in the public realm than the social and economic transformations Eckbo lived through during the Great Depression and post war period. 328:"Today, one finds the center of city or town only by the increasing height of buildings, the increasing clamor of lights and signs, and the increasing congestion of traffic," he wrote. "We still build temples and palaces and many other splendid structures, but they are lost in the modern urban jungle." 522:
That's the feeling put out by the people who make money by putting it out, in the true spirit of enterprise. What should happen in the next century is a developing understanding of the basic relations between society and nature. There is a social ideal that's badly mangled but still around -- that we
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Mr. Eckbo's great success in doing just that is evident in the more than 1,000 highly varied schemes he produced for clients ranging from migrant farm workers in California's Central Valley to Gary Cooper in Beverly Hills. But despite his important role in creating a distinctive new style of American
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In other projects, Mr. Eckbo advanced the quintessential California mode of indoor-outdoor living, casual recreation and the flexible use of space. "In the landscape profession," Mr. Eckbo explained, "small gardens are not seen as our highest aspiration. If you can do a 50-acre park, it must be more
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Eckbo's social inquiry techniques, environmental, landscape and living teachings have continued to exert influence internationally through the practice of the firms he founded, including the large and international EDAW / AECOM and international students at UC Berkeley, such as Mexican architect and
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In a period in history when suburban sprawl was ascendant, EDAW's open space plan for the state of California was as innovative as it was provocative. The very idea of an "open space plan" was a novel one. The firm drew up plans to preserve open spaces in danger of encroachment on the fringes of the
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In 1946, Eckbo resettled in Los Angeles to take advantage of its growing opportunities for private practice. Never a puritan, he threw himself with gusto into defining the landscape of a new American dream. "L.A. is larger, looser, a place of freer movement socially than the Bay Area," he said. "The
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He received numerous awards, including UC Berkeley's College of Environmental Design Distinguished Alumnus of 1998, the American Society of Landscape Architects Medal of Honor in 1975, the Architectural League of New York's gold medal in 1950 and the American Institute of Architect's merit award in
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in 1964, which in 1973, officially adopted the moniker, EDAW. Guided by a progressive vision of the leadership role of landscape architecture, EDAW became involved in sustainable planning at the regional scale as early as the 1960s when the firm created the California Urban Metropolitan Open Space
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Mr. Eckbo had a leading hand in planning what many scholars consider the postwar period's finest subdivision scheme, the 256-acre Ladera Housing Cooperative near Palo Alto. But the project was never fully realized without Federal Housing Authority financing, which was probably withheld because the
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During World War II, the agency shifted its focus to housing for defense workers. Mr. Eckbo designed site plans for 50 such settlements on the West Coast. But peace brought a different public attitude. "There were products we wanted to buy, things we wanted to do, a great outflow of energy, demand
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EDAW also began to work internationally, with projects in New Delhi, India (Lodi Park and the Ford Foundation Headquarters) and Osaka, Japan (Civic Center) among other locations worldwide. Eckbo famously said: "design shall be dynamic, not static. Design shall be areal, not axial. Design shall be
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Mr. Eckbo's eagerness to experiment during the 1950s was epitomized by his theatrical Beverly Hills swimming pool design for the owner of Cole of California, the bathing suit company. The landscape architect cantilevered a steel beam spanning the width of the pool to support a masonry wall and a
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Those major organizational plantings of Chinese elms, cottonwoods, mulberries, sycamores and other hardy species were softened with magnolias, oaks and olives for shade and almond and plum trees for color. The landscape architect sees nothing extraordinary about going to such trouble for the
258:) asked Eckbo to create a garden containing large amounts of aluminum, for the company's publicity purposes. Aluminum had been widely used during the war years as a component in airplane manufacture, but ALCOA was interested in promoting the metal's peacetime use as well. 361:, where Eckbo taught said Eckbo's books always contained numerous illustrations of his observations and theoretical positions. Some of the illustrations reflected actual projects, others were proposals that Eckbo thought should be real, she said. 225:
important. But for me the private garden has always been a laboratory for developing new ideas and concepts. Any family that has a quarter-acre backyard has got a real project. Any improvement of any space is a step forward."
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is defined as being carefully planned, richly decorated and being influenced by classical art and architecture. Eckbo graduated with a B.S. in landscape architecture in 1935 and subsequently worked at Armstrong Nurseries in
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Throughout Eckbo's career he maintained his vision of the interaction of art and science to create environments that were functional and livable, while maintaining the social, ecological and cultural approach to design.
194:'s 1939 novel about farmers dislocated by the dust bowl. "The F.S.A. was a remarkable experience because it had the really creative atmosphere a public agency can have if it's not inhibited by some frustrating force." 291:
Growth in the firm continued apace in the 1970s and '80s, with new satellite offices in Alexandria, Virginia, and Atlanta, Georgia. In 1979 Eckbo left EDAW, the firm he helped to found. EDAW was acquired by
343:, Mr. Eckbo is still not as widely known outside certain practical and academic architectural and landscape circles, although his students and colleagues bear testament to his teachings and humanity. 367:
Eckbo died on May 14, 2000, after a stroke. He was survived by his wife, Arline, of Oakland; daughters Marilyn Kweskin and Alison Peper of Los Angeles; six grandchildren and two great-grandchildren.
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Beginning his studies at Harvard, Eckbo found that the curriculum followed the Beaux-Arts method and was similar to the one at Berkeley but more rigidly entrenched. Eckbo, along with fellow students
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The very successful firm of Eckbo, Royston and Williams designed hundreds of projects including residential gardens, planned community developments, urban plazas, churches and college campuses.
80:. It was during his stay in Norway that he began to focus on his future. Once he returned to the U.S., he worked for several years at various jobs saving money so that he could attend college. 72:, where they struggled financially while he grew up. After Eckbo graduated from high school in 1929, he felt a lack of ambition and direction and went to stay with a wealthy paternal uncle, 504:
At the request of UC Berkeley's Institute of Governmental Studies, Eckbo wrote "Public Landscape," ranking architectural and planning successes and failures from the public arena.
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landscape design during the expansive postwar years, when his lively, innovative gardens were the horticultural equivalents of the architecture and furniture of Charles and
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Technology Corporation in 2005, whose work continuously strives to include cross-disciplinary work and link environmental and social goals to improve quality of life.
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resisted and began to "explore science, architecture, and art as sources for a modern landscape design." Eckbo began to take architecture classes with the former
863: 1086: 321:"Art emotionalizes the intellect. Science intellectualizes the emotions. Together, they bring order to nature and freedom to man," he wrote in his 1969 book, 124:
where he designed about a hundred gardens in less than a year. After working at the Nurseries, he was restless to expand his creative horizons and entered
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series of concrete diving platforms that allowed models to swim under the backdrop unnoticed and then emerge like Esther Williams from the deep.
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Leaving the firm in 1979, Eckbo first formed the firm Garrett Eckbo and Associates and finally Eckbo Kay Associates with Kenneth Kay.
170:. Eckbo would convey a sense of movement in his designs by the layering and massing of plants as inspired by the artists' paintings. 93: 178:
After receiving his MLA degree from Harvard in 1938, Eckbo returned to California where he worked in the San Francisco Office of the
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dispossessed. "You were conscious of social problems that existed, and you tried to think of ways to improve them," he said.
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In 1940, Eckbo joined with his brother–in-law, Edward Williams to form the firm Eckbo and Williams. Five years later
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1953. In 1970, he won an American Society of Landscape Architects' merit award for Lodi Park in New Delhi, India.
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Treib, M & Imbert, D: 'Garrett Eckbo: Modern Landscapes for Living'. University of California Press, 1997.
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In 1963, he returned to Berkeley to head the department of landscape architecture where he had been a student.
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introduced Eckbo to the idea of the social role in architecture, the link between society and spatial design.
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The alleged guardians of the landscape look at what we call good sense as an intrusion on their prerogatives,
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Though he gave up designing when he turned 80, he continued to write for several years after, including
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Simon, Libby (Summer 2019). "Eckbo in Wonderland: Housing and Landscaping for the Planned Community".
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Many of Eckbo's gardens accompanied well known leading modernist architect housing design, including
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In 1997, the UC Berkeley Art Museum mounted a "Garrett Eckbo: Landscape for Living" exhibit.
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Garrett Eckbo Collection, Environmental Design Archives, University of California, Berkeley
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as an Associate member, and became a full Academician in 1994. In 1968, he signed the "
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While Eckbo was at Berkeley he was influenced by two of the programs faculty members,
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Treib, M. (2000). Thomas Church, Garrett Eckbo, and the Postwar California Garden
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Eckbo was also influenced by the works of several abstract painters, including
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should all work together cooperatively. That's a simple and powerful idea.
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and desire. Prosperity is bad for morale," he said. "It makes us greedy."
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Eden: Journal of the California Garden & Landscape History Society
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1938-44: Housing for migrant workers in California, Arizona and Texas
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He was the chairman of the Department of Landscape Architecture at
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Schwenk, K. (2001). "Garrett Eckbo: Pioneer of Modern Landscape".
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1952: Alcoa Forecast Garden (Eckbo residence), Los Angeles, CA
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years I spent there were the best of my professional life."
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Linda Jewell, professor of landscape architecture at the
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three dimensional, people live in volumes, not planes."
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Lamprecht, Barbara; Linnert AIA, John (July 17, 2014).
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Landscape Design: a Cultural and Architectural History
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from 1948 to 1956. Among his students were architect
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1947: Ladera Cooperative (architects: John Funk and
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He would eventually form the highly successful firm
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An aerial view of the landscape at Union Bank Plaza
132:by way of a scholarship competition, which he won. 22:(November 28, 1910 – May 14, 2000) was an American 478:Eckbo taught at the School of Architecture at the 827:Gregory Ain: The Modern Home as Social Commentary 516: 765:"Landscape Visionary for a New American Dream" 543:republished in 2002 (Hennessey & Ingalls) 8: 1037:Modernist architects from the United States 916:Francis, M. & Hester, R. T. Jr. (eds): 758: 756: 715:"The Eckbo Garden: A Landscape of Aluminum" 615:Garrett Eckbo: Modern Landscapes for Living 425:, CA - site bought and house demolished by 934:. New York, NY: Harry Abrams, Inc.; 2001. 638: 636: 540:"a seminal book in landscape architecture" 439:1962: Long-range development plan for the 254:In 1956, the Aluminum Company of America ( 1097:University of California, Berkeley alumni 1077:University of Southern California faculty 903:by Barbara Isenberg/Knopf, April 21, 2009 819: 817: 815: 813: 719:Environmental Design Archives Exhibitions 469:1970: Tucson Community Center, Tucson, AZ 1082:Harvard Graduate School of Design alumni 789: 787: 1032:American landscape and garden designers 576: 920:. Cambridge, MA: The MIT Press; 1990. 611:Treib, Marc; Imbert, Dorothée (1996). 445:1964-68: Union Bank Plaza (architect: 393:1947-48: Community Homes (architect: 386:1946: Park Planned Homes (architect: 376:1935: Landscape design for architect 7: 1087:Modernist architecture in California 798:. University of California, Berkeley 647:. American National Biography Online 414:1948: Mar Vista Housing (architect: 763:Filler, Martin (February 2, 1997). 669:. The Cultural Landscape Foundation 312:Writers and Editors War Tax Protest 206:community was racially integrated. 723:University of California, Berkeley 619:. University of California Press. 359:University of California, Berkeley 94:University of California, Berkeley 26:notable for his seminal 1950 book 14: 1067:People from Cooperstown, New York 794:Maclay, Kathleen (June 8, 2000). 480:University of Southern California 306:In 1964, he was elected into the 1092:20th-century American architects 862:Anguiano, Dani (20 April 2024). 643:Goedeken, E. A. (October 2002). 277:Eckbo, Dean, Austin and Williams 174:Professional work and philosophy 1072:People from Ontario, California 462:1968: Lodhi Garden (architect: 407:1948: Avenel Homes (architect: 92:for a year, he enrolled at the 901:Conversations with Frank Gehry 890:UNM Heritage Preservation Plan 51:Eckbo, Dean, Royston, Williams 16:American architect (1910–2000) 1: 1027:American landscape architects 346:Other books by Eckbo include 190:' was our bible," he said of 537:(Duell, Sloan & Pearce) 180:Farm Security Administration 1052:California people in design 1113: 987:Retrieved August 30, 2004. 695:. University of California 308:National Academy of Design 1057:Activists from California 447:Harrison & Abramovitz 130:Graduate School of Design 830:. Rizzoli Publications. 824:Denzer, Anthony (2008). 441:University of New Mexico 431:Katherine Schwarzenegger 550:Art of Home Landscaping 421:1950: Zimmerman House, 397:), Reseda, CA (unbuilt) 1062:American tax resisters 918:The Meaning of Gardens 585:"Garrett Eckbo | TCLF" 557:Urban Landscape Design 525: 423:Brentwood, Los Angeles 352:Urban Landscape Design 272: 98:landscape architecture 52: 44: 512:People in a Landscape 270: 62:Cooperstown, New York 50: 38: 564:The Landscape We See 535:Landscape for Living 497:landscape architect 348:Landscape for Living 323:The Landscape We See 280:Plan for the State. 96:where he majored in 90:Marin Junior College 29:Landscape for Living 729:on January 22, 2015 493:from 1963 to 1969. 466:), New Delhi, India 188:The Grapes of Wrath 113:Beaux Arts-movement 70:Alameda, California 24:landscape architect 996:2012-07-28 at the 911:Additional sources 770:The New York Times 464:Joseph Allen Stein 458:Fresno, California 449:), Los Angeles, CA 418:), Los Angeles, CA 411:), Los Angeles, CA 402:Joseph Allen Stein 378:Edwin Lewis Snyder 273: 243:2015-01-22 at the 164:László Moholy-Nagy 126:Harvard University 53: 45: 984:UNM-Quantum 2001. 837:978-0-8478-3062-6 371:Selected projects 213:joined the firm. 160:Wassily Kandinsky 105:H. Leland Vaughan 66:Chicago, Illinois 41:Imogen Cunningham 39:Garrett Eckbo by 1104: 954: 904: 898: 892: 887: 881: 880: 878: 876: 859: 853: 852: 850: 849: 840:. Archived from 821: 808: 807: 805: 803: 791: 782: 781: 779: 777: 760: 751: 745: 739: 738: 736: 734: 725:. Archived from 711: 705: 704: 702: 700: 685: 679: 678: 676: 674: 662: 656: 655: 653: 652: 640: 631: 630: 608: 599: 598: 596: 595: 581: 520:Mr. Eckbo said. 404:), Palo Alto, CA 238:Robert Alexander 168:Kasimir Malevich 88:After attending 1112: 1111: 1107: 1106: 1105: 1103: 1102: 1101: 1017: 1016: 998:Wayback Machine 978: 944: 930:Rogers, E. 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Index

landscape architect
Landscape for Living

Imogen Cunningham

Cooperstown, New York
Chicago, Illinois
Alameda, California
Eivind Eckbo
Norway
Marin Junior College
University of California, Berkeley
landscape architecture
H. Leland Vaughan
Thomas Church
Beaux Arts-movement
Ontario
Los Angeles
Harvard University
Graduate School of Design
Dan Kiley
James Rose
Bauhaus
Walter Gropius
Marcel Breuer
Wassily Kandinsky
László Moholy-Nagy
Kasimir Malevich
Farm Security Administration
Central Valley

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